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Category: Behind the Scenes


Spock with tricorder

It’s a question die-hard Star Trek fans ask themselves:  If you could own one favorite Star Trek prop, what would it be?  This weekend a Star Trek Facebook page asked thousands of followers to comment on one question:  If you could have any autographed Trek prop, what would it be and who would you have sign it?  With nearly 2,000 respondents we thought it was a good opportunity to use these responses from across Star Trek fandom to see if we can glean what Star Trek fans think are the most iconic props of the franchise.  It’s not all that scientific, since the page posting the question was a general Star Trek page, and many fans may only follow the individual pages from any of the Star Trek series.  The image shown in the post was of an original series phaser–did that skew fans to select that prop?  Are there more original series fans in the mix who follow this page?  We don’t know.  But the results are still interesting and who better than a random group of Trek fans to share what they see as the top Holy Grail of Trek props?

The question is ongoing, with hundreds more responses entered after we stopped tracking answers–around 1,860.  Many responses were attempts at humor–many claiming Shatner’s toupee as their response (how do you autograph a toupee anyway?).  Others were rude or sexist or otherwise the typical worthless responses you find across social media on any given day.

Worf bat'leth from Firstborn

Also, nobody addressed a key topic–why do people think it’s a good thing to autograph a screen-used prop?  The truth is that collectors of screen-used props will refuse to purchase a prop if it has been defaced in any way, especially by an autograph (screen wear and tear excepted).  Recent auctions of an original series gold tunic worn by William Shatner sold for a fraction of what a similar one sold for that was not so marked.  The autograph literally cost the consigner thousands of dollars.  One rare command Starfleet uniform worn by Robert Picardo on Star Trek Voyager was once highly sought after by collectors, and has remained unsellable for years because of a scrawling signature across the front.  The bottom line: Collectors prefer a prop or costume to look just as it did the last time it was shown on the screen.  Actors would be well-advised to refuse to autograph screen-used props at least without first telling fans they may be ruining their chances to re-sell the prop down the road.  Whether or not you think you might keep a prop forever, do yourself a favor and don’t limit your future options.

Putting the “should they/shouldn’t they” question aside, the great response showed fans love their favorite Trek and thousands would want a piece of TV or film history signed by their favorite actor.  So what did we learn?

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The Bionic Man Volume Three End of Everything Gillespie Tadeo Mayhew Villegas Dynamite

Dynamite Comics’ The Bionic Man series, especially Issues #17-26, was among the best comic book reading of 2013.  They are now available in a trade paperback: The Bionic Man Volume Three: End of Everything.  Featuring a story by Aaron Gillespie, with art by Ed Tadeo and Rey Villegas, colors by Thiago Ribeiro, letters by Simon Bowland, and covers by Mike Mayhew with other regular edition covers and variants by prolific Dynamite Comics artists Jonathan Lau and Ed Tadeo.

The Bionic Man is a great read and recommended for comic book fans.  It features Aaron Gillespie’s storytelling, which we lauded on our borg.com Best of 2013 list last year.  It also has the whole package from cover to cover–story, art, covers, humor, action, and fun.  We won’t re-state what we said in our review last year–you can read that here.  Enough of the origin stories that bogs down superhero books, this Steve Austin was able to get out there and do something.

Bionic Man Issue 20 cover by Mayhew   JF Kennedy bread card 1976

The series featured some of our all-time favorite cover art, with a cover run on Issues #17-22 by The Star Wars artist Mike Mayhew.  Mayhew created a new, cool, young look for Steve Austin, who sported the classic track suit updated for a modern audience and fashion sense.  His Issue #19 cover has Steve holding a car over his head, and you get to really see the strength.  Probably his best cover is for Issue #20, an inspiring cover which reminds me of one of my favorite paintings of President Kennedy.

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Stephen Amell Nerd HQ 2014

Nerd HQ wrapped this weekend’s panels for charity with some good Q&A sessions.  If you haven’t seen earlier Nerd HQ panels, we at borg.com have been covering them since 2011 here when we saw Scott Bakula in San Diego at the inaugural event.  Check out this link for past panels.  We even got immortalized at the beginning of Zachary Levi’s introduction of Bakula as Levi was momentarily startled by a certain Tenctonese alien in the crowd in this video (“Ma’am, do you realize you have no hair on your head?”):

We’re still finding photos on the Web Comic-Con visitors snapping photos of us in that Alien Nation cosplay.

This weekend posted the first days of the panels from this year’s Nerd HQ here and here.  Nerd HQ wrapped with more panels Sunday.  Making his first appearance at Nerd HQ was the man playing one of our favorite characters, Arrow’s Oliver Queen, Stephen Amell:

The Winchester brothers returned again for this Supernatural panel with Mark Sheppard

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McClain panel 2

WELCOME TO EARTH-4

A Weekly Column with J. Torrey McClain

I got to drive 125 miles south and east yesterday to visit the horde of awesome that is Comic-Con.  As usual, it was a blast and I wish I had the mutant ability of Jamie Madrox the Multiple Man to see every panel, hang out at every booth, visit every place outside the Con and then at the end of the day, try every dessert at Café Zucchero.  However, I am just one man in one place at one time in this universe.  So, let me break down my small piece of Saturday in San Diego.

The Great

- As a Los Angeleno, the two banes of my existence in this metropolitan monstrosity are traffic and parking.  Driving down took only two hours and I found a lot that only charged $5 for 12 hours.  It doesn’t get much better than that.

- At forty minutes before high noon, I made my way to room nine and the line forming outside.  The line kept on filling and filling and soon I was glad to have foregone any extra time on the floor, for I got to see “Berkeley Breathed: The Last Comic-Con Panel!”  The whole session consisted of Breathed joking about himself, his love of merchandising and his “tiff” with Bill Watterson.  Sitting in the room laughing made evident the comic quickness of the mind behind Opus and Bill the Cat.  It made me miss “Bloom County,” “Calvin and Hobbes” and “The Far Side,” all bits of my past that now only show up in collections (like the future upcoming collection of Breathed’s work “Academia Waltz” from his time at the University of Texas.)  The bit of the panel that will stick with me the most is about how times have changed and how the comic pages have begun to fade.  Pieces of art, comedy and commentary that were in 100 million newspapers on kitchen tables 30 years ago, now barely make it out of the tin boxes in the vestibules of IHOPs.

McClain panel 1

- I may have missed the “Saga” panel at 1 pm, but I caught Brian K. Vaughn and Fiona Staples during the “Strong Female Characters” panel two hours later in the same room.  June Brigman, Colleen Coover, Sara Mayhew, Jimmy Palmiotti, Amanda Conner, Paul Tobin, Vaughn and Staples talked about what it takes to make strong female characters, how they approach it and listed some of their current favorites.  The story that will last with me though came from the moderator, Maggie Thompson.  She told the story of her husband reading to their daughter a run of “Fantastic Four” every night before bed.  As a gift for their daughter when she was away in college they gave her a bound collection of a great many of those same stories.  When she received them and started to read the stories, she angrily called her mom and yelled that these were not the stories her father had read to her.  It turns out that her father had read her all of Reed Richard’s lines as the words said by Sue Storm.  He didn’t want the only female superhero in the story to be the one that fades and hides.

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Sesame Street at NerdHQ

Nerd HQ offered up a great variety of panels from the best of TV Saturday.  Here are some great panels to check out.  After four years of 45 minute panels offered just yards from San Diego Comic-Con, many of these have become a source for stand-up comedy from the actors.  See for yourself.

First up what may be the best panel idea ever, the voices and muppets themselves, from Sesame Street, Grover, Cookie Monster, Bert, and Murray.  And Grover reveals the true identity of Super Grover.  This one can’t be missed.

A Conversation with Sesame Street

Intruders TV Series Panel with John Simm, Mira Sorvino & Glen Morgan

Orphan Black Panel with Tatiana Maslany and Other Cast Members

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Gal Gadot Wonder Woman SDCC 2014 reveal

More big news emerged from San Diego Comic-Con this weekend.  A new comic book series for Haven and Galaxy Quest… a sneak peek at Arrow Season 3, a Star Trek crossover with Planet of the Apes… details and art from Marvel’s new line of Star Wars comic books…  new actors to star in Marvel’s Ant-man… more content from Avengers 2… and new giant monster movies are coming soon from Legendary Pictures.

But the biggest news that almost “broke the Internet” was from DC Entertainment: the first look at Gal Gadot as Wonder Woman and her new costume from the 2016 release Batman v Superman: Dawn of Justice.  It’s a nice Cliff Chiang-inspired pose for the Amazon warrior.  So we now have three images of the DC Comics trinity:

Trinity Dawn of Justice

We’ve got a pretty dark superhero movie in our future.

The next big news came from a Marvel Comics panel–the creative line-up for Star Wars comic books under Disney:

Marvel Star Wars 1 Cassaday cover art

Marvel Comics announced that January 2015 will see the first of Marvel taking over the Star Wars comic book line from Dark Horse with three initial series.  Kansas City’s Jason Aaron will write and John Cassaday will serve as artist on a series taking place just after A New Hope, where the original 1978 Marvel Comics line began and the current main Dark Horse title takes place.  Above is the cover art by Cassaday for Issue #1.

Star Wars Darth Vader Granov cover SDCC 2014

A series beginning in February 2015 will follow Darth Vader after his TIE Fighter is knocked away by Han Solo at the end of A New Hope, to be created by Kieron Gillen and Salvador Larroca.

Star Wars Princess Leia Marvel Dodson cover art SDCC 2014

And March 2015 will see a series following Princess Leia after the destruction of the Death Star, from writer Mark Waid, artist Terry Dodson, and colorist Rachel Dodson.

Here are four pages of early stage art for the main Star Wars series:

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Jeff Bridges at Nerd HQ 2014

In its fourth year operating across from San Diego Comic-Con, Nerd HQ will be streaming live panels on the Web with archived panels available for viewing after the panels each day as they have done for past years.  Click here to see all of last year’s panels.

Nerd HQ offers an alternative to catch a few panels away from the SDCC venue, and is ideal for those who didn’t get tickets in time for the big show but will be in town this weekend, although tickets sold out quickly for Nerd HQ this year.  Seeing several Nerd HQ panels will cost you lots more than a ticket to SDCC, so the online version is the next best thing, and for those not in San Diego this weekend, an easy way to share in the vibe going on right now in Southern California.

Not at Comic Con logo

These are full panels, held in a small venue, which will give those who have not attended a big Con an idea of what they’re missing.

Here are some of the panels held so far this week at Nerd HQ:

A Conversation with Firefly’s Adam Baldwin

A Conversation with Buffy the Vampire Slayer’s Seth Green

A Conversation with The Hobbit’s Evangeline Lilly

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New Ben Affleck as Batman SDCC 2014

Whether or not major genre properties are hosting panels or booths at Comic-Con 2014, studios released some great images on Wednesday preview night and the first full day of the show yesterday.  The biggest is probably the above photo of Ben Affleck as Batman from the Batman v Superman: Dawn of Justice, not coming to theaters until 2016.  The image was nicely timed to the DC Comics celebration week for the 75th anniversary of Batman’s first appearance.

Mad Max Fury Road poster SDCC 2014

Warner Bros. also released the first poster for the latest movie in the Mad Max series, to star Tom Hardy and Charlize Theron.  It’s called Max Max: Fury Road, and won’t hit theaters until next year, but that didn’t stop releasing some advance images from the film, including this image of Theron:

Charlize Theron Mad Max Fury Road SDCC 2014

and this image of some post-apocalyptic recycling of cars:

Max Max Fury Road screencap

The Amblin Entertainment/Legendary Pictures/Universal sequel to Michael Crichton’s Jurassic Park trilogy, Jurassic World, netted us a teaser poster for the June 2015 release:

SDCC 2014 Jurassic World poster reveal

Jurassic World will star Chris Pratt, star of Marvel Studios’ Guardians of the Galaxy, which also had a new poster reveal for its IMAX 3D version:

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Art of the Films Planet of the Apes cover

Review by C.J. Bunce

We all know the apes win and rule the Earth from the original novel and film Planet of the Apes.  But how do they get there?

Not intended as a post-apocalyptic story as much as a chronicle of the birth of an ape civilization, Rise of the Planet of the Apes and its July 2014 sequel Dawn of the Planet of the Apes are films that manage to have no villains–by design–where the viewer can empathize with both the human and ape characters equally based on the characters’ histories and individual viewpoints.  Writers Sharon Gosling and Adam Newell have created a deluxe volume documenting the art and design of both movies with the newly released Planet of the Apes: The Art of the Films Rise of the Planet of the Apes and Dawn of Planet of the Apes.

The Planet of the Apes reboot was an outgrowth of the technologies emerging from Weta New Zealand’s work on The Lord of the Rings franchise, coupled with Andy Serkis’s experience playing Gollum as a motion capture character, and later the giant gorilla King Kong, Serkis was uniquely suited for the role of the sci-fi classic character Caesar from the original novel and film.  The crew credits the acting and chemistry of Serkis and co-star James Franco in part with the success of the reboot of the Planet of the Apes franchise in 2011’s Rise of the Planet of the Apes.

Andy-Serkis-Dawn-Planet-Apes

The challenge for the sequel Dawn of the Planet of the Apes?  For the first time in film history, digital characters finalized in a post-production process would be realized by total performance motion capture of actors initially, and not on a separate green screen soundstage, but alongside live-action characters on a standard movie set as well as on location.

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orphan black season 2 blu-ray cover

Review by C.J. Bunce

In her 1995 view of the future, RemakeConnie Willis predicted a future where anything could be digitally created on film, where modern-day actors could be digitally stitched into scenes with long dead actors in films like Singing in the Rain or Raiders of the Lost Ark, and the living and the dead could intermingle effortlessly.  But it’s the “effortlessly” that she got wrong, as becomes very clear from the special features on the DVD and Blu-ray release of Orphan Black Season Two, which will be released today across the U.S.

It’s rare when the best television series stands so far apart from the rest of the crowd, but Orphan Black is that series.  Ignore the Emmy nominations.  If you only could watch one series from 2014, this is that series.  Playing nine characters* and counting, star Tatiana Maslany has scored Golden Globe and People’s Choice Award nominations, a Canadian Screen Actor Award for Best Performance in a Dramatic Role, a TCA Award for Individual Achievement, a Critics’ Choice Best Dramatic Actress Award, and the Young Hollywood Award for breakthrough performance, all for her work on Orphan Black.

Maslany and Maslany in Orphan Black Season two

Even more than Season One, which we reviewed here at borg.com last year, in Season Two creators John Fawcett and Graeme Manson delved deeply behind the several characters that populate the world of Orphan Black, most played by Tatiana Maslany (or just “Tat” according to the other actors on the show).  In addition to Maslany’s always on-the-run Sarah, suburban mom Alison, free-wheeling scientist Cosima, and crazy but strangely innocent Helena, Season Two showed us the dark side of the sestra with the cold-as-ice Rachel, and the far side with transgendered Tony.

The season also featured the return of Jordan Gavaris as Sarah’s foster brother Felix, Dylan Bruce as the dubious Paul, Matt Frewer as the Dyad experiment scientist Dr. Aldous Leekey, Evelyne Brochu as Cosima’s partner Delphine, Kristian Bruun as Alison’s husband Donnie, and Kevin Hanchard as Detective Art Bell.  It also introduced Michiel Huisman as Kira’s father Cal, and Michelle Forbes as Marion Bowles, a new player sure to play a key role in Season Three.

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