After a long wait, Archie Comics releases the second issue of the exciting horror series Chilling Adventures of Sabrina tomorrow. It’s the eve of Sabrina’s sixteenth birthday. An unspeakable terror arrives in Greendale. No one is safe, especially those close to Sabrina. And the streets of the quaint home world of Archie’s gang will run red with blood.
Harvey Award-winning writer Roberto Aguirre-Sacasa returns with artist Robert Hack to bring us a dark re-imagining of Sabrina the Teenage Witch in the vein of the successful Afterlife With Archie series. Look for a variant cover by Francesco Francavilla.
Hack’s artwork conjures that classic spooky imagery from Charlton era pulp horror comics. The new Archie Horror imprint is really turning the world of Archie on its end. Look at all the coming covers for Sabrina, above and below.
After the break, check out a preview of Chilling Adventures of Sabrina, Issue #2, courtesy of Archie Comics:
Mad Max who? Star Wars Awakens what? Avengers Age of huh? Make us choose only one summer sequel and there’s one we’re most excited about more than all others. And it’s because Paramount knows how to promote a movie.
We can’t stop using the word “awesome” to describe just about everything associated with the latest entry in the much-traveled Sarah Connor timeline, Terminator: Genisys. We previewed the initial teaser trailer showing the return of Arnold Schwarzenegger here, and the first full-length awesome trailer here. Just when we thought we couldn’t get more excited about the fifth Terminator movie, this new trailer drops and WOW! It’s full of even more cool stuff.
Did we say we can’t wait?
Wait no further. Check out the latest trailer after the break:
Ask anyone who was alive in 1969 what their most vivid memory of a world event was and they’ll likely come up with word of President Kennedy’s assassination or the Apollo 11 moon landing. To go back in time and replay the mission events that led up to Michael Collins dropping Neil Armstrong and Buzz Aldrin on the lunar surface would be nothing but exciting. This weekend we remember that moon mission that did not result in a lunar landing, Apollo 13, a mission that has been called NASA’s “most successful failure” for the achievement of NASA scientists and three other astronauts: Jack Swigert, Fred Haise, and Jim Lovell.
Forty-five years ago the world waited to find out whether these astronauts would make it back to Earth, as chronicled in documentaries like the History Channel’s Man, Moment, Machine: Apollo 13 – Triumph on the Dark Side of the Moon and Ron Howard’s modern classic blockbuster Apollo 13, starring Tom Hanks, Bill Paxton, and Kevin Bacon. But what if Apollo 11 had encountered a similar fate?
In the summer of 1969 the Nixon administration contemplated that outcome. If something, anything happened to the astronauts on Apollo 11, how would America respond to such a disaster? Nixon speechwriter William Safire wrote a speech for Nixon to be broadcast if Apollo 11 didn’t make it back–specifically if astronauts Armstrong and Aldrin were somehow stranded on the Moon.
To promote a news series on famous letters on the BBC, actor Benedict Cumberbatch read Nixon’s speech–a “what if?” that we’re fortunate never was actually read by the President. Here’s Cumberbatch (affecting an American accent) performing the reading:
This weekend the quirky and unique director and visionary David Lynch announced after months of working on a new Twin Peaks series for Showtime that he was walking away from the project. The reason cited was, of course, money. Showtime had been voicing support for the series but clearly negotiations broke down and now the likelihood of a new series is uncertain. Key cast members including Kyle MacLachlan and Sheryl Lee had already signed on for the project. Most of the original cast were also in support of the series and eager to jump back into the world of that slightly askew town near Snoqualmie Falls, Washington.
Lynch expressed his status on Facebook: “Showtime did not pull the plug on Twin Peaks. After one year and four months of negotiations, I left because not enough money was offered to do the script the way I felt it needed to be done. This weekend I started to call actors to let them know I would not be directing. Twin Peaks may still be very much alive at Showtime. I love the world of Twin Peaks and wish things could have worked out differently.”
Showtime issued this response: “We were saddened to read David Lynch’s statement today since we believed we were working towards solutions with David and his reps on the few remaining deal points. Showtime also loves the world of Twin Peaks and we continue to hold out hope that we can bring it back in all its glory with both of its extraordinary creators, David Lynch and Mark Frost, at its helm.”
It sounds like the typical posturing of any business negotiations. But it prompted nearly a dozen cast members yesterday to share their own short video message encouraging Showtime to work out a deal with Lynch. Many of these messages refer back to their characters. The former cast members who supplied the video messages are Sheryl Lee (Laura Palmer), Dana Ashbrook (Bobby Briggs), Sherilyn Fenn (Audrey Horne), Madchen Amick (Shelly Johnson), Peggy Lipton (Norma Jennings), James Marshall (James Hurley), Kimmy Robertson (Lucy Moran), Gary Hershberger (Mike Nelson), Catherine E. Coulson (The Log Lady), Wendy Robie (Nadine Hurley), and Al Strobel (Phillip Gerard).
After the break, take a look at what all these cast members look like today, and what they came up with to try to coax the powers that be onward and upward:
Plenty of new titles are hitting comic book store shelves today. We have previews for you of four series with good jumping-on points. From BOOM! Studios, check out the new Sleepy Hollow: Origins series, which takes a look back at the early days of Crane and Abbie (and some other familiar “faces” from the show). From Dynamite Comics, a new Masks series begins, as well as the Frankensteinian series Reanimator, and the return of Frank Cho’s Jungle Girl with the new Season Three.
Sleepy Hollow: Origins, Issue #1 is written by Mike Johnson with art by Matias Bergara.
Masks 2, Issue #1 is written by Cullen Bunn with art by Eman Casallos.
Jungle Girl Season Three, Issue #1 is written by Frank Cho and Doug Murray, with art by Jack Jadson.
Reanimator, Issue #1 is written by Keith Davidsen with art by Randy Valiente.
You’ll also find some great variant covers for these issues, shown above and below, including Jae Lee covers, a new Francesco Francavilla horror cover, a Tim Seeley cover, and a Frank Cho cover. Check out previews for all four of these new titles after the break, courtesy of BOOM! Studios and Dynamite Comics:
It may have been the first thing you looked for when you got your streaming media service, whether it was Netflix, Amazon Prime, or something else. Finally, after seemingly every other movie made it to the Digital HD streaming format, the Star Wars saga will now be available to watch on your phone, tablet, or TV. Disney just announced the news Monday night, including new features to accompany the films. Thought you’d bought the best format before, via Laser Disc, Beta, VHS, Widescreen, DVD, in their various Special Editions, or Blu-ray? If you thought you bought everything with the Star Wars: The Complete Saga Blu-rays, be prepared to buy Star Wars again for–at least–the tenth time.
You can buy all six films in a digital bundle from Amazon here, now available for pre-order at $89.99. Or click on the images below to pre-order each film individually at $19.99 at the time of this posting.
Although Disney’s press release revealed some extra features may vary by streaming service, here’s the general guide to what will be available:
Star Wars: Episode I The Phantom Menace
- Conversations: Doug Chiang Looks Back
- Discoveries From Inside: Models & Miniatures
- Legacy content includes “The Beginning”; The Podrace: Theatrical Edit; plus eight deleted scenes.
The choice of subject matter for the first 3D was a good pick– the gruesome, real-life attacks on workers in Tsavo, Kenya from March through December of 1898 by a pair of lions. The story that inspired director Arch Oboler’s 1952 adventure Bwana Devil would later be adapted as the 1996 film The Ghost and the Darkness starring Michael Douglas and Val Kilmer (as well as a lesser direct-to-video movie, Prey, in 2007). Bwana Devil is now available via streaming on Amazon Prime. It’s not shown in its original 3D format, but as we have suggested before here at borg.com, watching it via 3D glasses and an up-converted 3D television system will get you close to the original 3D presentation.
Robert Stack plays Bob Hayward, an ineffective chief engineer and leader of local tribes building a railway. Stack’s performance reveals a frenzied and crazed character who makes nothing but bad decisions over the course of the story. Nigel Bruce, in one of his final film roles, plays Dr. Angus MacLean, Hayward’s jovial friend and confidante. All that can go wrong does. Hayward isn’t up for the task of completing a railway across East Africa between Kenya and Uganda even before lions begin plucking off workers one by one. His stupidity gets innocents killed from almost the opening scene to the last, from a cook he drags along from another town to a very young African child.
Bwana Devil has the feel of a live-action Jonny Quest, and it’s fun to see all these Teddy Roosevelt Hunter types doing their thing. But it is also a cringeworthy look at British imperialism and the dominance of the local peoples that comes with it. The Ghost and the Darkness handles these themes better.
Like all good things that get a hold on generations of audiences, Arthur Conan Doyle’s master detective Sherlock Holmes has been interpreted and re-interpreted over and over. For more than 110 years, Holmes and his trusty companion Dr. Watson have appeared in more than 200 movies that adapted Doyle’s original stories–more than 70 actors have played Holmes–the most of any fictional character on-screen according to the folks at the Guinness Book of World Records. Interest has never waned, and every new detective show and police procedural seems to borrow something from him, much like all science fiction seems to borrow something from Mary Shelley’s Frankenstein. Batman was inspired by Holmes 75 years ago, and more recently TV series characters like Adrian Monk, Shawn Spencer, and Dr. Gregory House all were inspired incarnations of the character.
Holmes was no bigger than with Robert Downey, Jr. and Jude Law’s blockbuster films, Sherlock Holmes in 2009 and Sherlock Holmes: Game of Shadows in 2011. In that franchise director Guy Ritchie opted to showcase Holmes from Doyle’s original stories in his original setting of Victorian England.
Rivaling that series of movies after three seasons is BBC’s Sherlock, starring Benedict Cumberbatch as Holmes and Martin Freeman as Dr. John Watson. Here creators Mark Gatiss and Steven Moffat take Holmes in a completely new direction, present day London, including the clever incorporation of modern technology into Holmes’s sleuthing. Despite the updated setting Sherlock borrows the spirit of Holmes faithfully from Doyle’s stories.
Review by C.J. Bunce
For fans of Rob Thomas and Jennifer Graham’s first tie-in novel Veronica Mars: The Thousand Dollar Tan Line, previously reviewed here at borg.com, the next novel in the paperback series will get readers even closer to the Veronica of the TV series. Veronica Mars: Mr. Kiss and Tell, is a darker mystery, a hard-boiled detective story, straight out of the hard case crime series of the past. Mr. Kiss and Tell also continues to show the growth of Veronica, now a 29-year-old with responsibilities after she ditched her law career for a P.I. agency gig with her dad.
Nobody knows Veronica better than creator Rob Thomas. The banter, the snarky quips, the Whedon-esque pop culture references all make for a story that is not only consistent with the TV series and 2014 crowdfunded movie, but it remains fresh, taking Veronica into new territory. Thomas and Graham waste no time, providing a powerful beginning: A junk dealer happens upon what could be a mannequin as he is roaming the city. Only it’s a woman, barely alive, and we’ll learn she’s from a family that will be familiar to Veronica Mars fans. Veronica is hired by a hotel to prove that a hotel employee was not the attacker and rapist that left the young woman for dead. But if he didn’t do it, then who did?
Veronica has a long history with solving rape cases, cases that became almost a hallmark of her series. This case will take her into the seedy parts of society, with Veronica barreling into danger reminding us that, however well-intentioned, she often makes poor choices. Here she ends up in a hotel with a prostitute and her pimp–a giant thug who makes Veronica an offer that could end her case quickly–but it’s also an offer she should refuse. But will she? Has she changed at all?
Last night Production Weekly announced the new title for the third Tron movie has been chosen: Tron: Ascension. Tron: Ascension will begin filming in Vancouver this October. Oh, yeah!
Video game movies are back. What conjures up more retro fun than 1980s arcade games? Who didn’t have at least a few of these on their Atari 2600? Pac-Man, Donkey Kong, Space Invaders, Galaga, Centipede… This summer aliens have sent these animated pixilated weapons to cause Earth’s destruction in Pixels, a new 3D movie from Sony Pictures and Adam Sandler’s Happy Madison Productions. Think of the comedy and fantasy elements of Ghostbusters mashed up with the annihilation of the world’s landmarks, Independence Day style. All the makings of a summer comedy blockbuster.
It’s like the reverse of Tron–instead of shrinking down to the pixel size of arcade game character Tron and playing in the Grid, the arcade video game stars are now becoming larger than life, entering our world.
It stars Adam Sandler (when was the last time Adam Sandler had a hit anyway? 50 First Dates?). He joins Kevin James (King of Queens), Michelle Monaghan (Source Code, The Bourne Supremacy), and Peter Dinklage (Elf, The Station Agent, Game of Thrones) as they defend the world against… video games from space.
It’ll all make sense when you watch the first trailer for Pixels, after the break: