It seems like it has been forever since we saw the season finale of Grimm. Back in May plenty was left up in the air. Let’s recount all that hit the fan at the end of Season 3:
- Renard gave Adalind’s baby away to Nick’s mom and Adalind was pretty close to going insane.
- Adalind posed as Juliette and slept with Nick and somehow Adalind was able to steal Nick’s powers.
- Monroe and Rosalee finally got some acceptance from Monroe’s Blutbaden parents.
- At Monroe and Rosalee’s wedding, the young new Grimm Trubel shows up and inadvertently ruins the ceremony.
Where do they go from that? We’ve pulled together some previews and catch-up trailers from NBC.
Check out these videos to remind you where Grimm left off last season, as well as a look at what to expect from Season Four, after the break:
He is a key character in DC Comics Justice League Dark for a reason. Stress on the word “dark”. He’s Constantine–John Constantine–possibly the least likely character to emerge from the pages of the DCU and make it to the small screen. Yet NBC has pulled out all the stops lately with promotions to get new viewers to check out this new series following Grimm on Friday nights beginning tomorrow.
We’ve collected all the promotional videos here for Constantine so you can judge for yourself whether this new series is one for you. He’s been summed up as “A man struggling with his faith is haunted by the sins of his past but is suddenly thrust into the role of defending humanity from the gathering forces of darkness.” And there’s plenty of horror and gore, as revealed in the recent previews released. Will the suspense grab and retain viewers in this onslaught of DC Comics-based TV shows?
Unlike CW’s successful DCU spin-off TV series Arrow and the new series Flash and Gotham, don’t expect to see lots of familiar genre actors in this series, but plenty of new faces. Star Matt Ryan has shown up before in Criminal Minds-Suspect Behavior as well as stints on Vikings, Torchwood, The Tudors, and one of our faves, the Brit film Layer Cake. And you might recognize Angelica Celaya from her role on the (recently prematurely cancelled!) Dallas. Lost fans will recognize Harold Perrineau here who played Michael on that series.
After the break, check out all the promotional trailers and previews for Constantine:
Archie Comics is expanding its reach today as its successful dark zombie mash-up monthly Afterlife with Archie is reproduced in a new magazine format. Bundled with previews of the newest dark tie-in Chilling Adventures of Sabrina, and some classic horror comics, its sure to be a hit with readers of horror and those who grew up with Archie and his friends.
And what’s better than laying your mitts on an over-sized edition of Francesco Francavilla’s powerful illustrations from one of this year’s best series? It’s a great series to start up during the Halloween season for everyone from teens on up.
Contributors to the new Afterlife with Archie Magazine, include writers Roberto Aguirre-Sacasa and Vicente Alcazar, and artists Francesco Francavilla, Jack Morelli, Robert Hack, Vicente Alcazar, Jim Mooney, and Gray Morrow.
After the break, check out a preview of the new magazine, courtesy of Archie Comics:
It’s a big week of comic book releases from IDW Publishing and BOOM! Studios so we have pulled together several previews, including Issue #1 of a new Edward Scissorhands series, Issue #1 of a Teenage Mutant Ninja Turtles mash-up with the Ghostbusters, Issue #1 of a new Dungeons & Dragons series, and Issue #4 of The X-Files: Year Zero.
From BOOM! Studios we have previews of Issue #1 of an intriguing new series called Memetic, and Issue #1 of 3 Guns–the sequel to 2 Guns, the comic book that became this summer’s Mark Wahlberg/Denzel Washington action movie we reviewed previously here at borg.com.
And don’t forget to pick up Dark Horse Comics’ new Predator: Fire and Stone, Issue #1, previewed here earlier.
After the break, check out these great previews.
When I was a kid I remember paying $5 at the geek show part of a carnival to see a giant great white shark. We were taken into a long trailer and were able to walk around it, suspended in some kind of clear block. It was sad, horrifying, and shocking that someone would display an animal this way. After watching Jaws 3-D for our review of Halloween films, I had some of the same feelings return.
You’re not supposed to cheer for the monster in a monster movie like Jaws 3-D. And yet I found myself hoping the shark would consume all this early 1980s fashion and bad moviemaking. Every actor earns his or her sea legs in a different way, and here was Dennis Quaid (Enemy Mine, G.I. Joe: The Rise of Cobra), Bess Armstrong (House of Lies), Lea Thompson (Back to the Future), and Louis Gossett, Jr. (An Officer and a Gentleman) before they all would make names for themselves in much bigger and better films. There’s even the son of All in the Family’s Jean Stapleton, John Putch, before he would have small roles in several series, including playing Mordock the Benzite in Star Trek: The Next Generation. Putch plays Sean Brody, brother to Quaid’s Mike Brody, and they are the sons of Chief Brody from the original Jaws. The Brodys find themselves again pursued by a giant shark, the latest some 35 feet long.
Where Friday the 13th III in 3D is an example of over-the-top 3D effects that–absurd or not–you can still appreciate at least for its humor, Jaws 3-D reflects all that is bad about 3D. The fundamental requirement of any movie, with or without special effects, is a good story. This story doesn’t know what it wants to be. At times it could be a poignant look at compassionate marine biologists caring about their animals and their work, with Armstrong and Quaid going about their jobs in a nice summer setting. In a different genre years later this would be the backdrop for a movie like Summer Rental. But a movie called Jaws requires chilling suspense. Jaws 3-D doesn’t earn the title.
Were it merely a vehicle for three-dimensional whiz-bang action, this might have resulted in something like Friday the 13th III. But the directorial choices are bad. The images shown in 3D are superfluous to the plot. The film sulks along and the only action comes about after an hour of the film as passed by. As to story the movie doesn’t make sense even on paper. A shark accused of killing people is finally caught, put on display at an aquarium, and then its mother sneaks into the park and torments the staff and guests until it breaks through the aquarium walls to get revenge on the facility manager. Remember last year’s Syfy B-movie hit Sharknado? Jaws 3-D is the original Sharknado, but without the necessary tongue-in-cheek humor.
It’s October finally and after another hot summer the trees are turning red and orange and it couldn’t be setting up for a more perfect autumn, and Halloween is almost here. If you’re looking for a ghost story to get you into the mood of the season, check out borg.com writer Elizabeth C. Bunce’s novel A Curse Dark as Gold, available in hardcover, paperback, audio, and E-book editions from Amazon.com and other booksellers, first reviewed here back in 2011.
A Curse Dark as Gold takes place in the Gold Valley in that far away land where all fairy tales reside. Charlotte Miller is a girl in her late teens whose father dies and leaves her the town of Shearings’s woolen mill, which serves as workplace for most of her community, along with the care of Charlotte’s younger sister Rosie. Unwanted responsibilities are quickly thrust upon this young woman from page one. From a framework standpoint A Curse Dark as Gold is a spin on Rumpelstitskin-type helper tales of the past, but this story takes on its own life. Shearing is at once lovely and pastoral, yet dark and creepy doings begin to pierce through the landscape. A mysterious uncle appears and begins to interject himself into the girls’ lives. As if sick from a good friend’s death, the mill itself begins to respond to the death of Charlotte’s father, with boards crashing down on an employee, things not working quite like they should, and everything seeming to fall apart at once.
Bill Willingham’s Legenderry: A Steampunk Adventure was one of this year’s best ideas, a combination of steampunk, superhero mash-up, and just plain great retro fun. Legenderry saw a parallel universe including the creation of Steve Austin–the Six Thousand Dollar Man, and alternate versions of Flash Gordon, the Green Hornet and Kato, Vampirella, the Phantom, and Red Sonja, among others. It was the ultimate new look at familiar characters that Dynamite holds the licensing rights to today.
We’re hoping for a future addition of Miss Fury to this steam-powered world, and to hear about a Legenderry: A Steampunk Adventure trade edition to collect the seven-issue limited series. Until then Dynamite is branching out beyond Willingham’s story, focusing on three of the characters: Red Sonja, Vampirella, and Green Hornet, each to have their own new series.
David Avallone will write the Legenderry: Vampirella series, featuring Madam Pendragon and her path to become Vampirella. Daryl Gregory (Planet of the Apes) will write the Legenderry: Green Hornet story featuring Hornet and Kato in a Gangs of New York type setting.
Sleepy Hollow is one of the best returning series of the fall TV line-up. Fox has it bundled with the new series Gotham on Monday nights, giving the other networks some real competition. Created by Star Trek talents Alex Kurtzman and Roberto Orci, Sleepy Hollow expands Washington Irving’s story into a modern supernatural mystery-adventure.
Tom Mison is Ichabod Crane, who finds himself in the town of Sleepy Hollow more than 200 years after his death. He partners with a local police lieutenant, Abbie Mills, played by Nicole Beharie. In its second season, Crane’s wife Katrina (Katia Winter) has been kidnapped by the Headless Horseman, and Crane’s son turns out to be a psychopath, played by John Noble (Lord of the Rings, Fringe).
Sleepy Hollow is great Halloween season TV watching, and it now has a new comic book tie-in series arriving at comic book stores today. We have a preview of Issue #1 after the break, courtesy of BOOM! Studios.
No other director has produced more hits and more variety than Steven Spielberg. You’d have to travel pretty far to find someone who didn’t love at least one of Spielberg’s films. Whether it’s Jaws, Raiders of the Lost Ark, E.T., the Extra-Terrestrial, Jurassic Park, Close Encounters of the Third Kind, Minority Report, or War of the Worlds, each of Spielberg’s genre blockbusters rival the best of other major directors’ films. That doesn’t even include his more critically acclaimed dramatic works, Schindler’s List, The Color Purple, Empire of the Sun, Saving Private Ryan, Munich, and Lincoln.
The films Spielberg directed at Universal Studios are being released tomorrow in a new boxed set in both a DVD and Blu-ray edition. Whether you’ll go for this set isn’t a matter of whether this is a great collection of great movies. It’s more about math. Today only you can get the set for less than half the published retail price at Amazon.com here. First of all you get eight films on eight discs, and unlike other directors’ releases, like the superb Clint Eastwood: 35 Films 35 Years at Warner Bros., this edition includes a bundle of great extras on several of the discs. These films have been released singly and you may already have the best available editions of films like Jaws. But if you don’t this may be the time to catch up your video library.
You get Spielberg’s first film, actually a TV movie, the suspenseful Duel (1971), featuring Dennis Weaver (Dragnet, Gunsmoke) being pursued by a psychotic truck driver. It’s the ultimate road rage movie well before the term was even coined. It includes “A Conversation with Director Steven Spielberg,” “Steven Spielberg and the Small Screen,” “Richard Matheson: The Writing of Duel,” a photograph and poster gallery and the original trailer.