By C.J. Bunce
We highlight them all the time here at borg.com. But some of them don’t naturally come to mind when you think of cybernetically enhanced organisms–cyborgs, or borgs for short. What makes a borg? An organism, human, alien, or animal, who has been modified by technology or uses technology as part of or in place of another biological function. We use this broadly, encompassing not only a long-accepted group of borgs that are more metal than man, but also robots or androids modified with biology or biomatter, although taken to the extreme this would seem to include the bioneural starship USS Voyager from Star Trek Voyager.
Regardless of how you define it, meet our borg.com Hall of Fame, always ready for new honorees…
With Marvel’s big premiere of Joss Whedon’s The Avengers, we’ll begin with Tony Stark’s Iron Man. Tony Stark is not advertised as a borg, but if your power source involves techno-gadgetry via an arc reactor and you have his fully integrated armor, we think that makes you a borg. Whedon is very familiar with borgs, having created the character Adam, the nasty, almost unstoppable foe of the Scooby Gang in Whedon’s Buffy the Vampire Slayer.
If Iron Man is a borg, should one of the oldest creatures of science fiction be considered a borg as well–Frankenstein’s monster? How integral are those bolts and attachments to his survival anyway? Does an external power source make a borg? Did he ever have to regenerate?
And if Frankenstein’s monster makes the cut, maybe this spin-off fellow should, too:
Yes, Frankenberry, the only cereal mascot borg? Are those pressure gauges on his head? What functions do they serve? Before we move forward very far in time, we also think we need to at least consider Maria’s doppelganger from Fritz Lang’s sci-fi film classic Metropolis as a possible borg.com honoree–a robot admittedly, but somehow transformed into a humanoid creation with flesh, used to replace the real Maria and wreak havoc across Metropolis:
From one of the biggest science fantasy franchises, Star Wars, Darth Vader began as Anakin Skywalker, but through his own rise to evil and subsequent downfall he became more machine than man:
He even caused his son to require borg technology by slicing off his arm and hand with his lightsaber, making Luke Skywalker a borg as well:
With Star Wars Episode III: Revenge of the Sith, we met an interesting new villain, General Grievous, a four-lightsaber wielding almost lobster-like biological creature made up of techno-armor and, in close-up are those reptilian eyes? His apparent disfigurement and breathing problems hint at a back story that must be not unlike Vader’s.
In The Empire Strikes Back we also briefly met Lando Calrissian’s majordomo who possessed some type of brain adapter technology–we learn from action figures, trading cards and comics his name is Lobot:
And probably the very first cyborg to be referred to specifically as a “borg” (by Luke Skywalker, even), Valance was a cyborg bounty hunter in the early pages of Star Wars, the Marvel Comics series:
Some borgs are more cybernetic than organism, at least at first appearance. This would include Doctor Who’s Cybermen:
and we’d learn even the Daleks were cybernetic organisms:
and the Terminators from the Terminator movie and Sarah Connor Chronicles TV series, very much more machine with a bit of organics (and even Arnold’s character called himself a “cybernetic organism”):
In Star Trek: First Contact the Borg Queen alters the android Lieutenant Commander Data in such a way so as to make Pinocchio a real boy:
giving real organic material to Data, (like Maria’s double above from Metropolis?) bringing him briefly into the realm of borg status, like Isaac Asimov’s Bicentennial Man:
and this even suggests the Tin Man from L. Frank Baum’s The Wizard of Oz may be a rudimentary variant borg being along the lines of Frankenstein’s monster:
All humanoids or aliens modified to become The Borg of the Star Trek franchise clearly are good examples of cyborg beings, the most famous of which are probably Patrick Stewart’s Locutus:
the seemingly innocent Hugh:
and Seven of Nine from Star Trek Voyager:
On Earth we encounter humans all the time with bodies improved by borg technology. Because of the OSI Steve Austin and Jaime Sommers were rescued from near death with enhanced biology and appendages to become the Bionic Man and Bionic Woman:
The British agent James Bond had to take on Doctor No, an evil scientist who took on his own technological enhancements because of medical maladies, bringing James Bond into the fold of genre franchises investigating a borg character:
Featured in a 1980s movie series and soon to be the subject of a new movie, Robocop:
showed us a variant on Austin and Sommers, and a bit like Iron Man, we have the government creating technology to make super-humans, and here, a superhuman police officer. This is taken even further, making three animals into borgs for military use in the Eisner-nominated comic book mini-series WE3:
…a far darker take on the classic cartoon character Dynomutt from Scooby Doo:
Inspector Gadget:
and Doctor Octopus (Doc Ock) in Spider-man 2:
both were borgs that made it into big-screen films.
In the DC Comics universe we have a newer Justice League featured member Cyborg, a football player/student who is in the wrong place at the wrong time, when his father’s lab goes up in flames and his father uses his own research to save his son from death:
Before that, Frank Miller envisioned a disfigured future world Green Arrow who would need his own prosthetic cybernetic arm in The Dark Knight Returns:
Mr. Freeze was an early borg villain in the Batman series:
In Marvel Comics Rich Buckler created Deathlok the Demolisher, another cyborg creation, and one of the earliest borgs in comics:
Add to that Marvel characters like Ultron, the “living” automaton:
Ultron’s own creation, named Vision, the “synthezoid”–
and the borg called Cable:
In the 1990s Jim Lee created the Russian borg in the pages of X-Men called Omega Red:
Long before these Marvel characters the cyborgs Robotman and Robotdog graced the pages of DC Comics in the 1940s, and yes, they were not just robots:
The modern Cylons from the reboot Battlestar Galactica TV series are borgs in the Terminator sense, robots made to look and pass for human. And there were a bunch, not just background, but named characters, the most famous of which was the seductive Number Six:
Years before, Philip K. Dick would create more than one borg character in his novels and short stories, revealed to us the best as the Replicants in Ridley Scott’s Blade Runner:
Several replicants appeared in the film:
…all indistinguishable from humans to the naked eye.
In the horror realm we have Ash, from Evil Dead and Army of Darkness, his arm a functioning chainsaw, and at least in the comic book, like the Star Trek borgs he has an interchangeable arm like a mega Swiss Army knife:
If we include Ash do we also need to include Cherry Darling from Planet Terror, since she has a rifle as a leg like Ash’s arm attachment?
Heck, even horrific camp troller Jason became a borg eventually in Jason X:
Todd MacFarlane’s Spawn comics had both the borg assassin Overtkill:
and the cybernetic gorilla Cy-Gor:
Speaking of borg beasties, even Japanese monster movies embraced borgs, having their hero Godzilla encounter Mechagodzilla:
and Gigan:
In the world of manga and anime we have Ghost in the Machine’s own borg girl Motoko Kusanagi:
leader of a group of borgs, and the villain Cell from Dragon Ball:
Cowboy Bebop had the borg character Jet Black, which seems influenced by the design of Seven of Nine:
Akira had Tetsuo Shima:
And we have a new one to add to the list because of the film Prometheus, the creepy borg, David 8:
But he’s certainly not the first in Ridley Scott’s Alien universe. Don’t forget Ian Holm’s Ash in Alien:
John Hurt’s Bishop from Aliens:
and Winona Ryder’s Annalee Call from Alien: Resurrection:
But these are just the biggest examples of borgs in popular genre works. Countless books, comics and short stories have introduced other borg beings, not to mention every other new video game. What will be the next borg to enter the mainstream, with a new TV show or movie?
Should we add an Honorable Mention list to the borg.com Borg Hall of Fame, for beings resulting from the merging of humans with cyberspace? Think of characters like Tron and Flynn from Tron and Tron: Legacy? Or Neo and Trinity & Co. from the Matrix movies? You can argue some of the above in or out of the list, but we’ll be visiting most of them here now and then.
We’ll update this list from time to time and feature it as its own page on the borg.com home page.
and 
and make them the soundtrack to a modern spaghetti Western, sort of like Tom Petty and the Heartbreakers with 
. A good 
had his own cartton then interview show, but how about an adaptation of the serious origin series by Joe Kelly? A big budget movie based on Jon Krakauer’s 
could be awesome (the TV version suffered a bit despite a good cast). The Russian story of 
was filmed more than half a century ago with music by Prokofiev, but it needs a good updating. We’ve seen four Tom Clancy novels about Jack Ryan, but the creepiest of the series, 
, has yet to be made.
where Fozzie the Bear offers Big Bird a ride to the west coast to break into movies, and Big Bird says no thanks, he’s trying to break into public television back in New York. Well, apparently they made that movie back in 1985 and I missed it, 
. You can’t know everything.
over and over. Ultimately we arrived at (the now late) Paul Newman as the ideal retired Batman, in the graphic novel another wealthy race car driver type. In real life Newman was very much the Bruce Wayne interpreted in Frank Miller’s four-issue series-turned required-reading—as suave guy, well-liked, a wealthy philanthropist. In a different universe Clint Eastwood would be great fun as a superhero coming out of retirement to have that last hoorah with the Batman cowl. Probably too late now. Of all the Batman stories, 
, you just have to ask DC Comics and the Hollywood machine: Why can’t someone just put it on the big screen?
.” Imagine Black Canary pulling up on her motorcycle. Imagine Green Arrow defending the kid robbing the slumlord. Imagine Green Arrow catching Speedy. Imagine Hal, Ollie and Dinah driving across America in their pick-up truck. And harpies. And encountering a religious cult. And more harpies.
(the first one), 
, and with Fantastic Four’s brilliant realization of Human Torch and The Thing, maybe my favorite heroes to screen so far. OK, they nailed it with Christopher Reeve’s 
and Michael Keaton and Jack Nicholson in 
. Hopefully with The Avengers, Marvel Comics sets a new bar that DC Comics will have to work toward with a multi-hero story, maybe even with the Justice League or Superfriends. Art’s recommended 
, which we have 
are too cool to pass up and I have no doubt represent a foreshadowing of the future of film only slightly touched on in the Ralph Fiennes film Strange Days. 
and 
would be great picks.
, which was not a sequel but an entirely new story, Asimov created the world inside a microscope that only he could envision. The book is like Dennis Quaid in Innerspace, but with a serious mission and tone. A group of scientists, such as you would find in the typical multi-disciplined problem solving team from a Michael Crichton novel, shrink themselves down to microscopic size to enter into the brain and try to diagnose the condition of a colleague, Dr. Pyotor Shapirov, the creator of the very technology that finally allows man to transport to such a miniscule size.
. A few years ago I discussed The Ring with Russell and he said it was a great effort to produce it and it became a sort of magnum opus for him. But even an adaptation of Russell’s adaptation would need streamlined for mainstream audiences—yet, it would be a great starting point. Predating that other famous fantasy ring series (the one by J.R.R. Tolkien) by decades, Wagner’s opera is epic in scope and length, taking four nights or 15 hours to perform the full opera. We already have a superb soundtrack from Wagner, but can someone make a feature-length, meaningful adaptation in the English language that conveys the energy and power of the original without all the nonlinear bits and pieces? The reward would be a giant vision of gods, heroes, mythical creatures and magic.
(maybe a classic PBS/BBC series or Hayao Miyazaki anime film would be fun) or her fantasy noir Thief Errant series on-screen. 
has already been performed superbly in a full-length 
(tough to make, but in the hands of someone like Tarsem Singh who did the underrated The Fall there would be some cool, trippy otherworld sequences) and 
(come on, aren’t we due for a great carnie movie?). Now, let’s do the countdown.
they’ve already got a pretty cool cinematic western. John Marston plays the typical western hero of a former rogue looking for redemption and trying to save his wife and child. It’s been done many different times, but if you have good actors, good scenery and good dialogue to go with this story, it could work. I can’t tell you much more about this particular story; I just know that I’m still surprised that a video game actually moved me.
and how they would look cool fighting Nazis as well. Then, I kept reading it over and over, and since 
could effectively show the terror of an incurable disease spreading and the feeling of helplessness that follows. For the protagonist Kivrin, trying to not reveal you’re from the future adds a great layer to that tension, having to remain disconnected while not being sure if she’ll ever leave this doomed time.
in two previous Borg.com posts, so you know how much I like it. I also think that it would make a fantastic film noir. You have the femme fatale in Miss Misery, you have a guy that doesn’t know what’s good or bad anymore and you have crime galore. If that’s not a great film noir, with bonus super powers, I don’t know what is.
might be one of my favorite baseball books of all time. I took it in the third round of a baseball book draft. (I knew it would last until then, so I grabbed 
and 
with my first two picks). The story of the Ruppert Mundys and the forgotten Patriot League as told by “Word” Smith (thanks, Wikipedia) would run circles around Moneyball the movie. I think the fictional 14-year-old manager (I think that’s the age – goodness, I need to buy a copy of this book to read again and so I can look up such queries) would make a better representative of sabermetrics than the “fictional” Peter Brand.
the book was my fifth round choice in the baseball draft – and just another perfect example of how I dislike movie adaptations of books that I enjoy. As much as I would like to see this list made into movies now that I’ve written this post, my gut tells me it’s probably better if they’re not.
should be required reading. Not only is it a comprehensive work about the history and craft of special effects, it is a detailed account of the history and progress of film, and could serve as a college textbook to a master class in film technique. And it is also a history of science and technology in its own right.
is not always easy to find via electronic searches because of its clunky title. And if you try to just ask for “that great Jeph Loeb/Frank Cho” book from last year, they may or may not know what you mean. But take it from me, it is well worth remembering this one.
