Category: Movies

Chris Tucker Fifth Element

What would you wear to a dinner party at the edge of the galaxy in the 28th century?

Now everyone has a chance to answer that question, as a costume designer for a major science fiction movie release.  Director Luc Besson, best known for his outlandish style in the 1997 Bruce Willis/Milla Jovovich sci-fi classic The Fifth Element, is looking for a few good outfits to feature in a dinner party scene in a city of millions and a myriad of humanoid alien races.  Valerian and the City of a Thousand Planets is scheduled for release in 2017, now in pre-production.

Besson, who also directed La Femme Nikita, The Professional, and Lucy, made a long-lasting statement in sci-fi fashion with his characters from The Fifth Element.  From Milla Jovovich’s body-taped Leeloo, to Bruce Willis’s understated everyman Korben Dallas, to the over-the-top Chris Tucker’s Ruby Rhod, from the striking opera singer Diva Plavalaguna (Maïwenn), to Gary Oldman’s creepy and villainous Zorg, the movie was a visual spectacle.

Diva Plavalaguna

How do you enter the contest?

All you need to know is in this video presentation with Luc Besson:

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Ghosts are real. That much I know.

Back in February we previewed the first look at Guillermo del Toro’s next reported masterpiece, a Victorian gothic romance with ghosts called Crimson Peak.  It will finally hit theaters next week and today we have even more previews and cool featurettes from this nicely timed Halloween horror flick.

In Crimson Peak, Gothic haunts like Rebecca and Jane Eyre, meet Watcher in the Woods, The Others, Psycho, and Skeleton Key, with director del Toro amping up the gore and violence.  We don’t often see fantasy horror releases but you can be sure del Toro is a master of the genre.  And it adds another movie to that sub-genre of horror we keep talking about featuring creepy little girls.

Crimson Peak house

Not for the faint of heart, check out this trailer and featurettes for Crimson Peak, after the break:

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Star Trek Costumes Block and Erdmann final cover 2015

Review by C.J. Bunce

The best non-fiction look at Star Trek in years is now available at book stores and online retailers.  Star Trek Costumes: Five Decades of Fashion from the Final Frontier, by Paula M. Block and Terry J. Erdmann will serve as a companion book to The Art of Star Trek, The Continuing Mission, and Star Trek: The Art of the Film, all previously reviewed here and here at  Together these four books represent the best visual looks at the history of Star Trek.  This new volume includes beautiful, clear, full-color photographs in a colorful hardcover, coffee table edition.

General fans of Hollywood costumes will learn plenty about the variety of major costumes used in the Star Trek universe throughout the past 50 years, and Star Trek diehards will find many interesting tidbits, too.  Highlights include recollections of costume designer Robert Fletcher about his creations for the movies and photos of several of his original costume designs, including his sketches for William Shatner’s Captain Kirk Class B uniform, Scotty’s engineering radiological suit used in Star Trek: The Motion Picture, and the maroon, naval-style officer and crewman uniforms first appearing in Star Trek II: The Wrath of Khan.


William Ware Theiss’s era-defining costumes from the original series receive plenty of coverage, including images of some of Theiss’s often quickly rendered costume designs.  The original hand-drawn artwork from past and present is worth its weight in gold press latinum, including original costume designs for Star Trek: The Next Generation by Durinda Rice Wood (like Counselor Troi’s beautiful, form-fitting, burgundy jumpsuit), costume designs for Star Trek: First Contact by Deborah Everton (like Lily’s 2063 civilian garb worn by Alfre Woodard), Robert Blackman’s original concept art for Star Trek Generations (like the British Naval uniforms), and Sanja Milkovich Hays’ original concept sketches for Star Trek: Insurrection (like the female Tarlac nurse bodysuits) many including photos of corresponding fabric swatches.  While Star Trek Costumes provides only a brief look at the costumes of Deep Space Nine, Star Trek Voyager, and Enterprise, it provides a nice overview of the revisited designs and variants of Star Trek 2009 and Star Trek Into Darkness, including a focus on the Klingon costumes.

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Alien Nation

In honor of the one hundredth anniversary of the studio, Twentieth Century Fox Home Entertainment will celebrate by releasing 100 classics digitally.  Five classic films from the studio will be made available digitally for the first time ever – Sunrise (1927), Drums Along the Mohawk (1939), Man Hunt (1941), How to Marry a Millionaire (1953) and the original Jimmy Stewart classic The Flight of the Phoenix (1965).  Throughout the rest of this year a total of 100 digital releases will follow from Fox’s film catalog, including 10 films which have never been released in any format – the Raoul Walsh classics The Red Dance (1928), The Cock-Eyed World (1929), The Bowery (1933), Hello Sister (1933) and Sailor’s Luck (1933); John Ford’s Men Without Women (1935), Will Rogers in State Fair (1933), Shirley Temple in Mr. Belvedere Goes to College (1949), the Marilyn Monroe documentary Marilyn (1963), and Metropolitan (1935), the first film ever from Twentieth Century Fox.

Other films being released include Oscar-winning and nominated favorites from legendary filmmakers F.W Murnau, Frank Borzage and Akira Kurosawa, and movie stars including Henry Fonda, Kathleen Turner, Marlon Brando, Tyrone Power, Jimmy Stewart, Michael Douglas, Betty Grable, Orson Welles, Clark Gable, Frank Sinatra, Joan Fontaine, and Sophia Loren.

Romancing the Stone Douglas Turner

Check out this big list of films to look forward to, including many fairly recent favorites, all available soon, with some of our recommendations highlighted:

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Rebel Blockade Runner

The most expensive Star Wars prop and the most iconic single Star Trek costume sold at auction this past week.  A new record was set for the highest sale price for a television costume, the market proved yet again that even the slightest Star Wars item takes top dollar, and sci-fi again rules the private collectors’ market for screen-used costumes, props and other entertainment memorabilia.  It all happened at auction house Profiles in History’s latest Hollywood memorabilia auction, held in Calabasas, California over three days September 30 through October 2, 2015.

Profiles in History reported that it tolled $7.3 million in sales in the auction.  The biggest news came from a production model of the Rebel Blockade Runner, the first ship seen at the beginning of the original Star Wars, which set the record for the sale of any Star Wars production piece.  It sold for double the catalog estimate at $450,000.  The prior record for a Star Wars item was $402,500, TIE Fighter filming miniature from Star Wars that sold at Profiles in 2008.

George Reeves’ The Adventures of Superman television series earned its rightful place in the history of television, with his supersuit selling for $216,000, the most for any known sale of a television costume.

Superman George Reeves

Star Trek fans saw the most iconic Star Trek costume with the best provenance recorded sell for $84,000.  That was one of Leonard Nimoy’s blue tunics from the original series, accompanied by the documentation whereby a fan won the costume from a studio promotion back in the 1960s.  No other original series piece has sold with better provenance back to the studio.  Other Star Trek items sold included an original series third season McCoy standard blue uniform for $57,000, and an incomplete Class A Spock uniform for $14,000.

Everyone wants to get their hands on original Star Wars items–the most difficult of the major franchises to collect since most items remain with Lucas or Lucasfilm.  A small section of the Death Star barely seen in Return of the Jedi sold for a whopping $39,000.  And even though it wasn’t screen-used, a lot consisting of prototype pieces of the most cosplayed sci-fi outfit ever, Carrie Fisher’s “Slave Leia” outfit from Return of the Jedi, sold for $96,000.  Finally, in the top echelon of sales at the auction, a special effects camera used to film Star Wars sold for $72,000.

Then there’s Indiana Jones.  One of Harrison Ford’s screen-used bullwhips sold for $204,000, a fedora went for $90,000, and one of his shirts and leather jackets each sold for $72,000.

Jurassic Park cane

Other notable, classic, genre pieces sold, including:

From Forbidden Planet, a light-up laser rifle ($66,000), a light-up laser pistol ($27,500), and a Walter Pidgeon Dr. Morbius costume ($24,000).

From Jaws, a Robert Shaw Quint harpoon rifle ($84,000) and machete ($27,000).

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The same agency that taunted James Bond in five classic James Bond films (Thunderball, Dr. No, The Spy Who Loved Me, On Her Majesty’s Secret Service, and You Only Live Twice) is the subject of SPECTRE, the 24th in the current franchise and 26th to feature Bond (if you include David Niven’s Casino Royale and Never Say Never Again).  Two-time Academy Award winner Christoph Waltz will star as the next Bond villain, “Oberhauser.”  SPECTRE is also the agency led by fan favorite Bond villain Blofeld, which has led to speculation that Oberhauser is really an alias for Blofeld.  With the last trailer released a few hours ago and the release date almost upon us, we’re that much closer to learning the truth.

Have you voted yet in out our James Bond – Bond Girl poll?  Check it out here.

Skyfall director Sam Mendes again directs Bond in SPECTRE.  New cast members include the BBC Sherlock’s Moriarty, Andrew Scott, as Denbigh, Monica Bellucci and Léa Seydoux (Blue is the Warmest Colour) as the new Bond girls Lucia Sciarra and Madeleine Swann, with Guardians of the Galaxy’s Dave Bautista as Waltz’s henchman Hinx.  Returning cast includes Ralph Fiennes, Naomie Harris, Rory Kinnear, and Ben Whishaw, reprising their roles from Skyfall as well as Jesper Christensen as Mr. White.

Christoph Waltz

Here is the final trailer for SPECTRE:

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Halloween poster

Halloween–the 1978 movie that put both director John Carpenter and actress Jamie Lee Curtis on the map–is coming back to theaters for one night only.  The film was created for only $300,000 and premiered at Kansas City’s downtown Midland Theater 37 years ago this month and then spread by word of mouth across the country to earn $70 million and become the first modern horror blockbuster.  To illustrate the low budget, Nick Castle, the actor that played the story’s villain, Michael Myers, wore a last-minute found $2 William Shatner/Captain Kirk mask.  Now Halloween is Fathom Events’ next big Halloween event.

More than 200 theaters will air Halloween on the eve of All Hallow’s Eve (that’s the night before Halloween).  The movie, co-written by the late, great Debra Hill, will include an introduction recorded by John Carpenter.

Jamie Lee Curtis Halloween

If you make it to the screening, keep an eye out for an already well-known young actress back in 1978 named Kyle Richards, who had been a household name for her recurring role on Little House on the Prairie and the Disney film Escape to Witch Mountain, and would go on to co-star in the great ghost story Watcher in the Woods.

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Erased movie poster

The movie trailer.  It’s the video “cover” you’re not supposed to judge a movie by.  But sometimes a movie trailer gets it all exactly right–setting the correct expectation with viewers without over-hyping or over-emphasizing only the best parts of the film it is promoting.  Take the trailer for Aaron Eckhart’s Erased as an example.

From the beginning, Erased (originally titled The Expatriate, but renamed for the U.S. release) appeared to be a blend of a summer action flick like The Bourne Identity (with Eckhart playing an ex-CIA agent on the run), the Robert Redford espionage thriller Three Days of the Condor (where one day all his co-workers turn up dead and his world upside down), and Liam Neeson’s Taken, since he has to protect his little girl along the way.  Eckhart’s role also seemed to echo that of Ben Affleck’s role in Eckhart’s prior film Paycheck, since he appeared to create some future technology that leaves him to unravel what happened to his stolen life.   Well, what you see is what you get.  And it’s all very satisfying.


Aaron Eckhart is an under-rated lead.  If you put aside the dud that was I, Frankenstein, Eckhart delivers an emotional performance every time.  As adman Nick Naylor trying to save big tobacco in the brilliant Thank You for Smoking, as the guy that had us all wearing “I Believe in Harvey Dent” badges after his performance as Two-Face in The Dark Knight, after his almost unrecognizable performance opposite Julia Roberts in Erin Brockovich.  And as the vile mastermind opposite Ben Affleck in the superb Philip K. Dick adaptation Paycheck.  With Erased, a flick with a botched release schedule back in 2012 and 2013, he could have had his break-out role.

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Chewbacca 1 cover Phil Noto

If the first images out of the gate are any indication, Star Wars fans are in for a real treat.  Black Widow artist Phil Noto will be illustrating interior and cover work on a new limited series featuring Chewbacca in Marvel Comic’s Star Wars: Chewbacca.  He’s really captured the look and feel of our favorite, furry rogue turned Rebel.

Deadpool and Uncanny Avengers writer Gerry Duggan will serve as writer of the new spin-off series.  In Issue #1, after the Battle of Yavin, Chewie crashes a ship on loan from the Rebellion, and meets up with a young woman who aims to take on the Empire.

Chewbacca interiors  Chewie and friend

The series is slated for five issues.  Check out these superb future covers:

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Star Wars 107   Shattered Empire Phil Noto 1 cover

Back in the 1970s it was pretty exciting to anticipate what was going to happen after the original Star Wars aired and Marvel Comics was going to take us on a journey into the further adventures of Luke Skywalker.  With the end of the movie adaptation in Issue #6 of the comic book series, this meant Issue #7 was going who-knows-where in this rich new universe.  The surprise was that once we got the issue in our hands we learned it was to be a Han Solo and Chewbacca adventure, beginning with a Seven Samurai-inspired Western story.  This was before we knew what would happen in The Empire Strikes Back, so the writers and artists could use their imaginations to take the characters anywhere.  The writers proved prescient, creating the title The Empire Strikes for one early issue.

In January 2013 Dark Horse Comics went back to the same time period in the Star Wars saga and gave us a new look at our favorite characters, written by Brian Wood.  It was a good run and a fun story if you thought of it as a separate possible storyline.  The struggle with addressing this time period?  We know specific benchmarks in the future.  We just know without being told anywhere that Luke does not confront certain characters, like say Darth Vader or Boba Fett, between Episode IV and Episode V.  Yet with comic books you can intersperse different story elements, have different encounters, between the bookends of the stories we know.  It is up to the reader to decide which of these encounters work and which don’t.  We discussed the Dark Horse effort back here at back in 2013.

Star Wars 7 Marvel    Star Wars issue 7

This year with a brand new Star Wars monthly comic book series, Marvel writer Jason Aaron has taken on the same time period again–those days, months, and years between the destruction of the first Death Star and the Rebellion being discovered in the Hoth System.  Like Brian Wood, Aaron has written a fun story, full of those main characters fans know and love.  He introduced surprising encounters between main characters we never would have imagined, and even introduced a wife for Han Solo we never knew about.  But the struggle with the concept is the same.  Readers need to see their main characters intermingling–it’s almost a requirement that a Star Wars book include everyone or fans won’t buy it.  And this new series fulfills that need.  Yet maybe readers don’t need that so much, as the best issue and story in this year’s run can be found in a standalone story in Issue #7.  It addresses Obi-Wan Kenobi as he watched over Luke as a boy on Tatooine–something new and different and not dependent on surprising confrontations with old characters–and gives us a hint at the great potential the Marvel Star Wars universe can create for readers.

Enter a new series beginning this month, Star Wars: Shattered Empire, Journey to Star Wars: The Force Awakens, written by Greg Rucka with interior art by Marco Checchetto and a fabulous cover by Phil Noto (who interestingly provides a cover for Issue #1 which is similar to the last of the original Marvel monthly issues–like a jumping off and on point).  Shattered Empire is set immediately after the events of Return of the Jedi.  Now we are back in a world like Issue #7 of the original Marvel Comics Star Wars spin-off.  It really is unchartered territory, and Rucka must have more freedom than writers have with the time between Episode IV and Episode V.

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