Ripley as an Egyptian Queen. Gandhi as Moses’ minister. And Ridley Scott directing it all.
Ridley Scott has much more source material to work from in his new Exodus: Gods and Kings, than Darren Aronofsky had with his take on the great flood in his Noah movie earlier this year. And it must be great fun to explore a plague of locusts and a parting sea for a veteran of films like Blade Runner and Alien.
The last time someone tried to take all this on with the scope the new Exodus film appears to explore was nearly 60 years ago with Cecil B. DeMille’s The Ten Commandments. That perennial Easter favorite made good use of its then-current technology to illustrate some great bible story scenes, but with all the CGI available today, Ridley Scott better pull out all the stops or his epic Bible film will fall flat like Aronofsky’s effort.
It’s unfortunate Exodus: Gods and Kings has one of those direct-to-video titles. Who signed off on such a poor title? Why not just Exodus?
Humans gravitate toward benchmarks. Anniversaries and events that end in zero, like 50th anniversaries. Turning 20. They like superlatives. The biggest. The best. The fastest. The youngest. The oldest. It’s human nature.
You never know what’s going to happen to you in a given day. Maybe you meet someone new. Maybe you work on a new project you hadn’t contemplated before. Or, if you’re lucky, you wander into a new town and stumble upon something new. Or something old.
It could be in any town in any city, but it just happens to be in a town you hadn’t planned on visiting, on a side jaunt along the way to someplace unrelated to where you now find yourself, staring up at an old building with a marquee. A movie theater like any other old movie theater on any other main street across the Midwestern United States, that dot towns here and there. Yet this one makes a surprising assertion. This one claims to be the oldest. If you find yourself in front of a theater like that, then you must be in Ottawa, Kansas, a quaint town about a half an hour’s drive south of Kansas City.
And like a trip to The Twilight Zone, the next thing you know you’ve paid the price of your ticket and you’re sitting alone in a movie theater, soaking up that old familiar place that smells like popcorn and feels like home. You marvel at the gray metal 1930s art deco ceiling lights, the tall vintage curtains, and find yourself watching a film from 1903 that played in this very town in its opening months 109 years ago, then viewed by a crowd of turn of the century townsfolk from a very different turn of the century. Like you, they were watching this movie for the first time, only they were watching it as the first movie they’d ever seen.
Back in July, BOOM! Studios announced that Snake Plissken would be back. One of John Carpenter’s best, the 1981 sci-fi flick Escape from New York went on to have a rather bleh sequel with 1996’s Escape from L.A. BOOM! is returning to the classic we all love with its continuing story of the action anti-hero with the eye patch in its new Escape from New York series.
Writer Christopher Sebela (Ghost, Alien vs. Predator) and artist Diego Barreto (Planet of the Apes, Irredeemable) along with cover artists Declan Shalvey, Jay Shaw, and Alice X. Shang will be telling the new tales of this loner in a future Earth’s World War III.
Following on the heels of its first John Carpenter-Kurt Russell team-up monthly ‘zine, BOOM! Studio’s successful Big Trouble in Little China series, Escape from New York should satisfy our desire for more stories from the John Carpenter ‘verse.
This week we get our introduction to animated Star Wars Disney-style with the premiere of the new series Star Wars Rebels. Set your DVRs for this Friday, October 3, for the one-hour premiere, Star Wars: Spark of Rebellion on the Disney Channel. The first series episode begins October 13 on DisneyXD. The series features characters we previewed here at borg.com in our review of the first new universe Star Wars novel, A New Dawn.
Taking place between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope, a group of rebels takes on the Empire. The series features the voices of Freddie Prinze Jr., Taylor Gray, Tiya Sircar, and Steve Blum.
Those with access can get an early look at Star Wars: Spark of Rebellion on September 26 at WATCHDisneyXD.com and on the WATCH DisneyXD app.
Coming in November is Disney’s full-length animated feature film, Big Hero 6. Big Hero 6 follows the story of two Japanese brothers and a robot one creates that looks a bit like the Stay-Puft Marshmallow Man.
A universe of terror drawn to one world. As the Perses begins her long journey home, a deadly stowaway forces the crew into a savage conflict. While the crew defend themselves against this unseen predator, the hunter itself stalks a much more substantial game…
Dark Horse Comics expands its Fire and Stone line with the new Predator: Fire and Stone series, coming to comic book stores in October. After the break, courtesy of Dark Horse we have a first look at the series Issue #1.
Check out past previews of the multi-part series, Prometheus: Fire and Stone, here, Aliens: Fire and Stone here, and Alien vs. Predator: Fire and Stone here.
Joshua Williamson will write the series with artwork by Chris Mooneyham.
Here is your preview of Issue #1:
We’re always on the lookout for the next James Bond. Three years ago we here at borg.com nominated Rufus Sewell here and Paul Blackthorne (Arrow, Dresden Files) and Jason Isaacs (Awake, Harry Potter) here. Fortunately Daniel Craig doesn’t appear to be giving up his Walther PPK or Aston Martin anytime soon. But what about the British number one heartthrob, Colin Firth?
Now we at least have an idea of what Firth’s Bond might look like with the preview to the 2016 release Kingsman: The Secret Service this week. Admittedly we first thought this trailer was for a remake of the classic British spy series The Avengers, with Firth as John Steed. Ralph Fiennes, the newest M in the James Bond franchise, was the latest to don the famous bowler hat and umbrella for that role. Firth would have been a good choice for that role, but he also seems to be summoning a little foppish Peter Sellers from the original Casino Royale, too.
Based on the six issue comic book mini-series Secret Service by Mark Millar and Dave Gibbons and directed by Matthew Vaughn (Kick Ass, X-Men: First Class), this latest spy flick has Firth mentoring a street-kid for possible inclusion in a secret spy society. That mentoring makes this movie give off a vibe like another great coming of age flick of years past, The Freshman, starring Marlon Brando and Matthew Broderick. If Kingsman is half as good as that film, we’ve got something to look forward to.
That is, if you’re in Scotland.
Census records estimate that more than twice as many people of Scottish ancestry live in the United States than in Scotland. Is it the destiny of Scotland to declare its independence from Great Britain? If not now, then when? At the beginning of the day everyone has been waiting for, polls show the likely outcome as a dead heat. We’ll soon learn the answer we’ve all been asking: Will they or won’t they?
Of course there are all sorts of implications to a yes vote, not the least of which is what kind of economic impact it will have on England, on the United States, and the world. If Scotland wants to make a statement to the world this could very well be Scotland’s day. So if you’re one of those Scots that are 16 years old or older and done voting or you’re in the States and can’t vote today, then what better than a brief celebration of all things Scottish? As Mike Myers’ character Stuart Rankin, proprietor of the store “All Things Scottish,” said on Saturday Night Live, “If it’s not Scottish, it’s crap.”
Scotland is well known for its inventors and their inventions. You wouldn’t be reading this website or surfing the Internet at all without the communications technologies that sprouted from Alexander Graham Bell’s telephone. John Logie Baird would invent the first television. Scots invented the refrigerator and the flush toilet, the kaleidoscope and the lawnmower. And–shazam–James Goodfellow invented ATMs so we can get money to buy stuff on nearly any street corner.
Our future is defined in part by the adventures of a Scot in space–James Doohan’s Commander Montgomery “Scotty” Scott from Star Trek, an engineering miracle worker who exemplifies Scottish ingenuity. And of course, there’s James Bond, the character, whose parents were Scottish, and Sir Sean Connery, the Scottish actor, the most famous Bond, and a supporter of today’s “yes” vote.
Review by C.J. Bunce
When Pirates of the Caribbean: Dead Men Tell No Tales hits theaters in 2017, the tenth largest money making movie franchise will give fans its fourth sequel. Usually the fifth film in a franchise is so far from the spirit of the original that it fails miserably. But the last Pirates entry, Pirates of the Caribbean: On Stranger Tides, was such a visually stunning production with–more importantly–an interesting story that it could be the Johnny Depp-led franchise may just be hitting its stride. The first of the films released on Blu-ray 3D is a showcase for the home viewing technology, and is worth another look, especially if you only saw it in the theater on 3D or just the DVD version.
Still derived on the amusement park ride and the adventures of Captain Jack Sparrow, the role that earned Johnny Depp one of his best actor Academy Award nominations, On Stranger Tides kicks up the film’s action compared to the prior two films, Dead Man’s Chest and At World’s End. In part because director Jerry Bruckheimer branched out and borrowed the film’s story from an award-winning novel by Tim Powers (1987’s On Stranger Tides), this new film is simply better all around. Except for some scenes that could stand to be edited down, On Stranger Tides is nearly as good as the original Pirates of the Caribbean, The Curse of the Black Pearl.
As the mercenary crew of the Perses leave the horror of LV-223 behind them, one passenger reveals a terrible new danger, and the crew soon find themselves in a deadly struggle between predator and prey…
Dark Horse Comics expands its Fire and Stone line with the new Alien vs. Predator: Fire and Stone series, coming to comic book stores in October. After the break, courtesy of Dark Horse we have a first look at the series Issue #1 as well as the book trailer for the series.
Christopher Sebela will write the series with artwork by Ariel Olivetti.
Here’s the preview of Issue #1:
Back in early 2012 we reviewed one of several books released on movie poster artist Drew Struzan, a useful and interesting resource called The Art of Drew Struzan, reviewed here. It chronicles the best of painted motion picture advertising one-sheets that Struzan created, and even more enlightening, includes commentary by Struzan about his process and the politics and business of his years of leading the craft. The picture he painted wasn’t pretty, but despite his own roadblocks he is generally thought of as the best motion picture poster artist of the last 50 years.
Along with Struzan, another poster artist created posters that often could be confused for Struzan’s. That was the late poster artist John Alvin. Unfortunately Alvin did not document his own personal account of his creative and professional experiences, but his wife Andrea has put together a book that at least documents his most popular work, released this month by Titan Books as The Art of John Alvin. What we don’t know from any of the books we’ve reviewed on poster artists is how they might have competed for work over the years. Andrea Alvin makes no mention of Struzan, but seems to indicate Alvin was able to keep a nice niche of clients over the years, ranging from the decision-makers behind the movies of Mel Brooks, Steven Spielberg, Tim Burton, and the renaissance of animated Disney blockbusters.
Alvin’s work seems far more commercial compared to the paintings of Struzan, as can be seen in Alvin’s posters for Empire of the Sun (1987), Cape Fear (1991), Batman Returns (1992), Star Trek VI: The Undiscovered Country (1991), and Batman Forever (1995). But that doesn’t mean they were any less effective at drawing moviegoers to the theater, the entire point of the poster. The one-sheet for Empire of the Sun is often seen as one of the most memorable images in the history of movie posters.
The power of much of Alvin’s posters is the simplicity. In 1982 when the public first learned of a movie called E.T., the Extra-Terrestrial, the only thing we knew was a newspaper ad showing a wrinkled alien hand touching the hand of a kid, inspired by Michelangelo’s The Creation of Adam. His teaser poster was equally as effective—never did these pictures show E.T. himself. Those same images were reproduced on movie posters, cardboard standees, and eventually all over picture books sold via school book orders. Simple images, but lasting images, and what they didn’t show was part of the enticement to reel in an audience.