Category: Movies


Baloo and Mowgli

In case you missed the Super Bowl this past Sunday and haven’t caught up on the movie trailers that aired, we’ve stacked 15 of them up here at borg.com for your viewing pleasure.  Plus we’ve added The Lobster–a darkly wacky looking film that we can’t quite categorize yet.  Is it science fiction?  Fantasy?  You be the judge.  It may just be on that short list of quirky British comedies that manage to work (or not).  Plus it has Rachael Weisz and Ben Whishaw so that’s something.

Let’s start with what looks like the best of the bunch, a live-action reboot of The Jungle Book:

The Secret Life of Pets

X-Men Apocalypse

Jason Bourne

Continue reading

prideprejudiceszombies

Review by Elizabeth C. Bunce

It is a truth universally acknowledged that a classic story in possession of fans must be in want of retelling.  Likewise, that if that story is a novel, it should also thence be made into a film.  And if you can find a way to put zombies in, wins all around.

Thus, writer/director Burr Steers’ new Pride and Prejudice and Zombies, based on the eponymous 2005 novel “co-written” by Seth Grahame-Smith (Abraham Lincoln, Vampire Hunter) and Jane Austen.  Cleverly packaged to release in time for Valentine’s Day, the film is a sure winner for date night: costumes; romance; actors in various states of fetching undress; violence; girls with swords; shambling, oozing undead in fetching period costumes; and powerful women with estates and eyepatches.  And Matt Smith.  Need I say more, really?

As a version of Pride and Prejudice, PPZ is probably below average, and relies on the viewer’s familiarity with the story, since much of the film’s 108-minute runtime must be given over to worldbuilding and action sequences (although fans of the 1995 A&E adaptation will be rewarded with plenty of homages, especially with respect to Mr. Darcy).  Prideful Elizabeth Bennet (Lily James, Cinderella) and disdainful Mr. Darcy (Sam Riley) have even less onscreen chemistry than Austen’s off-again, off-again lovers normally display–but they more than make up for it with their zombie-fighting prowess.  Lizzie’s intolerable-yet-lovable family is neither interesting enough nor loathsome enough to inspire much response from the viewer; thank goodness for the zombies to give us something to care about.

PPZ zombie

As a zombie film, it’s probably also less than what the average zombie flick fan is looking for.  There are the requisite scenes of shambling hordes, rotting flesh, and brain-eating, but it’s somewhat tame thanks to the PG-13 rating, and in comparison to so many other recent zombie properties.  In fact, it’s actually a credit to the filmmakers that they didn’t try to outdo the competition with their zombie horde, and instead showed a certain 19th century refinement and restraint in the presentation.

Continue reading

Arnold Mobile Strike

Unless you’re watching the Super Bowl to actually see the game today, you can find all the commercials online today, freeing up your schedule to watch Animal Planet’s Puppy Bowl XII.  It’s hard to believe we’ve been watching this too-darned-cute puppy outing for twelve years now.  Catch it throughout the day today on Animal Planet.  Get more information, including how the event is helping animals, at the Animal Planet website here.

Many of the ads from today’s game have been released already, so take a peek at a handful of them below.

As with past years, commercials airing during the Super Bowl featuring dogs seem to be the winners, although Kevin Hart has a pretty funny entry in his Hyundai ad, and we could watch Arnold Schwarzenegger Mobile Strike ads all day long.  Snickers is doing their thing again, this time with Willem Dafoe, and look for Christopher Walken in a car ad.  Also come back later for expanded movie trailers from what is previewed below, including one from the fifth Jason Bourne movie.

Puppy Bowl XII

Enjoy your chicken wings, and don’t forget your Tums, Rolaids, Gaviscon, etc.

Continue reading

James-Bond-SPECTRE-The-Complete-Comic-Strip-Collection

Daniel Craig’s modern James Bond inspired by classic comic strip versions of Bond?

According to the foreword in James Bond: Spectre – The Complete Comic Strip Collection by John Logan, screenwriter for Gladiator, Star Trek Nemesis, The Last Samurai, The Aviator, Skyfall, and the latest James Bond film, SPECTRE, it’s the original Bond from Ian Fleming’s novels–the Bond before anyone viewed him as Sean Connery, and the same Bond revealed in the British comic book strips–that guided the writers to form Craig’s Bond in the last two movie installments.

After reading the comic strip adaptations of Thunderball, On Her Majesty’s Secret Service, You Only Live Twice, and The Spy Who Loved Me, it’s easy to see it.  This less superheroic and more human, worn down, aging Bond is the Bond of the modern films.  Titan Books’ James Bond: Spectre – The Complete Comic Strip Collection, is now available in a deluxe hardcover edition, pulling from the rich archive of Bond strips those stories that dig into the origins of SPECTRE, that evil organization that Blofeld manipulated so well, and that was the focus of last year’s blockbuster.

Bond comic

You’ll find digitally remastered, original black and white versions of the iconic 1960s cartoon strips in an edition similar to the Flash Gordon series reviewed here previously at borg.com–a size that is ideal for reading these old comic strips easily, cover to cover.  Each story is based on Fleming’s novels, selected from the 52 comic strips that appeared between 1958 and 1983 syndicated in British newspapers.  The illustrations of the strip were rendered by John McLusky who would illustrate thirteen James Bond comic strips along with writer Henry Gammidge until 1966.

Continue reading

Alice Through the Looking Glass clip

It’s not every day that Hollywood makes a sequel to one of your all-time favorite fantasy movies.  It’s Disney’s Alice Through the Looking Glass, based on Lewis Carroll’s 1871 book Through the Looking-Glass, with Tim Burton producing this time around and James Bobin (The Muppets, Muppets Most Wanted) in the director’s chair.  We previewed the first trailer for this fantasy film here at borg.com back in November.

Mia Wasikowska, Johnny Depp, Anne Hathaway, Alan Rickman, Stephen Fry, Michael Sheen, Timothy Spall, and Helena Bonham Carter return, with Rhys Ifans and Sacha Baron Cohen joining the cast.  Danny Elfman will again be producing the musical score.

Alice posters

Here’s the second, fantastic trailer for Alice Through the Looking Glass slated to air during this weekend’s Super Bowl coverage:

Continue reading

Foster Star Wars The Force Awakens hardcover cover

Review by C.J. Bunce

In a parallel universe where Star Wars: A New Hope might have been snubbed by moviegoers and gone the way of obscurity like Logan’s Run and The Black Hole, another sequel to the original Star Wars was already penned.  Alan Dean Foster had access to George Lucas’s scripts and original story treatment from 1973, titled The Journal of the Whills.  Foster was commissioned to write the follow-on story, Splinter of the Mind’s Eye, in case Star Wars did not make it as a hit at the box office.  But Star Wars would have a different fate: more money and a bigger budget was available for a scriptwriter for The Empire Strikes Back, and Splinter would never see the screen.

Along with so many good decisions for the Episode VII release based on nostalgia (like a poster commission from classic Star Wars poster artist Drew Struzan) sci-fi author Alan Dean Foster was tapped to return to Star Wars and has adapted the film into the Star Wars: The Force Awakens novelization.  Fans of Splinter will no doubt rush to read Foster taking on the galaxy of Star Wars again, and he has even brought the title of the original George Lucas 1973 story Journal of the Whills into the post-Disney Star Wars canon by referencing that work in his prologue, just as he referenced it in Splinter.  If you missed Splinter, you can still pick up a copy here, but it’s not for fans who would cringe at the thought of a Luke vs. Darth Vader confrontation before the critical confrontation in The Empire Strikes Back.  But the nostalgia factor will be high for fans of Splinter, which was published in 1978 as the first expanded universe Star Wars novel.

Splinter_of_the_Minds_Eye

In the days before DVDs a fan’s primary source to revisit favorite films was the novel or comic book adaptation.  Today fans are seeing The Force Awakens multiple times in the theater and the film has broken all the meaningful box office records.  But the DVDs and Blu-rays aren’t available yet, so this novelization is still another way to access the story in-depth.  Better yet, as with many adaptations, Foster expands upon concepts only touched upon in the movie, and lends some insight into backstory fans can otherwise only speculate about.

Continue reading

Bone Tomahawk

Review by C.J. Bunce

Writer/director S. Craig Zahler’s 2015 film release Bone Tomahawk starts as a classic Western about life on the frontier–living at home, visiting the local saloon, working in the local Sheriff’s office.  It quickly becomes a genre-bending damsel in distress/ “a man’s gotta do what a man’s gotta do” picture and much more.  Several other genre elements are woven together to create a solid, serious drama that is equal parts suspense thriller and gritty, meaty Western that rises above most efforts to make a classic Western in the past 45 years, if you forgive it for one scene that dips into gruesome, in-your-face horror.  Put Bone Tomahawk up there with Silverado.  It’s a far better Western than even the much celebrated Unforgiven.

Bone Tomahawk follows four men as they pursue the mysterious captors of a local frontier doctor–a woman (played by Lili Simmons)–and the criminal she was operating on (played by David Arquette) and the on-hand sheriff’s deputy (played by Evan Jonigkeit).  It’s a simple story, yet it couldn’t be more unique in its execution.  In possibly Kurt Russell’s finest bit of reserved, serious acting ever on film, he plays Sheriff Hunt.  Made of the same mettle as Gary Cooper in High Noon and John Wayne in The Searchers, he is relentless in his pursuit.  Patrick Wilson is equally relentless as the husband of the missing doctor.  His leg has been wounded from a fall and so he must forge ahead limping along throughout the film as he sleuths out what is really going on.  Think of him as a mix of Gary Cooper in Sergeant York and Jimmy Stewart in Rear Window Lost’s Matthew Fox is the slick but honorable, impeccably dressed gentleman barfly, who once had a thing for the doctor, and volunteers to help find her.  The posse is rounded out by the now crotchety character actor from film and TV, Richard Jenkins.  He’s droll and provides a different flavor of humor along the way.

Bone Tomahawk movie poster

Zahler isn’t afraid to let the movie flow at its own pace, and allow the viewer to soak up the scenery, the Western tropes, the camaraderie of the team as they eat and sleep and take their horses forward through the long desert way.  It’s an 1890s Assault on Precinct 13, only like High Plains Drifter the nature of the mystery is hidden from us for so long that the anticipation warrants calling this out as a top-notch suspense thriller.  Who stole the townsfolk and are they still alive?  And what is that strange music we hear in the wind before bodies start falling?  Like The Ghost and the Darkness, you want to run away from what is out there waiting for you–this feels like a ghost story, maybe even every frontier family’s personal nightmare come to life.

Continue reading

fantastic-beasts-cast-xlarge

This weekend Warner Bros. has released a behind the scenes look at J.K. Rowling’s return to the wizarding world, Fantastic Beasts and Where to Find Them, derived from the Hogwarts textbook of the same name by magizzoologist Newt Scamander.  Fantastic Beasts is a prequel with a screenplay written by J.K. Rowling–her first–and it’s set in 1926 New York City.  It follows Eddie Redmayne as Scamander, a Charles Darwin of sorts cataloguing magical creatures.  It is a prequel, but don’t expect to see young Hogwarts professors or other familiar names.

Fantastic Beasts is directed by David Yates, who served as director of the final four Harry Potter films.  Harry Potter fans will learn some new lingo, like “No-Maj”–American for Muggle.  A No-Maj named Jacob, played by Dan Fogler, has a run-in with Scamander, Scamander loses his magical case, and some beasties escape, which may reveal the wizarding world to the rest of us.  Fantastic Beasts co-stars Katherine Waterston (Steve Jobs) as Porpentina, Alison Sudol (Transparent) as Queenie, Ezra Miller (Batman v Superman: Dawn of Justice) as Credence, Ron Perlman (Hellboy, Star Trek Nemesis) as Gnarlack, Samantha Morton (Minority Report, John Connor, Jane Eyre) as Mary Lou, Jon Voight (Mission Impossible, National Treasure) as Henry Shaw, Sr., Carmen Ejogo (Selma) as Seraphina, Jenn Murray (Brooklyn) as Chastity, and Colin Farrell (Total Recall, Phone Booth, Minority Report, Daredevil) as Percival Graves.

Fantastic Beasts and Where to Find Them poster

Take a look at this new behind-the-scenes feature for Fantastic Beasts and Where to Find Them (and raise your hand if you wish Colin Farrell were playing a young Professor Snape):

Continue reading

SMT X

WELCOME TO EARTH-4

A Column by J. Torrey McClain

Around this time last year, my good friend Steve suggested that we check out A Girl Walks Home Alone at Night (2014) at the Silent Movie Theater here in Los Angeles and I had no clue what it was.  I briefly checked the description, saw a positive Metacritic score and thought to myself, “Why the heck not?”  I ended up seeing a fantastic slow-burning film that made the vampire genre fresh.  I also saw one of the best images to portray a character in a long time.

Early in the film, the co-protagonist girl vampire decides to go home with a drug dealer who had previously threatened the other protagonist as well as a local streetwalker.  As he bursts into his lair, he walks by a large fish tank and gives it a smack.  Seconds later he’s doing lines of cocaine on a glass table, a mounted deer head and a mounted antelope head on the wall behind him, before turning on the annoying techno.  He sits on a couch draped with a blanket of what looks like tigers that would jump out under black light.  In the corner there is a hookah.  As the girl vampire explores the rest of the pad, she finds a set of drums just below a large marijuana leaf poster.  I laughed to myself as I immediately realized I had in those brief seconds already characterized this asshole in my mind with no redeeming qualities.  Sure, the actions earlier helped, but that apartment spoke to me clearly and it screamed into my brain “HE IS A DOUCHEBRO.”

douchebro

Those items and that music might not mean the same thing to every person.  Maybe to others they see a seedy drug-dealing criminal.  Some may see a guy that is definitely more current in his musical taste than I (as Clem Snide and The Replacements play as I write.)  Others may see an advocate for marijuana besides business reasons that has been stigmatized due to its frequent use by hippies and non-WASPs.  (I put myself in the advocate camp, by the way, as the criminalization and the imprisonment of many people in jail due to marijuana related offenses seems to be one of the many effects of the inherent racism in our justice system.  But, that’s for another discussion at another time by others much more qualified than I.  Check out Deray McKesson on Twitter to start your journey on that front or some of the great essays in The Atlantic by Ta-Nehisi Coates, the soon-to-be author of the Marvel comic Black Panther).  I just know that for my viewpoint, the more the scene unfolded, the more it verified my judgment.

Such is the magic of great set design.  As a background actor, I get to see lots of set design up close.  Items might not show up distinctly on camera, but choices get made in the costume, prop and set departments that impact the feel of a scene.  The care that the professionals take in these aspects of filmed entertainment mesmerizes me more than most things.

Continue reading

race-poster

Stephen Hopkins, director of The Ghost in the Darkness, Predator 2, and the reboot of Lost in Space, and TV series House of Lies and 24, is bringing to the big screen the momentous race of Jesse Owens, the black track and field gold medalist who showed-up Adolf Hitler’s racist regime by winning in the 1936 Olympics.  The cleverly titled Race stars Stephan James (Selma) as Owens, the role previously given to John Boyega, who instead left the production to take on the role of Finn in Star Wars: The Force Awakens.

Race co-stars Saturday Night Live alumnus Jason Sudeikis as Coach Larry Snyder, as well as Academy Award winners William Hurt and Jeremy Irons.  Race is the kind of serious topic biopic the Academy traditionally looks for at Oscar time.  If the film is the great drama that the story deserves, this could be a breakout role for both James and Sudeikis.

Jesse Owens biopic

But can Sudeikis overcome his comedy acting past to drive this drama home?  Many ex-SNL regulars have tried to break the SNL curse and jump into drama, including Bill Murray, Dan Aykroyd, John Belushi, Steve Martin, Albert Brooks, and Eddie Murphy, along with other comedy talents like Michael Keaton, Eddie Izzard, Jim Carrey, Jamie Foxx, Will Smith, Robin Williams, and Jonah Hill.  Will the Academy recognize Race a year from now?  Murray, Aykroyd, Martin, Brooks, Hill, Smith, Williams, and Keaton have all been nominated for acting Oscars, but no ex-SNL actor has won an acting Oscar, and only comedic actors Foxx and Williams were able to make the switch from comedy to drama and take home the big prize.

Check out this trailer for Race:

Continue reading

Follow

Get every new post delivered to your Inbox.

Join 786 other followers

%d bloggers like this: