It’s a big week of comic book releases from IDW Publishing and BOOM! Studios so we have pulled together several previews, including Issue #1 of a new Edward Scissorhands series, Issue #1 of a Teenage Mutant Ninja Turtles mash-up with the Ghostbusters, Issue #1 of a new Dungeons & Dragons series, and Issue #4 of The X-Files: Year Zero.
From BOOM! Studios we have previews of Issue #1 of an intriguing new series called Memetic, and Issue #1 of 3 Guns–the sequel to 2 Guns, the comic book that became this summer’s Mark Wahlberg/Denzel Washington action movie we reviewed previously here at borg.com.
And don’t forget to pick up Dark Horse Comics’ new Predator: Fire and Stone, Issue #1, previewed here earlier.
After the break, check out these great previews.
You’ve got to admit, it’s a pretty good title. And a decent premise.
Dark Horse Comics’ announced the purchase by Syfy Channel of the rights to the 2012 comic book release Dark Matter, a story about a group of space travelers who awaken from stasis on a spaceship with no memory of how they got there.
Stargate SG-1 and Stargate: Atlantis writers Joseph Mallozzi and Paul Mullie, who wrote the Dark Horse series, will also run the new TV series. Prodigy Pictures, who produced the Vancouver-based Lost Girls, will produce Dark Matter for Syfy. Bringing some past talent from proven shows gives us hope for this series.
The crew of the Raza are known by numbers one through six: three men, two women, and a kid. One of the men was drawn to look like Djimon Hounsou. By the looks of the comic book art, the cargo-looking ship could exist in the same world as Firefly’s Serenity. Here’s the description from the comic book: When the six-person crew of a derelict spaceship awaken from stasis in the farthest reaches of space, their memories of their pasts have been wiped clean. The only clue to their identities is a cargo bay full of weaponry and a destination–a remote mining colony that is about to become a war zone.
Review by C.J. Bunce
Whether a piece of art is appealing is in the eye of the beholder. Everyone who gives a considered view to a piece of artwork is entitled to their own interpretation and commentary on it. This month sees the release of a book that will allow the reader to take his or her own personal journey through the artwork that became the marketing posters for the Star Wars franchise. Star Wars Art: Posters is the fifth and final hardcover installment in Abrams Books’ successful series pulling the best imagery from Lucasfilm. It follows Star Wars Art: Visions, Star Wars Art: Concept, Star Wars Art: Illustration, and, to be reviewed soon here at borg.com, Star Wars Art: Comics. With Star Wars Art: Posters, the best was saved for last.
Star Wars Art: Posters is a purely visual experience. It includes only the slightest amount of text or interpretational information. A one-page commentary is included, written by each of noted Star Wars poster artists Drew Struzan and Roger Kastel. They each recount their own experience with creating Star Wars poster art, but do not give an overview of the rest of the galaxy of poster art. Instead each piece of art is laid out roughly chronologically, stripped of the words and printed matter that would be needed for the completion of the final poster for distribution, but with a notation showing the artists’ name, date, significance, and medium.
Die hard fans of Star Wars will recognize many, if not most, of the included posters. And you’ll find yourself embarking on your own nostalgic trip back nearly four decades. Back to the first poster for the film from 1976: Howard Chaykin’s screaming imagery of Luke, Han, Leia and Ben, with lightsaber pointing downward, Tom Jung’s famous one-sheet–what most remember as the classic Star Wars poster, Tom Chantrell’s photo-real poster featuring Mark Hamill as Luke along with the rest of the main cast, and that famous circus-design poster by Charles White III and Drew Struzan. My own trip back in time recalls the Del Nichols posters that were Coca-Cola giveaways, three of which are included in the book (and which covered the walls of my bedroom many years ago).
Review by C.J. Bunce
It’s difficult to ascertain what Steve Spielberg could have done differently had he actually planned a Jurassic Park 3D movie or filmed it originally with 3D technologies. Jurassic Park 3D is so well done, devoid of gimmicky 3D imagery, but filled with crystal clear depth and eye-popping dimension scene after scene that you’ll think it isn’t merely a post-production conversion.
Unlike the few months technicians had to create the transfer used for a movie like the admittedly superb Predator 3D release, reviewed earlier at borg.com here, Jurassic Park 3D underwent a full year of a painstaking, detailed transfer process, thanks to the post-production conversion studio Stereo D. It’s also a testament to having those creators who made the original production oversee the conversion from original 2D film to 3D. In this case, the oversight was by director Steven Spielberg himself.
When considering what makes good or bad 3D movie subjects, we learned from Predator 3D, The Creature from the Black Lagoon, and Friday the 13th III in 3D that nothing beats Mother Nature when you’re watching 3D. The context of setting a film in the natural world, highlighting the detail of trees and grass and, in the case of Jurassic Park a forest nestled among waterfalls in real-life Hawaii, is the best environment to judge 3D on your home 3D system.
No other director has produced more hits and more variety than Steven Spielberg. You’d have to travel pretty far to find someone who didn’t love at least one of Spielberg’s films. Whether it’s Jaws, Raiders of the Lost Ark, E.T., the Extra-Terrestrial, Jurassic Park, Close Encounters of the Third Kind, Minority Report, or War of the Worlds, each of Spielberg’s genre blockbusters rival the best of other major directors’ films. That doesn’t even include his more critically acclaimed dramatic works, Schindler’s List, The Color Purple, Empire of the Sun, Saving Private Ryan, Munich, and Lincoln.
The films Spielberg directed at Universal Studios are being released tomorrow in a new boxed set in both a DVD and Blu-ray edition. Whether you’ll go for this set isn’t a matter of whether this is a great collection of great movies. It’s more about math. Today only you can get the set for less than half the published retail price at Amazon.com here. First of all you get eight films on eight discs, and unlike other directors’ releases, like the superb Clint Eastwood: 35 Films 35 Years at Warner Bros., this edition includes a bundle of great extras on several of the discs. These films have been released singly and you may already have the best available editions of films like Jaws. But if you don’t this may be the time to catch up your video library.
You get Spielberg’s first film, actually a TV movie, the suspenseful Duel (1971), featuring Dennis Weaver (Dragnet, Gunsmoke) being pursued by a psychotic truck driver. It’s the ultimate road rage movie well before the term was even coined. It includes “A Conversation with Director Steven Spielberg,” “Steven Spielberg and the Small Screen,” “Richard Matheson: The Writing of Duel,” a photograph and poster gallery and the original trailer.
This week Archie Comics and Dark Horse Comics announced a new mini-series coming in 2015, an unlikely monster mash, Archie Meets Predator. We’re surprised it took them so long.
Predator on film has faced off against Arnold Schwarzenegger and Ridley Scott’s Aliens. In the comics, the list goes on and on, from Predator vs Judge Dredd vs Aliens, to Tarzan vs. Predator, to even Superman/Batman vs Alien & Predator. And who could forget Predator vs My Little Pony, Predator vs Barbie, Predator vs Hello Kitty, and Predator vs Itty Bitty Hellboy? (OK, we made up those last ones).
Archie has had a similar spree of unlikely mash-ups, like Archie Meets KISS, The Punisher Meets Archie, and (gasp!) Archie Meets Glee. Better yet, Archie had his own unofficial Walking Dead tribute with Afterlife with Archie–one we’ve raved about plenty here at borg.com.
Archie Meets Predator is not taking the dark path you’d think you’d get from Dark Horse Comics or even from Archie Comics based on their success with Afterlife With Archie or forthcoming Sabrina series. Archie Meets Predator seems to be lighter fare based on the press release this week:
Review by C.J. Bunce
Star Wars Rebels: Spark of Rebellion, the premiere one-hour movie for the coming animated series, aired last night on DisneyXD. If the first hour is any indication, Star Wars Rebels will likely appeal to the entire demographic of anyone under 13 years old. To that end, the premiere hour could be considered a success. But as the first visual incarnation of Star Wars in the hands of Disney, is it enough for the generations of loyal Star Wars adult fans?
Star Wars Rebels is targeted at kids primarily through its focus on Ezra, a teenage thief solely defined by his own survival. The unfortunately franchise-defining, stilted Star Wars dialogue and loud voice readings could only appeal to the younger set of “whiz-bang” aficionados. It’s “very Disney” with its constantly fart-sound emitting R5-D4-inspired droid named Chop–Disney just can’t get away from a goofy little fringe character in any of its films. The good part is that Ezra is a ringer for Disney’s Aladdin, and if you liked Aladdin there may be hope for this character for you.
We previewed the first novel in the New Universe under Disney here at borg.com a few weeks ago, Star Wars: A New Dawn. It featured an interesting, well-written story and was a good introduction of two key characters in the new animated series, a Jedi named Kanan Jarrus (voiced in the series by Freddie Prinze, Jr.) and his partner Hera Syndulla (voiced by Vanessa Marshall), a green Twi’lek woman. The difference is the novel had none of the goofy-for-kids elements.
Star Wars Rebels defines the challenges that stories of the New Universe will face. What are the essential elements that make something Star Wars? More importantly, what are the minimal elements required so this is not just another science fiction story with a Star Wars label? The first hour of the animated universe bombards us with references back to people, places, ships, uniforms, and artifacts of the first two trilogies. Can’t something new be done and yet remain completely of the Star Wars world? Some of the camaraderie on the rebel vessel approached that of Firefly, particularly with the gruff Jayne-like character, Zeb (voiced by Steve Blum), the couple Kana and Hera a bit like Zoe and Wash, and young bomb expert Sabine (voiced by Tiya Sircar) is a bit of a combination of the engineering skill of Kaylee and the borderline sociopath River. Have all the good sci-fi ideas been used up?
Back in July, BOOM! Studios announced that Snake Plissken would be back. One of John Carpenter’s best, the 1981 sci-fi flick Escape from New York went on to have a rather bleh sequel with 1996’s Escape from L.A. BOOM! is returning to the classic we all love with its continuing story of the action anti-hero with the eye patch in its new Escape from New York series.
Writer Christopher Sebela (Ghost, Alien vs. Predator) and artist Diego Barreto (Planet of the Apes, Irredeemable) along with cover artists Declan Shalvey, Jay Shaw, and Alice X. Shang will be telling the new tales of this loner in a future Earth’s World War III.
Following on the heels of its first John Carpenter-Kurt Russell team-up monthly ‘zine, BOOM! Studio’s successful Big Trouble in Little China series, Escape from New York should satisfy our desire for more stories from the John Carpenter ‘verse.
This week we get our introduction to animated Star Wars Disney-style with the premiere of the new series Star Wars Rebels. Set your DVRs for this Friday, October 3, for the one-hour premiere, Star Wars: Spark of Rebellion on the Disney Channel. The first series episode begins October 13 on DisneyXD. The series features characters we previewed here at borg.com in our review of the first new universe Star Wars novel, A New Dawn.
Taking place between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope, a group of rebels takes on the Empire. The series features the voices of Freddie Prinze Jr., Taylor Gray, Tiya Sircar, and Steve Blum.
Those with access can get an early look at Star Wars: Spark of Rebellion on September 26 at WATCHDisneyXD.com and on the WATCH DisneyXD app.
Coming in November is Disney’s full-length animated feature film, Big Hero 6. Big Hero 6 follows the story of two Japanese brothers and a robot one creates that looks a bit like the Stay-Puft Marshmallow Man.
A universe of terror drawn to one world. As the Perses begins her long journey home, a deadly stowaway forces the crew into a savage conflict. While the crew defend themselves against this unseen predator, the hunter itself stalks a much more substantial game…
Dark Horse Comics expands its Fire and Stone line with the new Predator: Fire and Stone series, coming to comic book stores in October. After the break, courtesy of Dark Horse we have a first look at the series Issue #1.
Check out past previews of the multi-part series, Prometheus: Fire and Stone, here, Aliens: Fire and Stone here, and Alien vs. Predator: Fire and Stone here.
Joshua Williamson will write the series with artwork by Chris Mooneyham.
Here is your preview of Issue #1: