Tag Archive: Aliens


cover_template_text    STII vinyl

The great composer James Horner died last year in a plane crash, leaving behind a legacy of some of the biggest and most memorable soundtracks that defined nearly 40 years of film history.  One of the most memorable for sci-fi fans is his score to Star Trek II: The Wrath of Khan.  To celebrate Star Trek’s 50th anniversary, Mondo–the guys known for their redux poster interpretations–are releasing an extended LP edition of Wrath of Khan with music never before available on vinyl.  And the release includes Mondo’s killer level of artwork interpreting Khan and Kirk on Ceti Alpha V and the Genesis Planet.

But Mondo didn’t stop there.  The vinyl albums reflect the look and colors of the Mutara Nebula, where the Enterprise and the Reliant faced off.

10WoK-Discs2--FINAL2_1024x1024    STII LP reverse

Horner’s work on Wrath of Khan is impressive and established Horner as a major film composer.  His score adapts themes from Prokofiev’s Alexander Nevsky and Romeo and Juliet, and Horner would work cues from classical masters in many of his film scores over the course of his career.  Order your copy of Horner’s Star Trek II: The Wrath of Khan 2-LP set today here at the Mondo shop.

Never heard of James Horner?  You certainly have heard his work.  His last score will be featured in the remake of The Magnificent Seven due in theaters September 23, 2016, but the variety of films he wrote for is unprecedented.  He wrote themes that made many an actor look good–many in multiple films, including Arnold Schwarzenegger, Sigourney Weaver, Mel Gibson, Harrison Ford, Matthew Broderick, Russell Crowe, Jennifer Connelly, Ed Harris, Denzel Washington, Julia Roberts, and Brad Pitt, and collaborated on movies with the likes of big filmmakers, including Ron Howard, Steven Spielberg, James Cameron, Ridley Scott, Phil Alden Robinson, Wolfgang Petersen, Jean-Jacques Annaud, Michael Apted, Joe Johnston, and Edward Zwick.

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Killjoys

Two new sci-fi series are coming your way this month with another to follow later in the year, all on the Syfy Channel.  The Friday night line-up includes the mercenary show Killjoys and the psychological outer space thriller Dark Matter.  A release date for the dark Them vs. Us series The Expanse has not yet been released.

In Killjoys, a Canadian production by Lost Girl writer Michelle Lovretta, three bounty hunters including genre and Syfy veteran Aaron Ashmore (Warehouse 13, Lost Girl, Smallville, Veronica Mars) chase their deadly targets across the galaxy in what looks to be a fun, Firefly style show.

Dark Matter, another Canadian production, features a six-person crew of a spacecraft who all had their memories wiped and must work together to learn why.  The preview has this series looking like a darker version of the Star Trek: The Next Generation episode “Conundrum,” where the crew was mind-wiped in order to use their technology to take sides in a battle between two warring factions.  Look for genre veteran Roger E. Cross (Arrow, Orphan Black, The Returned, Eureka, 24, Star Trek Enterprise, The X-Files) as one of the stars of the show, and Lost Girl’s Zoie Palmer as “The Android.”

Dark Matter

Based on the James S.A. Corey’s novel Leviathan Wakes, The Expanse stars Thomas Jane (The Punisher, Medium, Buffy the Vampire Slayer), Shohreh Aghdashloo (Grimm, 24), Steven Strait (Sky High), Cas Anvar (Lost, Leverage, Source Code, In Plain Sight), and Wes Chatham (The Hunger Games: Mockingjay).  This series has a bit of an Aliens universe vibe.  A spaceship crew finds a derelict vessel with secrets that could spell doom for the human race.

Here’s the preview for Killjoys:

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Predator Fire and Stone variant

A universe of terror drawn to one world.  As the Perses begins her long journey home, a deadly stowaway forces the crew into a savage conflict.  While the crew defend themselves against this unseen predator, the hunter itself stalks a much more substantial game

Dark Horse Comics expands its Fire and Stone line with the new Predator: Fire and Stone series, coming to comic book stores in October.  After the break, courtesy of Dark Horse we have a first look at the series Issue #1.

Check out past previews of the multi-part series, Prometheus: Fire and Stone, here, Aliens: Fire and Stone here, and Alien vs. Predator: Fire and Stone here.

Predator Fire and Stone cover art

Joshua Williamson will write the series with artwork by Chris Mooneyham.

Here is your preview of Issue #1:

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Prometheus_fire_and_stone1   Grendel vs The Shadow Matt Wagner

We have a variety of previews today, courtesy of Dark Horse Comics and Dynamite Comics.  New series include a monthly based on the TV series, Bob’s Burgers.  Another features a tie-in to the Alien universe, with Prometheus: Fire and Stone.  A third series based on NBC’s Grimm begins this week with Grimm: Portland, Wu.  And Matt Wagner’s anti-hero Grendel finds his way to 1930s New York in Grendel vs The Shadow.

Tomorrow, Dynamite is publishing the first Bob’s Burgers comic book series.  Based on the animated show, it will be written by Rachel Hastings, Mike Olsen, Justin Hook, and Jeff Drake, with art by Frank Forte, Brad Rader, Bernard Derriman, and Tony Gennaro.  And Grimm: Portland, Wu is a one-shot written by Marc Gaffen and Kyle McVey, with art by Daniel Govar.

GrimmPortland-Cover   D.E. Comic Page Template.eps

From Dark Horse, Grendel vs. The Shadow features a story and art by Matt Wagner.  Grendel will find its way to store shelves September 3, 2014.  Also from Dark Horse, Prometheus: Fire and Stone, with a story by Paul Tobin and art by Juan Ferreyra, hits comic book stores September 10, 2014.

Check out the four previews, after the break.

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emily-blunt-edge-of-tomorrow

Review by C.J. Bunce

The challenge will fall to the coming years.  Watching and re-watching Edge of Tomorrow to count how many days take place in the movie.  How many days Tom Cruise’s character dies.  How many days Emily Blunt kills him, putting a new spin on the phrase “blunt force trauma”.  if you read movie ads or trailers none of these are a surprise.  Live.  Die.  Repeat.  No more apt tagline has ever been attached to a movie.

For decades soldiers could look to classic war movies for inspiration.  John Wayne performances, like his Sgt. Stryker from Sands of Iwo Jima or Gregory Peck’s General Savage come to mind.  Michael Ironside left an enduring mark with his Lt. Raszcak in Starship Troopers.  Now there’s a new movie to absorb some inspiration to take action, survive, and maybe even win in that next impossible battle beyond the next trench.

ALL YOU NEED IS KILL

Loosely based on the world created by 39-year-old Japanese author Hiroshi Sakurazaka’s war novel All You Need is Kill, which we gave rave reviews to earlier here at borg.com, Edge of Tomorrow is also completely different.  If you think you want to read the novel before the movie, hold off.  The first 30 minutes might leave you frustrated.  If you haven’t read the novel, Edge of Tomorrow stands by itself as a butt-kicking, take no prisoners, tale of a future in its last days before domination by an otherworldly threat.  That said, after the movie you’ll be in for an even better ride with the book.

The action and war sequences will have you comparing it to Aliens and Predator.  The otherworldly threat is of the Ender’s Game and Starship Troopers variety.  The story’s hook will have you thinking of the best video game you ever played.  Sakurazaka’s well-developed world, steeped in good science fiction tradition, is key to making this otherwise improbable story play out in an engaging way that will have you quickly jumping in for the ride.  The hook is the Groundhog Day reset of each day, and that part is a good part of the fun, but you’ll find a lot more with these characters and their persistence.

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Alien Out of the Shadows

Review by C.J. Bunce

You might think you’ve seen it all with five Alien feature films featuring the vile and merciless Xenomorphs.  You might really think you’ve seen everything about Warrant Officer Ellen Ripley from the spaceship Nostromo.  Ripley, the tough-as-nails heroine of the franchise played by Sigourney Weaver, was the lone human survivor of Alien (1979), and she led the charge against a Xenomorph attack in the sequel Aliens (1986), to come back again after her escape pod crashes onto a penal colony planet in Alien³ (1992), and finally return 200 years later as a human/Alien, Terminator-inspired hybrid clone in Alien: Resurrection (1997).  Ripley is on so many best-of lists, like Best Action Heroine and Top 100 Best Genre Character, that it’s impossible to count.  Ripley didn’t make an appearance in either Aliens vs Predator (2007) or Ridley Scott’s return to the Alien universe in 2012’s Prometheus, but has appeared in various incarnations in comic book spinoffs.  Well you haven’t seen the last of Ripley.  To quote the series’ often used tagline, The bitch is back.

A new trilogy series begins later this month, with Tim Lebbon’s Alien: Out of the Shadows.  Surprisingly it bridges the period between Alien and Aliens.  That’s right, Alien: Out of the Shadows pulls apart what you think happened to Ripley between entering into her deep stasis sleep at the end of Alien and her rescue from that sleep at the beginning of Aliens.  And Lebbon does it in a way fans of the series might not flinch at.  More importantly he takes Ripley on a nonstop, perilous mission that is as engaging as the grittiest and most exciting scenes in the franchise, the military mission in Aliens.

#1 Ellen Ripley

Chris “Hoop” Hooper works as chief engineer on a mining vessel called the Marion, as part of a Kelland Mining Company search for a rare metal called Trimonite.  Kelland is, of course, a subsidiary of Weyland-Yutani—the company that controls everything in the future.  Without wasting any paper, Lebbon catches us up with the Marion as two mining vessels go out of control in response to an invasion by certain familiar space “monsters.”  The ships ram the Marion–limiting anyone’s chances at survival, at ever leaving the orbit of the seemingly unextraordinary planet below, and causing the Marion to slowly descend to be burnt up in the planet’s atmosphere.  Jordan is the Marion’s experienced captain (and Hoop’s former love interest), Lachance is a level-headed pilot but he’s a pessimistic sort, Josh Baxter is the ship’s communications officer (and makes a good cocktail), Karen Sneddon is a hardened, intelligent science officer, Garcia is the nervous medic, and Kasyanov the doctor, with Powell and Welford engineers that keep the Marion’s crew alive for more than eleven weeks until Ripley’s shuttle auto-docks with them, 15 days before they predict they will get too close to the planet and burn up.

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riddick-blu-ray-box-art

Review by C.J. Bunce

Many times when a movie is heavy with CGI and matte paintings, the overall look can suffer.  Not so with Riddick, coming to Blu-ray and DVD on January 14.  In his third live-action performance as Riddick, Vin Diesel finds his character marooned on an unnamed desert planet in its own primitive, almost Jurassic stage.  The first half of the film showcases the night-visioned anti-hero in an almost Conan the Barbarian-like quest for survival in a very Frank Frazetta-inspired fantasy world setting.  It’s a setting that really pops in the new hi-definition Blu-ray format.  We’ve previewed the Blu-ray courtesy of Universal Studios, including its extra features.

Riddick manages to surpass the epic second franchise entry Chronicles of Riddick with its more basic and tightly-written survival story.  We get a cameo from Karl Urban’s Vaako, including some of those great Necromonger soldiers and futuristic costumes familiar to fans of the series.  But this Riddick has more of the feel of the first entry into this world, Pitch Black, also written and directed by David Twohy.  Because Twohy has maintained control over the universe and its characters, the three films (plus the early animated entry, Dark Fury) all make for a cohesive and well-designed saga.  Twohy discusses his take on the character at length in the special feature “The Twohy Touch.”

Riddick and storm

Along with the stunning Monument Valley on Mars sets is some excellent CGI and motion capture creature work, including vicious mud-demons which take Riddick down a Ridley Scott-esque path toward films end, and some dog-like jackal beasts.  Riddick ends up raising one of these dogs as he finds his way through challenges to grasslands and an abandoned science station, where much of the remaining action takes place.  He sets off an S.O.S. beacon which brings two opposing groups of bounty hunter mercenaries, one to get the bounty for his head in a box, the other a military based group with a more personal agenda.  Their two ships become Riddick’s target for a plan to leave the planet.  His shadow ninja abilities allow him to drop in on these mercs, and create his own form of psychological war.  And his early encounter with the mud-demons plays into the coming rainstorm and his face-off with the mercs.

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The Colony poster

The Thing from Another World (often referred to as The Thing before its 1982 remake), is a 1951 science fiction film based on the 1938 novella “Who Goes There?” by John W. Campbell.  The story is about an Air Force crew and scientists trapped at a remote Arctic research outpost forced to defend themselves from a humanoid alien.  It was remade in 1982 by John Carpenter and yet another version of The Thing was released in 2011.  The “Who Goes There?” archetype has been redone in science fiction more than any other, sometimes with a different location like on an unexplored planet or undersea, sometimes with monsters, sometimes zombies or other beings that defy description.  Usually the protagonists are a group of trapped scientists or alternatively a group of stranded working stiffs like miners.

The most recent “Who Goes There?” creation is the Canadian science fiction film The Colony.  The Colony stars Laurence Fishburne (The Matrix, Predators, Man of Steel, Event Horizon, Assault on Precinct 13, Apocalypse Now, M*A*S*H) and Bill Paxton (Aliens, True Lies, Twister, Predator 2, Stripes, Apollo 13, The Terminator).  It’s 2045, the world is covered in snow and the few that have survived the changing environment live in colonies.  They think their worst enemies are starvation and disease.  Their prospects are bleak.  And the real enemy this time around?  Cannibals.  Immediately we think of a sci-fi version of the 1993 film Alive, based on a real-life disaster in the snow-covered mountains… and cannibalism.

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Dead Space Liberation

Electronic Arts was at the cutting edge of video games back in the 1980s.  Today’s EA provides games with stunning 3D level immersive experiences.  In 2008 EA released a very different and modern third-person shooter, science fiction horror survival game called Dead Space.  Dead Space was big, selling more than 2 million copies.  In the game, players followed along literally over the shoulder of Isaac Clarke–named for science fiction writers Isaac Asimov and Arthur C. Clarke.  Clarke was as an engineer on an interstellar mining starship called the USG Ishimura, where he found himself stuck with some undead creatures called Necromorphs in a setting straight out of Ridley Scott’s Alien.  The February 2013 release Dead Space 3 brings along with it a new graphic novel series tie-in: Dead Space: Liberation

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By C.J. Bunce

We highlight them all the time here at borg.com.  But some of them don’t naturally come to mind when you think of cybernetically enhanced organisms–cyborgs, or borgs for short.  What makes a borg?  An organism, human, alien, or animal, who has been modified by technology or uses technology as part of or in place of another biological function.  We use this broadly, encompassing not only a long-accepted group of borgs that are more metal than man, but also robots or androids modified with biology or biomatter, although taken to the extreme this would seem to include the bioneural starship USS Voyager from Star Trek Voyager.

Regardless of how you define it, meet our borg.com Hall of Fame, always ready for new honorees…

With Marvel’s big premiere of Joss Whedon’s The Avengers, we’ll begin with Tony Stark’s Iron Man.  Tony Stark is not advertised as a borg, but if your power source involves techno-gadgetry via an arc reactor and you have his fully integrated armor, we think that makes you a borg.  Whedon is very familiar with borgs, having created the character Adam, the nasty, almost unstoppable foe of the Scooby Gang in Whedon’s Buffy the Vampire Slayer.

If Iron Man is a borg, should one of the oldest creatures of science fiction be considered a borg as well–Frankenstein’s monster?  How integral are those bolts and attachments to his survival anyway?  Does an external power source make a borg?  Did he ever have to regenerate?

And if Frankenstein’s monster makes the cut, maybe this spin-off fellow should, too:

Yes, Frankenberry, the only cereal mascot borg?  Are those pressure gauges on his head?  What functions do they serve?  Before we move forward very far in time, we also think we need to at least consider Maria’s doppelganger from Fritz Lang’s sci-fi film classic Metropolis as a possible borg.com honoree–a robot admittedly, but somehow transformed into a humanoid creation with flesh, used to replace the real Maria and wreak havoc across Metropolis:

From one of the biggest science fantasy franchises, Star Wars, Darth Vader began as Anakin Skywalker, but through his own rise to evil and subsequent downfall he became more machine than man:

He even caused his son to require borg technology by slicing off his arm and hand with his lightsaber, making Luke Skywalker a borg as well:

With Star Wars Episode III: Revenge of the Sith, we met an interesting new villain, General Grievous, a four-lightsaber wielding almost lobster-like biological creature made up of techno-armor and, in close-up are those reptilian eyes?  His apparent disfigurement and breathing problems hint at a back story that must be not unlike Vader’s.

In The Empire Strikes Back we also briefly met Lando Calrissian’s majordomo who possessed some type of brain adapter technology–we learn from action figures, trading cards and comics his name is Lobot:

And probably the very first cyborg to be referred to specifically as a “borg” (by Luke Skywalker, even), Valance was a cyborg bounty hunter in the early pages of Star Wars, the Marvel Comics series:

Some borgs are more cybernetic than organism, at least at first appearance.  This would include Doctor Who’s Cybermen:

and we’d learn even the Daleks were cybernetic organisms:

and the Terminators from the Terminator movie and Sarah Connor Chronicles TV series, very much more machine with a bit of organics (and even Arnold’s character called himself a “cybernetic organism”):

In Star Trek: First Contact the Borg Queen alters the android Lieutenant Commander Data in such a way so as to make Pinocchio a real boy:

giving real organic material to Data, (like Maria’s double above from Metropolis?) bringing him briefly into the realm of borg status, like Isaac Asimov’s Bicentennial Man:

and this even suggests the Tin Man from L. Frank Baum’s The Wizard of Oz may be a rudimentary variant borg being along the lines of Frankenstein’s monster:

All humanoids or aliens modified to become The Borg of the Star Trek franchise clearly are good examples of cyborg beings, the most famous of which are probably Patrick Stewart’s Locutus:

the seemingly innocent Hugh:

and Seven of Nine from Star Trek Voyager:

On Earth we encounter humans all the time with bodies improved by borg technology.  Because of the OSI Steve Austin and Jaime Sommers were rescued from near death with enhanced biology and appendages to become the Bionic Man and Bionic Woman:

The British agent James Bond had to take on Doctor No, an evil scientist who took on his own technological enhancements because of medical maladies, bringing James Bond into the fold of genre franchises investigating a borg character:

Featured in a 1980s movie series and soon to be the subject of a new movie, Robocop:

showed us a variant on Austin and Sommers, and a bit like Iron Man, we have the government creating technology to make super-humans, and here, a superhuman police officer.  This is taken even further, making three animals into borgs for military use in the Eisner-nominated comic book mini-series WE3:

 …a far darker take on the classic cartoon character Dynomutt from Scooby Doo:

Inspector Gadget:

and Doctor Octopus (Doc Ock) in Spider-man 2:

 

both were borgs that made it into big-screen films.

In the DC Comics universe we have a newer Justice League featured member Cyborg, a football player/student who is in the wrong place at the wrong time, when his father’s lab goes up in flames and his father uses his own research to save his son from death:

Before that, Frank Miller envisioned a disfigured future world Green Arrow who would need his own prosthetic cybernetic arm in The Dark Knight Returns:

Mr. Freeze was an early borg villain in the Batman series:

In Marvel Comics Rich Buckler created Deathlok the Demolisher, another cyborg creation, and one of the earliest borgs in comics:

Add to that Marvel characters like Ultron, the “living” automaton:

Ultron’s own creation, named Vision, the “synthezoid”–

and the borg called Cable:

In the 1990s Jim Lee created the Russian borg in the pages of X-Men called Omega Red:

Long before these Marvel characters the cyborgs Robotman and Robotdog graced the pages of DC Comics in the 1940s, and yes, they were not just robots:

The modern Cylons from the reboot Battlestar Galactica TV series are borgs in the Terminator sense, robots made to look and pass for human.  And there were a bunch, not just background, but named characters, the most famous of which was the seductive Number Six:

  

Years before, Philip K. Dick would create more than one borg character in his novels and short stories, revealed to us the best as the Replicants in Ridley Scott’s Blade Runner:

Several replicants appeared in the film:

 

…all indistinguishable from humans to the naked eye.

In the horror realm we have Ash, from Evil Dead and Army of Darkness, his arm a functioning chainsaw, and at least in the comic book, like the Star Trek borgs he has an interchangeable arm like a mega Swiss Army knife:

If we include Ash do we also need to include Cherry Darling from Planet Terror, since she has a rifle as a leg like Ash’s arm attachment?

Heck, even horrific camp troller Jason became a borg eventually in Jason X:

Todd MacFarlane’s Spawn comics had both the borg assassin Overtkill:

and the cybernetic gorilla Cy-Gor:

Speaking of borg beasties, even Japanese monster movies embraced borgs, having their hero Godzilla encounter Mechagodzilla:

and Gigan:

In the world of manga and anime we have Ghost in the Machine’s own borg girl Motoko Kusanagi:

leader of a group of borgs, and the villain Cell from Dragon Ball: 

Cowboy Bebop had the borg character Jet Black, which seems influenced by the design of Seven of Nine:

Akira had Tetsuo Shima:

And we have a new one to add to the list because of the film Prometheus, the creepy borg, David 8:

But he’s certainly not the first in Ridley Scott’s Alien universe.  Don’t forget Ian Holm’s Ash in Alien:

Lance Henrikson’s Bishop from Aliens:

and Winona Ryder’s Annalee Call from Alien: Resurrection:

But these are just the biggest examples of borgs in popular genre works.  Countless books, comics and short stories have introduced other borg beings, not to mention every other new video game.   What will be the next borg to enter the mainstream, with a new TV show or movie?

Should we add an Honorable Mention list to the borg.com Borg Hall of Fame, for beings resulting from the merging of humans with cyberspace?  Think of characters like Tron and Flynn from Tron and Tron: Legacy?  Or Neo and Trinity & Co. from the Matrix movies?  You can argue some of the above in or out of the list, but we’ll be visiting most of them here now and then.

We’ll update this list from time to time and feature it as its own page on the borg.com home page.

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