Tag Archive: Auctions

Star Trek Costumes Block and Erdmann final cover 2015

Review by C.J. Bunce

The best non-fiction look at Star Trek in years is now available at book stores and online retailers.  Star Trek Costumes: Five Decades of Fashion from the Final Frontier, by Paula M. Block and Terry J. Erdmann will serve as a companion book to The Art of Star Trek, The Continuing Mission, and Star Trek: The Art of the Film, all previously reviewed here and here at borg.com.  Together these four books represent the best visual looks at the history of Star Trek.  This new volume includes beautiful, clear, full-color photographs in a colorful hardcover, coffee table edition.

General fans of Hollywood costumes will learn plenty about the variety of major costumes used in the Star Trek universe throughout the past 50 years, and Star Trek diehards will find many interesting tidbits, too.  Highlights include recollections of costume designer Robert Fletcher about his creations for the movies and photos of several of his original costume designs, including his sketches for William Shatner’s Captain Kirk Class B uniform, Scotty’s engineering radiological suit used in Star Trek: The Motion Picture, and the maroon, naval-style officer and crewman uniforms first appearing in Star Trek II: The Wrath of Khan.


William Ware Theiss’s era-defining costumes from the original series receive plenty of coverage, including images of some of Theiss’s often quickly rendered costume designs.  The original hand-drawn artwork from past and present is worth its weight in gold press latinum, including original costume designs for Star Trek: The Next Generation by Durinda Rice Wood (like Counselor Troi’s beautiful, form-fitting, burgundy jumpsuit), costume designs for Star Trek: First Contact by Deborah Everton (like Lily’s 2063 civilian garb worn by Alfre Woodard), Robert Blackman’s original concept art for Star Trek Generations (like the British Naval uniforms), and Sanja Milkovich Hays’ original concept sketches for Star Trek: Insurrection (like the female Tarlac nurse bodysuits) many including photos of corresponding fabric swatches.  While Star Trek Costumes provides only a brief look at the costumes of Deep Space Nine, Star Trek Voyager, and Enterprise, it provides a nice overview of the revisited designs and variants of Star Trek 2009 and Star Trek Into Darkness, including a focus on the Klingon costumes.

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Rebel Blockade Runner

The most expensive Star Wars prop and the most iconic single Star Trek costume sold at auction this past week.  A new record was set for the highest sale price for a television costume, the market proved yet again that even the slightest Star Wars item takes top dollar, and sci-fi again rules the private collectors’ market for screen-used costumes, props and other entertainment memorabilia.  It all happened at auction house Profiles in History’s latest Hollywood memorabilia auction, held in Calabasas, California over three days September 30 through October 2, 2015.

Profiles in History reported that it tolled $7.3 million in sales in the auction.  The biggest news came from a production model of the Rebel Blockade Runner, the first ship seen at the beginning of the original Star Wars, which set the record for the sale of any Star Wars production piece.  It sold for double the catalog estimate at $450,000.  The prior record for a Star Wars item was $402,500, TIE Fighter filming miniature from Star Wars that sold at Profiles in 2008.

George Reeves’ The Adventures of Superman television series earned its rightful place in the history of television, with his supersuit selling for $216,000, the most for any known sale of a television costume.

Superman George Reeves

Star Trek fans saw the most iconic Star Trek costume with the best provenance recorded sell for $84,000.  That was one of Leonard Nimoy’s blue tunics from the original series, accompanied by the documentation whereby a fan won the costume from a studio promotion back in the 1960s.  No other original series piece has sold with better provenance back to the studio.  Other Star Trek items sold included an original series third season McCoy standard blue uniform for $57,000, and an incomplete Class A Spock uniform for $14,000.

Everyone wants to get their hands on original Star Wars items–the most difficult of the major franchises to collect since most items remain with Lucas or Lucasfilm.  A small section of the Death Star barely seen in Return of the Jedi sold for a whopping $39,000.  And even though it wasn’t screen-used, a lot consisting of prototype pieces of the most cosplayed sci-fi outfit ever, Carrie Fisher’s “Slave Leia” outfit from Return of the Jedi, sold for $96,000.  Finally, in the top echelon of sales at the auction, a special effects camera used to film Star Wars sold for $72,000.

Then there’s Indiana Jones.  One of Harrison Ford’s screen-used bullwhips sold for $204,000, a fedora went for $90,000, and one of his shirts and leather jackets each sold for $72,000.

Jurassic Park cane

Other notable, classic, genre pieces sold, including:

From Forbidden Planet, a light-up laser rifle ($66,000), a light-up laser pistol ($27,500), and a Walter Pidgeon Dr. Morbius costume ($24,000).

From Jaws, a Robert Shaw Quint harpoon rifle ($84,000) and machete ($27,000).

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Captain Flint red alert Enterprise chair

Red alert!

They have watched every Star Trek series and episode right along with you.  So why not let them lead the way on the next mission?

You can now get your own Captain’s Bridge Chair in the style of the original Enterprise NCC-1701, for your best friend.  And heck, maybe your cat would take to it, too.

Original series Star Trek command chair dog bed Entertainment Earth

The chair is 32 inches wide by 27 inches long and features a cozy… erm… “officer-style” faux-suede fabric, a smart gold-embroidered delta shield insignia, and embroidered command panels and buttons on each arm.  Officer thinking!

Captain Flint is in command Enterprise dog bed

Heading, Mr. Chekov? Second star to the right, and straight on til nap time.

The chair is made by The Coop, formerly known as A Crowded Coop, a Pacific Northwest-based creator and marketer of licensed consumer products focusing on pop culture for people and pets.  And it’s available through Entertainment Earth at this link.

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Polar Lights Ent 1701A A

If you’ve been waiting to build your own Star Trek Enterprise model until the right kit came along, we think we found what you’re looking for.

Entertainment Earth is now featuring on its website the Polar Lights/Round 2 1:350 scale model of the premier ship of the Star Trek line and fan favorite: the Enterprise NCC-1701-A.  We’ve previewed the kit and think it’s the most incredible Enterprise ship on the market for modelers of all skill levels.  At a ginormous 35 inches long when fully assembled it is bigger than the smaller filming model of the ship used in the movies.  Highly detailed with parts and decals to identify the final project you build as either the Enterprise NCC-1701 refit from Star Trek: The Motion Picture to Star Trek III: The Search for Spock, or the Enterprise NCC-1701-A from Star Trek IV to Star Trek VI, this kit will be a fun build for anyone age 10 and up.

Ent 1701 A close up A    Polar Lights Ent close-up

Just check out the detailed photos of a completed build (above).  The model includes more than 150 parts, molded in white, as well as a sturdy display base.  The instructions, downloadable for previewing here, provide a list of all recommended paint colors, and show the “Aztec” decal patterning provided and the decals for both the 1701 refit and 1701-A.  Of course, more advanced modelers may want to paint each element from screencaps at Trekcore instead of using the Aztec decals, or even go all-out and light it up with LEDs or other lighting method.

The biggest win with this kit is the detail, particularly the visible interior cargo and docking bay.  You have several display options, and the Polar Lights/Round 2 website even includes instructions to build your own separate display to show-off the docking bay details.

Just look at this movie screencap of the cargo bay (center and left) and hangar at upper right:

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Forbidden Planet lobby card

An Ohio movie poster collector is selling his collection of posters.

No big deal?  Not if you’re talking about Morris Everett, Jr., who claims to own the largest collection of lobby cards and movie posters in the world.  Over the past few decades Everett acquired nearly 200,000 of these items reflecting nearly every movie ever made.  In December, auction house Profiles in History is auctioning the entire collection as one lot.  One private collector or institution will amass a collection that includes not only rare posters, but the only known specimens of certain movie ephemera, such as the only known remaining lobby card for Fritz Lang’s Metropolis.

According to the auction house, the lot of 196,000 pieces of film art reflecting 44,000 movies since 1907 is expected to fetch a minimum of $6 to $8 million.

The Day the Earth Stood Still lobby card

The history of cinema is represented in Everett’s collection, in addition to the history of fashion and design.  Advertising agencies and aspiring designers would be wise to download copies of the online catalog and galleries for a future photo reference.  A collection like this doesn’t come around often, and a chronicle so interesting is something sure to give anyone hours of mesmerized gazing and gawking.

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Jimmy Stewart Lindbergh Spirit of St Louis

It’s the second time TCM and auction house Bonhams have teamed up to offer screen-used and production-made costumes, props, and other relics from the Golden Age of Hollywood.  A November auction, TCM Presents: There’s No Place Like Hollywood, will feature a large private collection of rare items from Casablanca, including the piano featured prominently in the film where Sam plays “As Time Goes By.”  A lesser seen piano from another scene in the film sold in 2012 for more than $600,000.

One lot features a mannequin display with costume components worn by Bert Lahr as the Cowardly Lion in The Wizard of Oz, said to have been used in several scenes in the film.  Many of the costumes and props appear to be the same lots that have been featured in other auctions in the last few years, including various dresses from the Debbie Reynolds collection of items offered by auction house Profiles in History.

Casablanca piano

Costumes from several classic films are on the auction block, including a Clark Gable jacket from Gone With the Wind, Marilyn Monroe’s saloon gown from River of No Return, Jimmy Stewart’s Charles Lindbergh flight suit from The Spirit of St. Louis, Faye Dunaway’s dress from The Towering Inferno, a Jane Russell costume from The Outlaw, and a John Wayne Union Army coat from Rio Lobo and The Undefeated.  Sci-fi and fantasy fans aren’t forgotten in the TCM auction, as there will be costumes worn by Charlton Heston and Roddy McDowell in Planet of the Apes, a background crewmember astronaut jumpsuit from Close Encounters of the Third Kind, a test dress for Judy Garland as Dorothy in The Wizard of Oz, and a Saruman staff and Aragorn sword from The Lord of the Rings films, both from Sir Christopher Lee’s personal collection.

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Juliens LOTR auction

We previewed this week’s Julien’s auction here at borg.com last month.  It could go down as the best auction of The Lord of the Rings props and costumes ever sold at auction simply from four of its offerings and it may be the only chance this decade to get your hands on props from the Academy Award winning films. Called “The Trilogy Collection–Props and Costumes from Middle-Earth,” Julien’s is offering several items on the auction block this Thursday, December 5, 2013.

The key items being auctioned belong to a group of screen-used props that were given away as part of a Hasbro Toys/New Line Cinema contest to promote the release of the third LOTR installment, the 2003 Academy Award winning best picture The Return of the King.   Described as “one of eight main character props used heavily in The Lord of the Rings,” look for Aragorn’s sword, Frodo’s “Sting” sword, Eowyn’s sword, and Gimli’s battle axe, each expected to fetch prices ranging from $30,000 to $70,000, with Frodo’s sword expected to sell between $100,000 and $150,000.

Faramir helmet

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Kennedy and Superman

It’s a strange coincidence that 50 years after the death of President John F. Kennedy a controversy has surfaced involving a Superman comic book, President Kennedy, and original comic book art.  The controversy involves the original artist, Heritage Auctions, and an agreement made just after Kennedy’s death.

Heritage Auctions had initially planned to auction 10 pages of original artwork from Superman Issue #170 today in conjunction with the anniversary of the President’s assassination (along with several Dave Gibbons original cover art pages for Watchmen).  The auction house agreed to pull the lot in light of a lawsuit brought by 91-year-old artist Al Plastino, who claims that the original art was to be gifted to Boston’s Kennedy Library by DC Comics decades ago.

original Superman Kennedy page as published

The Superman comic book, which featured the story “Superman’s Mission for President Kennedy” has its own interesting history.  Plastino was working on the Kennedy story art the day Kennedy died, and the project was halted until DC Comics got permission to issue the story to honor President Kennedy, authorized by President Lyndon Johnson himself.  The story involves Kennedy enlisting Superman in his initiative to get America’s youth physically fit.  It includes a full-page drawing of Superman waving to an image of Kennedy above the U.S. Capitol–the art that was to be sold at auction today.  The story was finally published in July 1964 with a note on its last page announcing the original art would be donated to the JFK Memorial Library at Harvard University.

original Superman Kennedy comic book art

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Juliens LOTR auction

It could go down as the best auction of The Lord of the Rings props and costumes ever sold at auction simply from four of its offerings.  Called “The Trilogy Collection–Props and Costumes from Middle-Earth,” Julien’s is offering several items on the auction block next month.  The key items being auctioned belong to a group of screen-used props that were given away as part of a Hasbro Toys/New Line Cinema contest to promote the release of the third LOTR installment, the 2003 Academy Award winning best picture The Return of the King.  Described as “one of eight main character props used heavily in The Lord of the Rings,” look for Aragorn’s sword, Frodo’s “Sting” sword, Eowyn’s sword, and Gimli’s battle axe, each expected to fetch prices ranging from $30,000 to $70,000, with Frodo’s sword expected to sell between $100,000 and $150,000.  These four pieces are the true headliners of the Julien’s auction, and by themselves would make for a great auction.  Although it raises the questions: Why didn’t these props get dispersed to fans in the sweepstakes, and if they were given away how did four of the props end up in the same place?

It’s because collector Troika Brodsky is selling his collection of four of the sweepstakes prizes he tracked down and bought from prizewinners discussed here.  He refers to the Frodo sword in the linked article as a stunt prop, based on wear and damage.  An interview about his entire collection being auctioned can be found here.

Aragorn sword

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Joker graffiti in Batman 1989

By C.J. Bunce

American Graffiti.  Just two weeks ago the George Lucas classic coming of age film about high school graduates in 1962 came back for the first national release in movie theaters in decades (we discussed it here at borg.com).  In a series of interconnected vignettes Lucas gave us a snapshot of kids and cars and cruising culture, popular then and now.  American Graffiti wasn’t the original title, and, as the story goes, the film’s backers had no idea what the title meant, but it was better than Another Quiet Night in Modesto or other proposals so they just went with it.  No graffiti actually plays into the plot, and the viewer can conceive his or her own meaning to this now classic movie title.

Graffiti as pop art?  Actual graffiti in America, in many ways hasn’t changed a lot, and it doesn’t share the same feelings of nostalgia as the eponymous film.  A form of vandalism, its very nature is something covert, rebellious and illegal.  Spray paint is the medium and the canvas is anything and everything from highway overpasses to train cars to building walls.  The stealth required gives the creator a challenge–maybe even the adrenaline rush that fuels some that are behind it.  Over the years the costs to city governments to wash or sand or scrub off graffiti prompted many cities to work with local graffiti artists–designating projects and mural locations where local creators could show off their creativity.  It’s a constructive bridging of law and order and a radical form of expression.

Iowa State Fair 2013 butter cow

A freshly cleaned up butter cow at the 2013 Iowa State Fair.

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