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Tag Archive: Bruce Campbell


Oz the Great and Powerful fireworks

Happy New Year!

Disney is back again trying to replicate the success of Tim Burton’s Alice in Wonderland with a similar classic fantasy effort, Oz the Great and Powerful.  If you’re not a fan of prequels you will probably avoid this one as it is a prequel to the greatest fantasy film of all time, The Wizard of Oz.  The plus is that this film will adapt L. Frank Baum’s 1900 novel The Wonderful Wizard of Oz so those loyal to the fourteen Oz novels may appreciate this effort.  The other plus is that it will be helmed by director Sam Raimi who knows fantasy films as well as anyone, having directed the Spider-man film trilogy and serving as producer of Timecop, Hercules the Legendary Journeys, Xena Warrior Princess, and Legend of the Seeker.

Oz_-_The_Great_and_Powerful_Poster

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Review by Elizabeth C. Bunce

Burn Notice is a longtime favorite here at borg.com, and we thought last season got off to a great start.  And then… Anson Fullerton (Jere Burns), second worst villain to hit the airwaves last year (the top honor going to that weird English nobody in Chuck).  I hated the entire Anson storyline so much (Really?  He killed Michael’s father?  Seriously?) that I actually didn’t make it through the season finale, and I couldn’t think of a show whose premiere I was less looking forward to.  But, knowing readers would be expecting our review, I choked down last season’s ender and braced myself for More Anson.

And I got it.  And there will be more forthcoming, unfortunately.  But despite that, our fan favorite delivered a pretty satisfying episode, all round–enough to convince me not to delete it from my DVR season pass just yet.  ”Scorched Earth” was fast-paced, nonstop action with plenty of classic Burn Notice moments and a respectable level of suspense.  Continuing last season’s plot revolving around Fiona (Gabrielle Anwar) as the chief suspect in a British consulate bombing, the show picked up where last year’s (or last night’s, depending) cliffhanger left off, as Fiona turns herself in to the FBI while a helpless Michael (Jeffrey Donovan) looks on, crying “Fiona!” a la Marlon Brando in On the Waterfront.  We barely have a chance to digest that storyline when the show skips on to Jesse (Coby Bell) and Agent Pearce (Lauren Stamile, Grey’s Anatomy) cleaning up the mess of the CIA op gone awry (thanks, yet again, to the absurdly  ubiquitous machinations of Anson!), followed swiftly by the news that Anson’s latest designs center on Michael’s mother, Maddie (Sharon Gless).

The show skips quickly through those key plotlines, which of course converge in a frenzy of lies, explosions, harrowing narrow escapes, occasional moments of brattiness by Michael, and a truly satisfying conclusion to Maddie’s solo adventure back at the Westen homestead.  We leave our heroes pretty much as we found them (Fiona is still in FBI custody, Sam (Bruce Campbell) and Michael still fast friends, Agent Pearce still a capable official asset, and Maddie still smoking), and we’re left with the hope that this season might be a little more fun than last year.

There are a couple of fun additions that longtime fans will have noted.  The famous show opener, “My name is Michael Westen, and I used to be a spy,” has been tweaked again–watch for a Fiona status update and the cheer-inducing addition of Jesse (Coby Bell) to the lineup, too.  And it was great to see Michael’s old CIA nemesis, Agent Jason Bly (Alex Carter, Trilogy of Terror II, X-Men video games, Life, Leverage, Haven) turn up as Fiona’s FBI interregator.  He was always a fun foil for Michael, and it will be interesting to see if he ends up kinda-sorta on “our” side.

By C.J. Bunce

No matter how an artist draws Ashley J. Williams–Ash–from the low-budget horror/dark comedy/zombie Evil Dead series, the character is impossible to see as anyone other than Bruce Campbell.  Publishers like Dark Horse and Dynamite Comics have released prior series featuring Ash, but if you missed those and are after a new ongoing series you might check out the new Army of Darkness from Dynamite.  With Issue #3 released at comic book stores today, you can still easily track down Issues #1 and 2 or, even quicker, download the back issues from comixology.com for a lot less than the print price.

If you don’t know Ash, he’s the character made famous by cult favorite actor Bruce Campbell in The Evil Dead (1981), The Evil Dead II (1987), and Army of Darkness (1991), as well as three video games: Evil Dead: Hail to the King (2000), Evil Dead: A Fistful of Boomstick (2003) and Evil Dead: Regeneration (2005).  ASh is both funny and wise-cracking, a mirror image of the character Bruce Campbell seems to personify wherever he shows up.  The shows were directed by Campbell’s long-time creative partner Sam Raimi, known for everything from Hercules to Xena: Warrior Princess to Legend of the Seeker, all great fantasy TV series filmed in New Zealand, land of Middle Earth before it was Middle Earth.  And he also directed the first three Spider-man movies.  Bruce Campbell can be seen weekly in the successful spy series Burn Notice as cool-with-his-mojito, ex-spy in Miami, Sam Axe.

Fans of Campbell will pretty much tell you there is no one out there cooler than this guy.  And fans of Evil Dead may be interested that Raimi is in production right now of a remake of the original Evil Dead, with a new young cast, and instead of the tongue in cheek humor of the original comedy horror series, the new film will be a more serious supernatural thriller–probably not what a lot of diehard fans will be after.

But if you want more of the original Ash, then the place to look is this new comic book effort.  But there’s a twist with the new series.  You may find yourself puzzled throughout Issue #1 of the new Army of Darkness, as the “voice”–comments and word choice–of the character is all Bruce Campbell, yet the new Ash is a woman.   And Ash is a man.  And Ash is a woman.  It will all make sense, trust me.  The hero of Issue #1 turns out not to be Ashley J. Williams but new heroine Ashley K. Williams, Ash of a parallel universe that happens to be a butt-kicking woman with the personality and schtick of Bruce Campbell.

And we get the back story of Ash and her/his abilities not through yet another Ash origin story but through this parallel Ash.  And it works well.  The story itself is peppered with both pop culture references everyone should get and, for the diehard fans, references back to the original series only serious fans will likely get.

Ashley K. meets up with some well-timed aliens that prompt her to arrive at a nexus point, that just so happens to be where Ashley J. Williams also turns up.  On first read readers may get the feeling like I did with the New 52 Issue #1 of Green Lantern, hoping for Hal Jordan but getting Sinestro instead.  But what this story sets up is the opportunity for twice the Ash–if one Ash is good, two must be double the fun.  And Ashley J. turns up in full force for Issue #2.

Army of Darkness is written by Elliott R. Serrano with pencils by Marat Mychaels and inks by Chris Ivy.  Some of the best writers and artists today are creating for Dynamite Comics, so if you’re looking for something off the mainstream Marvel Comics and DC Comics, Dynamite has a lot of choices, along with this title there is Bionic Man, Bionic Woman, Green Hornet, Kato, Lone Ranger, Flash Gordon, all discussed here at borg.com previously, and lots more to check out.

In the Entertainment Memorabilia auction community, today is day one of the biggest auction weekend in years.  Following up on their second auction of Debbie Reynolds’ collection costumes, props and camera equipment from Hollywood’s Golden Age, Profiles in History pulled out all the stops and has accumulated props and costumes from sci-fi, fantasy, action TV and films, and an entire day devoted to original animation art.  It begins with the Icons of Hollywood Auction today and tomorrow, December 15-16, 2011, and continues Sunday, December 17, 2011, with the Icons of Animation Auction.

As reported here December 6, 2011, one item on the block is a special effects arm used for Lindsay Wagner as Jaime Summers as the original Bionic Woman.  But that just scratches the surface of great stuff available.  And based on recent auctions, there is no global economy problem, as props and costumes are breaking past records.  On eBay recently a Matt Smith Doctor Who costume sold for $75,000.  With a franchise as popular as Star Trek, and as old and with a similar fan following, this kind of price reflects fan loyalty and what really loyal fans are willing to shell out to hold a piece of TV or silver screen magic in their hands.

The auction starts today with original studio marketing photographs of various actors and actresses over the past 100 years, as well as lobby cards, posters and one of a kind costume sketches by the likes of Edith Head and other early designers.  Then lots of scripts and logo art from TV and film credits.  Here are some key items from Day One:

  • Billy Mumy shirt for his role as Will Robinson from Lost in Space, with an estimate of $8,000 to $12,000.
  • One of the 1969 Dodge Chargers used as the General Lee in The Dukes of Hazzard has an estimate of $40,000 to $60,000.
  • Dalek from a 1985 episode of Doctor Who, estimated at $10,000 to $12,000.
  • Mork from Ork costume from Mork and Mindy, estimated at $40,000 to $60,000

Some key items from Day Two:

  • Bela Lugosi screen-worn cape as Count Dracula from Dracula, estimated at $1,500,000 to $2,000,000.
  • Longbow from The Adventures of Robin Hood, estimated at $15,000 to $20,000.
  • Judy Garland gingham dress as Dorothy Gale from The Wizard of Oz, estimated at $200,000 to $300,000.
  • One of four known pairs of ruby slippers from The Wizard of Oz, estimated at $2,000,000 to $3,000,000.
  • Bert Lahr’s Cowardly Lion costume from The Wizard of Oz, estimated at $2,000,000 to $3,000,000.

  • A variety of items from The Planet of the Apes and Back to the Future franchises.
  • The DeLorean from Back to the Future III that was at Comic-Con this year, estimated at $400,000 to $600,000.

  • Steve McQueen driving suit from LeMans, estimated at $200,000 to $300,000.
  • Steve McQueen U.S. Navy uniform from The Sand Pebbles, estimated at $30,000 to $50,000.

  • Gene Wilder Willy Wonka hat from Willy Wonka and the Chocolate Factory, estimated at $20,000 to $30,000.
  • Sean Connery Marko Ramius Russian naval uniform from The Hunt for Red October, estimated at $6,000 to $8,000.

  • The “Red October” submarine model from The Hunt for Red October, estimated at $20,000 to $30,000.
  • Michael Keaton batsuit from Batman Returns, estimated at $30,000 to $50,000.
  • Endo-skull from Terminator 2, estimated at $12,000 to $15,000.
  • Bruce Campbell Ash costume from Army of Darkness, estimated at $12,000 to $15,000.

  • Peter Weller Robocop costume from Robocop, estimated at $10,000 to $12,000.
  • James Marsden Cyclops costume from X-Men 2, estimated at $30,000 to $50,000.
  • PreCrime stunt jetpack from Minority Report, estimated at $4,000 to $6,000.
  • Bob Newhart Papa Elf costume from Elf, estimated at $8,000 to $12,000.
  • Will Farrell Buddy the Elf costume from Elf, estimated at $8,000 to $12,000.
  • Star Trek Original series wooden hand phaser, estimated at $30,000 to $50,000.
  • Patrick Stewart Captain Jean-Luc Picard tunic from Star Trek: The Next Generation, estimated at $4,000 to $6,000.
  • Jonathan Frakes Commander Will Riker tunic from Star Trek: The Next Generation, estimated at $3,000 to $4,000.

  • Collection of six costumes from bridge crew of Star Trek Voyager, estimated at $15,000 to $20,000.
  • Original NASA Gemini spacesuit, estimated at $150,000 to $250,000.
  • Russian spacesuit worn by first Russian woman to walk in space, estimated at $200,000 to $300,000.

On Day Three, every lot is a masterwork of animation history.  Lots include original art from Little Golden Books like Rudolph the Red-Nosed Reindeer, Smokey the Bear and The Night Before Christmas, Charles Schulz art from The Pumpkin Patch and Be My Valentine, Charlie Brown, original work from production studios from Hanna Barbera to Walt Disney.  Major highlights include:

  • The earliest known color cel of Mickey Mouse, estimated at $80,000 to $120,000.
  • Cels of the Queen and Snow White from Snow White and the Seven Dwarfs, estimated between $12,000 and $20,000.

  • Giant pan cel from Snow White and the Seven Dwarfs, estimated at $80,000 to $120,000.
  • Original Dumbo, Bambi, Lady and the Tramp and Cinderella cels, estimated at $4,000 to $8,000.

  • Several cels from Song of the South.
  • Several stunning cels of Sleeping Beauty and Maleficent from Sleeping Beauty, estimated from $300 to $80,000.

More information is available at the Profiles in History website.

C.J. Bunce

Editor

borg.com

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