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Tag Archive: Chris Evans


Review by Art Schmidt

Overall this is probably one of the best Marvel Studios has produced thus far.  Despite the multitude of heroes and personalities on the screen, which could have easily lent itself to a convoluted, overly-busy and confusing plot, the movie sails right along with only a few minor bumps in dialogue or story.  The tight script by director Joss Whedon manages to bring out the individual personality of each character, as well as showcasing each ones strengths and, in most cases, their weaknesses, without anything feeling like it was shoe-horned in the middle of a scene or duct-taped onto the end of a conversation.  It all flows exceedingly well, to both Whedon and Zek Penn‘s credit.

Early on, many questioned Whedon’s ability to transform from a televised series format where he’s had his greatest critical and commercial successes with Buffy the Vampire Slayer, Firefly, and Dollhouse, to the big screen, despite having written stories and/or screenplays for several films including Toy Story, Alien: Resurrection, and Serenity.  Well, The Avengers have assembled for what is currently Earth’s Mightiest Movie, and Whedon has answered all of those critics with a guttural roar heard all across America yesterday:

“Joss SMASH!”

Smash, indeed.  It appears some records are about to be smashed, judging by the movie’s world-wide tallies and first-day numbers in the United States.

In fact, it may very well be Whedon’s experience with television’s shorter episodic format that enabled the director to write such crisp, fast-paced exchanges between the characters, expressing multiple points of view in relatively short conversations without feeling pithy or trite.  Of particular note is a scene mid-way through the movie, as the Team wrestles with each other’s hidden objectives and priorities, trying to make sense of how they can possibly agree on even one thing, much less begin to work together.  S.H.I.E.L.D. Director Nick Fury’s agenda is questioned, as is Thor’s long-term plans for his captive brother Loki, played again with devilish delight by Tom Hiddleston.  Steve Rogers (a.k.a Captain America) questions Tony Stark’s patriotism, and Bruce Banner tries to remain out of the fray altogether, because in reality he doesn’t trust any of them.  And it is Banner who aptly frames the team’s troubles with the quip showcased in the previews: “We’re not a team…  we’re a time bomb.”

Of particular note is newcomer Mark Ruffalo, taking up the role of Bruce Banner formerly portrayed by not one but three other actors, the fairly straight-forward scientist on the run character (“David” Banner) that Bill Bixby gave us in the seventies TV series, the brooding scientist with the weight of the world on his shoulders as portrayed by Eric Bana in Ang Lee’s The Hulk, and the mousy, sensitive fugitive we were shown by Edward Norton.

Ruffalo gives us a character more true to the Banner of the comics, nerdy and analyzing, shy around people and reluctant to get involved, with much hand wringing and avoiding eye contact, even when the camera isn’t squarely on him.

The Hulk himself, finally, comes into his own in an odd way, with hints that Banner now has at least a tiny bit of control over the beast.  The CGI Hulk is a rare cinematic treat, fun to watch, exhilarating with his combat acrobatics and both vicious and funny to behold in all his rage.  He definitely grabs both some of the movies best action sequences and its funniest sight gags.  Whereas many studios anymore give away the best parts of their movies in the previews in an attempt to trick an audience into the seats, The Avengers saves the best stuff for the theater, and I won’t be so callous as to spoil one single juicy bit of it here.  I will say that when Banner tells his “big secret” to Black Widow and the rest of the team during the finale, it drew some the biggest cheers of the night.

Although now in an apparently steady relationship with Pepper Potts, played in a few brief scenes by Gwyneth Paltrow with the warmth and grace she brings to every role, Robert Downey Jr.’s Tony Stark is at his most self-centered and narcissistic throughout the entire film.  Which of course is to say at his most fun, especially for the audience.  His cooler-than-thou attitude grates against almost every other member of the “team,” and much of the early in-fighting amongst the team is either attributed to, or enflamed by, Stark’s ingratiating self-importance.  Again, to the audience’s delight.

Despite the excess of charisma, Iron Man does not end up leading the team, of course.  That honor goes to Captain America, although next to the high-flying and alien-smashing abilities of the other “big three,” the star-spangled man in blue tights seems, as times, a bit under-powered.  But the Captain’s confidence and, ultimately, loyalty to his teammates is what brings out his leadership skills, and the others end up swallowing their pride and prejudices and looking to him as their quarterback, their general, their Captain.

Chris Evans does a skillful job of maintaining Cap’s Boy Scout innocence amidst the highly experienced and jaded folks around him, even when faced with deadly threats and other-worldly beings.  Steve just pitches in and helps, whether it’s assisting Iron Man in getting a rotor repaired, sneaking around S.H.I.E.L.D.’s vaults to uncover their secrets, or directing New York’s finest to execute their duty to protect and serve.

“Why should I take orders from you?” one veteran police sergeant asks dubiously.  The response is pure popcorn delight.

Chris Helmsworth recites Thor’s Olde English dialogue with clarity and ease, and though at times you can almost see the words in your head in the fancy font used in the comics, it rolls off of his tongue naturally.  The God of Thunder actually feels more real in this movie than in his own, partially because the other heroes bring him down to Earth a bit (no pun intended), but also because of the balancing effect of the Hulk.

As Black Widow, Scarlett Johansson has enough to do and gets plenty of screen time, even discounting the shots of her character walking away from the camera, but compared to those who have super-natural (or super high-tech) abilities, her martial arts and weapons skills seem flashy but inadequate.  As one of S.H.I.E.L.D.’s top operatives, however, she in right in the mix and given some tough assignments, like dealing with Banner / Hulk and figuring out how to ultimately stop the bad guys at the end.

Hawkeye suffers from a similar fate (played by Jeremy Renner), although his trick arrows do bring some surprises and satisfying butt-kicking moments.  His arsenal isn’t as tricked-out as in the comics, but his skill comes across (especially when he’s eyeing his targets a full forty or fifty degrees from where he’s aiming his bow) and his automated quiver is a fairly neat addition to the Avenger’s arsenal.

Samuel L. Jackson has been playing Nick Fury with his own unique brand of quiet cool through almost all of the Marvel movies leading up the this, and I was looking forward to seeing him in some action sequences in The Avengers.  Though Fury does unleash some on a few bad guys, his role is mostly as the S.H.I.E.L.D. administrator and liaison to those in power calling the real shots.  Too bad, maybe next time.

All in all, the movie aims to please and hits the mark dead-on, with tons of thrills, laughs, great action sequences, characters who sound intelligent and a story that makes sense.  Usually with superhero movies, you’re lucky to get any three of those things and call your money fairly spent.  Well, Joss Whedon and company have assembled the entire team and anyone who enjoys action / adventure movies should walk away with a huge grin on their face.

Be sure to wait until after the credits for a great nugget!  I won’t give it away, but it is unlike any of the others Marvel has planted at the end of the movies leading up to this one.  And joyously so!

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Just in time for the new Avengers movie premiere, Marvel Studios and Profiles in History will be auctioning off screen-used Captain America costumes and shields, an Iron Man suit and Thor’s hammer at its Captain America: The First Avenger auction on April 14, 2012 at the Chicago Comic and Entertainment Expo.

Profiles in History is offering the catalog for the auction for sale for $39.50 and a digital auction catalog is also available online at the company’s website.  The auction will also be available live to online bidding.

Featuring primarily props, costumes, and set pieces from the 2011 release Captain America: The First Avenger, the auction also will be featuring a few lots from Iron Man 2 and Thor.  The auction features four recognizable Captain America supersuits, as well as several other costumes worn by Chris Evans and 11 shield variants.

Supersuits

The key item up for bid is Lot 154, the Steve Rogers Captain America hero costume and shield worn by Chris Evans in the movie, which served as his final superhero suit in the film and is the suit used in all the Marvel posters and marketing. It carries an auction estimate of $20,000-$30,000.

Chris Evans’ Captain America USO costume and shield has an estimate of $4,000-$6,000.

The Captain America costume worn by Evans in the POW rescue scene has an auction estimate of $6,000-$8,000. The lot includes a early style Cap shield.

Evan’s Captain America distressed rescue suit also has an auction estimate of $6,000-$8,000.

Shields

One early style Cap shield from the Hydra factory scene carries a $2,000-$3,000 estimate.  A separate shield of the same design is estimated to sell at $2,000-$3,000.  A similar shield with distress marks from the “Invaders” scene has the same auction estimate.

An unpainted silver prototype shield from Howard Stark’s laboratory has an estimate of $3,000-$5,000.

One shield offered is the frozen in ice version, which has an auction estimate of $4,000-$6,000.  Lot 177 is a classic, traditional Captain America shield, expected to sell for $4,000-$6,000.  Yet another battle damaged shield from the final showdown with Red Skull carries an auction estimate of $4,000-$6,000.

A distressed stunt shield of the same type from the show’s final showdown carries an estimate of $3,000-$5,000.

Motorcycles

Do you need a Cap-cycle?  Steve Rogers’ hero modified Harley Davidson motorcycle has an auction estimate of $12,000-$15,000 and a second hero motorcycle from a different scene has an auction estimate of $10,000-$12,000.

Red Skull and Hydra

Various Hugo Weaving’s Johann Schmidt/Red Skull SS costumes are expected to fetch $6,000-$8,000 each. Weaving’s bright red “Red Skull” facial prosthetics—3 in all—are expected to sell for $2,000-$3,000.

A Hydra non-functional mini-tank is expected to fetch $12,000-$15,000. Various Hydra motorcycles carry an auction estimate ranging from $3,000-$6,000. Several Hydra soldier uniforms have an auction estimate of $1,000-$1,500.

Iron Man

The original full-scale Mark II silver Iron Man suit from Iron Man 2 is incredibly detailed and impressive. It has an auction estimate of $60,000-$80,000. Despite its incredibly realistic paint detail, it is not actually made of iron, but it is composed primarily of fiberglass resin.

Thor

Finally, two stunt Thor Mjolnir war hammers are offered at the end of the auction from the Kenneth Branagh movie Thor, each expected to sell between $3,000-$6,000.

As with most Profiles in History auctions, expect the actual hammer prices to exceed the auction estimates.  Usually for entertainment memorabilia auctions of late the hammer prices vastly exceed the estimates.  The bonus of this auction is that there are plenty of costumes, shields, props, heck–even motorcycles–to go around for the die-hard Marvel Avengers fans.

C.J. Bunce

Editor

borg.com

No sign of any new Iron Man suit yet for Robert Downey, Jr., but Marvel Comics revealed some new photos in the past several hours for The Avengers–the megahit where all the key Marvel Comics superheroes finally come together in 2012.  And cooler yet, the Internet Movie Database revealed that Lou Ferrigno will return again as the voice of The Incredible Hulk.  If you have been lucky enough to meet Ferrigno in person, you’ll know this kind of an opportunity couldn’t happen to a nicer guy.

Here are some of the photos released for the new film, to be directed by Buffy the Vampire Slayer creator Joss Whedon:

Raise your hand if you are looking forward to seeing anyone in this film more than Samuel L. Jackson as Nick Fury.  No hands?  I didn’t think so.

Chris Evans as Captain America and Chris Hemsworth as Thor, reprising their roles from two 2011 blockbuster movies:

Scarlett Johansson reprises her role from Iron Man 2 as Black Widow.  Hey, why didn’t we get a Black Widow movie?

Tom Hiddleston stars as villain Loki:

And here is a look at Johansson and new character Hawkeye, played by Jeremy Renner:

More photos can be found at the Internet Movie Database.

Reviewed by C.J. Bunce

Everyone I know who beat me to Captain America: The First Avenger, recommended this movie.  Of all the summer releases, the trailer seemed a bit ho-hum, so I wasn’t in a hurry to see it.  As for the character, I read back issues of Marvel Comics’ Captain America as a kid and liked it.  His nemesis, Red Skull, was always a great villain.  But since the 1960s for some reason Hollywood has trouble making good World War II movies.  Captain America is not only a good comic book movie, it’s a good World War II movie.  Its basic, good story, solidly bridges the real-life comic book hero from the 1940s with a now modern myth-like Marvel universe and the result is a character we’d all be proud to know, successfully played by Chris Evans.

Just like the lack of a good modern western movie, we haven’t had a lot of modern World War II movies that give us a real sense of time and place.  One interesting recent film that comes to mind is Quentin Tarentino’s over-the-top Inglourious Basterds, a quirky, dark, humorous, revisionist bit about an elite unit trying to take out Hitler.  Next to that, Tom Cruise’s Valkyrie, based on a true story, made for good movie watching, but both of these didn’t re-create the feel you get from tried and true contemporary war films like Captain America does, such as Back to Bataan, Sands of Iwo Jima, The Great Escape, or Stalag 17.  Even giant, modern epic war films like Saving Private Ryan and Schindler’s List–mainly because they cover the darkest periods of the war but also because they seem to have tried too hard—fail to reflect the patriotism of the “greatest generation.”  You really have to go back to the often overlooked but brilliant Memphis Belle from 1990 to see a movie that reflects the American spirit that won the war.  Captain America isn’t “better” than any of those films.  But it is worthy of comparison, and for a film about a comic book superhero to deserve such comparison is a great achievement.

Chris Evans plays Steve Rogers, a skinny everyman, with health issues that result in his “4F” status, meaning he is ineligible for military service.  Subtle state of the art special effects, which would go unnoticed by viewers unfamiliar with Evans more “built” status, show Evans as a puny fellow at first.  (He looks like the star of Superbad or Scott Pilgrim).   He tries five times to make it past the military entrance tests and only on the fifth try does he meet up with an expatriated German scientist played superbly by Stanley Tucci, looking for a few good men as candidates for a “superman” project that only Stan Lee could create.  Here the director lays out a fictional character that borrows from the real lives of soldier heroes Audie Murphy (To Hell and Back) and Gary Cooper in Sergeant York–good, peaceful guys that don’t want to kill anyone, but just want to defend their families from bullies, and end up tougher than the rest.  Captain America, more than anything else, has heart.  For its adapted story to harken back to Frank Capra films but with a more subtle delivery as to his propaganda themes, the writers deserve serious accolades.

   

Several movies come to mind that Captain America borrows from, in ways you want a movie to borrow from great movies of the past.  A siege on a train by Steve Rogers and friend Bucky (Sebastian Stan) has the feel of Von Ryan’s Express, a motley but tough multicultural band of tough fighters is reminiscent of The Dirty Dozen.  And the overall mission to take out evil German organization HYDRA, led by a psychotic Nazi turned into the Red Skull, played perfectly by Hugo Weaving, feels like Guns of Navarone.

   

As superhero movies go its treatment is up there with Watchmen.  As to comic characters coming to life, Captain America is right up there with Chris Evans’ other superhero performance for Marvel as Johnny Storm, the Human Torch in the Fantastic Four.  This Captain America will easily hold his own in next year’s The Avengers among Robert Downey, Jr.’s Iron Man, Chris Hemsworth’s Thor, Samuel L. Jackson’s Nick Fury, or anyone’s rendition of the Hulk.  Evans showed again, as he did as the star of Cellular, that he is up to the task for leading roles.

Other supporting actors of note include Tommy Lee Jones as a crotchety general cut from the same cloth as Patton.  Neal McDonough (Walking Tall, Minority Report, Star Trek: First Contact, Timeline) comes right off the comic page, maybe more than anyone, as the Scottish, larger than life, handle bar moustached Dum-Dum Dugan.  J.J. Feild plays a British member of the team straight out of Bridge on the River Kwai.  Kenneth Choi and Derek Luke are refreshing additions, showing a Japanese- and African-American taking the fight to the Nazis.  The film does its best to avoid a standard romantic subplot, but for those that need it, Hayley Atwell fills the part well (but why again we have another superhero story needing a European-accented leading woman makes no sense to me; she’s an American officer after all).

With all the new composers on the scene this summer, it is also welcome to have a tried and true master like Alan Silvestri (Romancing the Stone, Back to the Future, Predator, Who Framed Roger Rabbit, The Abyss, Forrest Gump, Eraser, The Mummy Returns, Van Helsing, G.I. Joe: Rise of Cobra) with a lively musical score.  Along with the music, the costume design was dead on, and the art and set design was great–including creating futuristic machines of the day that seemed to be derived from World War II airplane engines and parts.

As for the villains, Weaving’s Red Skull and Peter Lorre-inspired Doctor Zola, played by Toby Jones, are the perfect villains we love to hate, straight out of Raiders of the Lost Ark.  For taking a tough sell and turning it into a good story–a 1940s era comic book character with a loud supersuit and trash can-shaped shield, putting him in a modern comic book universe, staying true to the mythos, appealing to a modern audience’s scrutiny, for filling a theater a month after its release, and making us care about the character’s plight–Captain America:  The First Avenger gets 4.5 of 5 stars.

Captain America: The First Avenger is in theaters.

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