Tag Archive: costume designer


Insurrection Sanja Hays design

If you’re a fan of Star Trek costumes like we are, you may be familiar with Sanja Milkovich Hays, the costume designer on the ninth film in the Star Trek franchise, Star Trek Insurrection.  Hays is responsible for some of the best Star Trek costumes created for the movies that featured the Star Trek: The Next Generation cast.  Her agent released this weekend that she has been tapped to be costume designer for the next film in the Star Trek franchise, unofficially referred to as Star Trek III. 

Hays created the stylish civilian wear for the principal cast, with her designs for Worf and Data particular standout pieces for the characters.  She designed the look of the villains for Insurrection from a fabric she developed from cellulose, including F. Murray Abraham’s Ru’afo and the Son’a, as well as the beautiful copper latexwear for the female Ellora, the purple outfitted Tarlac and blue male Ellora.  For the Ba’ku villagers, she used natural fibers in her costumes that included hundreds of extras.

Check out her Insurrection designs in Terry J. Erdmann’s The Secrets of Star Trek Insurrection here at Amazon.com.

Star Trek maroons

Could these Horatio Hornblower-inspired designs for Star Trek II: The Wrath of Khan be making a comeback in 2016’s Star Trek III?

Hays has created costumes for many other genre films, too.  Could they indicate what may be coming in Star Trek III?

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Selfridge biplane 2015

British TV series that travel to U.S. audiences via PBS’s Masterpiece series usually take a year to get across the pond.  And it’s not just an England Proper thing.  The same is true of Canadian series that air in the U.S. an entire year after the original broadcast at home, like Syfy’s Lost Girl.  Before the popularity of Downton Abbey, most PBS viewers didn’t take much note of this.  Now fans of Mr. Selfridge, which returns tonight for Season 3 (“Series 3″ in British parlance) have to face the same problem.  That problem is spoilers.

Fans of Mr. Selfridge will be thrown several sidewinders for Season 3, and dodging these new twists and turns before they air each Sunday night will be difficult, especially since entire story plots are scattered across the Web, and Episode 10 will air in England tonight the same time Episode 1 airs in the States.  Can’t wait to find out what happens next?  It’s right there waiting for you to read.  So what’s your best bet?  Pick up Season 3 on DVD or Blu-ray, available at Amazon.com now here, or stream it here, and start your binge watching before you learn too much, too early.

Mr Selfridge Season 3 store cast

If you’re interested in why Mr. Selfridge has the most realistic historical costumes of any series on TV, series costumer designer James Keast reveals one of his secrets in an interview done for the show:  Many of the costumes are vintage–actual garments worn more than 100 years ago and found in the department store archives.  Check out that video after the break, as well as some insights and a preview on what is certain to be a tumultuous Season 3:

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Kirk and Spock tunics

Star Trek is known for many things, but in its first run on television in 1966-1969 it was widely known for William Ware Theiss’s costumes, both the vibrant red, blue and yellow (or green depending on your television set) Starfleet uniforms, and the spectacular alien of the week outfits for a vast range of guest stars (especially the women).  But it wouldn’t end there.

Star Trek: The Motion Picture in 1979 brought a new update to the costumes, and further revisions would occur throughout 11 more movies through 2013.  On a parallel track were the four TV series that continued the stories of the Federation and their friends and enemies: Star Trek: The Next Generation, Star Trek: Deep Space Nine, Star Trek Voyager, and Enterprise. 

Robert Blackman creator of TNG designs

Star Trek costume designer Robert Blackman looking at TNG first-season uniforms.

We learned earlier this year from a review of Facebook fans of Star Trek that their most desired costumes included the original series red Starfleet security tunic as worn by Scotty and the blue style worn by Mr. Spock, Captain Jean-Luc Picard’s third-season two-piece uniform and his First Contact-style uniform, and the Horatio Hornblower-inspired red gabardine military coats worn by the original series cast between Star Trek II and Star Trek VII (and in flashbacks and parallel timelines throughout Star Trek: The Next Generation and Voyager). 

At long last, a single volume coming in 2015 will focus on the costumes of all the series.  It will also be the first time Enterprise will get some real attention in a non-fiction chronicle.

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The CW Network just released the first photo of Stephen Amell in the new Green Arrow supersuit for the new TV series, titled simply Arrow.

The costume was designed by Academy Award winning costume designer Colleen Atwood.  A native of the Seattle area, Atwood has created a pretty interesting look for the classic DC Comics superhero son of Seattle, Green Arrow, alter ego of Oliver Queen.  In fact, you could see someone wearing this outfit in a crowd on the streets of Seattle on a typical gray day and no one would even give him a second glance.  And that certainly fits with an urban hunter who needs to keep a bit of a low profile.

The costume seems to reveal some tidbits about the new Green Arrow.  First, although the outfit doesn’t appear dark and brooding itself, the dark shadows that Amell is filmed in reflects that the producers want viewers to see this as a dark superhero drama.  So fans of the cheesier, bright and shiny, green vinyl look that Oliver Queen wore in the Smallville series, take note.

I always thought this bizarre "leafy" outfit from Smallville is something you'd see Joker's girlfriend Poison Ivy wearing.

As we predicted (and hoped) earlier here at borg.com, happily, they are taking a different tack here.

Jock's tougher looking, hooded Green Arrow outfit from the Year One mini-series.

Second, this photograph isn’t just an homage to Jock and Andy Diggle’s Green Arrow: Year One, this IS the Green Arrow designed by the artist known as Jock:  from the hood, the small arrow quiver, the vest design with the extended shoulders–further cements this new series as a Year One-inspired story.  The fact that one of the show’s characters is named Diggle leads one to believe either the creators were working with Diggle & Co. or at least heavily influenced by the recent incarnation of Oliver Queen in the Year One mini-series.

The costume also is obviously heavily influenced by the character’s own idol, Robin Hood.  This can be seen in both the medieval stylized green suede mantle and decorative trim, but even more so on the bottom from the front to the reverse in the skirting/dags/tippets/flaps as seen in Errol Flynn’s Robin Hood costume from the classic Adventures of Robin Hood, as well as in the Green Arrow early 1980s Wonder Years mini-series.  The medieval capa or hood bridges the early 1980s incarnation with the later 1980s version created by Mike Grell for The Longbow Hunters.

Green Arrow from Green Arrow: The Wonder Years

The small quiver would seem to indicate removing the possibility of fitting Oliver’s renowned trick arrows in there.  Probably a good thing for this kind of series.

The only possible detracting component is the pocket(s).  I think pockets on this kind of piece are actually kind of humorous.  Would Oliver have time to stand around with hands in pockets in stealth mode?  It seems a bit 1990s “hanging out on the street corner” kind of look.  Yet altogether my verdict is…  I think this costume works.  Green leather and possibly suede are slick materials to use.  Dark tones.  Inspired by various past Green Arrow influences.  Practical gloves.  No unnecessary belt with a big “G” buckle (I never have been a fan of that part of the costume).  Looks like someone jumping around buildings could move easily in it.  And it doesn’t look silly.  Clearly some good thought and planning went into this.

Atwood could have taken one of these huntsman outfits from the Snow White movie, but didn't.

We shouldn’t be surprised.  Costume designer Colleen Atwood has been nominated for nine Academy Awards and won three Oscars, for Alice in Wonderland, Memoirs of a Geisha and Chicago.  Her other work includes Sweeney Todd, Sleepy Hollow, Ed Wood, Edward Scissorhands, Public Enemies, The Rum Diary, The Tourist, and the recently previewed coming release Dark Shadows.  Do we see a theme here?   Yep, pretty much all “dark and brooding”  Johnny Depp vehicles, and interesting designs.  Recently Atwood designed costumes for the 2012 release Snow White and the Huntsman and Mission Impossible III, but her past work includes film classics like The Handmaid’s Tale, Silence of the Lambs, Philadelphia, That Thing You Do, Gattaca, Fallen, Mumford, Big Fish, and The Planet of the Apes (remake).

C.J. Bunce

Editor

borg.com

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