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Tag Archive: Cyborg


Justice League Volume 2 cover

With DC Comics having wrapped it first year with the New 52, it is now releasing the second hardcover volume of its flagship title, Justice League.  If you don’t read the monthly series, now is the time to catch up on the full first year with Volumes 1 and 2 now on the shelves.  Justice League, Vol. 1: Origin reprinted Issues 1-6, and now Justice League, Vol. 2: The Villain’s Journey reprints Issues 7-12, both volumes including variant covers and cover sketch art by the popular artist Jim Lee.

Justice League, Vol. 1: Origin, now available in both hardcover and trade paperback, began the entire New 52, a new DC Universe unveiled first 5 years ago, a reality which may or may not have been manipulated from the universe we’ve known all along by the red-hooded Pandora, who has managed to flit in and out of nearly every DC Comics series since the reboot in September 2011.  In Volume 1 we met the new original seven members of the League–first a comical run-in of Batman and Green Lantern Hal Jordan, who then have their own run-in with Superman (run-in meaning lots of bruises and destruction of property).  Then Barry Allen’s Flash entered the picture as probably the most interesting character in the new League.  He formed a relationship with buddy Hal Jordan which provided many of the most entertaining scenes of the series so far.  Then we met Wonder Woman, who in this incarnation of the DCU is far more Valkyrie than Amazon, and this plays nicely off of Aquaman’s entrance, whose Atlantis origins are here very much influenced by the world of Thor.  This is all tied together by a new League entrant, the young Vic Stone, transformed by happenstance into a cyborg, now known as the League member Cyborg.  And they all must come together to protect the world from being devastated by none other than classic villain Darkseid.  We reviewed the monthly series at borg.com least year here.

Justice League Volume 2

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Last year there were rumors aplenty that the story of the original cyborg himself, Steve Austin, the Six Million Dollar Man, would be remade into a motion picture.  With a new RoboCop movie now pushed out to February 2014 with an all-star cast (well, except for the borg cop himself, played by Joel Kinnaman) including Gary Oldman, Samuel L. Jackson, Michael Keaton, Jennifer Ehle, and Jackie Earle Haley, it’s not a stretch to think someone would lay down some real money to make the first big screen adaptation of Martin Caidin’s astronaut-turned-borg novel Cyborg.  The big rumor revolved around Leonardo DiCaprio as set to play Steve Austin.  But even if you don’t think Lee Majors was the perfect running man, it’s pretty difficult to imagine DiCaprio a tough astronaut of the Right Stuff variety who could survive a test craft auguring into the earth.

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By C.J. Bunce

We highlight them all the time here at borg.com.  But some of them don’t naturally come to mind when you think of cybernetically enhanced organisms–cyborgs, or borgs for short.  What makes a borg?  An organism, human, alien, or animal, who has been modified by technology or uses technology as part of or in place of another biological function.  We use this broadly, encompassing not only a long-accepted group of borgs that are more metal than man, but also robots or androids modified with biology or biomatter, although taken to the extreme this would seem to include the bioneural starship USS Voyager from Star Trek Voyager.

Regardless of how you define it, meet our borg.com Hall of Fame, always ready for new honorees…

With Marvel’s big premiere of Joss Whedon’s The Avengers, we’ll begin with Tony Stark’s Iron Man.  Tony Stark is not advertised as a borg, but if your power source involves techno-gadgetry via an arc reactor and you have his fully integrated armor, we think that makes you a borg.  Whedon is very familiar with borgs, having created the character Adam, the nasty, almost unstoppable foe of the Scooby Gang in Whedon’s Buffy the Vampire Slayer.

If Iron Man is a borg, should one of the oldest creatures of science fiction be considered a borg as well–Frankenstein’s monster?  How integral are those bolts and attachments to his survival anyway?  Does an external power source make a borg?  Did he ever have to regenerate?

And if Frankenstein’s monster makes the cut, maybe this spin-off fellow should, too:

Yes, Frankenberry, the only cereal mascot borg?  Are those pressure gauges on his head?  What functions do they serve?  Before we move forward very far in time, we also think we need to at least consider Maria’s doppelganger from Fritz Lang’s sci-fi film classic Metropolis as a possible borg.com honoree–a robot admittedly, but somehow transformed into a humanoid creation with flesh, used to replace the real Maria and wreak havoc across Metropolis:

From one of the biggest science fantasy franchises, Star Wars, Darth Vader began as Anakin Skywalker, but through his own rise to evil and subsequent downfall he became more machine than man:

He even caused his son to require borg technology by slicing off his arm and hand with his lightsaber, making Luke Skywalker a borg as well:

With Star Wars Episode III: Revenge of the Sith, we met an interesting new villain, General Grievous, a four-lightsaber wielding almost lobster-like biological creature made up of techno-armor and, in close-up are those reptilian eyes?  His apparent disfigurement and breathing problems hint at a back story that must be not unlike Vader’s.

In The Empire Strikes Back we also briefly met Lando Calrissian’s majordomo who possessed some type of brain adapter technology–we learn from action figures, trading cards and comics his name is Lobot:

And probably the very first cyborg to be referred to specifically as a “borg” (by Luke Skywalker, even), Valance was a cyborg bounty hunter in the early pages of Star Wars, the Marvel Comics series:

Some borgs are more cybernetic than organism, at least at first appearance.  This would include Doctor Who’s Cybermen:

and we’d learn even the Daleks were cybernetic organisms:

and the Terminators from the Terminator movie and Sarah Connor Chronicles TV series, very much more machine with a bit of organics (and even Arnold’s character called himself a “cybernetic organism”):

In Star Trek: First Contact the Borg Queen alters the android Lieutenant Commander Data in such a way so as to make Pinocchio a real boy:

giving real organic material to Data, (like Maria’s double above from Metropolis?) bringing him briefly into the realm of borg status, like Isaac Asimov’s Bicentennial Man:

and this even suggests the Tin Man from L. Frank Baum’s The Wizard of Oz may be a rudimentary variant borg being along the lines of Frankenstein’s monster:

All humanoids or aliens modified to become The Borg of the Star Trek franchise clearly are good examples of cyborg beings, the most famous of which are probably Patrick Stewart’s Locutus:

the seemingly innocent Hugh:

and Seven of Nine from Star Trek Voyager:

On Earth we encounter humans all the time with bodies improved by borg technology.  Because of the OSI Steve Austin and Jaime Sommers were rescued from near death with enhanced biology and appendages to become the Bionic Man and Bionic Woman:

The British agent James Bond had to take on Doctor No, an evil scientist who took on his own technological enhancements because of medical maladies, bringing James Bond into the fold of genre franchises investigating a borg character:

Featured in a 1980s movie series and soon to be the subject of a new movie, Robocop:

showed us a variant on Austin and Sommers, and a bit like Iron Man, we have the government creating technology to make super-humans, and here, a superhuman police officer.  This is taken even further, making three animals into borgs for military use in the Eisner-nominated comic book mini-series WE3:

 …a far darker take on the classic cartoon character Dynomutt from Scooby Doo:

Inspector Gadget:

and Doctor Octopus (Doc Ock) in Spider-man 2:

 

both were borgs that made it into big-screen films.

In the DC Comics universe we have a newer Justice League featured member Cyborg, a football player/student who is in the wrong place at the wrong time, when his father’s lab goes up in flames and his father uses his own research to save his son from death:

Before that, Frank Miller envisioned a disfigured future world Green Arrow who would need his own prosthetic cybernetic arm in The Dark Knight Returns:

Mr. Freeze was an early borg villain in the Batman series:

In Marvel Comics Rich Buckler created Deathlok the Demolisher, another cyborg creation, and one of the earliest borgs in comics:

Add to that Marvel characters like Ultron, the “living” automaton:

Ultron’s own creation, named Vision, the “synthezoid”–

and the borg called Cable:

In the 1990s Jim Lee created the Russian borg in the pages of X-Men called Omega Red:

Long before these Marvel characters the cyborgs Robotman and Robotdog graced the pages of DC Comics in the 1940s, and yes, they were not just robots:

The modern Cylons from the reboot Battlestar Galactica TV series are borgs in the Terminator sense, robots made to look and pass for human.  And there were a bunch, not just background, but named characters, the most famous of which was the seductive Number Six:

  

Years before, Philip K. Dick would create more than one borg character in his novels and short stories, revealed to us the best as the Replicants in Ridley Scott’s Blade Runner:

Several replicants appeared in the film:

 

…all indistinguishable from humans to the naked eye.

In the horror realm we have Ash, from Evil Dead and Army of Darkness, his arm a functioning chainsaw, and at least in the comic book, like the Star Trek borgs he has an interchangeable arm like a mega Swiss Army knife:

If we include Ash do we also need to include Cherry Darling from Planet Terror, since she has a rifle as a leg like Ash’s arm attachment?

Heck, even horrific camp troller Jason became a borg eventually in Jason X:

Todd MacFarlane’s Spawn comics had both the borg assassin Overtkill:

and the cybernetic gorilla Cy-Gor:

Speaking of borg beasties, even Japanese monster movies embraced borgs, having their hero Godzilla encounter Mechagodzilla:

and Gigan:

In the world of manga and anime we have Ghost in the Machine’s own borg girl Motoko Kusanagi:

leader of a group of borgs, and the villain Cell from Dragon Ball: 

Cowboy Bebop had the borg character Jet Black, which seems influenced by the design of Seven of Nine:

Akira had Tetsuo Shima:

And we have a new one to add to the list because of the film Prometheus, the creepy borg, David 8:

But he’s certainly not the first in Ridley Scott’s Alien universe.  Don’t forget Ian Holm’s Ash in Alien:

Lance Henrikson’s Bishop from Aliens:

and Winona Ryder’s Annalee Call from Alien: Resurrection:

But these are just the biggest examples of borgs in popular genre works.  Countless books, comics and short stories have introduced other borg beings, not to mention every other new video game.   What will be the next borg to enter the mainstream, with a new TV show or movie?

Should we add an Honorable Mention list to the borg.com Borg Hall of Fame, for beings resulting from the merging of humans with cyberspace?  Think of characters like Tron and Flynn from Tron and Tron: Legacy?  Or Neo and Trinity & Co. from the Matrix movies?  You can argue some of the above in or out of the list, but we’ll be visiting most of them here now and then.

We’ll update this list from time to time and feature it as its own page on the borg.com home page.

By C.J. Bunce

Dynamite Comics writer Paul Tobin promised readers “baguettes, bullets, and bionic badass” with his new Bionic Woman comic book series and Issue #1 delivers on the “bionic badass”.  Although it feels more like a prologue to the series, because it spends the issue with backstory and tells more than it shows, it’s a good enough start to keep readers coming back for more.

Jaime Sommers has been completely updated from the 1970s cyborg superhero played by Lindsay Wagner, who spun off her own show from the original Six Million Dollar Man TV series that starred Lee Majors as Bionic Man Steve Austin.  In the new Bionic Canon we have only seen Jaime in the origin story of Kevin Smith and Phil Hester’s rebooted Bionic Man series.  There we learned she was Steve Austin’s girlfriend, but after Steve crashed and was turned into a cybernetic weapon of the Office of Scientific Intelligence or OSI, she was told Steve was dead and we know now she has moved on.  We learn that they got back together once Steve recovered, and shortly thereafter Jaime plunged to the ground in a parachuting accident.  Steve convinces Oscar Goldman & Company to rebuild her as they rebuilt him, and this occurs.  Then they have a falling out.  We don’t get a lot of information comparing Steve and Jaime’s bionics, but we do learn Jaime is “smoother” and ”faster” than Steve.

So we now have Jaime Sommers, cybernetic human, a former teacher, who has lost most of her pre-surgery memories, on the run in Paris from the people who rebuilt her.  Unlike the original Jaime, this new Bionic Woman has amped up abilities–if Lindsay Wagner was Bionic Woman 1.0, think of her as a Bionic Woman 8.0.  In one scene we see that her bionics are smooth and form fitting with her arms and legs, a bit like the Terminator.  But like the Terminatrix from Terminator 3, she can do many new, cool things, like camouflage herself by morphing her face to change her appearance.  She can also download anything and everything from the Web into her brain… enormous amounts of information that she is yet to fully be able to control.  And she knows kung-fu.

We meet her in Issue #1 on the run with another runner, apparently a bit of a bounty hunter searching out information to broker to others, including information on the illusive Ms. Sommers.  Not knowing what she looks like, he reveals all that he knows–basically the backstory for readers–also letting Jaime in on what information he has on her.  It doesn’t amount to much.  She barely attempts to hide her identity, mainly because she is so confident in the outcome of the charade.  She doesn’t have to hide.  With a move of her arm she opens up a port releasing a nano-bug that temporarily incapacitates her comrade, and she is off to hide from watchers off the Grid.

But as she catches up with a friend in a restaurant a bullet pierces a nearby window en route to her head.  And we are left with the series first cliffhanger ending.  The villains are a new organization trying to steal cyborg parts from Bionic prototypes, predecessors to Jaime and Steve–presumably to use for others for a price.

Other than a quick peek at her cybernetics in her apartment, Jaime is not drawn as your typical female superhero.  She wears a pant suit of sorts as she speeds through town across the cityscape.  Leno Carvalho does not take the normal route here of skimpy outfits and emphasis on her feminity.  This creates visually a more promising heroine for us to keep an eye on.  She’s savvy, smart and sure-footed… a badass who can clear a room full of bad guys all by herself.

Issue #1 reveals big questions that writer Tobin will be taking us through in coming issues:  Who is after Jaime?  Why is she on the run?  Why did she leave Steve?  How did she end up in Paris?  How long can she stay hidden?  What other bionic tricks are up her sleeve (or accessible through her data ports)?

Issue #1 is available at all comic shops beginning this week and will be published monthly.

As we previewed here a few weeks ago, the franchise of Star Trek: The Next Generation has teamed up with the franchise of the current Doctor Who series in a new crossover comic book series coming in May from IDW Publishing:  Star Trek: The Next Generation/Doctor Who: Assimiliation².  Since then we’ve learned that the shot of the Doctor, Amy Pond and Rory will be an exclusive, limited gatefold cover for the first issue.  It’s quite cool:

But even better yet for fans of all things cyborg, the true Best of Both Worlds will now undoubtedly be featured as common enemies of Captain Picard and crew and the Doctor and his companions, as revealed this week in this image of Issue #2 of the new limited series:

Yes, finally fans of 2 of the 3 biggest sci-fi franchises (don’t forget about Star Wars!) will finally get a good old fashioned mash-up of epic proportions.  Will the half human, half robot Cybermen–the decades old favorite borg enemies of Doctor Who–partner with, or also confront, The Borg–the cybernetic assimilators of all species that have plagued Captain Jean-Luc Picard back to the episode “Q Who?” in the year 2365?  We last saw Captain Picard face The Borg in Star Trek: First Contact in the future year 2373 and Captain Janeway faced (or will face) the Borg Queen in 2378 in the last Star Trek Voyager episode, “Endgame.”

Will the series take place between 2365 and 2373 or will writing Team Tipton give us a future story?  The answer to that can be found at least in part in the gatefold image above–showing clearly the bridge of the Enterprise-D, which is destroyed as acting Captain Will Riker careens the saucer section across the surface of Veridian III in 2371 (Star Trek Generations).  So, unless there is some time travel, and with Doctor Who there fortunately always is time travel, at least part of the story will occur on the Enterprise-D between 2365 and 2371.  Either way, Star Trek and Doctor Who fans can hardly wait!

C.J. Bunce

Editor

borg.com

Entertainment press across the British Empire to Latin America and from the Daily India to Latino Review to the Uk Daily News have reported on supposed discussions over the past few weeks on a new movie in the works based on Martin Caidin’s original 1972 Bionic Man novel Cyborg, the source for the Six Million Dollar Man TV series.

Running Man DiCaprio

The alleged discussions are over a script, that, depending on the source, may or may not be called The Six Billion Dollar Man, stress on the Billion.   Supposedly it’s the Weinsteins and Universal who are having those discussions and working on the project, with Bryan Singer pegged as the director being courted to helm the project.  And the man to play Steve Austin?  Leonardo diCaprio.  Leonardo DiCaprio?  At 37, I guess he could make it work in some effort to try to update the character for the 21st century.

DiCaprio flying over desert in stunt plane in The Aviator

Kevin Smith has previously said he had a script for a Bionic Man movie circulating for years, ultimately to end up as the currently running Bionic Man comic book series co-written by Phil Hester for Dynamite Comics, which as a series is pretty good both as an update to the 1970s TV series and respectful to Caidin’s original story.  But this is not the same project as the Weinstein/Singer film.

A comedy spoof has also been rumored, called the Forty Thousand Dollar Man, and supposedly discussions have occurred with Jim Carrey for a similar project.  Let’s hope this one is false.

Leonardo DiCaprio as jet pilot in Catch Me if You Can

Of, course, none of this is real until we hear something from Singer or DiCaprio.  So far, nothing, just the international media speculating.

If this is all true, Singer has a good feel for genre film.  He wrote X-Men, X2, X-Men: First Class and Superman Returns, and directed great suspenseful flicks like The Usual Suspects and Valkyrie.  As director of a few episodes and executive producer of the series that is the best medical series ever on TV, House M.D., he may have a nice edge for the science and medicine of the Bionic Man mythos.  So he gets our thumbs up to lead up a big screen Bionic Man.

Genre director and Trek fan Bryan Singer had a cameo in Star Trek Nemesis

I’ll admit I’d like to see a twist on the story with an older actor like Scott Bakula as Steve Austin, or someone like Sam Shepard playing test pilot Chuck Yeager in The Right Stuff, since we’re talking about a seasoned astronaut and test pilot.  Of course Shepard was 40 when he made The Right Stuff, and DiCaprio is 37.  I’d rather see someone whose general appearance is like Scott Glenn or Dennis Quaid vs DiCaprio, who, even with make-up, like playing Howard Hughes in The Aviator, looks perpetually young, and nicely cast as pretty boy Jay Gatsby in the soon to be released The Great Gatsby, he’s not as grisly looking as you’d  think of for the typical test pilot.  Still, DiCaprio has had enough diverse roles that he could probably easily give some kind of new twist on Steve Austin.  And we’ve already seen him crash a plane in The Aviator and pose as a pilot, and do a lot of running, in Catch Me if You Can.

A movie would ahve to have the slow motion running and old theme

What’s not a rumor is that Universal Pictures confirmed last year that Bryan Singer will direct another sci-fi reboot, a new Battlestar Galactica film that will not be based on the recent Sci Fi Channel TV series.  Very little detail has been released on that project, too.

With every new year that passes and with emerging new technologies, a real human cyborg might become more and more possible, so it is fun to think about updating Steve Austin.  We’ll obviously keep our ears perked for more news on this front.

C.J. Bunce

Editor

borg.com

Review by C.J. Bunce

Cyborg, by Martin Caidin, is the 1972 novel that was adapted into the television series The Six Million Dollar Man.  Long out of print, it is only available today via libraries or used online bookstores.  I managed to track down a copy via Amazon.com for only a few dollars.  My assumption was that this would be a dated story, but that it could be similar to the novels that it claimed to be like in its cover statement “In the explosive tradition of the The Andromeda Strain and Terminal Man.”  Both The Andromeda Strain and Terminal Man were by Michael Crichton, and having enjoyed both of those years ago I figured this was worth a try.  I was more than happy with this book.

First, it is a medical thriller more than a dramatic work of science fiction. Cyborg focuses on the details of witnessing the crash of a NASA stunt vehicle and an Air Force emergency response team’s reaction to a man who barely survived such a crash.  More than anything I have read before, this absolutely reads like an early Michael Crichton novel, including his way of incorporating scientific details, but not too much detail to bore the reader.  Cyborg has characters you care about, characters dropped into strange circumstances made very real.

Caidin’s description of the crash was as an eye-witness of sorts, and the first three chapters read like nonfiction.  Written before the space shuttle program, this type of mission reflected real missions of the time between the days of Apollo and the shuttle program, honing the technology leading to the first real mission with Space Shuttle Columbia.  Shockingly, the crash scene is like a foreseen account of the actual real-life disaster of the Columbia space shuttle.  The gritty realism of the first three chapters sets up the reader for a believable entry into the un-real that follows.

Colonel Steve Austin is a stunt pilot who had already served as astronaut on the last moon mission, the last man to walk the surface of the moon.  Waiting to go off as an astronaut on some Skylab mission he is now at a Mojave Desert test launch, which is vividly described.  Jan Richards is his girlfriend, all too familiar with being the spouse of an astronaut and the circumstances that come about on launch days, and although she has been there before, she is still nervous.  We learn quickly that Colonel Austin is a stunt pilot every bit like the Chuck Yeager as detailed in Tom Wolfe’s The Right Stuff.  He is confident if not cocky.  Like Han Solo, in response to his girlfriend’s ”I love you, Steve Austin,” he responds, “Same here.”

The fact that author Martin Caidin actually participated in the real-life NASA counterpart to the program in which Austin crashes adds a heightened realism to the novel.  Caidin was on site when a pilot suffered a similar terrible accident–the same type of disaster that aired at the beginning of each Six Million Dollar Man episode and makes up the first part of the novel.

Steve Austin, seriously injured as a triple amputee, gets not prosthetics, but improved-upon artificial limbs and an artificial eye.  But first we get accounts of medical triage, a play by play account of the cutting off of Austin’s blood loss, the overall success of protecting the body from burns because of the NASA flight suit, loss of both his legs and left arm, loss of eye through metal debris in the cockpit, skull damage, jaw damage, skin damage, assessment of respiratory damage, standard procedures from placing the intubation tube to removing the space suit from what remains of his body.

Doctor Milton Ashburn, head of emergency response, after hours go by, finally utters the words “He’ll live.”  But then all the conflict and story begins, starting from the lowest of places: “If you love that man like I do… then pray that he dies.”

If you’ve seen people recovering from surgeries, it is all about pain and lots of recuperation time.  It’s what I thought was missing for the first third of the book, then Caidin goes into detail about nerve endings and compensation for missing limbs.  To the layman even in 2012 it all seems to make sense.  Instead of brushing over the details of creating a cybernetic organism–a cyborg–he details all the processes and only in the last 20 percent of the novel do we get to the reason the government is willing to pay $6 million to keep this one man alive, and more than that, make him superhuman.  It is of course to make him a super soldier.

As storytelling is concerned, Cyborg is part Wolfe’s The Right Stuff, part Crichton’s Jurassic Park and Sphere, part Isaac Asimov’s Fantastic Voyage.  There is something exciting when a team of experts in varying fields come together to achieve some purpose that no one initially believes will work.  It’s the formula that worked so well several times for Michael Crichton.

The second third of the novel brings the realization that this in a real and thoughtful sense is a modern retelling of Mary Shelley’s Frankenstein, only it is the story you can imagine a young 19th century author wanted to tell, as she obviously thought this type of medicine would be possible one day.  As the science is concerned, if it was not exactly possible to do in 1972, it certainly could be more possible today.  Despite the fact that this was written before the pervasiveness of computing, Caidin includes many references to computers, to micro-electronics that would one day be microchips, and bionics that would one day become the beginning of nanotechnology.

Once we get past months of recovery, recuperation, and therapy, and Austin getting to know his new body and abilities, the last third of the novel is a cross between Tom Clancy’s The Hunt for Red October and Clear and Present Danger mixed with any number of 1960s military intelligence operation stories, like The Guns of Navarone.  First Austin goes on a deep-sea mission, using mechanical dolphins, off the coast of Surinam.  He then moves on to a desert mission in North Africa–a Seal Team Six type operation mixed with a True Lies international arms story where Austin teams with an Israeli soldier named Tamara.   The ending is about survival, and whereas Austin upon learning of his triple amputee state remarked that the doctors should have let him die, when he finally is left in a hopeless situation he learns he really wants to stay alive.

Great survival references are included in the final chapters including a bit about the real-life B-24 bomber downed decades ago in the desert called the Lady Be Good (documented in an episode of the History Channel’s History’s Mysteries in the 1990s).

Cyborg is surprisingly not dated considering it was written in 1972.  There is the odd focus on male-female relationships reflecting 1970s men-women workplace relations, but nothing as cringeworthy as I’ve read in 1950s pulp novels.  It probably helps that Caidin doesn’t spend any time on things like clothing descriptions, the very thing that makes the TV series a bit hard to watch today.

I’ve had the fortune of meeting and talking to three of the 12 surviving United States Apollo program astronauts who flew to the moon, and their confidence and character were well mimicked by Caidin’s account of the fictional Colonel Austin.  Clearly Caidin spent time with these guys in real life, and it is reflected in his book.

Cyborg is a great candidate for re-issue.  The TV series opening episodes follow the novel very well, with only the most minor of differences, like which arm that is lost and replaced.  It was also good to see that Phil Hester and Kevin Smith’s Bionic Man comic book series, which we review here periodically, is faithful to the spirit of both the series and novel, although it takes more of the TV series changes on in its monthly story.

   

Review by C.J. Bunce

Spoilers!

Justice League is the biggest enigma of the main DC Comics New 52 storylines, now readying for its fourth issue to be published next week (Dec. 21).  On the one hand the story is a typical “Avengers Assemble” type story—Geoff Johns and Jim Lee are giving us a new origin story of the main characters in the DCU—Batman, Green Lantern, Superman, Wonder Woman, Flash and Aquaman.  It is both incredibly simple—we have a major common foe, the superheroes are being confused by the public as somehow the cause of the problem, and the characters are meeting for the first time, even though they have heard of each other–and requires a good deal of coordination, as each character’s personality must come through with first meetings and first impressions laying the groundwork for months of new stories.

As with his work on Aquaman, reviewed here yesterday, Geoff Johns continues his universe building in a literal sense, and at the micro level his characters’ interactions are funny and entertaining.  What is not obvious to the casual reader is where all this plays into the individual issues of Batman (or the several related Batman titles), Superman (or the related Superman family titles), or Green Lantern (or the several Green Lantern titles), or Flash, Wonder Woman or Aquaman.  With a Green Lantern title focused on Sinestro…from where did Hal Jordan emerge in the new reboot cycle?  The reader is left to ask:  how do these stories tie together?

In Justice League issue #2, Batman and Green Lantern are fending off Superman in Metropolis, who believes a “Pandora’s Box” of sorts that Batman possesses links the two superheroes to the evil plaguing the world via flying, large-toothed aliens, who keep uttering the name Darkseid.  Green Lantern gets the great idea to invite an ally, Barry Gordon aka The Flash, to come and whip around and ultimately wear down Superman.  Barry is a cop, and Barry and Hal know each other’s secret identities.  They finally all calm down enough to discuss what is happening when the Pandora’s Box turns into more of a Trojan Horse, wreaking further havoc by letting into the world even more alien beasties.

In Justice League issue #3, Wonder Woman enters the fold, taken in by the Pentagon in Washington, DC, she wanders out into the street searching for harpies, and instead stumbles upon the wonders of…street vendor ice cream.  (Johns is a quirky fellow).  The same aliens that are attacking Superman and Batman and Company in Metropolis are now attacking DC.  We flash to Metropolis again and Superman, Batman, Green Lantern and the Flash are still under attack.  Then Wonder Woman enters the picture, sword slicing, speaking in a stilted manner like Xena, Warrior Princess (Don’t you think DC needs to license some rights to the other famous Amazon for this new DCU?).  It’s a strange transition.  Did Wonder Woman walk from DC to Metropolis?  How close are these cities?  Maybe I am having too many thoughts here.

They pursue the alien menace to seaside, to Aquaman, coming out of the water. “They were in the water, too,” he says, and we see a creature strikingly like the ones he is fighting in the Aquaman series.  This brings up the obvious question: Are these the same alien beings Aquaman and Mera are pursuing into the oceanic place called The Trench, as told in the Aquaman series?

I’ve no complaints with the story or art in Justice League issues #1-3–Justice League is simply a fun ride, as it has always been (although with the “of America” in the title).  As the cornerstone of the DCU going forward, I do wish there was some continuity explanation in these books, in a way that you don’t have to seek out explanations via interviews with writers and other reviews.  From that we learn the Justice League story is five years in the past, so presumably none of this inter-relates, at least yet.

I did leave a big piece out of my review above of issues #2 and #3.  It’s what I think of as the Will Robinson/Wesley Crusher character—the kid in a major sci-fi franchise that becomes the access point for kids to the adult real world in stories like Justice League—the excuse to explain the techno-babble of what is happening for the viewing audience despite the fact that everyone on-screen should be savvy enough to know what is happening.  Presumably this is a potential narrator, or at least a vantage point for kids, in future stories.  I usually found this role in stories irritating when I was a kid.  For whatever reason, as a storytelling device, writers still employ this.  That said, in the context of the traditionally kid focused comic book medium, it may at least be an appropriate place for it.

In Detroit there is a kid named Victor Stone.  He’s a football player.  A teenager.  His father is a doctor doing super-human research at S.T.A.R. Labs in Detroit.  In the study of the Pandora’s Box mentioned above, Victor is nearly killed in an explosion.  Panicking (or quick thinking?) Dr. Stone takes all of the nano-technology currently within his reach, even if untested, and applies it to his son, to create a new character to be fleshed out in future issues… this is the beginning, the origin story of the character seen in past DCU stories called Cyborg.

Of course, even with a Will Robinson/Wesley Crusher-role of the DCU, we like cyborgs at borg.com, so we’ll be watching his growth as a character closely.  This cyborg has cybernetic implants, including an eye piece similar to Seven of Nine’s in Star Trek Voyager.  DCU’s cyborg was created in 1980, so he’s a recent hero and a strange choice for a newly-founded Justice League team.  Geoff Johns has been quoted as saying of the new Cyborg, “He represents all of us in a lot of ways.  If we have a cellphone and we’re texting on it, we are a cyborg — that’s what a cyborg is, using technology as an extension of ourselves.”  I think that is a bit of a stretch, but I like the spirit of that philosophy.

The ultimate in original borg technology could be yours.  For the right price.

Auction house Profiles in History‘s Icons of Hollywood auction is December 15-16, 2011, and it offers another round of some of the best props and costumes Hollywood has to offer, from a set of Dorothy’s actual screen-used slippers from Wizard of Oz to Mork’s outfit from Mork & Mindy to Steve McQueen’s naval uniform from The Sand Pebbles to one of the cars used as the General Lee in Dukes of Hazzard to a DeLorean from Back to the Future III we discussed here this summer, to an original Dalek from Doctor Who.  There’s something at the coming auction for everyone.

But for fans of cybernetics, cyborgs, and bionics, and other early borg technologies, and fans of the Six Million Dollar Man and Bionic Woman, nothing is cooler than the special effects arm modeled off of Lindsay Wagner as the Bionic Woman.  Next to one of the Bionic Man’s red jumpsuits (anyone have one for sale? let me know!) this is a great prop that gets to the heart of what the series was about.

It is a special effects arm made of latex, wires, springs, a circuit board and circuitry, used to show the implanting of an “evil programming chip” used as a key story element in the 1994 TV movie Bionic Ever After?, the show where Steve Austin and Jaime Sommers finally tie the knot.  It includes clamps, syringes and tubing, that is reminscent of the popular toy repair center from the 1970s.

The prop was used in a scene where the bad guys perform surgery on a drugged Jaime, implanting a chip with a computer virus in it to make her bionics go haywire.

It is estimated to sell for at least $2,000-$3,000.  It comes from the collection of movie makeup guru Jeff Goodwin, as discussed on this website, where you can see photos of other items he consigned to the coming Profiles in History auction.

More information on the auction can be found at the Profiles in History website.

C.J. Bunce

Editor

borg.com

   

Review by C.J. Bunce

Spoilers!

Steve Austin is dead.  At least that is how the secret military organization called O.S.I. has classified him at the beginning of Issue #3 of Kevin Smith and Phil Hester’s Bionic Man series.  In actuality his right arm and both legs are gone, lost because of the crash of his test jet the Daedalus in Issues #1 and #2.

Austin feels like anyone immediately after a crash this bad, he screams at friend Oscar Goldman and his personal physician Doctor Wells, “Why didn’t you let me die?”

Despite working on the secret military project involving advanced bionics that resulted in the creation of a Frankensteinesque cyborg from a man named Hull, it doesn’t occur to Goldman that the government may have a spare $6 million per day to try to build another cybernetic human.  His director at O.S.I. tells him it’s a done deal, Goldman just need to get Austin on-board.  He’s classified as dead right now, but “we can rebuild him.”

Meanwhile Hull is rampaging across Korea, hell bent to destroy anything in his path, on his way to take out O.S.I. for creating him, or at least failing to re-create him right.  For now, despite the coaxing, Austin isn’t playing along.  But the ramifications are distilled into the one key reason to hold on for Steve, the thought of being with his fiancee Jaime Sommers again.

Smith and Hester continue to pepper the Bionic Man’s creation story with nostalgia and clever updates, such as the obvious problem with a 1975 bionic man that made sense at six million dollars, but with inflation today he’s costing the military $6 million per day.  Alex Ross’s cover work continues to be impressive for Issue #3 and Jonathan Lau’s depiction of the battle scarred, destroyed test pilot is realistic and gritty.

But the real payoff comes with Issue #4, the part of the story everyone has been waiting for, the climax of the TV pilot for the original series, and what would become one of the best classic introductions for a TV series of all time.

To begin with, Alex Ross’s cover is one of his best-ever covers, and Lau’s tryptich incentive cover is also top-notch.

And Issue #4 begins with one of the coolest ideas so far, a bionic German Shepherd–rebuilt from a heroic police dog nearly killed in the line of duty.  And he’s as normal as any dog, lifting his leg on Steve’s bed.  The dog is meant to help convince Austin to go through with the surgery to add bionic devices to his own, to create another cyborg.

The remainder of the issue is a scene by scene account of why we loved the Bionic Man in the 1970s and why we love him today.  What must have been a dream job for any artist is undertaken nicely by Jonathan Lau.  There’s not a lot for Smith and Hester by way of writing duties, however, in this issue as the classic story takes over.  Lau doesn’t miss the opportunity to keep Austin’s first test run in his trademark red track suit, instead of trying something new.

And Austin gets to learn the “why” of all this attention and investment of millions of dollars.  The tradeoff is he must come to work for O.S.I., to go after bad guys.  And with a virtually unnoticeable new body in place, Austin happily agrees.

What more could anyone want?

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