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Tag Archive: Daniel Falconer


Hobbit Smaug Unleashing the Dragon cover

Review by C.J. Bunce

To learn what advancements are happening in technical moviemaking, you can always turn to Weta Workshop and Weta Digital.  For the latest in cutting edge film work, you need only turn to the latest book on The Hobbit film series from Weta, its step by step chronicle of the development of the greatest dragon in all of fantasy, Smaug: Unleashing the Dragon.  As a supplement of sorts to their grand Chronicles series detailing the creative story of The Hobbit, Smaug: Unleashing the Dragon is the first look at a single element of the franchise, peeling back the development of one character in all its tiny details and from all vantage points.

A smaller dimension book at 8×10 inches compared to the double size and thickness of the Chronicles series, this format is well suited for similar spin-off works–perhaps a single book on each race in Middle-earth one day?  But like its counterparts, Smaug: Unleashing the Dragon is dense in both text and photos.  Every designer, art director, sculptor, modeller, texture artist, and animator that provided new ideas and elements to arrive at the final creature offer commentary about their thought process and their collaboration with others.

Smaug Unleashing the Dragon excerpt

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The Hobbit The Desolation of Smaug Chronicles Cloaks & Daggers

Review by C.J. Bunce

How often have you wished you had access to detailed photographs of the costumes and props of your favorite sci-fi or fantasy franchise?  Maybe for making your own costume, or maybe just to see up close what it might be like to be the actor wearing that cloak or holding that sword?  Covering both The Hobbit: An Unexpected Journey and The Hobbit: The Desolation of Smaug, Weta Workshop has managed to top its previous accounts of the making of The Hobbit series with its fourth deluxe hardcover work, The Hobbit: The Desolation of Smaug Chronicles: Cloaks & Daggers.

Daniel Falconer, Weta Workshop senior concept designer and creator of this latest behind the scenes account of Peter Jackson’s version of Middle-earth, first brought us The Hobbit: An Unexpected Journey Chronicles: Art & Design, then The Hobbit: An Unexpected Journey Chronicles: Creatures & Characters, and earlier this year, The Hobbit: The Desolation of Smaug Chronicles: Art & Design.  But this fourth book in the series is even better–packed full of photos and commentary by the art designers, costume designers, prop makers, costumers, actors and other crew members that created each new set, room,  world, civilian clothing, soldier armor, and each prop, be it elaborate or necessarily mundane.

The Hobbit The Desolation of Smaug Chronicles Cloaks & Daggers page e The Hobbit The Desolation of Smaug Chronicles Cloaks & Daggers page f

Costume designer Ann Maskrey recounts acquiring and modifying hundreds of fabrics for use when writer J.R.R. Tolkien may have given only little indication as to what an individual character or entire race of creatures should be wearing.

Bilbo and the Hobbits of the Shire, the Wizards Gandalf and Radagast, Thorin and his band of dwarves, Elves, Orcs and Humans, and key locations from the story–Mirkwood, Lake-Town and Dale–each gets several pages to highlight the detail required to visually build a world to make the fantastical believable.

The Hobbit The Desolation of Smaug Chronicles Cloaks & Daggers page c The Hobbit The Desolation of Smaug Chronicles Cloaks & Daggers page d

Hand-written letters, books, maps, and signage of various fonts, food, tables, rugs and chairs, purses, swords, hats, buttons and clasps, cloaks and boots, staves, belts and buckles, vambraces, lanterns, instruments of all kinds, knits and macramé, pipes and axes, armor and maille, helmets, wigs, and beards, metalwork, glassware, silks, and saddles, rings and The One Ring–every element is covered by subject, and yet even this exhaustive volume only scratches the surface of what was required for the films, according to the book’s contributors.  And endless close-ups of fabric swatches and the actual costumes, giving readers an almost hands-on experience with the design, construction, and fabric selection process.

The Hobbit The Desolation of Smaug Chronicles Cloaks & Daggers page a The Hobbit The Desolation of Smaug Chronicles Cloaks & Daggers page b

Because of the nature of The Hobbit tale and its many named Dwarves, the Dwarves get the most elaborate costumes of any race of the five Middle Earth movies created thus far.  The designs on each piece of armor, each metal fitting, scale maille, and leather work is simply stunning.  And if you’re a fan as much as we are of Sylvester McCoy’s wizard Radagast, you’ll be amazed to learn how his seemingly ripped, worn, and ratty apparel actually includes multiple layers of the finest fabrics, embroidery, and exquisite trim.

Originally released just weeks ago in a limited signed edition, the same exact edition minus the autographs can be purchase through Weta in New Zealand directly here and through Amazon.com here.  The last entry in the Peter Jackson six-film Middle-earth saga, The Hobbit: The Battle of the Five Armies, will be released in theaters December 17, 2014.

The Hobbit Chronicles Creatures and Characters

If you haven’t seen the incredible bestselling book The Hobbit, An Unexpected Journey Chronicles: Art and Design, check out our earlier review here at borg.com.  It’s a superb behind the scenes look at the artistry of the real-life wizards at Weta Workshop in New Zealand.  Weta hones in on the development of various species and beasts of Middle Earth in their new companion book in the Chronicles series: The Hobbit: An Unexpected Journey Chronicles–Creatures & Characters As with the earlier book in the series, Creatures & Characters features first-hand accounts from the actors, makeup artists, digital effects specialists, dialect coaches, prosthetics technicians, movement coaches, and other artists and designers from the production.  High quality, close-up and detailed photos of every major character in the film will make this a must-have for Middle Earth cosplayers.

hobbitbookchronicles2SPREADHobbitFeet2  chronicles2SPREADHobbitFeet4

Weta Workshop designer Daniel Falconer has created a book equal to the first volume he created in the series while taking a different approach to the film’s subject matter. Where the first volume highlighted costumes, props and set design, the second volume focuses on make-up, prosthetics and hair creation, casting the actors for the differing Middle Earth races, stunt and movement work, and dialect creation.  As compared to The Lord of the Rings film trilogy, The Hobbit expanded its use of digital characterization, freeing up the production to create new fantastical scenes beyond what was possible before.  Actor and second unit director Andy Serkis and Gollum’s co-creators discuss the character’s role in the story and Serkis’s creation of the character compared to his work in the original trilogy.

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Hobbit book Chronicles from Weta

We have reviewed many incredible books about movies here at borg.com.  Beginning with Special Effects: The History and Technique and its master class in film study to the book on movie posters The Art of Drew Struzan, to the recent Syfy Channel Book of Sci-fi, we have discussed a variety of the very best books on films and filmmaking, but also the best books on specific productions that the market has to offer.  If you missed them, here are links to some of the best books out there:

Each of these books had great content and a great way of sharing it with the reader, making for an immersive experience for the true fan.  And there are even more great books in our review pile, from Raiders of the Lost Ark and even more from Star Wars.  Then we laid our hands on The Hobbit: An Unexpected Journey, Chronicles: Art and Design, thanks to the folks at Weta.  In my view Weta is the best magic and fantasy shop in the world.  Where we once were dazzled by the spectacles created by Industrial Light and Magic as the coolest, newest cutting edge movie factory, since The Lord of the Rings trilogy ILM has been replaced by the artists, the painters, designers, sculptors, modelers, costumers and builders at Weta studios in New Zealand.  Their elaborate sets, props, costumes, make-up–you name it–in The Hobbit: An Unexpected Journey made for the most incredible fantasy world put on film.  Ever.  So it’s awesome that Weta put together a book that not only highlights The Hobbit: An Unexpected Journey’s wondrous creations, but the actual artists that made it all happen.

The Hobbit: An Unexpected Journey, Chronicles: Art and Design was compiled by Weta Workshop senior concept designer Daniel Falconer.  In itself it has the look and feel of a prop from the film, from its finely tooled cover to its pull-out, glow in the dark Thorin’s map inside the front cover to the three page fold-out of Bilbo’s contract.  It’s the first book in a series to cover different artistic aspects of The Hobbit movies.  Containing 1,000 images of concept art, sketches, a cross-section of the 9,000 paintings created for The Hobbit, props, costumes, hair designs, and sets, it reveals the vision behind the Weta departments that created them.  Unlike any book I have seen before, it has a key code that credits each department, designer, or artist that developed what you see in the photos.  Some of these are tried and discarded face applications and wigs, like this one for the dwarf Oin:

Hobbit chronicles Oin spread

Other pages focus on characters’ props, including pencil designs, paintings, and detail that any cosplayer would love to delve into for his or her favorite character, like these hand props for the dwarf Ori:

Hobbit Chronicles props

Other pages show the elaborate costume designs.  And all include commentary by the artists who came up with concepts and designs.  Production designer and Academy Award winner Dan Hennah sums up why this focus on the artists make so much sense: “Film is a collaborative medium and requires the complete attention of every person involved to find the images that will make the final cut.  Each artist is encouraged to bring their individual vision to the project and work it in with others to make a cohesive part of the big picture…. For a fantasy movie to succeed, it must transport the viewer into a totally believable world where Dwarves, Dragons, Wizards, Elves, Goblins, Orcs, Trolls and hobbits all exist in a seamless mix of complimentary environments.”

Chroniclesspreads2b2

The book begins with views of Hobbiton, which had to be re-created from The Lord of the Rings in exacting detail and fleshed out for expanded use in The Hobbit.  We find Bilbo and his costume designs and concept art for Bag End.  It moves on to Thorin and his band of dwarves in comparison art showing final designs down to each dwarf’s boots.  Dwarf by dwarf we’re given access to trial shots of each dwarf, all used to develop the final look for the film.  Each belt, purse, sword and shield is shown for each character, again, with explanations why one design was chosen over others from Dan Hennah, “3 foot 7″ Costume Designer Ann Maskrey, Academy Award Winners Peter King, and “3 foot 7″ Make-up and Hair Designer and Weta Workshop’s Design and Special Effects Supervisor Richard Taylor.

Hobbit contract in Weta Chronicles

The book then turns to the flashback scenes of historic dwarves, of ancient battles and armor designs.  We get an introduction to Radagast the Brown, the new wizard we meet in The Hobbit: An Unexpected Journey.  Two chapters turn to environments chosen, from real life cliffs modified digitally for scene use to a revisit to the elf town of Rivendell.  And we get to see up close trolls, stone giants, and goblins, including the thoughts behind the development of the hideous Great Goblin, and a look at the familiar Gollum.

hobbit-chronicles-book

The book showcases the art of concept art directors Alan Lee and John Howe, and work from the several artists of the film’s “3 foot 7″ Art Department, Costume Department and Weta Workshop–dozens of creative filmmakers who live and work in Wellington, New Zealand.

The Hobbit: An Unexpected Journey, Chronicles: Art and Design  can be purchased from Weta at their website here.  Their second volume, The Hobbit: An Unexpected Journey, Chronicles: Creatures and Characters will be published in April 2013 and we will preview it here at borg.com.  It can be pre-ordered now here.

C.J. Bunce
Editor
borg.com

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