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Tag Archive: Green Arrow


Damont Jordan Green Arrow and Black Canary

This year I continued my Comicon season by commissioning sketches from comic book artists of my favorite characters, Green Arrow and Black Canary.  I always like to let the artists do whatever vision they have with the duo and am always blown away by the results and at this year’s Planet Comicon it was no different.  It’s even better when you watch artists take on characters for the first time.

At Planet Comicon weekend itself, I met Greg Smallwood, who I found at Artists Alley with the forthcoming Dream Thief co-creator Jai Nitz.  Greg sketched this great piece for me, and I’d LOVE to see a series with this classic look.

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Black Canary never before looked more like she was going to take everyone out of commission with that sonic scream!

I also asked my friend Damont Jordan to give me his take on Green Arrow and Black Canary and gave him a few weeks after the Con to take his time with it.  Somewhere we started chatting up adding extra characters and I threw out the idea of something like “oh yeah, why not include Super Grover, too.”  And BAM!  Check this out:

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IMAX 1201 banner

At the 12:01 a.m. IMAX premiere screening of Marvel’s Iron Man 3, on May 3, 2013, IMAX will be giving away limited edition Mondo Iron Man 3 prints.  The artwork, created by Detective Comics and Green Arrow: Year One comic book artist Jock, is a collaboration between Marvel Studios, IMAX, and Mondo, the Austin, Texas-based limited edition poster company.  According to Walt Disney Studios, owner of the Marvel properties, the Iron Man 3 print will be the last entry in the IMAX 12:01 poster series–a series that began in 2012 with alternate poster concepts to promote the films.  No idea what a Mondo poster is?  They are only released in limited editions and tend to sell out fast, and are created by a myriad of artists.  Here is the Iron Man 3 poster to be given away in this last IMAX 12:01 giveaway:

Iron Man 3 1201 print

Prior IMAX 12:01 posters have been created for Oz: The Great and Powerful, The Dark Knight Rises, Skyfall, Real Steel, John Carter of Mars, Mission Impossible: Ghost Protocol, The Amazing Spider-man, The Avengers, Frankenweenie, The Hobbit: An Unexpected Journey, and Prometheus.  One of the best of these fantasy/sci-fi throwback designs was created for Oblivion:

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Wil Wheaton standing room only crowd at Planet Comicon 2013

The biggest and best pop culture and comic book convention in Kansas City’s history was held this weekend as Planet Comicon 2013 filled the Bartle Hall at the Kansas City Convention Center with thousands and maybe even tens of thousands of fans of everything from Doctor Who to superheroes, Star Trek and Star Wars, to video games and anime.  It’s first day downtown was a big success with lots of happy fans talking with their favorite comic book and fantasy writers and artists and TV and movie actors.

Here’s a photo gallery of what we saw from Elizabeth C. Bunce’s Booth on Artist’s Row and walking around today.

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Meeting Firefly’s Hero of Canton and Chuck’s John Casey–Adam Baldwin.

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Our favorite comic book legend, Howard Chaykin, at his first Planet Comicon appearance and first Kansas City show in eight years.

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With borg.com writer and author Elizabeth C. Bunce at Booth 545 in Artist’s Alley.

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With comics legend Neal Adams, artist on the best Silver Age comic book series ever–Green Lantern/Green Arrow 76-89.

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Green Arrow alternate MAD cover April 2013

Beginning this week you might have a double take at your local comic book stores as several incentive alternate covers grace DC Comics’ New 52 line issues numbered 19.  They feature the 58-year-old perpetual 12-year-old Alfred E. Neuman getting his own cosplay on as one of 13 superheroes.  This week check out Alfred as Green Arrow and Green Lantern.  As the online harbinger of all things Green Arrow that’s the one we picked up, but we think that Green Lantern cover pretty much exemplifies all things MAD the best.

Green Lantern alternate MAD cover April 2013

Other great covers include this nice run-in with Supergirl:

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Mike Mayhew The Star Wars panel 4

First it was Mike Mayhew and Star Trek and Doctor Who.
Then it was Mike Mayhew and Green Arrow.
Then it was Mike Mayhew and The Bionic Man and The Bionic Woman.
Now it’s Mike Mayhew and Star Wars.

Isn’t it great when the stars align and the people creating new entertainment are in sync with your view of the world?  Like taking your all-time favorite genre franchise and mixing it with your current favorite artist?

To quote Spike from Buffy the Vampire Slayer, “This is just… neat.”

The comic book licensee to the Star Wars universe, Dark Horse Comics has announced one of the coolest ideas you could put together.  Go back to George Lucas’s original take on Star Wars–before the edits and revisions and treatments and full-blown screenplays. Take that original story and re-imagine the Star Wars universe as if the original vision was Star Wars.  That’s exactly what long-time Lucasfilm executive editor J.W. Rinzler and current The Bionic Man cover artist Mike Mayhew have up their sleeves.  Coming in September 2013 is an eight-issue mini-series, titled The Star Wars, the title of Lucas’s 1974 version of the Star Wars saga.

Mike Mayhew The Star Wars panel 3

The images above and below are Mike Mayhew’s first released panel art from The Star Wars.

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Oliver Queen and trick arrow to save the day

More than 25 years after Frank Miller and Klaus Janson’s four-part prestige format comic book series/graphic novel The Dark Knight Returns changed the landscape for comic books thereafter, DC Animation produced a quality animated adaptation.  Released in two parts, we reviewed The Dark Knight Returns Part 1 here last year.   Part 1 was a faithful adaptation of roughly the first half of the original graphic novel.  It proved first and foremost that Christopher Nolan really pulled his key story elements in his Dark Knight trilogy of films from Frank Miller’s work.  Part 1 really keyed in on Nolan’s Bane character.  Both Part 1 and the Dark Knight trilogy failed to provide an exciting narrative, however, when compared to  The Dark Knight Returns Part 2, now on video.

Part 2 is every bit as faithful to the original as Part 1.  Commissioner Gordon has already stepped down and was replaced by a new commissioner whose first act is issuing a warrant for Batman.  The vacuous Doctor Wolper brings his patient The Joker to appear on Miller’s take on The David Letterman Show, only for The Joker to release a gas bombing that kills the entire audience as well as the host, leaving The Joker’s trademark grin on all their faces.  From the first sentences of Part 2, you know this is not a kid’s Batman film.  The Joker escapes and proceeds to bloodily murder everyone in his path until he confronts Batman in the bowels of Gotham City.  Here the classic confrontation between the long-time foes plays out exactly as it should.

Christopher Reeve poster

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Movement fists

Fresh off their writing and art projects from New 52′s Batgirl and Green Arrow, DC Comics creators Gail Simone and Freddie Williams II are bringing real-world politics “Occupy Wall Street” style this May in their new monthly series The Movement.

The advance industry catalog Previews.com provided the following teaser this week:

We are faceless. We are limitless. We see all. And we do not forgive.
Who defends the powerless against the GREEDY and the CORRUPT? Who protects the homeless and poverty-stricken from those who would PREY upon them in the DARK OF NIGHT?
When those who are sworn to protect us abuse their power, when toxic government calls down super-human lackeys to force order upon the populace... finally, there is a force, a citizen's army, to push order BACK.
Let those who abuse the system know this as well: We have our OWN super humans now. They are not afraid of your badges or Leagues. And they will not be SILENCED.
We are your neighbors. We are your workers. And we are your children.

Win.  Count us in.  Where do we buy the RISE bracelets?

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Shadow Year One Alex Ross cover

Review by C.J. Bunce

Ever since the success of Frank Miller’s Batman: Year One, everyone has climbed aboard to use the Year One tag to sell copies.  Many times the Year One is not an origin story but a random early story that fails to satisfy readers’ expectations.  A successful twist on the Year One was Andy Diggle and Jock’s Green Arrow: Year One, but there’s also been Teen Titans: Year One, Batgirl: Year One and Huntress: Year One, Nightwing: Year One and Robin: Year One, and even Batman: Two-Face/Scarecrow Year One.  It’s not only DC Comics who has cornered the market on Year One titles.  We reviewed Howard Chaykin’s well done Die Hard: Year One here last year, and if you look around you’ll even find a Judge Dredd Year One and a Punisher: Year One.  This week Matt Wagner, writer of Dynamite Comics’s Green Hornet: Year One , takes on the 1920s-1930s masked crimefighter The Shadow in The Shadow: Year One.  The first issue of Wagner’s Year One creation kicks off the better side of Year One stories.

Wagner and artist Wilfredo Torres begin their Year One with a mysterious force referred to as the “Shadow of Doom” in 1929 Cambodia, where we first meet The Shadow’s alter ego Lamont Cranston.  He is in pursuit of a criminal called the White Tiger and this pursuit returns him to New York City, a city brewing with criminals for The Shadow to bring to justice.

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JLA 1 cover by Finch courtesy of DC Entertainment

Review by C.J. Bunce

It was way back in August that we first previewed the very first images of the new Justice League of America here at borg.com.  DC Comics has had a big month with big changes–first we reviewed Jeff Lemire beginning a new Green Arrow story in the monthly series, then we were introduced last week to Tatsu, a new recruit in a new Justice League whose superhero name is that of her sword, Katana.  And if you’re not keeping up we chatted a few days ago about DC Comics’ two trade editions available for the plain ol’ Justice League of the New 52.  And that’s not even getting into the cancelled Justice League International monthly title and the awesome Justice League Dark we’ve raved about here earlier.

Today DC Comics put the America back in the Justice League.  Sure, the Justice League (Superman, Batman, Wonder Woman, Green Lantern, Flash, Aquaman and Cyborg)–the League with all the egos–will continue as a monthly series, but the rest of the original JLA superheroes we all know and love are back in their own separate league.  They may not be the World’s Finest but writer Geoff Johns and artist David Finch have launched a new story, “World’s Most Dangerous.”  And if Issue #1 is any indication I think we’re in for a better league with the new JLA.

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Green Arrow 17 cover

Review by C.J. Bunce

Today DC Comics switches gears with its New 52 Green Arrow title, with writer Jeff Lemire and artist Andrea Sorrentino re-starting the series in a new storyline called “The Kill Machine.”  Lemire is best known for taking the obscure DC Comics character Animal Man and turning his story into one of DC Comics’ best reviewed series.  Italian artist Andrea Sorrentino is best known for his haunting run on the New 52′s I, Vampire, and his great covers for a short X-Files comic book series, with a style he seems to be carrying forward in Green Arrow Issue #17, released at comic stores everywhere today.

With Issue #17 Lemire seems to be taking some tips from the Berlanti/ Guggenheim/ Kreisberg playbook. Their highly successful Arrow TV series on the CW Network follows Oliver Queen as he deals with the events he faced on the mysterious island where his yacht Queen’s Gambit marooned him, and where he honed his physical skill as archer and fell into his current psychological state.  The TV Oliver Queen is echoed in Lemire’s lead character although differences show through–Lemire’s Oliver seems a bit younger and impulsive whereas the TV Oliver relies on his charisma and is more measured in his actions.  But you can’t say more about that by way of comparisons with only one issue to go on.  Fans of the Arrow TV series should keep an eye out for a familiar villain element in this first issue.

Sorrentino X-Files cover A

An example of some of the excellent past cover art of Italian artist Andrea Sorrentino.

“The Kill Machine” finds Oliver responding to the loss of Queen Industries by the trustee managing the company since his father’s death–his father’s best friend.  Lemire is overtly giving his Oliver a clean slate, destroying the world Oliver knows and removing any relationships that might reveal Oliver as anything but a lone wolf.  In this way it will be interesting to see how much of Mike Grell’s original stories of the urban archer shine through.  Grell’s Oliver, through dozens of issues of amazing stories beginning in the late 1980s, was the last time the character was completely redefined.  Can Lemire reinvigorate Green Arrow and still keep true to the character’s long history?  He has developed several issues beginning with Issue #17 so we will learn the answer as we keep up each month with the series this year.

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