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Tag Archive: James Bond


Continuum Rachel Nichols cop suit

Following on the heels of the successful Canada import Lost Girl, the Vancouver based sci-fi series Continuum premiered this year on the Syfy Channel in the U.S. and it easily earns the status of best new TV series of 2013.  Like Lost Girl, the first season has already aired in Canada, and is being shown one season behind here, hopefully to catch up in the U.S. market later this year.  The series has already been renewed in Canada, and Season 2 is being filmed on location in Vancouver, B.C.  Tonight, episode four airs at 7 p.m. Central/8 p.m. Eastern on the Syfy Channel.  You’ll want to set up your DVR for this series and if you’ve missed episodes 1-3 you can still catch them on primetime Free Per View.

Continuum stars Star Trek 2009, G.I. Joe: The Rise of Cobra, and Conan the Barbarian’s Rachel Nichols as a British Columbia cop from the year 2077 named Kiera Cameron who gets transported back in time to 2012 where she tracks down a group of rebel terrorists who have come to the past with her.  The terrorists, who go by the name Liber8, were sentenced to death and at their execution someone smuggled in a device that created a warp field that spun the convicts back in time and sucked in security officer Cameron.  Like her cool and tough performance as Scarlet in the first G.I. Joe movie, Nichols is perfect as a no-nonsense cop, quick to act in a gunfight and several other situations she never could have trained for.

Continuum Rachel Nichols

The producers of Continuum have created the most seemingly realistic future technology here along with a creepy possible future political structure where corporations have bailed out the defaulting government and eventually taken over all its functions, taking away individual liberties from citizens.  The police force Cameron works for is in protection of this new world order, and the great twist of Continuum is having the terrorists’ ideal be a return to our political structure today.  Continuum is the series many hoped the Battlestar Galactica spinoff Caprica would be, but in only three episodes Continuum has already surpassed that other Syfy Channel series in production quality and story.

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1966 Adam West Batmobile

This weekend the Batmobile from the original 1960s Batman series sold at auction for a whopping $4.62 million by the Barrett-Jackson Auction Company.

The original Batmobile began as a unique 1955 Lincoln Futura concept car built in Italy by Ford Motor Company, which was heavily modified by legendary customizer and car creator George Barris to become the original 1966 Batmobile in both the live action TV series, and the movie adaptation starring Adam West and Burt Ward.  George Barris reportedly bought the 1955 car for $1 back in 1966 and spent $15,000 in 15 days creating the final look for the car.  The Batmobile has a V-8 engine and functional instruments in the steering wheel, as well as a push-button transmission. Barris owned the car all these years, touring the car at conventions, and finally decided to let the car go in this weekend’s auction in Scottsdale, Arizona.

Rick Champagne, a Phoenix-area logistics company owner, placed the winning bid, saying he “really liked Batman growing up”.

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The Hobbit gets a few but not enough Oscar nominations

In a year where we saw Hollywood market the worst titled movies to us–Salmon Fishing in the Yemen, The Best Exotic Marigold Hotel, and yes, Silver Linings Playbook, it’s probably no surprise the Oscar nominations were going to be strange this year.  Like always there are really glaring oddities, and after a lot of speculation that we’d see more of the same with the new round of selections, Oscar again fell into its normal traps.

The key problems with the Academy Awards include the marketing barrage that occurs, productions pushing advertising to encourage votes, and even the desire to position the Oscars toward a new, younger audience that becomes evident in more popular than critical nominees.  Over the course of several years of Oscars you see unmistakable patterns that develop and the Academy Awards nominations, if not by design then at least as a result, is its own club that favors past nominees over new entrants.  Same old news this year and more yawns than excitement.  So let’s see what they got right.

Affleck in Argo

Argo for Seven Nominations.  Argo was nominated for seven categories, including Best Picture, Supporting Actor (Alan Arkin), Adapted Screenplay, Film Editing, Original Score, Sound Editing, and Sound Mixing.  So this is all fitting for such a brilliant film.  But no nomination for director Ben Affleck?  You look at his work on Argo compared to the ultimate films up for best director and you really have to shake your head.

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Review by C.J. Bunce

Re-released in book stores last month was Kim Newman’s alternate history/fantasy/steampunk-esque novel Dracula Cha Cha Cha (formerly published as Judgment of Tears), book three of the Anno Dracula series originally released in 1998.  You need not read books one and two of the series to be able to fully dive into this incredible and bizarre parallel history story.  With vampire books taking up an entire wall at Barnes & Noble, it’s probably a good time for this dense and satisfying novel to be available again.  But what makes this even more relevant this year is that it is also an alternate history James Bond novel.  That’s right, James, here goes by the Scottish name for James, Hamish, as in Hamish Bond.  And Bond is still a spy, but he’s also a vampire, investigating Count Dracula in Rome in 1959.

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Review by C.J. Bunce

The 23rd James Bond film has a lot it must accomplish compared to other franchise movies.  On the 50th anniversary of Bond on film, director Sam Mendes had to deliver something special, more than just the latest entry in the Bond canon.  And despite Mendes’s influences, Skyfall had to be more than another Christopher Nolan action romp like the recent Batman films.  After 50 years, Bond is a British tradition, an international icon, the star of every diehard action film fan’s awaited pilgrimage every few years.  Mendes had to blend the classic with the new as each of his predecessors had, and make sure that even that was done in a new way, without copying other action film franchises like the Jason Bourne movies, as the last movie, Quantum of Solace, has been accused of.  Messing with the Bond formula is like messing with the formula for Coca-Cola.  A director of a Bond film has a delicate trapeze act to maneuver to create a successful Bond picture connecting all the elements of the Bond formula.

So how did Skyfall fair?

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Prior to 1989 the only James Bond that ever made it to comic books were standard adaptations, like an early comic book version of Dr. No.  With the film Licence to Kill starring Timothy Dalton as Bond, writer/artist Mike Grell, known for his work on Green Arrow, Warlord and Jon Sable, was asked to create the adaptation.  Before entering the comics world in 1972, Grell had worked in the military as a member of the U.S. Air Force based on Asia.  According to stories he shared at a convention a few years ago, he served in several capacities, including intelligence work, which filtered throughout all his best comic book projects.  Each of his characters has a bit of James Bond in them.  So it’s not surprising that Eclipse Comics asked Grell to create a new Bond story in comic book form after his successful Licence to Kill adaptation.  Grell’s Permission to Die was the first James Bond graphic novel not adapted from one of Ian Fleming’s original Bond stories, and although Dark Horse would later license Bond for comic book stories, it is Grell’s that stands out as the truest to both the original novels and the films.

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Review by C.J. Bunce

It is three years before Star Wars: A New Hope.  Jahan Cross is posing as special envoy for the diplomatic service.  His preferred companion is a feminine-inspired android named IN-GA 44 or ”Inga,” adept at researching corrupt officials’ computers and uncovering just what they don’t want uncovered.  Cross reports to the director of Imperial intelligence, Agent Cross’s very own “M,” who sets him out on a dangerous mission.

Next week Dark Horse Comics is releasing a compilation of its take on dropping James Bond in the Star Wars universe with Star Wars: Agent of the Empire, Volume 1– Iron Eclipse, reprinting Issues #1-5 of the monthly comic book series.

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James Bond memorabilia auctioned off by Christie’s auction house yielded $2.6 million on October 5 and continuing online through October 8, 2012–”Global James Bond Day”–in an invitation-only charity event commemorating the British spy’s 50th anniversary on the silver screen and the release next month of the 23rd Bond film, Skyfall.  The auction took place at Christie’s auction house in London, and was attended by former Bond Roger Moore and the current M, Dame Judi Dench.  Bidders from more than forty countries also participated in online bidding.  At only 52 lots, a small number for a major entertainment or franchise auction, it was a pretty big haul.  Some high-end prop and costume buyers were in 007 heaven.  The catalog, available for download here, is one of the best film auction catalogs to date, and features at least one piece of screenused costumes, props, or rare books or marketing material from each Bond film.

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With the 50th anniversary of James Bond and a new film coming in November, that means a new song for the opening credits.  The singer Adele was selected for Skyfall, and a new trailer has been released with her tune Skyfall dubbed over a recombined version of past trailers for the film.

Here is the trailer with the new song sung by Adele:

My take is this fits somewhere in the middle of the past 22 years of Bond songs.  Adele’s voice is familiar in a Shirley Bassey style–Bassey sang three Bond themes, Goldfinger, Diamonds are Forever, and Moonraker, all at least partially written by famous film composer John Barry.  If you’ve seen these films it’s hard not to hear her singing the main theme.  Hints of Goldfinger permeate every other Bond theme.  To me, you don’t have a great Bond theme if you can’t instantly recall the music and main lyrics.  Does Skyfall have that?  Here is the entire song, with lyrics displayed like with a karaoke machine, and like some past Bond themes there is a lot of repeating the title over and over:

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James Bond stands by himself as a character of any genre.  It’s been said over and over that he’s the man every man wants to be, and the man every woman wants to be with.   What makes Bond Bond is simple: the best British secret agent, he likes only the best of everything, dresses fashionably, prefers the best quality of drink including his signature shaken martini, he drives the best car, often an Aston Martin, and carries as his weapon a Walther PPK.   And yes, he finds himself surrounded with beautiful women.  Dubbed “Bond girls” over the past 50 years, the on-screen Bond girls sometimes match–and sometimes don’t–the character the role is based on from the original novel.  Not only a representation of beauty from the time of filming each Bond movie–at least in the eyes of the Broccoli family that produces and carefully selects who will be in each new Bond film–Bond girls don’t always serve as merely the film’s eye candy.  Bond girls have served as Bond’s love interests sure, but also can be double agents or villains, as partner or antagonist, driving the plot forward.  Often smart and tough, always glamorous, sexy, and sophisticated, often touting suggestive names they straddle the line between what some feminists might hate (after all, they are Bond girls, not Bond women), and the ultimate in femininity to aspire to.  Sometimes international models and sometimes international movie stars, they are as much as part of our popular culture as Mickey Mouse, Superman, and Uncle Sam.

So if you had to select one as your favorite, who would you choose?

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