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Tag Archive: Matt Fraction


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There’s no rest for the weary, and one of borg.com‘s favorite writer/artists, Howard Chaykin, seems to be proving that, producing new stories and art everywhere you turn.  In 2013 he is working on two new comic book series that take a nostalgic look back to the middle of the 20th century.  Chaykin is serving as series artist on Satellite Sam, and artist and writer bringing Buck Rogers and the 25th Century back to comics.  Where the Buck Rogers monthly will be a straightforward classic take on the character, Satellite Sam will look at a TV serial character like Buck Rogers and the actor behind the role.

Satellite Sam Issue 1 cover

Chaykin and writer Matt Fraction (Hawkeye) take a dark look at the Golden Age of television with Image Comics’ Satellite Sam.  The innocence portrayed in 1950s television is contrasted with real life Hollywood when Carlyle Bishop, star of the TV series Satellite Sam is found dead in the not so glitzy part of town.  His son Michael finds a box of sleazy photos, which opens up a detective story into a life far different from that portrayed on TV.  It sounds a bit like it may reflect the type of short and complex lives of real-life actors George Reeves (The Adventures of Superman) and Bob Crane (Hogan’s Heroes) in a Sunset Boulevard setting.

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Review by C.J. Bunce

Matt Fraction and David Aja’s new Hawkeye series is one of the best Green Arrow stories I’ve read in a good while.  It’s a strange thing, as I had no idea these guys could be interchangeable.  Sure, they both use bow and arrow as their chief weapon.  Green Arrow has been around since the 1930s and Hawkeye the 1960s so I must admit I looked at Hawkeye as a Green Arrow knockoff, nothing more.  After his supporting role as a good guy converted to bad in this year’s Avengers movie I figured I’d relegate him to the hundreds of other characters that don’t make it to my reading pile.  I was pretty underwhelmed despite some nice trick arrow moves in that film.  So I had no intention of checking out the Marvel Comics new Hawkeye solo series.  But a very Cliff Chiang-inspired set of covers to Issues #1 and #2 this week at the local comic hangout caused me to look closer, and Matt Fraction’s name caused me to flip through Issue #1.

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By Jason McClain (@JTorreyMcClain)

I’ve gotten in and out of reading comic books several times in my life.  I couldn’t tell you where the comic book store was when I lived in Columbia, MO.  I found one when I lived in Delaware.  There wasn’t one for miles when I lived in the mountains (but I found a baseball card shop).  I knew of and visited at least six comic book stores when I lived in Kansas City and I visit about the same number in Los Angeles.  I’ve visited them when I’ve made brief stops in London, England and Austin, Texas.  I had subscriptions to several Marvel titles when I was in junior high and didn’t have to worry about getting my parents to take me to the comic store.  One day a comic would arrive in my mailbox covered in the plain brown paper wrapping that I would later associate closely with either comics or porn.

A map of comic book stores across the U.S.

Still, every walk into a store is like a step into a colorful, inedible candy shop and I start to wonder, what I’m going to take home in my brown paper bag.  I like recommendations quite a bit when I look for new things (and that’s why on Free Comic Book Day as I went to a few of my favorite stores, I picked up All-Star Western and Justice League Dark) but since my time in Kansas City, my main focus for when I look on the shelves of whichever store I find myself in, is new material by past favorite authors.  That’s why on Free Comic Book Day I also picked up Saga by Brian K. Vaughan, who has entertained me in several stories like Pride of Baghdad, Runaways and Y: The Last Man.  Saga looks to be a great start to another captivating yarn as I ripped through both issues I bought as I curled up to relax on Sunday night.

However, I must ask myself, is using the past a logical way to pursue entertainment?  Are past performances indicative of future returns, unlike financial instruments?  How can you tell when to jump off the creative train of a favorite author?

This reminds me of a game a friend and I play every now again based on the Fellini movie, 8 1/2.  The film deals with the creative process and my friend and I used it as a jumping off point to analyze the careers of creative people by asking, “Does X have eight unarguable classics to their name?”

It’s tougher than you think.  To be able to create eight works of art is an accomplishment in and of itself, and to make eight super-duper terrific things, well, that’s a rarefied air.  Of course, everyone has a different opinion of what a “classic” is, but we generally know that Jaws and Raiders of the Lost Ark are both Steven Spielberg classics, where War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull don’t come close to reaching the same height.  Even though I’m not a huge Spielberg fan, he gets to eight relatively easily as you could add E.T., Close Encounters of the Third Kind, Schindler’s List, Saving Private Ryan and Catch Me if You Can to Jaws and Raiders and you get seven, though there are a few flaws, but I quibble.  Finding an eighth movie among The Color Purple, Indiana Jones and the Last Crusade, Munich and Jurassic Park should be easy.  George Lucas on the other hand, I think he’s lucky to get two.  I suppose I’m saying that at this point, going to see a Spielberg film may be a bit more of a question mark than it was in the 90s, but if you gave me a choice between Spielberg and Lucas right now, there’s no question I would choose to see a Spielberg film.

Looking at my favorite movies over the past few years, Midnight in Paris has reinvigorated my belief in Woody Allen and I’m more likely to see his next film.  The quality of Marvel’s movies Thor, Captain America and The Avengers makes me more likely to go see non-sequels put out by Marvel Studios.  (Iron Man 2 still leaves a poor taste in my mouth. That’s what I get for licking the screen).  True Grit cemented my love of the Coen brothers, which I had before the movie as I’ve seen every one of their films.

My point?  If you like the creative work of a person, you’ll probably like their other work.  Looking at my bookshelf filled with several novels from Kurt Vonnegut, quite a few selections from Alan Moore and most every film by Wes Anderson, I probably didn’t need to do much thinking about it.  Still, it’s nice to come to that conclusion and know that when I roll into a comic store, I can find some Brian Michael Bendis, some Matt Fraction, some J. Michael Straczynski, some Neil Gaiman, some Jason, some Craig Thompson, some Daniel Clowes, some Kurt Busiek or many others and be happy when I get home, turn on the lamp and snuggle beneath my covers.  Plus, there’s always a chance I can stumble onto many more authors in the future through sheer luck, the recommendations of friends or the recommendations of the people I meet while wandering the aisles at my local comic book stores.

Review by C.J. Bunce

Last week we reported on the early release of eagerly awaited new series Avengers vs. X-Men.  With the first issue upon us of Avengers vs X-Men we get to see Round One of the twelve rounds to be featured over 24 weeks in the main series, with 19 main issues, and 20 other Marvel Comics titles tying in to this AvX event.  Here are two checklists to help you keep track (click to enlarge):

        

Spoilers ahead!

Issue #1 starts out with a bang, a big bang, as the Phoenix Force is launched from far away on a trajectory toward Earth.  In front of that force hurtling toward our planet is Nova, a character long-feared dead who ends up causing the destruction of the Empire State Building in New York City as he plunges to the Earth’s surface, taking an airliner down with him.  The status of any lives taken is unknown, but the Avengers, including Ms. Marvel, Thor, Captain America, Iron Man, Spider-Man, Hawkeye, Protector, Black Widow, Beast, Captain Britain, Valkyrie and a few others, do their best to quickly mitigate the losses.

Meanwhile we learn that Cyclops is busy training Hope, who was the focus of the prologue for Avengers vs. X-Men in Issue #0.  Hope is understandably frustrated, believing that the Phoenix Force is somehow targeting her, and the X-Men will not help her adequately with answers.  Hope carries an energy signature similar to that of the Phoenix Force, and when she gets angry she sets this off, and the blast that is caused tips off the Avengers that they need to take some kind of action.

Captain America and Iron Man meet with the President and the joint chiefs in Washington, DC and explain the nature of the threat.

Captain America enlists the support of Wolverine and heads to the island of Utopia to take Hope into protective custody, but Cyclops has other plans.  Cyclops was once in love with Jean Grey, who became part of Phoenix and killed herself trying to contain the immense power of the Phoenix Force years ago.  So Cyclops thinks there is some special meaning in the arrival of the Phoenix Force, like it might be a good thing.  And there is no way he will release Hope to the Avengers.

The X-Men, including Emma Frost, Magneto, Colossus, and Namor, stand behind Cyclops’s effort to keep Captain America from taking Hope away.  Captain America is thrown back by Cyclops’s rays, but he has brought with him a ship full of the Avengers, and as this first issue concludes the first battle is upon us–a fight between the Avengers and the X-Men, over Hope.

This first chapter scripted by Brian Michael Bendis, but created by all the “Marvel Architects”–Jason Aaron, Ed Brubaker, Jonathan Hickman, and Matt Fraction–is well-paced.  The steps that occur are not complicated so there is no confusion and the story is easy to follow.  Despite the volume of characters, they, too, are easy to keep track of.  I wasn’t dazzled by John Romita, Jr.’s artwork in this issue–everything seems to “just happen” visually with little stylization, and there are no memorable single images that stand out.  But neither does the art stand in the way of the story, which has a lot to cram into the single issue page count.  All-in-all, so far, so good.  I’m reminded of the Marvel Superheroes Secret Wars limited series from decades ago, where readers get the pleasure of seeing the whole cast of characters in the Marvel Universe all as part of a common cause.

The crazy stand-out of this first issue are the several versions printed, including all these variants, some selling for $175 and up for the 1 in 200 exclusives.  Hopefully the hype settles and the coming issues simply take readers on a good ride.

Here is a checklist of the Avengers vs X-Men Issue #1 cover variations for all you completists out there:

Regular cover by Jim Cheung - Price $3.99

Avengers Team Common Variant - Price $3.99

X-Men Team Common Variant - Price $3.99

Sketch Cover Common Variant - $3.99

Midtown Comics Exclusive Wraparound Cover Side 1 - Price $8.00

Midtown Comics Exclusive Wraparound Cover Side 2 - Price $8.00

Ryan Stegman Incentive Variant Cover - Price $85

Hastings Stores Variant Cover - Price $8.00

Ryan Stegman Rare 1:200 Incentive Sketch Variant Cover - Price $175

John Romita, Jr. 1:25 Incentive Variant Cover - Price $15.00

Dynamic Forces Exclusive Variant Signed by Stan Lee (image may vary) - Price $399

Dynamic Forces John Romita, Sr. Signed Cover Edition (image may vary) - Price $69.99

Which version did I buy?  I got the first issue that Jason Aaron signed, with a note by Jason on the sketch cover version…

Yesterday Marvel Comics announced a 12-issue limited series coming in April 2012: Avengers vs. X-Men, pitting Marvel characters Iron Man, Captain America, Thor, and Hulk, against Black Widow, Spider-Man, Cyclops, Storm, Magneto and others and who knows what side Avenger and mutant Wolverine will end up on.

Avengers vs. X-Men will be written by Marvel Architects Jason Aaron, Brian Bendis, Ed Brubaker, Matt Fraction and Jonathan Hickman.  The series artists are slated to be John Romita Jr., Olivier Coipel and Adam Kubert.  Unlike standard limited series, the 12 issues will release every two weeks over a six-month period.  And entering the digital fore alongside DC Comics, Marvel added a new marketing idea: releasing a code for a free digital copy with each issue.

Here is the advance poster promoting the series:

Avengers vs. X-Men follows on the heels of this year’s X-Men: Schism, Fear Itself and Fear Itself: The Fearless limited series and the coming X-Sanction series.

The following re-broadcast of a livestream introduction (44 minutes) with a few of the creators gives some insight into the creative process of the writers for the new limited series.

If you have ever wanted to know what thoughts are behind these guys’ story concepts you may like this.  In particular Jason Aaron’s rundown of the events involving the X-Men and Wolverine leading up to the coming superhero face-off really puts everything into perspective, as does Brian Bendis’s view of the Avengers role in the new series.  The video also includes some nice trash talk between the creators of each of the X-Men and Avengers franchises.

Axel Alonso, Editor in Chief, Marvel Entertainment commented that “We’ve brought together the biggest writers, biggest artists and biggest characters for the biggest story we’ve ever told.  This is the kind of high-octane action-packed story that fans demand while also having a profound effect on every character involved—and reshaping the Marvel Universe in its wake.”

More information is available at www.avx.marvel.com.

C.J. Bunce

Editor

borg.com

Review by C.J. Bunce

Fear Itself, the seven issue limited series that has taken over all the Marvel Comics titles for the past seven months, just wrapped.  Fear Itself was written by Matt Fraction, one of the Marvel Architects, those guys who are building the future of the Marvel franchise with superb art by Stuart Immonen.  No doubt with Fear Itself, the construction of a Herculean storyline that spans all titles must have taken a fair amount of coordination.  And it looks like it had to be fun to write and draw.

Fear Itself became the summer subtitle for Marvel, you couldn’t escape it, and even as someone who was not a regular Marvel reader I picked up the seven issues of the main title to read them once the series concluded, along with Seth Peck’s three issue run on Fear Itself: Wolverine tie-in, which I haven’t read yet.

Midway through issue two I was reminded of past Marvel world catastrophe storylines, like my first introduction as a kid in the 12-issue Marvel Super Heroes Secret Wars and follow-up Secret Wars II series, which I also bought and read as a set once the series had concluded.  Also, Marvel’s Civil War mini-series from only a few years ago, that resulted in Spider-man revealing his true identity and Captain America Steve Rogers’ death.  I was reminded because you can’t just casually read these series.  With all of these, a lot happens, there is a lot to absorb, and you only get full value by going back and re-reading each issue.  What helps with this series is each issue gives a Star Wars type summary crawl of where the story stands at the beginning of each issue–a re-cap– and a cast of characters, so you can keep track of the difference between Odin and the All-father, for example, two guys drawn similarly that had me only slightly confused until their storylines became finer tuned.

Spoilers!

The baddie of the series is the red-faced, ugly daughter of Red Skull named Sin.  In issue 1, fear has already gripped the world, with general strife, Wall Street uncertainty, economic disaster, protests, etc…. real world kinds of things.  Steve Rogers and his Avengers are trying to keep peace across the globe.  Iron Man Tony Stark has corporate solutions.  Meanwhile Sin seeks out a frozen Nazi stronghold buried far away by Red Skull, to find a powerful hammer that unleashes the beginning of the end of a great and horrible prophesy.  She unleashes on old, banished warrior called the All-Father from the depths of the ocean with the power of the hammer.  Odin learns of this and leaves Earth with other Gods, despite his son Thor’s protestations.  The fighting between Odin and Thor is not new, and a little humorous because you know how it always ends.  By the end of issue 1 the All-Father summons his “Worthy,” seven objects that come to Earth like meteors…

Issue 2 picks up with each meteor actually a hammer finding a hero on Earth and taking over each of them and turning them into seemingly indestructible beings devasting the planet.  The heroes become the villains, or at least, the tools of their destruction.  This includes Juggernaut, Attuma, Absorbing Man, The Hulk, and my favorite here, Titania, who becomes “Skirn: Breaker of Men.”  By the end of this issue Sin is marching on Washington, DC, destroying the capital building.

In issue 3 we learn that the last hammer ends up turning Ben Grimm aka The Thing into the last of the “Worthy.”  Bucky Barnes, donning the Captain America suit, leads the Avengers into a direct battle with Sin, only to be struck down and killed.

In Issue 4 Odin embarks on his journey to destroy all of Earth in order to ensure destruction of the All-Father–to ensure the terror will end as only he has faced this menace before and he knows the seven “avatars” are more powerful than anything the planet has yet faced.  Nothing trivial for Marvel in this storyline!  The All-Father seems to be thriving on the world’s fear, gaining power.  He summons a sleeping army of the dead, prompting a humorous line from Tony Stark “we’re gonna need a bigger boat.”  In a Luke and Darth moment, the All-Father reveals his true identity to Thor–that he is Odin’s brother and the true King of Asgard.  Thor is left to confront…

In Issue 5 Thor confronts none other than The Hulk and The Thing–sure, not themselves, but a fun brawl and circumstance nonetheless, setting up the money shot for this series in a nice knockdown.  Steve Rogers shatters his Captain America shield in battle and as he realizes the Avengers are going to lose the war in the end, he let’s Spider-man go off try to find his missing aunt.  Is all lost for our super-friends???

By this time, readers have read so many Marvel character ads you need a break.  Sleepwear, gum, even Marvel Slurpees…at least Twilight doesn’t get everyone’s marketing dollars!  Hmm…where’s my DVR for comics…

Issue 6!  The action picks up.  Having told off Odin himself, Tony Stark is allowed to help the Asgard fight, earning Odin’s respect, and gets to fight alongside Thor and Odin at Asgard.  A very cool moment for Iron Man and the second high point of the series.  The issue ends with Steve Rogers, Captain America, ready to have the final stand directly on Earth with the King of Asgard.

Finally, the end is here in a double-sized final issue called “Thor’s Day.”  Tony Stark has used the gods’ workshop to build mystic weapons to help the heroes fight on Earth.  Odin has given Thor the Ragnarok, a powerful sword, and a set of armor for battle…

OK, enough spoilers.  Iron Man brings magic weapons for everyone…except for Captain America, since Stark knows nothing is better than that shield, yet he didn’t know it was lost in battle.  But that doesn’t stop this 1940s era Cap from leading the Avengers anyway…  the rest is full of action, nice pacing all-around and what you’d call a “shocker” ending.

More valuable for the Marvel reader are the several denouements, more than even in Lord of the Rings: Return of the King….the seventh issue is a must read for anyone reading Marvel with the ongoing lead-ins for the rest of the Marvel Universe… like Sin’s fate to be revealed in The Fearless, a strange happening to the Hulk after he recovers in the new Incredible Hulk #1… and a lot more.

I am not sure where Fear Itself stands with respect to past Marvel cataclysm mini-series or even DC Comics big-event Crisis series, but it’s a a fun read and, for the hundreds of characters that the writers and artists attempted to incorporate into this series, the result was pretty successful.  A hardcover version is due out from Marvel soon and now available for pre-order from Amazon.

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