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Tag Archive: original comic art


Damont Jordan Green Arrow and Black Canary

This year I continued my Comicon season by commissioning sketches from comic book artists of my favorite characters, Green Arrow and Black Canary.  I always like to let the artists do whatever vision they have with the duo and am always blown away by the results and at this year’s Planet Comicon it was no different.  It’s even better when you watch artists take on characters for the first time.

At Planet Comicon weekend itself, I met Greg Smallwood, who I found at Artists Alley with the forthcoming Dream Thief co-creator Jai Nitz.  Greg sketched this great piece for me, and I’d LOVE to see a series with this classic look.

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Black Canary never before looked more like she was going to take everyone out of commission with that sonic scream!

I also asked my friend Damont Jordan to give me his take on Green Arrow and Black Canary and gave him a few weeks after the Con to take his time with it.  Somewhere we started chatting up adding extra characters and I threw out the idea of something like “oh yeah, why not include Super Grover, too.”  And BAM!  Check this out:

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Detective Comics 19 cover

By C.J. Bunce

Sometimes you want to just sit down and view a single TV episode where you walk away at the end of the hour having been energized with a complete end to end story.  I remember countless episodes of the X-Files with the monster of the week and these stand out to me from the episodes that followed the long-term plot of Fox Mulder’s lost sister or uncovering the mysterious smoking man’s real story.  I have the same thoughts about standalone issues of comic books.  Most series today have multi-issue story arcs and they are usually relevant and continue the intrinsic and historic serialized nature of monthly comic series dating back to the origin of comic books.  But when I was a little kid I’d flip through the short supply of comics at my local Kwik Shop and sometimes you’d be lucky and get an issue with a single beginning to end story and sometimes you’d start reading and have no idea what is going on.  I still get excited about a book when I get a great end-to-end story.  Detective Comics #19–the 900th issue of Detective Comics is one of those reads.

When the old DC Universe ended in August 2011, Detective Comics was at issue #881.  Detective Comics was set to become the second DC Comics series to reach Issue #900 after Action Comics.  Then the New 52 renumbered everything.  No matter.  DC Comics knows when it has something to celebrate, so to mark the occasion it is publishing a good ol’ 80-page giant issue.  As part of its across-the-line gatefold cover series, it cleverly manages to include the number 900 as part of its cover, as well as integrate the number into its storyline in a meaningful way.

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intelligent-collector-marilyn-monroe issue

Heritage Auctions publishes a print version of a collectibles magazine called Heritage Magazine for The Intelligent Collector.  Each issue presents several collectors and their different collecting interests, including interviews with celebrity collectors like Kareem Abdul Jabbar and Whoopi Goldberg.  Issues also highlight key items sold in past and future Heritage Auctions.  One issue previewed a superb collection of John Wayne memorabilia sold off by his estate.  The photo quality is beautiful and it’s a fun magazine to read, especially about areas of collecting that you’re not necessarily interested in.  It’s a bit like watching Antiques Roadshow on Public Television.  Subscriptions are $21 for 3 issues and the magazine is published three times per year.

This month’s print edition features a pull-out poster of Dave Gibbons’ original comic art cover pages for the original Watchmen series and a who’s who of the best comic book creators of all time.

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Katana 1 cover

First appearing in DC Comics in 1983, the character of Katana, formerly a member of Batman’s Outsiders, was rejuvenated as a member of the Birds of Prey in the New 52 last year, replacing Barbara Gordon/Batgirl as the third team member.  If you haven’t seen her before, what you need to know is that Katana’s real name is Tatsu and she has been busy seeking vengeance against the Yakuza for killing her husband.  With her trusty Soultaker sword by her side she’s a force to be reckoned with, and she will be featured as a newer breed of superhero in the new Justice League of America beginning next week with Justice League of America Issue #1 (not to be confused with the Justice League series).  But if you want to get an early look at Katana, you can pick up Issue #1 today of her own new monthly series.  We at borg.com previewed Issue #1 this week and think this series will be an interesting and unique addition to the New 52 line-up.

Katana original art A

Written by Ann Nocenti with art by Alex Sanchez, the story is packed with the spirit of ancient Eastern influences, swordplay and mysticism.  Nocenti counts herself a fan of Akira Kurasawa and Katana’s story will be familiar to fans of his films.  Artist Alex Sanchez has created a modern yet ancient-inspired fictional setting in his Japantown, part of San Francisco.  DC Comics has shared with borg.com some original art pages from Katana, Issue #1 reprinted here.

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Green Arrow 17 cover

Review by C.J. Bunce

Today DC Comics switches gears with its New 52 Green Arrow title, with writer Jeff Lemire and artist Andrea Sorrentino re-starting the series in a new storyline called “The Kill Machine.”  Lemire is best known for taking the obscure DC Comics character Animal Man and turning his story into one of DC Comics’ best reviewed series.  Italian artist Andrea Sorrentino is best known for his haunting run on the New 52′s I, Vampire, and his great covers for a short X-Files comic book series, with a style he seems to be carrying forward in Green Arrow Issue #17, released at comic stores everywhere today.

With Issue #17 Lemire seems to be taking some tips from the Berlanti/ Guggenheim/ Kreisberg playbook. Their highly successful Arrow TV series on the CW Network follows Oliver Queen as he deals with the events he faced on the mysterious island where his yacht Queen’s Gambit marooned him, and where he honed his physical skill as archer and fell into his current psychological state.  The TV Oliver Queen is echoed in Lemire’s lead character although differences show through–Lemire’s Oliver seems a bit younger and impulsive whereas the TV Oliver relies on his charisma and is more measured in his actions.  But you can’t say more about that by way of comparisons with only one issue to go on.  Fans of the Arrow TV series should keep an eye out for a familiar villain element in this first issue.

Sorrentino X-Files cover A

An example of some of the excellent past cover art of Italian artist Andrea Sorrentino.

“The Kill Machine” finds Oliver responding to the loss of Queen Industries by the trustee managing the company since his father’s death–his father’s best friend.  Lemire is overtly giving his Oliver a clean slate, destroying the world Oliver knows and removing any relationships that might reveal Oliver as anything but a lone wolf.  In this way it will be interesting to see how much of Mike Grell’s original stories of the urban archer shine through.  Grell’s Oliver, through dozens of issues of amazing stories beginning in the late 1980s, was the last time the character was completely redefined.  Can Lemire reinvigorate Green Arrow and still keep true to the character’s long history?  He has developed several issues beginning with Issue #17 so we will learn the answer as we keep up each month with the series this year.

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Cho Savage Wolverine Banner

Marvel Comics, under its new Marvel NOW! brand, released Savage Wolverine #1 Wednesday, Frank Cho’s new writer/artist project.  And it’s everything you want it to be.  Better yet, it might as well be titled Shanna and Wolverine.

My wager is that, if there were enough artists that drew Shanna like Cho, you could have as many Shanna titles at Marvel as DC Comics has Batman titles.  Savage Wolverine definitely is a Wolverine book, but it wouldn’t be a Frank Cho series without one or more beautiful, spirited women, and of course, dinosaurs.  And it has all that.  So even though it isn’t the long-overdue, eagerly-awaited Guns & Dinos, it might as well be, sans guns and armored tanks.

Savage Wolverine 1 cover

As for the Wolverine angle, because issue #1 was also written by Cho, we get to see some of Cho’s humor come through in Logan/Wolverine’s dialogue, humor we haven’t been able to see in a Cho series in a while.  And this humor includes an appearance, albeit short-lived, by none other than Cho’s old pal Mike McSwiggin, well-known to avid Frank Cho fans, this time as a S.H.I.E.L.D. agent.  What I would do to be mentioned in a Frank Cho book…

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Last year there were rumors aplenty that the story of the original cyborg himself, Steve Austin, the Six Million Dollar Man, would be remade into a motion picture.  With a new RoboCop movie now pushed out to February 2014 with an all-star cast (well, except for the borg cop himself, played by Joel Kinnaman) including Gary Oldman, Samuel L. Jackson, Michael Keaton, Jennifer Ehle, and Jackie Earle Haley, it’s not a stretch to think someone would lay down some real money to make the first big screen adaptation of Martin Caidin’s astronaut-turned-borg novel Cyborg.  The big rumor revolved around Leonardo DiCaprio as set to play Steve Austin.  But even if you don’t think Lee Majors was the perfect running man, it’s pretty difficult to imagine DiCaprio a tough astronaut of the Right Stuff variety who could survive a test craft auguring into the earth.

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Prior to 1989 the only James Bond that ever made it to comic books were standard adaptations, like an early comic book version of Dr. No.  With the film Licence to Kill starring Timothy Dalton as Bond, writer/artist Mike Grell, known for his work on Green Arrow, Warlord and Jon Sable, was asked to create the adaptation.  Before entering the comics world in 1972, Grell had worked in the military as a member of the U.S. Air Force based on Asia.  According to stories he shared at a convention a few years ago, he served in several capacities, including intelligence work, which filtered throughout all his best comic book projects.  Each of his characters has a bit of James Bond in them.  So it’s not surprising that Eclipse Comics asked Grell to create a new Bond story in comic book form after his successful Licence to Kill adaptation.  Grell’s Permission to Die was the first James Bond graphic novel not adapted from one of Ian Fleming’s original Bond stories, and although Dark Horse would later license Bond for comic book stories, it is Grell’s that stands out as the truest to both the original novels and the films.

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We’ve been talking about the new Arrow TV series all year here at borg.com.  I have been a life-long fan of the character, and I spent all night and a day camping out with thousands of Firefly fans to see the pilot episode that I reviewed here back in July.  Now everyone gets to see the pilot and why those who have seen it so far think this will be a superhero series that may actually survive the scrutiny of TV audiences and ratings.

Right now you can get a free digital copy of the San Diego Comic-Con exclusive print comic created for the TV series, downloadable at Comixology.com.  It gives some insight into the TV series.  A weekly digital tie-in will also be available at Comixology’s website for 99 cents starting Wednesday.

Although the DC Comics New 52 series is not tied into the TV series, one of my favorite artists is now the artist for the current DC comic book series–Freddie Williams II–and here is a great sketch of a young and determined Oliver Queen aka Green Arrow that he kindly created for me, similar to the guy you’ll see tomorrow night.  Very, very cool!

I hope you all enjoy the pilot tomorrow night!

C.J. Bunce
Editor
borg.com

Dynamite Comics released two new comic book covers being released in November 2012, featuring two of our favorite cyborg subjects:  The Bionic Man and The Bionic Woman.  Alex Ross has been painting some superb covers for The Bionic Man that have blown me away, and now I am just as excited that Mike Mayhew is next up with two great pieces in the bionic line-up.

First up is his first The Bionic Man cover to issue #16.  Could Steve Austin possibly look more badass?

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