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Tag Archive: Phil Hester


Planet Comicon logo

Planet Comicon announced this weekend that advance tickets for Planet Comicon 2013 are now available for sale.  This year Planet Comicon is Saturday, April 6, 2013 at 10:00 AM – 7 PM and Sunday, April 7, 2013 10:00 AM - 4:00 PM at downtown Kansas City’s giant Bartle Hall, a switch from the show’s home at Overland Park International Trade Center from past years.  The relocation was the result of the growing numbers at the event in the past two years requiring an expansion to this larger venue.

Use the below link to purchase a single day or weekend pass.  There is no limit to the quantities you may order.

ADVANCE TICKET PURCHASE

Advance tickets will be sold until midnight on Sunday, March 17, 2013.  After that time, they will only be available for sale at the event.

Weekend passes for adults are being sold at a discounted rate of $35.00.  All other prices will be identical to on-site pricing.

Advance tickets are available for sale only through Paypal, which accepts all major credit cards and bank debits.

Advance tickets will also be made available soon through the event facility and certain area retailers, including Elite Comics, located at 11842 Quivira in Overland Park, KS.

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Bionic Man vs Bionic Woman Issue 1 Chen cover

A borg serial killer is on the loose, making his way from Kansas City to somewhere nearby Lawrence, Kansas, 40 miles away.  OSI has video footage of his last rampage, taking out several agents.  The results aren’t pretty.  OSI has identified a well-established, horrifying M.O.

Unlike the OSI-created menace from Phil Hester’s Bionic Man series, Oscar Goldman has no idea who is behind this new villain.  But he’s going to loan Steve Austin to the FBI to attempt to sleuth out the answer to that question.

Meanwhile in Manhattan (presumably Manhattan, NY and not Manhattan, KS) Goldman has set Jamie Sommers (sometimes spelled in the book as Jaime) on a mission to a stripper club to bring in an international arms dealer.

Bionic Man vs Bionic Woman Issue 1 Lau cover

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Year's En

Merry Christmas!

It’s the end of December and another year is winding down.  Everywhere you turn someone is talking about the Best of 2012, so here we offer our take, resulting from absorbing more content this year than ever before, from books to movies to TV to comics, we reviewed and previewed entertainment from most of the big comic book publishers, and received screeners of shows and books from different publishing houses.  And we watched a lot of TV and went to a number of movies.  So what was the best of the best this year?  No one will ever have the same list but here’s where we ended up:

Best Genre Movie:  The Hobbit.  We had to wait all year for the release but once we saw it–it was well worth the wait and we want to go back and see it again and again.  How could you possibly follow one of the only fantasy films ever to win a Best Picture Academy Award and expect to come close in quality and entertainment?  Peter Jackson figured it out.  Not even The Avengers came close to touching this epic film with giant sets, special effects, elaborate costumes, a perfect story adaptation, and the best CGI creature to date: a Gollum even better than in The Lord of the Rings trilogy.

Best Dramatic Film: Argo It was an international event more recent in the public psyche than even Watergate, yet it had never been addressed on the silver screen before–the kidnapping of American nationals in Iran.  Ben Affleck served as both director and star of the film and performed both roles brilliantly.  Both exciting and funny–with the incredibly bizarre hook of using Hollywood to create a sci-fi B movie as CIA cover to sneak in to Iran and remove a small group of hostages–it was a story worthy of adapting to screen.  Brilliant!

Best Animated Movie: Brave Kelly McDonald’s wonderful Scottish voice, an all-star Brit voice cast including Emma Thompson, Bill Connolly, Julie Walters and Robbie Coltrane, coupled with Brenda Chapman’s story and the best of Walt Disney and Pixar’s animation so far, make Brave the slam dunk animated film winner of 2012.   A gorgeous film about a tough and feisty red-headed girl skilled with a bow and arrow who wants to make her own destiny provided a great story for young and old alike.

Best Animated TV Series: Tron: Uprising Disney Television Animation finally figured out a way to bring its Tron franchise forward with Tron: Legacy, and this prequel series gives us what the movie lacked–more Bruce Boxleitner as Tron.  We hardly noticed this wasn’t a live action series, and with voice actors like Frodo’s Elijah Wood, Alien’s Lance Henriksen, Paul Reubens and Tricia Helfer, you could hardly go wrong.  The brilliant choice of lighting, futuristic yet retro light cycles and funky soundtrack made this one worth coming back for each week.

Grimm-Silas-Weir-Mitchell-Bree-Turner

Best Actor: Silas Weir Mitchell, Grimm With the updates for the second season of Grimm, Mitchell’s reformed Blutbad Monroe was hard to beat as the sometimes hilarious sometimes dramatic glue that held the series together, setting up new conflicts, like the strange discovery of Renard and Juliette’s relationship, sure to drive the story next year.

Ksenia Solo as Kenzi in Lost Girl

Best Actress: Ksenia Solo, Lost Girl.  As succubus and series star Bo’s tagalong human friend and roommate Kenzi, Solo held half of the dramatic workload for the Canadian series first released to U.S. audiences this year on the Syfy Channel.  The Latvian born actress plays it funny and smart–she makes for the ideal kickass girl from the best genre fiction stories.

Cobie Smulders in The Avengers

Best Breakout Role–Female:  Cobie Smulders as S.H.I.E.L.D. Agent Maria Hill in The Avengers.  We knew her already from How I Met Your Mother, but Smulders took what could have been a throwaway background role in the biggest movie of the year and instead put her character’s footing almost on par with the Avengers themselves, heading up an early chase scene and appearing with Samuel L. Jackson’s Nick Fury throughout the film.  Now she’s set to come back for the next Avengers films, she’s a character that we never knew about but are glad she’s on the team going forward.

Max Greenfield in New Girl

Best Breakout Role–Male: Max Greenfield as Schmidt in New Girl.  Greenfield is one among a handful of great young actors in New Girl, now in its second season, but this season his character Schmidt stepped out to create the craziest, most hysterical moment of nearly every episode.  Whether he is ranting that there is no black Santa Claus, or trying to show a stripper how to lap dance the right way, whether he is wearing his high-cut male kimono, ranting about germs, or his stupid actions result in him putting the most money in the coffee table jar, Greenfield took a funny part and stretched it to insanely funny.  This from the same guy who performed dramatic roles in Veronica Mars, Life and Castle?  Awesome.

Best Guest Appearance:  Scientist Neil deGrasse Tyson’s appearance in Action Comics. It was a bit of a marketing gimmick, but what could tie the education of real science, a popular TV non-fiction series host and comic book readers together better?  The real star-vested Tyson found a possible location for Superman’s home planet of Krypton, revealing it to the Man of Steel in the pages of the ongoing series.

Best TV series: Arrow, CW Network.  We got our first look at the pilot for this series at Comic-Con this year and loved it, but wasn’t sure how it would appeal to a mass audience.  Pretty much everyone we know watches this series, including those who would never otherwise think to look at a series about a masked superhero.  We have a critical eye out for all things Green Arrow, but Arrow, led by a well-cast Stephen Amell, surpassed our expectations.

Best Comedy Series: New Girl, Fox Network.  New Girl wins this category from one simple thing: This series made this writer laugh so hard his gut hurt and corresponding tears shot out of his eyes from the quick humor in so many scenes this year he lost count.  And when the series dipped into dramatic elements it never veered far from the core of what makes the show work–it’s a comedy first.  Tuesday night this year was New Girl night.  Jess, Nick, Schmidt, Winston and Cece could be the next Friends (but funnier) if the series can get a wider audience.

Sherlock Belgravia episode

Best Single TV Episode: Sherlock, “A Scandal in Belgravia,” BBC America.  You just have to watch this episode of Benedict Cumberbatch and Martin Freeman’s brilliant series over and over.  The entry of the beautiful and unpredictable Irene Adler, played by Lara Pulver, was perfection, and Cumberbatch and Martin’s scene with Sherlock’s brother Mycroft in Buckingham Palace can’t be beat.  Sure to be a classic episode for years to come.

Best Cliffhanger: Shawn’s dad gets shot, Psych, USA Network.  It seems like it has been forever since Shawn’s dad Henry, played by Corbin Bernsen was shot at the end of this season’s last episode of the hit USA Network comedy/drama series.  At its core, Psych is a light-hearted pleasure, so they just CAN’T kill off Henry.  We’re really looking forward to finding out.

Best Series Ender: In Plain Sight, USA Network.*  In a year where several mega-hits wrapped for good, including House, M.D., The Closer, Awake, and Chuck, one series finale tied up all the necessary loose ends the best, and that was the aptly titled “All’s Well that Ends” from In Plain Sight, which ended after five solid seasons.  The writers skipped the gimmicks, with no gut wrenching death scenes for major cast players, but instead honored the characters as they’d been for the entire series, rewarding viewers with an end where everyone wins.  *Update:  Leverage‘s surprise December 25, 2012 series finale came in with a powerhouse finale, slightly trumping In Plain Sight at the last minute after we posted this piece.  See our review here.

Jason Isaacs in Awake

Best Series that Cancelled Too Early: Awake, NBC Network We only got to see 12 episodes of Awake, but in those episodes we saw a great paranormal drama develop.  Jason Isaacs, like Paul Blackthorne, is one of those actors you want to helm a series every week.  His dual role of father who lost his kid and husband that lost his wife, both in the same auto accident, showed this actor could do anything with a role.  Although they were able to nicely wrap-up Awake in its last episode, we’d prefer to have seen a lot more of it.

Best Surprise in Entertainment: Dallas, TNT Network.  How was this even possible?  Who would think to take THE 1980s primetime soap and bring it forward to 2012, AND think it could work?  TNT mixed a CW Network-inspired young cast with a plot continuing the struggles in the classic series and melded it into something for anyone willing to give it a try.  Larry Hagman’s J.R. Ewing never missed a beat as the ultimate TV villain, even in his 80s.  The writers took bits from the tangents of the original to concoct the main storyline of two young heirs fighting for family and social dominance.  The result was addictive TV.

The Major Crimes Gallery

Best Comeback:  The ensemble cast of Major Crimes The great thing about a great ensemble cast is that you like every player equally.  When this is successful, you can stand to lose a character or two and still keep going, or as was the case with the wind-up of The Closer, lose three main characters: Deputy Chief Brenda Lee Johnson, Chief Pope, and Sgt. Gabriel.  Major Crimes added three new replacement characters and never missed a beat, pleasing fans who knew it was too soon for the stories from the L.A. Major Crimes unit to end.

Best Second Wind: Haven, Syfy Channel Some cable TV series limp along and just end after a year or two.  Haven’s single theme of solving the riddle of “the troubles” seemed a candidate for this, but something switched on with the 2012 season allowing the rich stories and great cast chemistry to give us the series’ best episodes in its three-year run so far.

Volkswagen cantina commercial

Best Genre-Related Advertisement:  Star Wars Super Bowl ad, Volkswagen The best Super Bowl ad last January with a dog, a James Brown tune, and a pristine recreation of the Mos Eisley Cantina from the original Star Wars was an instant classic that will be hard to beat in 2013.  Complete with its own recreated hive of scum and villainy, Tom Spina Designs’ creatures gave us something we want to see more of–maybe a new Disney-produced TV series based in Mos Eisley using all these obscure characters fanboys know by name?  Missed it?  See the full ad here.

Best Press Marketing: Coma mini-series press kit, A&E Network We at borg.com received tons of content this year, from books to comics to advance screeners, but one marketing gag was so awesome in its own right it surpassed what it was advertising.  The advance marketing for the Coma TV series marked a possible return by A&E to the classic TV shows we used to get in the days of shows like Price and Prejudice or Nero Wolfe.  Sporting an underground conspiracy plotline, print and online ads created a cool concept that the mini-series itself did not quite match.  When we received a human organ carrier in a “thawed” labeled box that we cautiously unzipped to find the screener, well that was just too awesome not to mention again.

Best Costumes: The Hobbit The Hobbit already made our Best Genre Movie of 2012, but it’s worth a second nod for having the most incredibly crafted costumes of possibly any film made so far in any year.  Building on the costumes of The Lord of the Rings trilogy, the slow panning of the camera in The Hobbit allowed us to see every seam on Bilbo’s patch-work coat, and every new emblem on each dwarf’s tunic.  How can a production make so many unique costumes for one film?  The result sets the standard for all major films to come.

Doctor Who A Town Called Mercy

Best Borg Appearance: The Cyborg Gunslinger, Doctor Who episode, “A Town Called Mercy” Andrew Brooke’s gunslinger was a slick-looking borg addition, a throwback to Westworld that gave us equal parts of good sci-fi and classic Western movies.  Doctor Who has created the best costumes and make-up of any sci-fi franchise in the past few years and this guy just looked great.

Best Web Series: TableTop bi-weekly Internet series, Geek and Sundry.  Wil Wheaton, known for Star Trek: The Next Generation and more recently his appearances on Big Bang Theory and Leverage, as host of his own online series, brought us all back from the video game world to the boardgame format that allows friends to really interact and have fun for their own game nights.   He chatted over great games like Tsuro, Munchkin and Zombie Dice with friends and celebrities alike, and showed us what could easily translate to its own Game Show Network series.

Best Villain:  The Harp Seal, Battlepug, Mike Norton. Easy choice.  This year’s Eisner Award winner for best digital comic revealed this unexpected villain, a funny surprise for readers.  Imagine a world where the harp seal gets its due–a role reversal where warriors fear him over all other creatures.  A great idea.

Best Ongoing Comic Book Series (tie):  All-Star Western, DC ComicsArtist Moritat and writers Justin Gray and Jimmy Palmiotti took a long-dead comic book title and bridged 1800s Gotham City and Jonah Hex to make a gritty and fun book that rose to the top of DC Comics’ New 52 titles first released in September 2011.  Who knew a Western comic could be this good?  Bionic Man, Dynamite Comics Phil Hester took a Kevin Smith script and expanded on it, taking the most nostalgic bits of the classic Six Million Dollar Man TV series and updating it for 2012.  The highlight of the fun was an appearance by the classic TV series guest star, Bigfoot.

Thor - God of Thunder 1

Best Single Comic Book Issue: Thor, God of Thunder #1, Jason Aaron and Esad Ribic.  How do you reintroduce a classic character like Thor in a new way?  Exactly like Aaron does in this first issue of his new series, breaking up his story into three time periods, and highlighting the changing face of Thor over time.  Ribic’s lush images of Thor and a certain strange new world escalated this book to the top of my year’s reads.

JK Woodward AssimilationSquared

Best Comic Book Art: JK Woodward, Star Trek The Next Generation/Doctor Who: Assimilation².  J.K. Woodward’s painted artwork throughout this limited series was stunning.  Probably the best depiction to-date of Star Trek characters in a comic book, Woodward took a fanboy’s dream job of merging two of the biggest sci-fi franchises together for the first story ever attempted and delivered a great looking story, now available in a trade edition.  We just want to see more.

Mystery in Space 1 by Ryan Sook

Best Comic Book Cover Art:  Mystery in Space, Ryan Sook, Vertigo Comics Ryan Sook had a big year, providing sensational covers for everything from The Shadow to the new Sword of Sorcery to one of our favorite titles, Justice League Dark.  But his cover for Vertigo Comics’ Mystery in Space #1 blended sci-fi and fantasy in the best way, with a steampunk angel painting the universe inside a spaceship with the help of flitting fairies, or is she creating our actual universe?  A great idea and perfect execution made this a standout on the store shelf this year.

Hawkeye cover by David Aja

Best Comic Book Cover Art Runner-up:  Hawkeye mini-series, David Aja Aja’s six unique Hawkeye series covers served not only to entice us to read this mini-series with great use of simple colors, but his own artwork between the covers made us feel like we were rewarded with what was advertised–a very cool and unusually stylish series.

Best Comics Collected Edition:  Flash Gordon, Volumes 1 and 2, Titan Books These were the best presented books we reviewed this year.  Reprinted Sunday comics from the 1930s and 1940s in a giant-sized edition that allowed readers to appreciate the story and art of creator Alex Raymond was a feast for the eyes.  The content allowed readers to see just how relevant and interesting the original mash-up of sci-fi and fantasy could be.

Best Retro Reviewed Book: Moonraker, Ian Fleming.  Casino Royale was a great read, Live and Let Die was a bit of a letdown, but Moonraker was as exciting as any book I’ve read in years.  Far different from the film of the same name, this thriller was packed with spy world intrigue.  Compared to all the other retro reviews this year, including Philip K. Dick classics, this one really stood out.

Best Reviewed Book: Dracula Cha Cha Cha, Kim Newman Although it was initially released in 1998, a new edition was re-released this year.  The best “post-modern steampunk” mash-up and incredibly detailed world building made this novel a great read, full of artful prose and creative crossovers.  Newman also added another level of storytelling, mixing the real world with the world of fiction, and the result is a densely packed, enjoyable volume.

Bond and Queen

Best Mash-Up of Fiction and Non-Fiction Worlds:  James Bond accompanies the Queen to the Olympics 2012 was the Year of Bond with his 50th year in film.  How better to highlight the best of Jolly Old England at this year’s Summer Olympics than to begin with a meeting of the current James Bond, Daniel Craig, and the actual Queen Elizabeth II in her 60th year in Buckingham Palace, followed by a faked aerial dive by the Queen over the stadium in London.  The Queen was a real sport, adding herself to the long list of Bond girls.  And don’t forget the real-world borg Oscar Pistorius’s impressive showings at the Olympics this year.

Comic-Con Firefly 10th Anniversary Panel

Best Genre Event: The Firefly 10th Anniversary Panel at Comic-Con.  More than 7,000 fans stood in line for only about 5,000 seats but the all-night wait was worth seeing most of the cast of Firefly reunite with creators Joss Whedon and Tom Minnear to talk about the short-lived series.  Firefly fans are a passionate bunch, and were able to get Whedon to make the big-budget movie Serenity a few years after cancellation.  But get most of the stars to come back ten years later?  Pretty cool feat.  With Whedon and series co-star Adam Baldwin (Jayne) dropping by to greet the people sleeping and standing in line overnight it was an event that attendees will never forget.

Best News Story: George Lucas sells Star Wars rights to Disney Some liked it and some hated it, but as months go by we’ll see what it all means.  As entertainment goes, this multi-billion dollar exchange was the talk everywhere this year.

Best Science Story: Curiosity lands on Mars.  NASA’s description of dropping a rover on the surface of the planet Mars sounded like threading a needle blind-folded wearing gloves.  Its early morning coverage of the successful landing was something like the moon landing, and made everyone want to see what more we can do in the space program now that the last Space Shuttle has been mothballed.  What will the future hold for NASA and humans in outer space?

Best Nationwide Genre Participation Event: The Avengers Marathon, AMC Theaters We only wished for something like this when we were kids–the ability to watch something like all the Star Wars and Indiana Jones movies in one screening.  The lead-up to the midnight premiere of The Avengers allowed fans to watch all the lead-in Avengers films so far:  Iron Man I and II, The Incredible Hulk, Thor, and Captain America: The First Avenger.  A great idea that will hopefully continue with other franchise films.

Best Single Thing for Genre Works: The Avengers movie.  Genre, and specifically superhero, films needed a good kickstart.  The dark and dreary Dark Knight trilogy from Christopher Nolan was monopolizing superhero films, and we needed a giant, vibrant superhero film to usher in a new age of comic book films and Joss Whedon delivered the goods.  It’s not a perfect film (and what is?) but was completely fun and entertaining, delivering something every fan could enjoy.  Challenging the top two positions for all-time box office draw also showed everyone that fans want to see more of this kind of movie.

What were your favorites?  We hope a few of these are on your own list.  We at borg.com will be back with more coverage and reviews in 2013.

C.J. Bunce
Editor
borg.com

Last year there were rumors aplenty that the story of the original cyborg himself, Steve Austin, the Six Million Dollar Man, would be remade into a motion picture.  With a new RoboCop movie now pushed out to February 2014 with an all-star cast (well, except for the borg cop himself, played by Joel Kinnaman) including Gary Oldman, Samuel L. Jackson, Michael Keaton, Jennifer Ehle, and Jackie Earle Haley, it’s not a stretch to think someone would lay down some real money to make the first big screen adaptation of Martin Caidin’s astronaut-turned-borg novel Cyborg.  The big rumor revolved around Leonardo DiCaprio as set to play Steve Austin.  But even if you don’t think Lee Majors was the perfect running man, it’s pretty difficult to imagine DiCaprio a tough astronaut of the Right Stuff variety who could survive a test craft auguring into the earth.

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Up until this week 13 confirmed DC Comics characters had been announced for the CW Network’s new TV series, Arrow, premiering October 10, 2012: Oliver Queen/Green Arrow (Stephen Amell), his girlfriend Dinah Laurel Lance/Black Canary (Katie Cassidy), colleague in crime fighting The Huntress (Jessica De Gouw), the villain Deathstroke (not yet released), Speedy (formerly an alias of multiple characters but now Oliver’s sister Thea, played now by Willa Holland and referred to in the pilot episode by this nickname), the DCU villain Deadshot (Michael Rowe), Green Arrow Year One’s China White (Kelly Hu), Merlyn now Tommy Merlyn (Colin Donnell), Queen Industries CEO Walter Steele (Colin Salmon), Judd Winick and Phil Hester’s Constantine Drakon (Darren Shahlavi)–a former nemesis of Oliver’s son Connor in more recent GA stories, Firestorm series character Felicity Smoak (Emily Bett Rickards), and Mike Grell’s creation Moira Queen, Oliver’s mother (Susanna Thompson).

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By C.J. Bunce

As much as I want to jump ahead and discuss the current story of The Bionic Man in Issue #12, which features a character we all have wanted to see since the series started, let’s catch up with the first compilation of Dynamite Comics’ adaptation of the original Six Million Dollar Man that started last year.  The Bionic Man Volume 1: Some Assembly Required collects the first ten issues of The Bionic Man.  These ten issues were billed as “Kevin Smith’s” Bionic Man as the origin story was adapted into an unused screenplay by Smith, then writer Phil Hester re-wrote it, blocking it into chapter/issues, then Smith ran a dialogue pass and Jonathan Lau made it all look good with the visuals.  After Issue #10, the real excitement begins as Hester takes Steve Austin into new, and sometimes nostalgic, directions.  The ongoing series is currently at Issue #12, and we will discuss Hester’s Bionic Man here at borg.com soon.

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As the world’s biggest Green Arrow fan I have seen it all when it comes to the Emerald Archer.  My preference has always been for the 1970s Oliver Queen by Denny O’Neil and Neal Adams, but I soon grew to love Mike Grell’s urban hunter version set in Seattle, and later became a believer in Phil Hester and Ande Parks’ run, especially when joined by Judd Winick’s new spin on Speedy.

I spent the entire night awake waiting in line at San Diego Comic-Con this summer to see the preview of the new CW Network series Arrow, about a younger Oliver Queen.  I think it is going to be a successful series that will rival the CW’s Smallville or Supernatural.  Admittedly I have not enjoyed the first year of Green Arrow in the New 52 for various reasons I’ve discussed here before.  So I was looking forward to seeing the Captain Atom team of Judd Winick and Freddie Williams II taking on Green Arrow in the one-shot Green Arrow #0 released this week.

And I wasn’t disappointed.

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Review by C.J. Bunce

Micro: A Novel is a solid footnote to the successful writing career of Michael Crichton.  It doesn’t approach Jurassic Park in terms of character and intrigue, but it would fairly line up alongside the likes of Terminal Man, The Andromeda Strain, Sphere, and Congo.  Crichton had completed only about one-third of the book when he died in 2008.  Richard Preston, author of fiction and the non-fiction work The Hot Zone, picked up the reins to complete the book, finally published in November 2011.

I am always incredibly curious to read a book featuring co-authors or a work finished or packaged posthumously.  Louis L’Amour died in 1988 and for years it seemed like his estate kept churning out books as if he were still writing.  In the first issues of Kevin Smith’s The Bionic Man, I was very interested in how much content came from Smith and how much from co-author Phil Hester.  With this final Crichton work, I initially spent more time thinking about structure and technique more than getting engrossed in the book, asking myself “Is this Crichton, or the imposter?”  This was true for me for the first third of the book.  At some point, however, I jumped in fully and went along for a fairly thrilling ride.  And if Crichton didn’t write it all, then Richard Preston was able to fake it very well.

The biggest hurdle in embracing Micro was the struggle for the reader’s suspension of disbelief.  In Jurassic Park, Crichton made readers believe that you could take dried mosquito blood from ancient amber, mix it with frog DNA and grow your own dinosaurs.  It was explained so simply so as to be believable without question, despite how impossible it would be to replicate in the real world.  It was harder for me to grasp the concept of taking humans and shrinking them to a half an inch tall.  Micro explains the science perhaps too briefly, taking from some apparently real-life experiment showing that magnetic fields acting on an object could shrink the object’s size.  Extrapolating that to organic beings of any size or complexity on any scale or scope that matters seems plainly absurd to me.  This despite the fact that “I want to believe” and am an open-minded science fiction reader, and despite any number of past suggestions in science fiction going back to The Incredible Shrinking Man, which might prime the open mind for such a possibility.  Didn’t The Fly teach us there were too many variables to consider to be able to make an experiment like this work?  It is that type of question, and the philosophy behind Crichton’s techno-thrillers, that are often as intriguing as the works themselves.

In Micro when a scientist criticizes another for being a vegetarian—he is written off with the pointed question, “how do you not know plants have feelings, too?”  Basically, end of story, vegetarians are illogical.  In the preface, quoting statements made by Crichton tied to this novel, Crichton seems critical of global warming theory.  We know from Jurassic Park that he embraced chaos theory and the science of complex systems.  We know from his work Prey that Crichton jabbed at believers of global warming, or at least those purporting to understand the puts and takes of global warming.  Here in Micro he implies that, because there are too many variables we can never understand nature.  Yet at the same time he tries to get readers to understand nature, and through his characters he suggests that if you do study nature you can use it to your advantage, to even save your life in the most crazy, unlikely, and perilous circumstances possible.  I am sure if you could only interview Crichton today he may be able to iron out this apparent ambiguity.  In the end, I think you can enjoy Micro as a thrill ride, but as an attempt at anything more serious, the piece doesn’t stand up.  If he believed that we can never fully understand nature, why spend any time researching nature, or why care about the characters in this book who do?

Like Crichton’s sequel to Jurassic Park, The Lost World, where Crichton seemed to switch from hard science in a way similar to Tom Clancy’s delving into every nuance behind the military-industrial complex (similarly, both sometimes ad nauseum), to a more instantly cinematic form of storytelling.  Micro, too, seems to be written directly for ready-made actors to jump into their roles for the impending Hollywood release.  Its ending is better than several of Crichton’s early works, where Crichton never seemed to know when to stop the story, or like Sphere, the story dazzled at first then drifted to boredom at the end.  Here the ending is full of catastrophe and skin-of-your-teeth, nick-of-time wrap-ups.  It all works as the stuff of a thin-science, romping summer blockbuster.  And it may work for readers who don’t ask too many questions.  Such as:

  • Can you safely carry people around in a plastic baggy?
  • Can you envision a vehicle that you can fit into your pocket?
  • Could you fly a plane that was an inch long across the entire island of Oahu and arrive at any intended destination, no matter how many times you tried?
  • Would the sheer terror of encountering bugs that were bigger than you not induce a heart attack or even slightly put you off kilter so as to not allow you to tap your immense knowledge of the science of beetles to think about ways to assemble poisons to be able to successfully eliminate the creature?
  • If your co-worker was held underground by a wasp as a prisoner, to be the wasp’s offspring’s lunch, would any human in any context feel sympathy for the offspring who was to be deprived of his lunch if your rescue succeeds? (As noble and naturalistic a thought this may be, I think terror would win out in any event).
  • At what percent of normal function could you function if your arm, as an example, was injected by a giant insect with its larvae, using you as a host?  Could you then fly a plane that you’d never seen before, or would you just freak out and cower in the corner, or beg your friend to cut off your arm?

The best part of all Crichton novels is the creation of a small think tank of a half dozen experts of distinct disciplines pulled together seemingly to research some project, only to realize their real purpose is to solve a difficult problem under unthinkable conditions.  Crichton creates these mini-universities where ideas can be shared, theories argued and defended.  The human condition—personalities, foibles, belief systems, behavior–always gets in the way, but never to the detriment of the entire operation.  Here we have seven graduate students, anxious to get their own deals post-grad with private industry.  Then Vin Drake, president of tech corporation Nanigen, comes along to recruit.  One of the students, Peter Jansen, has a brother Eric who already works there.  They all fly to the headquarters on the island of Oahu.  First Eric turns up dead, and in attempting a quickly and poorly thought plan to get an admission from the killer, the seven are sucked into the microverse and left to die in the woods.

Meanwhile enter a local detective, Police Lieutenant Dan Watanabe (my favorite character in the book), who is part Officer Gunderson from Fargo and part Marshal Gerard from The Fugitive, but would have been nicely played on the big screen by Jack Soo (Barney Miller), Kam Fong (Hawaii 5-0), or Kwan Hi Lim (Magnum, PI).  He’s getting misinformation about a group of bizarre deaths, and they all have one company in common.  The story works back and forth among Watanabe (just not enough for my taste), the seven students, and the villain of the story and his minions.  The ride has its moments.

To my surprise, what also becomes most “real” in the novel is what made Jurassic Park real for me—the shock and horror.  To this day the most vivid scene for me from any Crichton novel is when a character is hiding in Jurassic Park in some inner hallway in the dark after all the dinosaurs have escaped their pens.  Something moves past him and he doesn’t feel much or know what happened, until he reaches down to feel his intestines are in his hands, quickly and seemlessly slashed by some plotting raptor. Several of these gut-churning scenes abound in Micro, all involving the fleshy, oogy, gory, grizzly, and grotesque that would likely occur when encountering bugs head-on when they out-size you.  If anything, the encounters as concepts are predictable—get out a sheet of paper and write out every worst-case encounter you would have as an insect—as prey—and you will see each of those scenarios revealed as happening to one of the characters somewhere before the final page.  Horrific to be sure, but it’s that kind of thrill that makes you soar to the end to find out what happens to everyone.

The result is a book worthy of Crichton’s catalog, and an interesting last entry for those that have gobbled up everything else he had to offer.  Available everywhere books are sold.

By C.J. Bunce

Dynamite Comics writer Paul Tobin promised readers “baguettes, bullets, and bionic badass” with his new Bionic Woman comic book series and Issue #1 delivers on the “bionic badass”.  Although it feels more like a prologue to the series, because it spends the issue with backstory and tells more than it shows, it’s a good enough start to keep readers coming back for more.

Jaime Sommers has been completely updated from the 1970s cyborg superhero played by Lindsay Wagner, who spun off her own show from the original Six Million Dollar Man TV series that starred Lee Majors as Bionic Man Steve Austin.  In the new Bionic Canon we have only seen Jaime in the origin story of Kevin Smith and Phil Hester’s rebooted Bionic Man series.  There we learned she was Steve Austin’s girlfriend, but after Steve crashed and was turned into a cybernetic weapon of the Office of Scientific Intelligence or OSI, she was told Steve was dead and we know now she has moved on.  We learn that they got back together once Steve recovered, and shortly thereafter Jaime plunged to the ground in a parachuting accident.  Steve convinces Oscar Goldman & Company to rebuild her as they rebuilt him, and this occurs.  Then they have a falling out.  We don’t get a lot of information comparing Steve and Jaime’s bionics, but we do learn Jaime is “smoother” and ”faster” than Steve.

So we now have Jaime Sommers, cybernetic human, a former teacher, who has lost most of her pre-surgery memories, on the run in Paris from the people who rebuilt her.  Unlike the original Jaime, this new Bionic Woman has amped up abilities–if Lindsay Wagner was Bionic Woman 1.0, think of her as a Bionic Woman 8.0.  In one scene we see that her bionics are smooth and form fitting with her arms and legs, a bit like the Terminator.  But like the Terminatrix from Terminator 3, she can do many new, cool things, like camouflage herself by morphing her face to change her appearance.  She can also download anything and everything from the Web into her brain… enormous amounts of information that she is yet to fully be able to control.  And she knows kung-fu.

We meet her in Issue #1 on the run with another runner, apparently a bit of a bounty hunter searching out information to broker to others, including information on the illusive Ms. Sommers.  Not knowing what she looks like, he reveals all that he knows–basically the backstory for readers–also letting Jaime in on what information he has on her.  It doesn’t amount to much.  She barely attempts to hide her identity, mainly because she is so confident in the outcome of the charade.  She doesn’t have to hide.  With a move of her arm she opens up a port releasing a nano-bug that temporarily incapacitates her comrade, and she is off to hide from watchers off the Grid.

But as she catches up with a friend in a restaurant a bullet pierces a nearby window en route to her head.  And we are left with the series first cliffhanger ending.  The villains are a new organization trying to steal cyborg parts from Bionic prototypes, predecessors to Jaime and Steve–presumably to use for others for a price.

Other than a quick peek at her cybernetics in her apartment, Jaime is not drawn as your typical female superhero.  She wears a pant suit of sorts as she speeds through town across the cityscape.  Leno Carvalho does not take the normal route here of skimpy outfits and emphasis on her feminity.  This creates visually a more promising heroine for us to keep an eye on.  She’s savvy, smart and sure-footed… a badass who can clear a room full of bad guys all by herself.

Issue #1 reveals big questions that writer Tobin will be taking us through in coming issues:  Who is after Jaime?  Why is she on the run?  Why did she leave Steve?  How did she end up in Paris?  How long can she stay hidden?  What other bionic tricks are up her sleeve (or accessible through her data ports)?

Issue #1 is available at all comic shops beginning this week and will be published monthly.

By C.J. Bunce

One of the Midwest’s best pop culture and comic book conventions was this past weekend, Planet Comicon, which has been Kansas City’s largest fan convention for more than a dozen years.  The show seemed to be bursting from its seams this year with thousands of guests, and appears to be outgrowing its venue at the Overland Park International Trade Center.

The film and TV headliners for this year’s show included Edward James Olmos, best known to sci-fi fans for his role in Blade Runner and as Adama in the Battlestar Galactica reboot series.  He signed autographs and took photos with fans both days of the show.  Here he is with Erin Gray, who appeared with other actors from the 1979-1981 TV series Buck Rogers and the 25th Century: 

Gray also appeared on an episode of the Syfy Channel’s Hollywood Treasure last year.

The other featured major guest from film and TV was Billy Dee Williams, best known as Lando Calrissian in The Empire Strikes Back and Return of the Jedi, but also as Harvey Dent alongside Michael Keaton in the 1989 Batman film.  His current work includes a stint on USA’s White Collar.

Billy Dee also appeared at the show both days.  (I offered a woman in line $5 to say “Billy Dee, Billy Dee, Billy Dee!” when she finally met him but didn’t take me up on it.  And it’s OK if you don’t get that reference).

Early Saturday morning legendary comic book artist Michael Golden is getting fueled up before embarking on a sketch of Green Arrow:

Green Arrow by Michael Golden. How cool is that?

Michael is known for his work on such titles like Marvel Comics series The ‘Nam, GI Joe Yearbook, Star Wars, and Micronauts.  He is also the co-creator of the X-Men character Rogue.

I’ve been a fan of the different styles Mike Norton uses in his art for quite a while.  Here he is signing one of his comic pages for the Green Arrow/Black Canary series, where he did the pencil work and comic book legend Bill Sienkiewicz provided the ink work:

Mike is working on a creator-owned project currently and has previously worked on Runaways, Gravity, the Young Justice animated series comic book.  He was actively sketching pages for fans at the show and produced probably a dozen at least over the weekend, including this great image for me:

Unfortunately Bernie Wrightson wasn’t sketching at this year’s convention, but he was signing plenty of shirts and books for his Frankenstein book.  Wrightson’s horror artwork goes back several decades, with his first published comic work with House of Mystery in 1969.  He co-created Swamp Thing in 1971.  His work has appeared in Creepy, Eerie and Vampirella, and Batman: The Cult.  Here Wrightson is at a signing table with Freddie Williams II and his wife Kiki:

Freddie is well known for his work on his Robin series, and is currently one of the DC Comics top artists.  We reviewed his and JT Krul’s Captain Atom series here at borg.com a few weeks ago.  Freddie was busy creating sketches for fans and speaking on panels at the show.

Currently working on projects for Dynamite Comics, Bionic Man writer Phil Hester and Lone Ranger writer Ande Parks had pages of original artwork as well as copies of their books new and old that they were signing for fans, including a lot of low-priced original art from their run on the DC Comics Green Arrow series:

It’s great that these guys have tackled both the writing and illustration sides of comic book creation.

I got to catch up again with a couple well known Kansas City authors.  Here, Dayton Ward and Kevin Dilmore, two of the best known authors of Star Trek novels, talk with fans at the show.

The NBC TV series Heroes co-creator Tim Sale was signing books and art at his booth:

Sales’ past work includes art in Batman: Dark Victory, Batman: The Long Halloween, Daredevil: Yellow, Hulk: Grey, Spider-Man: Blue and Superman For All Seasons.  (What’s with these color titles, anyway?).  His unique stylized paintings on Heroes featured into the plot of the series.

I spent time chatting with Rob B. Davis, currently providing illustrations for a Sherlock Holmes series and past artist for Malibu’s Deep Space Nine comic book series, writer Jai Nitz, who was juggling signing copies of his Kato and Tron: Betrayal series while moderating different comic book panels at the show, borg.com writer Art Schmidt, local writer Justin Cline manning the front of the convention, and Todd Aaron Smith, who sketched this great Black Canary image for me:

Smith had provided storyboards for Family Guy and other animation art for shows like South Park and various DC Comics and Marvel Comics TV series.  Current Marvel Comics lead writer Jason Aaron could be found with some good lines of fans waiting to get copies of his various Hulk, Wolverine and X-men series signed:

The facility was packed wall to wall with plenty of booths selling everything from graphic novels to collectible action figures, original comic book art, and comic book back issues.  Here, Elite Comics comic book store owner William Binderup appears to be raking in some cash from sales of comics at his booth:

Show producer Chris Jackson seemed pleased with the success of this year’s convention.

And of course there were plenty of cosplayers.  Here a few Batman characters huddled for a photo:

But I think the best was this “Hello Kitty meets Stormtrooper” mash-up:

No doubt it would have been a far different Star Wars had Luke showed up to rescue the princess with this outfit.

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