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Tag Archive: Profiles in History


Earlier this season Hollywood Treasure, Syfy Channel’s “reality” series about auction house Profiles in History, featured the Dreier family collection of screenused props, costumes and nostalgic toys.   Back in June we reported that the auction house had announced the first part of the Dreier collection would hit the auction block July 28.  Chad Dreier and son Doug had amassed a broad collection of costumes and props after Chad’s company Ryland Homes was successfully turned into a multi-billion dollar enterprise. The collection itself covers a lot of bases of primarily movies from 2000 onward, with some key pieces from the 1970s and 1980s.  Saturday the first part of the collection resulted in a few good buys but mainly showed that the economy is doing fine for those with a lot of money.

So how did the lots that borg.com projected as key pieces fare?

First off was an exquisite original Chewbacca head/mask from the original Star Wars.  It had an auction estimate of $60,000 to $80,000 and I expected this would sell for at least triple that. Profiles called this “the finest screen-correct Chewbacca costume head from the Star Wars trilogy known to exist.”  So was I right?  The sale price including fees was $172,200.  Almost three times the estimate.  But this was an exception as most items in the auction sold in-line with auction estimates.

The Dreiers appeared to purchase everything they could get their hands on related to Gene Wilder’s Willy Wonka and the Chocolate Factory from 1971. Their collection includes Wilder’s key outfit and hat and a bunch of lesser known but recognizable props and production ephemera. Wilder’s hat was expected to fetch between $20,000 and $30,000 and the costume $60,000 to $80,000.    The hat sold for $33,825  and the costume for $73,800.  An Oompa Loompa costume carried an estimate of $6,000 to $8,000.  Selling for $30,750, it showed how popular these characters still are today.

A Bob Keeshan costume from the 1960s had an estimate of $30,000 to $50,000.  It sold for $36,900.

An easily identifiable jacket of the type worn by Matthew Broderick as Ferris Bueller carried an estimate of $20,000 to $30,000.  It sold for $36,900.

The Dreiers were also fans of Christopher Reeve’s Superman from 1978.  One of the hero Reeves suits expected to sell between $60,000 to $80,000.  It sold for $79,850.  We featured the rarer costume worn by his father Jor-El, played by the great Marlon Brando, in our Comic-Con coverage here.

It had the same estimate as the Reeve suit, and sold similarly at $73,800.  Both fell in line with expectations.

The auction catalog cover featured an original set of cylon armor from Battlestar Galactica.  The suit carried an auction estimate of $40,000 to $60,000.  It sold for $46,125.

This outfit from the original series had an auction estimate of $12,000 to $15,000.  It sold for $17,220.

We also reported on this slick Wolverine costume in our Comic-Con coverage.  It had an estimate of $25,000 to $50,000 and sold for $49,200.

One sleeper item I noted was the original comic art for the Battlestar Galactica oversized comic book. With an estimate at only $2,000 to $3,000, I expected it to exceed $10,000.   Although it sold over its estimate, it didn’t make my prediction, selling at $4,305.

One other key piece sold at Profiles Saturday of note–a complete Star Trek: The Next Generation mannequin and costume of The Borg.  It was not ever for sale at auction before Profiles auctioned it in a recent auction of ex-Paley costumes, but was created by Michael Westmore’s actual production team for a museum collection once owned by The Paley Center.  It had an auction estimate of $8,000 to $12,000 and sold for just under $16,000.  I know of only three of these that are almost entirely complete and have heard a fourth example exists, but know of only one other complete from-head-to-toe version like this one.  These are the classic costumes of The Borg, not the later costumes that have deterioration problems and don’t look half as cool as these versions from “Best of Both Worlds” and “Descent”.  So it is awesome that one of these has surpassed prices for Star Trek captain uniforms, including, as in this auction, a Captain Picard costume worn by Patrick Stewart himself, which sold for $13,530.

Congratulations to the new owners of these great pieces of entertainment memorabilia!

C.J. Bunce
Editor
borg.com

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By C.J. Bunce

It’s no secret that I am a fan of Green Arrow, and in advance of watching the preview to the new CW Network series Arrow and seeing the actors on their panel, I gawked at the new Green Arrow suit at the DC Comics booth at the San Diego Comic-Con.  The nicely polished display cases made it difficult to get great photos because of reflections.  I tried with two cameras but ultimately perfect shots would have only been available after the crowd dispersed after hours.  But, for the benefit of any cosplayers, here is what I was able to get:

The Green Arrow suit was designed by Academy Award winning costume designer Colleen Atwood.  The costume features a great choice for the shade of green and a combination of both fine suedes and more rugged, practical fabrics.

Close-up detail on hood of new Arrow costume.

Detail of bow carvings and boot from Arrow suit.

Detail of arm darts on new Arrow suit.

Deathstroke villain mask from new Arrow series.

Also at the DC Comics booth were Watchmen costumes, presumably advertising DC Comics’ current summer series Before Watchmen.  They showcased two costumes, the Comedian, and Nite Owl’s polar suit.  Both of these were worn by the actors in the Watchmen movie:

Warner Brothers featured some new costumes from the coming Superman reboot movie, Man of Steel.  Here is the hero suit from the movie:

Far across the convention center, I spoke with Joe Maddalena about his TV series Hollywood Treasure, which I enjoy watching for all the various props and costumes and owners that unearth them.  He had several costumes and props on display, including Marlon Brando’s costume as Jor-El from the original Superman film and one of Johnny Depp’s suits from Edward Scissorhands:

Profiles in History also had some screen-worn Star Wars costumes on display, including this Snowtrooper helmet from The Empire Strikes Back and a Stormtrooper helmet and rifle from the original Star Wars.

The Snowtrooper helmet in particular illustrates how time is not always kind to materials used for productions, never intended to survive much beyond the studio shoot.

Profiles in History also showcased a nice Wolverine costume from the X-Men films, worn on-screen by Hugh Jackman:

The guys from The Prop Store in London had a great booth again this year, attended by staff from both their London and L.A. offices.  The focus piece at their booth was this classic spacesuit from the original Ridley Scott movie Alien:

Finally, across the aisle from the Alex Ross art display was the giant display of Iron Man suits from Iron Man, Iron Man 2, and The Avengers. 

All of this led up to the later reveal of the new Iron Man suit to be featured in Iron Man 3.

Definitely impressive displays this year of screen-used costumes–something there for everyone.

Earlier this season Hollywood Treasure, Syfy Channel’s “reality” series about auction house Profiles in History, featured the Dreier family collection of screenused props, costumes and nostalgic toys.  Now the auction house has announced the first part of the Dreier collection will be auctioned off, scheduled for July 28, 2012.

Chad Dreier and son Doug amassed a broad collection of costumes and props after Chad’s company Ryland Homes was successfully turned into a multi-billion dollar enterprise.  The collection itself covers a lot of bases of primarily movies from 2000 onward, with some key pieces from the 1970s and 1980s.  There is not a lot of focus to the collection–the Dreiers seemed to acquire several mid-range pieces from movies as opposed to going for the key hero piece from any particular film.  For whatever reason they stopped midstream, and the result is that many buyers will be able to fill in their collections from a wide range of productions.

The key pieces?

First off there is an exquisite original Chewbacca head/mask from the original Star Wars.  I could be wrong but it looks just like one that circulated the Planet Hollywood theme restaurant chain before they went bankrupt and sold off their collection via Profiles and other outlets.  It has an auction estimate of $60,000 to $80,000 and I expect this will sell for at least triple that.  Profiles calls this “the finest screen-correct Chewbacca costume head from the Star Wars trilogy known to exist.”  I’d guess George Lucas’s Skywalker Ranch has one or two just as nice, but the statement is probably not far from the truth.  For everyone’s favorite lovable Star Wars hero, some folks with big pockets will duke it out for this crown jewel.  Some background original series weapons and prequel lightsabers are up for auction, too.

The Dreiers appeared to purchase everything they could get their hands on related to Gene Wilder’s Willy Wonka and the Chocolate Factory from 1971.  Their collection includes Wilder’s key outfit and hat and a bunch of lesser known but recognizable props and production ephemera.  Annoyingly his hat and costume are being auctioned separately; the hat is expected to fetch between $20,000 and $30,000 and the costume $60,000 to $80,000.  An Oompa Loompa costume has an estimate of $6,000 to $8,000.

A Bob Keeshan costume from the 1960s has an estimate of $30,000 to $50,000.  If you’re like me you grew up with Keeshan in his nearly 40 year run as Captain Kangaroo.  No Mr. Green Jeans?

An easily identifiable jacket of the type worn by Matthew Broderick as Ferris Bueller carries an estimate of $20,000 to $30,000.

The Dreiers were also fans of Christopher Reeve’s Superman from 1978.  More interesting than one of the hero Reeves suits expected to sell between $60,000 to $80,000 is the rarer costume worn by his father Jor-El, played by the great Marlon Brando.

Although the estimate for the silver blingy Brando costume is the same as for Reeve’s supersuit, if legend status is any indication, expect the Brando to go the way of contemporary Marilyn Monroe’s costumes last summer.  Despite some four-figure estimates, expect some Christopher Reeve Clark Kent suits and kryptonite to reach five figures–screen-matched kryptonite doesn’t come up for auction every day.

The cover piece is an original set of cylon armor from Battlestar Galactica.  Whether or not you liked the original series, you cannot deny how neat the original cylons looked in 1979.  The suit carries an auction estimate of $40,000 to $60,000.  Equally cool, and a nice jewel for some sci-fi TV fan, will be the Colonial Warrior costume from that series.

In particular, the helmet is a great looking piece, and if you watch the TV series Psych, you’ll have seen a colonial helmet as a story element in the entertainment memorabilia episode starring Buffy the Vampire Slayer’s real-life hubby Freddie Prinz, Jr. as a mega-sci-fi collector.

Iconic for sure.  The lot carries an estimate of $12,000 to $15,000.  (Profiles is also auctioning off a Geordi LaForge visor from Star Trek: The Next Generation!).

Many of the items are familiar, having sold in other recent Profiles auctions.  Look for a quarter scale Batmobile from Batman Returns as well as a deteriorating Batsuit worn by Michael Keaton. The auction includes several X-Men outfits and props, including Wolverine and his claws, Magneto, Cyclops, Storm, and Rogue.  For recent films they carry pretty hefty five-figure estimates (except Rogue), but I’d expect the Wolverine to sell for a high amount as the standout of the franchise.  Other costumes and props have been seen recently at auction but may be interesting to some bidders (and are certainly just fun to browse through in the catalog), including pieces from Star Trek, such as familar borgs Seven of Nine, Data in First Contact-style uniform, and a Next Generation member of The Borg as well as a Klingon warrior, also pieces from the Indiana Jones movies, Austin Powers, The Hunt for Red October, G.I. Joe, Gladiator and Dances with Wolves.

One sleeper item of note is the original comic art for the Battlestar Galactica oversized comic book.  With an estimate at only $2,000 to $3,000, expect this full color beauty to easily exceed $10,000.  This comic book is likely to tug at the nostalgia of many a kid from the 1970s.  Every other kid I knew had this comic book–it was published and reprinted several times–and who wouldn’t want to own the original cover art now?

For those with smaller budgets, some great toy lots from Star Wars, Pez, and G.I. Joe are being auctioned, too.

Happy bidding!

C.J. Bunce
Editor
borg.com

Most reality TV and competition shows aren’t worth watching when compared to all the great TV writing available these days.  Two weeks ago in our Spring TV Wrap-up, we discussed the best of this past season, and you’ll notice there are no reality shows listed there.  Why?  The reality TV formula got old fast as the past decade moved along, as did competition shows generally.  Sure, American Idol and Top Chef still get big viewership numbers, and we drift back for an episode of Iron Chef once in a while, but at some point even their fans will dwindle.  Let’s face it, there’s something for everyone and we won’t knock it (it’s why having several hundred channels to choose from seems to be a very “American” thing) and fans of reality shows probably aren’t also watching our sci-fi, fantasy, and other genre programming.

That said, one of the more fun reality-esque shows because if its unique subject matter is starting its second season this week: the Syfy Channel’s Hollywood Treasure, which airs on Tuesday nights.  I was impressed that they changed up the show a bit for the season two premiere, and offered a lot of content anyone can enjoy.  Three key things make the series work.  First, although Hollywood Treasure has the obligatory formula for reality shows, including the repeated scenes that straddle each commercial break and make you race for the fast forward on the remote, the plain coolness of the subject matter of the show outweighs any reality show annoyance factor.  Second, the show focuses on the guys who run Profiles in History, consistently the entertainment memorabilia auction house that pulls in the highest sales of any auction house in the world, and items they sold at auction in the past year.  These guys run into all sorts of neat props and costumes from Hollywood and occasionally an actor or show creator.  Third, the guys who run the auctions and are featured in the show, Joe Maddalena, Jon Mankuta, Brian Chanes, and Fong Sam, are actually fans of genre films and comic books as much as they are businessmen.  I’d dealt with these guys in the past and they are always great to work with.  Some of the scenes are formulaic and more than a bit contrived, but their passion and excitement for memorabilia always shines through.

The highlight of episode one of this new season, and what will certainly keep watchers coming back for more if they can keep bringing in similar guests, is a segment where actor Sean Astin discussed movie props he owns (and used to own) from Rudy, Goonies and The Lord of the Rings.  Astin always has such an aura of authenticity that you can ignore all the theatrics and just enjoy seeing this guy simply talk about making movies.  The personal items he retained from playing Samwise Gamgee are certainly treasures any LOTR fan would love to get his hands on.

Astin kept his screenused backpack and pans, his Elvin pin, his bread pouch, and leather wineskin from The Lord of the Rings films.

Other sequences in this episode were an attempt to auction one of the four original sets of ruby slippers from The Wizard of Oz for $2 million, which Profiles was only able to sell after the fact by direct sale, still attaining the $2 million the owner wanted as a minimum reserve price.  In this sequence Profiles also revealed that they actively solicit buyers after sales for items that don’t meet the minimum reserve price–buyers that kick themselves later for not bidding, thinking the sell price will be out of their range.  In reviewing the slippers they got to visit what seemed like a private collector’s own Fort Knox lockdown facility.  Another segment featured Joe Maddalena buying a Jim Carrey hat and cane from Batman Forever, then trying to flip them at auction for profit.  And Maddalena also visited the Dreier collection of costumes and props, which is being auctioned off over a few years.

Profiles in History is the same auction house we discussed here last year that made all sorts of records selling off the Debbie Reynolds movie costume and prop collection, including the famed Marilyn Monroe Seven Year Itch subway vent scene dress and an Audrey Hepburn My Fair Lady dress, among millions of dollars in other sales, and the Captain America auction last month.  And these are the guys we caught up with last year at Comic-Con showing the Back to the Future III DeLorean.  Their auction website is www.profilesinhistory.com.  We hope they can keep up the momentum started in their first episode of season two all season long.

C.J. Bunce

Editor

borg.com

Last month we previewed the Captain America: The First Avenger auction to be conducted by Marvel Studios and auction house Profiles in History.  The auction was held April 14, 2012 at the Chicago Comic and Entertainment Expo with incredible results proving that Marvel Comics fans are as rabid as any genre collecting group.  Details of the full prices realized can be found via links at Profiles in History’s company website.  Featuring primarily props, costumes, and set pieces from the 2011 release Captain America: The First Avenger, the auction also featured a few lots from Iron Man 2 and Thor.  The auction included four recognizable Captain America supersuits, as well as several other costumes worn by actor Chris Evans, and 11 iconic shield variants.

Supersuits

The key item up for bid was Lot 154, the Steve Rogers Captain America hero costume and shield worn by Chris Evans in the movie, which served as his final superhero suit in the film and is the suit used in all the Marvel posters and marketing.  It carried an auction estimate of $20,000-$30,000.  The final price including the auction house premium?  A stunning $233,700!   That’s right–nearly a quarter of a million dollars.  You’ll be hard pressed to come up with any genre costume from any character of any series, sci-fi, fantasy, or superhero movie, that has ever sold at auction for so much.  Clearly a landmark price for a neat character costume.

Why such a high hammer price, as compared with sales in past auctions of other hero costumes from other franchises?  Several factors created fertile turf for this monumental auction, including: (1) the movie itself received critical acclaim and approval of average movie-goers (I have met no one who saw this film and didn’t think it was very good), (2) the character is iconic–literally a hero suit (as opposed to a stunt suit) from an actual superhero, (3) it’s Captain America–there’s a lot of nationalistic pride behind this character and its historic place in both comicdom, World War II mythos, and Americana, (4) unlike all the Batman, Spider-man, and Superman suits on the market from several movies, this was the first big budget Captain America film, for a character who has been around and beloved by all ages for three generations, (5) the Avengers have never been bigger in the history of Marvel Comics than this month–with the release of Avengers vs. X-Men and the new Avengers film premiering everywhere in just days from now, (6) this was a rare occasion where a film costume didn’t match the classic costume and fans didn’t care because the new outfit was designed with cool results, (7) the auction was heavily publicized and was held in a venue with excited comic book fans, (8) the simple but nicely done catalog arrived early and gave interested bidders time to plan bidding strategies, (9) the auction house, Profiles in History, is simply getting more and more visible, especially with its SyFy Channel TV series Hollywood Treasure, and the recent record-setting movie costume sales from the Debbie Reynolds collection.

Chris Evans’ Captain America USO costume and shield had an estimate of $4,000-$6,000.  Final sale price?  $30,750.

The Captain America costume worn by Evans in the POW rescue scene had an auction estimate of $6,000-$8,000.  The lot included an early style Cap shield.  Final sale price?  $27,675less than the distressed version–Evan’s Captain America distressed rescue suit also had an auction estimate of $6,000-$8,000, but sold for $30,750–still a low price considering it was seen so much in the film as compared to the primary hero outfit.

Shields

One early style Cap shield from the Hydra factory scene carried a $2,000-$3,000 estimate.  It sold for $13,530.  A separate shield of the same design was estimated to sell at $2,000-$3,000.  It sold for $14,760.  A similar shield with distress marks from the “Invaders” scene had the same auction estimate.  It sold for $17,220.

An unpainted silver prototype shield from Howard Stark’s laboratory carried an auction estimate of $3,000-$5,000.  It sold for $18,450.

One shield offered was the frozen in ice version, which had an auction estimate of $4,000-$6,000.   I think this was the coolest shield at the auction.  It sold for a cool $24,600.  Lot 177 was a classic, traditional Captain America shield, expected to sell for $4,000-$6,000.   It fetched $27,675.  Yet another battle damaged shield from the final showdown with Red Skull carried an auction estimate of $4,000-$6,000.   It sold for $27,675.

A distressed stunt shield of the same type from the show’s final showdown carried an estimate of $3,000-$5,000.  It sold for $20,910.

Motorcycles

The Steve Rogers’ hero modified Harley Davidson motorcycle had an auction estimate of $12,000-$15,000 and a second hero motorcycle from a different scene has an auction estimate of $10,000-$12,000.  They sold for $14,760 and $12,300, respectively.

Red Skull and Hydra

Hugo Weaving’s Johann Schmidt/Red Skull SS costumes were expected to fetch $6,000-$8,000 each.  They ranged from $19,680 to $20,910.   Weaving’s bright red “Red Skull” facial prosthetics—3 in all—were expected to sell for $2,000-$3,000.  They sold for $4,305 to $7,995. 

A Hydra non-functional mini-tank was expected to fetch $12,000-$15,000.   It was one of the rare key pieces that sold in its estimate range, for $14,760.  Various Hydra motorcycles carried an auction estimate ranging from $3,000-$6,000.   They sold between $4,920 and $18,450.  Several Hydra soldier uniforms had an auction estimate of $1,000-$1,500.  They sold well over that, from $6,765 for standard outfit to $15,990 for the hero outfit.

Iron Man

The original, incredibly detailed, full-scale Mark II silver Iron Man suit from Iron Man 2 had an auction estimate of $60,000-$80,000.  It sold for a whopping $135,300.

Thor

Finally, two stunt Thor Mjolnir war hammers were offered at the end of the auction from the Kenneth Branagh movie Thor, each expected to sell between $3,000-$6,000.  They each sold for $19,680 and $23,370, incredible for rubber stunt props of any film.

As with most Profiles in History auctions, the actual hammer prices (rimshot) generally far exceeded the auction estimates.  Movie studios are sure to take note of this quickly burgeoning source for revenues.   With strike prices this impressive, expect studios that haven’t paid much attention to the costumes and props that were once thrown out after production in the past to follow suit with future auctions.

C.J. Bunce

Editor

borg.com

Imagine all the songs that spin around your head all day.  Do you sing as you drive to work?  Go for a walk?  Think of the catchiest lyrics that have stuck with you since you were a kid.  Do you remember these clever phrases?

It’s a world of laughter, a world of tears, it’s a world of hopes and a world of fears. There’s so much that we share that it’s time we’re aware it’s a small world after all.

Anyone who has waited for an hour at Disney World to ride the “It’s a Small World” ride has those lyrics forever etched in their brain.  What about this:

The wonderful thing about Tiggers is Tiggers are wonderful things.  Their tops are made out of rubber.  Their bottoms are made out of springs. They’re bouncy, trouncy, flouncy, pouncy, fun, fun, fun, fun, FUN!  But the most wonderful thing about Tiggers is I’m the only one.

These lyrics are perfect for getting something done quickly, by trying to sing these lyrics as fast as you can, like Tigger did (you know, the tiger-y fellow from Winnie the Pooh).

And sometimes these songs stumbling through your day give you good advice.  Such as:

A spoonful of sugar goes a long, long way.  ‘ave yourself a ‘ealthy ‘elpin’ ev’ry day.

Any idea where I am going with this?  Some more lyrics may help.  Here are some words to get you moving in your day:

A robin feathering his nest has very little time to rest while gathering his bits of twine and twig. Though quite intent in his pursuit, he has a merry tune to toot.  He knows a song will move the job along.

Hey, that’s from a movie, right?  Can’t. Quite. Place. It.  Some more lyrics from that movie:

Up where the smoke is all billered and curled ‘tween pavement and stars is the chimney sweep world.  When the’s ‘ardly no day nor ‘ardly no night, there’s things ‘alf in shadow and ‘alf way in light.  On the roof tops of London… Coo, what a sight!

and

Chim chim-in-ey, chim chim-in-ey, chim chim cher-ee!  A sweep is as lucky, as lucky can be.  Chim chim-in-ey, chim chim-in-ey chim chim cher-oo!  Good luck will rub off when I shakes ‘ands with you.  

And then it all comes together with a word that’s not really a word and yet we all know it really should be a word:

Because I was afraid to speak when I was just a lad, my father gave me nose a tweak and told me I was bad.  But then one day I learned a word that saved me aching nose, the biggest word I ever heard and this is how it goes…

C’mon, you know it, right?  It’s Mary Poppins, of course.  And the word:

Supercalifragilisticexpialidocious.

But these aren’t the only songs repeating through your head as you vacuum and mow the lawn.  How about:

Hup 2, 3, 4, keep it up 2, 3, 4. Company sound off! Oh, the aim of our patrol is a question rather droll.  For to march and drill over field and hill is a military goal! [insert elephant trumpeting here]

Maybe you need the music for that one. Think of elephants marching through the forest, a bear named Baloo and a kid named Mowgli and monkeys.  Including:

You hoo hoo. I wanna be like you hoo hoo.  I wanna walk like you.  Talk like you.  Too hoo hoo.

Sure, some songs require context, like maybe:

Chitty Chitty Bang Bang, we love you. And, in Chitty Chitty Bang Bang Chitty Chitty Bang Bang what we’ll do. Near, far, in our motor car, oh, what a happy time we’ll spend. Bang Bang Chitty Chitty Bang Bang, our fine four fendered friend. 

The original Chitty Chitty Bang Bang from the movie of the same name based on James Bond creator Ian Fleming's book, was at auction last year at Profiles in History.

Imagine these songs rummaging around in your gray matter and then you find out all of those songs have something in common–they all came from the same place.  The songs were all written by Robert and Richard Sherman.  One-half of the songwriting team, Robert, passed away last week at the age of 86.

All in, the duo wrote songs for all these movies: Mary Poppins, The Jungle Book, Chitty Chitty Bang Bang, The Absent-Minded Professor, Parent Trap, In Search of the Castaways, The Sword in the Stone, That Darn Cat!, Winnie the Pooh, The AristoCats, Bedknobs and Broomsticks, Snoopy Come Home, Charlotte’s Web, Tom Sawyer, American Graffiti (“You’re Sixteen”), Tom Sawyer, Huckleberry Finn, and The Magic of Lassie, and more songs for other venues like TV shows and amusement parks.

The sheer volume of their musical catalog and the fact that most of it is catchy and easy to hum…  Seems like a pretty impressive life’s work!  I grew up with a compilation LP of their songs as well as the soundtrack to The Jungle Book.  All of their music is readily available on CD, download, etc.  Nearly all of their famous songs are available on one disc, The Sherman Brothers Songbook and snippets of each song can be heard and full versions downloaded at Amazon.com here.

C.J. Bunce

Editor

borg.com

Just in time for the new Avengers movie premiere, Marvel Studios and Profiles in History will be auctioning off screen-used Captain America costumes and shields, an Iron Man suit and Thor’s hammer at its Captain America: The First Avenger auction on April 14, 2012 at the Chicago Comic and Entertainment Expo.

Profiles in History is offering the catalog for the auction for sale for $39.50 and a digital auction catalog is also available online at the company’s website.  The auction will also be available live to online bidding.

Featuring primarily props, costumes, and set pieces from the 2011 release Captain America: The First Avenger, the auction also will be featuring a few lots from Iron Man 2 and Thor.  The auction features four recognizable Captain America supersuits, as well as several other costumes worn by Chris Evans and 11 shield variants.

Supersuits

The key item up for bid is Lot 154, the Steve Rogers Captain America hero costume and shield worn by Chris Evans in the movie, which served as his final superhero suit in the film and is the suit used in all the Marvel posters and marketing. It carries an auction estimate of $20,000-$30,000.

Chris Evans’ Captain America USO costume and shield has an estimate of $4,000-$6,000.

The Captain America costume worn by Evans in the POW rescue scene has an auction estimate of $6,000-$8,000. The lot includes a early style Cap shield.

Evan’s Captain America distressed rescue suit also has an auction estimate of $6,000-$8,000.

Shields

One early style Cap shield from the Hydra factory scene carries a $2,000-$3,000 estimate.  A separate shield of the same design is estimated to sell at $2,000-$3,000.  A similar shield with distress marks from the “Invaders” scene has the same auction estimate.

An unpainted silver prototype shield from Howard Stark’s laboratory has an estimate of $3,000-$5,000.

One shield offered is the frozen in ice version, which has an auction estimate of $4,000-$6,000.  Lot 177 is a classic, traditional Captain America shield, expected to sell for $4,000-$6,000.  Yet another battle damaged shield from the final showdown with Red Skull carries an auction estimate of $4,000-$6,000.

A distressed stunt shield of the same type from the show’s final showdown carries an estimate of $3,000-$5,000.

Motorcycles

Do you need a Cap-cycle?  Steve Rogers’ hero modified Harley Davidson motorcycle has an auction estimate of $12,000-$15,000 and a second hero motorcycle from a different scene has an auction estimate of $10,000-$12,000.

Red Skull and Hydra

Various Hugo Weaving’s Johann Schmidt/Red Skull SS costumes are expected to fetch $6,000-$8,000 each. Weaving’s bright red “Red Skull” facial prosthetics—3 in all—are expected to sell for $2,000-$3,000.

A Hydra non-functional mini-tank is expected to fetch $12,000-$15,000. Various Hydra motorcycles carry an auction estimate ranging from $3,000-$6,000. Several Hydra soldier uniforms have an auction estimate of $1,000-$1,500.

Iron Man

The original full-scale Mark II silver Iron Man suit from Iron Man 2 is incredibly detailed and impressive. It has an auction estimate of $60,000-$80,000. Despite its incredibly realistic paint detail, it is not actually made of iron, but it is composed primarily of fiberglass resin.

Thor

Finally, two stunt Thor Mjolnir war hammers are offered at the end of the auction from the Kenneth Branagh movie Thor, each expected to sell between $3,000-$6,000.

As with most Profiles in History auctions, expect the actual hammer prices to exceed the auction estimates.  Usually for entertainment memorabilia auctions of late the hammer prices vastly exceed the estimates.  The bonus of this auction is that there are plenty of costumes, shields, props, heck–even motorcycles–to go around for the die-hard Marvel Avengers fans.

C.J. Bunce

Editor

borg.com

In the Entertainment Memorabilia auction community, today is day one of the biggest auction weekend in years.  Following up on their second auction of Debbie Reynolds’ collection costumes, props and camera equipment from Hollywood’s Golden Age, Profiles in History pulled out all the stops and has accumulated props and costumes from sci-fi, fantasy, action TV and films, and an entire day devoted to original animation art.  It begins with the Icons of Hollywood Auction today and tomorrow, December 15-16, 2011, and continues Sunday, December 17, 2011, with the Icons of Animation Auction.

As reported here December 6, 2011, one item on the block is a special effects arm used for Lindsay Wagner as Jaime Summers as the original Bionic Woman.  But that just scratches the surface of great stuff available.  And based on recent auctions, there is no global economy problem, as props and costumes are breaking past records.  On eBay recently a Matt Smith Doctor Who costume sold for $75,000.  With a franchise as popular as Star Trek, and as old and with a similar fan following, this kind of price reflects fan loyalty and what really loyal fans are willing to shell out to hold a piece of TV or silver screen magic in their hands.

The auction starts today with original studio marketing photographs of various actors and actresses over the past 100 years, as well as lobby cards, posters and one of a kind costume sketches by the likes of Edith Head and other early designers.  Then lots of scripts and logo art from TV and film credits.  Here are some key items from Day One:

  • Billy Mumy shirt for his role as Will Robinson from Lost in Space, with an estimate of $8,000 to $12,000.
  • One of the 1969 Dodge Chargers used as the General Lee in The Dukes of Hazzard has an estimate of $40,000 to $60,000.
  • Dalek from a 1985 episode of Doctor Who, estimated at $10,000 to $12,000.
  • Mork from Ork costume from Mork and Mindy, estimated at $40,000 to $60,000

Some key items from Day Two:

  • Bela Lugosi screen-worn cape as Count Dracula from Dracula, estimated at $1,500,000 to $2,000,000.
  • Longbow from The Adventures of Robin Hood, estimated at $15,000 to $20,000.
  • Judy Garland gingham dress as Dorothy Gale from The Wizard of Oz, estimated at $200,000 to $300,000.
  • One of four known pairs of ruby slippers from The Wizard of Oz, estimated at $2,000,000 to $3,000,000.
  • Bert Lahr’s Cowardly Lion costume from The Wizard of Oz, estimated at $2,000,000 to $3,000,000.

  • A variety of items from The Planet of the Apes and Back to the Future franchises.
  • The DeLorean from Back to the Future III that was at Comic-Con this year, estimated at $400,000 to $600,000.

  • Steve McQueen driving suit from LeMans, estimated at $200,000 to $300,000.
  • Steve McQueen U.S. Navy uniform from The Sand Pebbles, estimated at $30,000 to $50,000.

  • Gene Wilder Willy Wonka hat from Willy Wonka and the Chocolate Factory, estimated at $20,000 to $30,000.
  • Sean Connery Marko Ramius Russian naval uniform from The Hunt for Red October, estimated at $6,000 to $8,000.

  • The “Red October” submarine model from The Hunt for Red October, estimated at $20,000 to $30,000.
  • Michael Keaton batsuit from Batman Returns, estimated at $30,000 to $50,000.
  • Endo-skull from Terminator 2, estimated at $12,000 to $15,000.
  • Bruce Campbell Ash costume from Army of Darkness, estimated at $12,000 to $15,000.

  • Peter Weller Robocop costume from Robocop, estimated at $10,000 to $12,000.
  • James Marsden Cyclops costume from X-Men 2, estimated at $30,000 to $50,000.
  • PreCrime stunt jetpack from Minority Report, estimated at $4,000 to $6,000.
  • Bob Newhart Papa Elf costume from Elf, estimated at $8,000 to $12,000.
  • Will Farrell Buddy the Elf costume from Elf, estimated at $8,000 to $12,000.
  • Star Trek Original series wooden hand phaser, estimated at $30,000 to $50,000.
  • Patrick Stewart Captain Jean-Luc Picard tunic from Star Trek: The Next Generation, estimated at $4,000 to $6,000.
  • Jonathan Frakes Commander Will Riker tunic from Star Trek: The Next Generation, estimated at $3,000 to $4,000.

  • Collection of six costumes from bridge crew of Star Trek Voyager, estimated at $15,000 to $20,000.
  • Original NASA Gemini spacesuit, estimated at $150,000 to $250,000.
  • Russian spacesuit worn by first Russian woman to walk in space, estimated at $200,000 to $300,000.

On Day Three, every lot is a masterwork of animation history.  Lots include original art from Little Golden Books like Rudolph the Red-Nosed Reindeer, Smokey the Bear and The Night Before Christmas, Charles Schulz art from The Pumpkin Patch and Be My Valentine, Charlie Brown, original work from production studios from Hanna Barbera to Walt Disney.  Major highlights include:

  • The earliest known color cel of Mickey Mouse, estimated at $80,000 to $120,000.
  • Cels of the Queen and Snow White from Snow White and the Seven Dwarfs, estimated between $12,000 and $20,000.

  • Giant pan cel from Snow White and the Seven Dwarfs, estimated at $80,000 to $120,000.
  • Original Dumbo, Bambi, Lady and the Tramp and Cinderella cels, estimated at $4,000 to $8,000.

  • Several cels from Song of the South.
  • Several stunning cels of Sleeping Beauty and Maleficent from Sleeping Beauty, estimated from $300 to $80,000.

More information is available at the Profiles in History website.

C.J. Bunce

Editor

borg.com

The ultimate in original borg technology could be yours.  For the right price.

Auction house Profiles in History‘s Icons of Hollywood auction is December 15-16, 2011, and it offers another round of some of the best props and costumes Hollywood has to offer, from a set of Dorothy’s actual screen-used slippers from Wizard of Oz to Mork’s outfit from Mork & Mindy to Steve McQueen’s naval uniform from The Sand Pebbles to one of the cars used as the General Lee in Dukes of Hazzard to a DeLorean from Back to the Future III we discussed here this summer, to an original Dalek from Doctor Who.  There’s something at the coming auction for everyone.

But for fans of cybernetics, cyborgs, and bionics, and other early borg technologies, and fans of the Six Million Dollar Man and Bionic Woman, nothing is cooler than the special effects arm modeled off of Lindsay Wagner as the Bionic Woman.  Next to one of the Bionic Man’s red jumpsuits (anyone have one for sale? let me know!) this is a great prop that gets to the heart of what the series was about.

It is a special effects arm made of latex, wires, springs, a circuit board and circuitry, used to show the implanting of an “evil programming chip” used as a key story element in the 1994 TV movie Bionic Ever After?, the show where Steve Austin and Jaime Sommers finally tie the knot.  It includes clamps, syringes and tubing, that is reminscent of the popular toy repair center from the 1970s.

The prop was used in a scene where the bad guys perform surgery on a drugged Jaime, implanting a chip with a computer virus in it to make her bionics go haywire.

It is estimated to sell for at least $2,000-$3,000.  It comes from the collection of movie makeup guru Jeff Goodwin, as discussed on this website, where you can see photos of other items he consigned to the coming Profiles in History auction.

More information on the auction can be found at the Profiles in History website.

C.J. Bunce

Editor

borg.com

Debbie Reynolds, film star and mother to Princess Leia’s Carrie Fisher, spent the past 50 years acquiring what Hollywood was throwing out.  On June 18, 2008, she sold off the crown jewels of her collection, and the dress worn by Marilyn Monroe in Seven Year Itch broke an entertainment memorabilia auction record, selling for a whopping $5,658,000.  Movie memorabilia auction house Profiles in History will be auctioning off more costumes, props, filmmaker tools and other items from Reynolds collection on December 3, 2011, at the Paley Center for Media in Beverly Hills.

Reynolds had been collecting costumes and props since 1970 when Warner Brothers started selling off key pieces of Hollywood history.  Reynolds financed her purchases over the years with the plan of building a museum for the public.  But last year her business filed for bankruptcy protection and her holdings, including probably the best Hollywood costume collection of all time, had to be sold off to pay off creditors.

Next week’s auction has a broad array of items.  Again, mostly costumes from A-list and B-list actors and actresses, but this time mainly from less recognizable films of Hollywood’s golden age.  No doubt for sci-fi fans the key lot being sold is George Lucas’s Panavision PSR 35 mm motion picture camera used to film Star Wars.  It has an auction estimate of $100,000 to $200,000.

Also for sale is a Panavision Mitchell 65mm AC Rack-Over camera used to film Stanley Kubrick’s 2001: A Space Odyssey estimated to sell for $30,000 to $50,000, an RKO camera crane used by Orson Welles to film Citizen Kane expected to fetch between $30,000 to $50,000, and a Bell & Howell Model 2709 hand-cranked 35mm camera , once owned by Charlie Chaplin and used to film The Kid and Gold Rush, expected to sell for $200,000 to $300,000.

No doubt the highlights of the auction in the costume department will be more Marilyn Monroe screen-used costumes, including outfits worn in Bust Stop, Let’s Make Love, Niagara, and Gentlemen Prefer Blondes.  Other actress costumes featured were worn by Judy Garland, Barbra Streisand, Betty Grable, Deborah Kerr, Mitzi Gaynor, Susan Hayward, Teresa Wright, Ginger Rogers, Virginia Mayo, Kim Novak, Katherine Hepburn, Jennifer Jones, Claudette Colbert, and Ava Gardner.  There is also a variety of classic Mary Pickford and Leslie Howard costumes, all available for previewing between now and December 3, 2011 at the Paley Center.

Key classic Hollywood films represented in the auction include She Wore a Yellow Ribbon, Show Boat, an Al Jolson costume from Swanee River, a costume from The Little Princess worn by Arthur Treacher, Yankee Doodle Dandee, Without Reservations, The Three Musketeers, Snows of Kilimanjaro, The Greatest Show on Earth, and Stars and Stripes Forever.

A full suit of armor worn by Jean Seberg as Joan of Arc in Otto Preminger’s film Saint Joan is estimated to sell between $15,000 to $20,000.

For more articles on the first Debbie Reynolds auction click here.  For more articles on Profiles in History click here.

More information is available at www.profilesinhistory.com. Happy bidding, movie fans!

C.J. Bunce

Editor

borg.com

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