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Tag Archive: Prometheus


Ava from Ex Machina - borg

Not to be confused with Brian K. Vaughan’s successful alternate world comic book series, a very different Ex Machina will soon be on the big screen at a theater near you.  From first-time director Alex Garland, writer of 28 Days Later and Sunshine, comes what appears to be a very incredible looking sci-fi movie with a creepy, suspense-filled twist.  And it will prep viewers for Star Wars Episode VII with two male leads who soon will star in that eagerly awaited film.

The latest borgs to be interpreted to screen conjure other recent attempts to show us our future via bipedal, human-robot beings.  We saw similar, incredibly rendered borg with Spielberg and Kubrick’s A.I., Artificial Intelligence, with Will Smith in I, Robot, and more recently in the Bruce Willis pic Surrogates and Ridley Scott’s Prometheus.  Now meet Ava, played by Alicia Vikander (The Fifth Estate), the latest wonder in sci-fi filmmaking, and the invention of reclusive CEO genius Nathan Bateman, played by Oscar Isaac (Robin Hood, and Star Wars Episode VII).  

Ex Machina fembot

Bateman plucks Caleb Smith, played by Domhnall Gleeson (Bill Weasley in the Harry Potter movies, and Star Wars Episode VII), a programmer at his company to test the humanity of Ava and we’re guessing some secret twists are hiding behind the curtain.  Will she be an emotional Replicant or a deceptive fembot?

Check out this first trailer for Ex Machina:

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Alien Out of the Shadows

Review by C.J. Bunce

You might think you’ve seen it all with five Alien feature films featuring the vile and merciless Xenomorphs.  You might really think you’ve seen everything about Warrant Officer Ellen Ripley from the spaceship Nostromo.  Ripley, the tough-as-nails heroine of the franchise played by Sigourney Weaver, was the lone human survivor of Alien (1979), and she led the charge against a Xenomorph attack in the sequel Aliens (1986), to come back again after her escape pod crashes onto a penal colony planet in Alien³ (1992), and finally return 200 years later as a human/Alien, Terminator-inspired hybrid clone in Alien: Resurrection (1997).  Ripley is on so many best-of lists, like Best Action Heroine and Top 100 Best Genre Character, that it’s impossible to count.  Ripley didn’t make an appearance in either Aliens vs Predator (2007) or Ridley Scott’s return to the Alien universe in 2012’s Prometheus, but has appeared in various incarnations in comic book spinoffs.  Well you haven’t seen the last of Ripley.  To quote the series’ often used tagline, The bitch is back.

A new trilogy series begins later this month, with Tim Lebbon’s Alien: Out of the Shadows.  Surprisingly it bridges the period between Alien and Aliens.  That’s right, Alien: Out of the Shadows pulls apart what you think happened to Ripley between entering into her deep stasis sleep at the end of Alien and her rescue from that sleep at the beginning of Aliens.  And Lebbon does it in a way fans of the series might not flinch at.  More importantly he takes Ripley on a nonstop, perilous mission that is as engaging as the grittiest and most exciting scenes in the franchise, the military mission in Aliens.

#1 Ellen Ripley

Chris “Hoop” Hooper works as chief engineer on a mining vessel called the Marion, as part of a Kelland Mining Company search for a rare metal called Trimonite.  Kelland is, of course, a subsidiary of Weyland-Yutani—the company that controls everything in the future.  Without wasting any paper, Lebbon catches us up with the Marion as two mining vessels go out of control in response to an invasion by certain familiar space “monsters.”  The ships ram the Marion–limiting anyone’s chances at survival, at ever leaving the orbit of the seemingly unextraordinary planet below, and causing the Marion to slowly descend to be burnt up in the planet’s atmosphere.  Jordan is the Marion’s experienced captain (and Hoop’s former love interest), Lachance is a level-headed pilot but he’s a pessimistic sort, Josh Baxter is the ship’s communications officer (and makes a good cocktail), Karen Sneddon is a hardened, intelligent science officer, Garcia is the nervous medic, and Kasyanov the doctor, with Powell and Welford engineers that keep the Marion’s crew alive for more than eleven weeks until Ripley’s shuttle auto-docks with them, 15 days before they predict they will get too close to the planet and burn up.

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CES 2027

The future is under control. 

What’s better at a Consumer Electronics Show than a peek at a Consumer Electronics Show of the future?  How about a flash forward to the year 2027 and a keynote lecture in the style of a “TED Talk” from an executive from OmniCorp, known for their police protection and security products?  Like 2012’s in-world commercial for the cyborg David 8 from the movie Prometheus, the marketing folks at MGM/Columbia Pictures have blended a week of Consumer Electronics Show-themed coverage from Las Vegas into its own teasers for this year’s theatrical reboot of RoboCop.

For those who missed the 2027 CES, this was evidently the highlight of the show:

We even have news coverage of the OmniCorp presentation from the future:

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riddick-blu-ray-box-art

Review by C.J. Bunce

Many times when a movie is heavy with CGI and matte paintings, the overall look can suffer.  Not so with Riddick, coming to Blu-ray and DVD on January 14.  In his third live-action performance as Riddick, Vin Diesel finds his character marooned on an unnamed desert planet in its own primitive, almost Jurassic stage.  The first half of the film showcases the night-visioned anti-hero in an almost Conan the Barbarian-like quest for survival in a very Frank Frazetta-inspired fantasy world setting.  It’s a setting that really pops in the new hi-definition Blu-ray format.  We’ve previewed the Blu-ray courtesy of Universal Studios, including its extra features.

Riddick manages to surpass the epic second franchise entry Chronicles of Riddick with its more basic and tightly-written survival story.  We get a cameo from Karl Urban’s Vaako, including some of those great Necromonger soldiers and futuristic costumes familiar to fans of the series.  But this Riddick has more of the feel of the first entry into this world, Pitch Black, also written and directed by David Twohy.  Because Twohy has maintained control over the universe and its characters, the three films (plus the early animated entry, Dark Fury) all make for a cohesive and well-designed saga.  Twohy discusses his take on the character at length in the special feature “The Twohy Touch.”

Riddick and storm

Along with the stunning Monument Valley on Mars sets is some excellent CGI and motion capture creature work, including vicious mud-demons which take Riddick down a Ridley Scott-esque path toward films end, and some dog-like jackal beasts.  Riddick ends up raising one of these dogs as he finds his way through challenges to grasslands and an abandoned science station, where much of the remaining action takes place.  He sets off an S.O.S. beacon which brings two opposing groups of bounty hunter mercenaries, one to get the bounty for his head in a box, the other a military based group with a more personal agenda.  Their two ships become Riddick’s target for a plan to leave the planet.  His shadow ninja abilities allow him to drop in on these mercs, and create his own form of psychological war.  And his early encounter with the mud-demons plays into the coming rainstorm and his face-off with the mercs.

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Dead Space Liberation

Electronic Arts was at the cutting edge of video games back in the 1980s.  Today’s EA provides games with stunning 3D level immersive experiences.  In 2008 EA released a very different and modern third-person shooter, science fiction horror survival game called Dead Space.  Dead Space was big, selling more than 2 million copies.  In the game, players followed along literally over the shoulder of Isaac Clarke–named for science fiction writers Isaac Asimov and Arthur C. Clarke.  Clarke was as an engineer on an interstellar mining starship called the USG Ishimura, where he found himself stuck with some undead creatures called Necromorphs in a setting straight out of Ridley Scott’s Alien.  The February 2013 release Dead Space 3 brings along with it a new graphic novel series tie-in: Dead Space: Liberation

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The Hobbit gets a few but not enough Oscar nominations

In a year where we saw Hollywood market the worst titled movies to us–Salmon Fishing in the Yemen, The Best Exotic Marigold Hotel, and yes, Silver Linings Playbook, it’s probably no surprise the Oscar nominations were going to be strange this year.  Like always there are really glaring oddities, and after a lot of speculation that we’d see more of the same with the new round of selections, Oscar again fell into its normal traps.

The key problems with the Academy Awards include the marketing barrage that occurs, productions pushing advertising to encourage votes, and even the desire to position the Oscars toward a new, younger audience that becomes evident in more popular than critical nominees.  Over the course of several years of Oscars you see unmistakable patterns that develop and the Academy Awards nominations, if not by design then at least as a result, is its own club that favors past nominees over new entrants.  Same old news this year and more yawns than excitement.  So let’s see what they got right.

Affleck in Argo

Argo for Seven Nominations.  Argo was nominated for seven categories, including Best Picture, Supporting Actor (Alan Arkin), Adapted Screenplay, Film Editing, Original Score, Sound Editing, and Sound Mixing.  So this is all fitting for such a brilliant film.  But no nomination for director Ben Affleck?  You look at his work on Argo compared to the ultimate films up for best director and you really have to shake your head.

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Review by C.J. Bunce

Ridley Scott suggests a “sequel to the prequel” is a possibility in the feature material to the October 9, 2012 release of his is-it-or-isn’t-it-a-prequel to Alien blockbuster Prometheus on Blu-Ray, 3D, and DVD.  The trailer to the video release gets it just right–there are so many unanswered questions left in this summer’s big-budget blockbuster, sci-fi release that you may think you’re watching 2001: A Space Odyssey.  What was this Dr. Manhattan-looking being in the distant past and in our distant future eating that dissolved him into the ocean?  How does that being relate to the rather squiggly creature that emerged in one of the movie’s key scenes?  Why didn’t Scott just come out and call this a prequel?  Surprise, people!  It’s a prequel!  It’s actually really good at being a prequel, because unlike other prequel movies, it doesn’t re-hash every bit of the original film or films.

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By C.J. Bunce

Inspired by the new blue space suits in the new movie Prometheus, yesterday we began showing the evolution of the space suit as seen by Hollywood from the 1950s through the 1970s, including a few photos of real astronaut suits that influenced movie designers.  Today we continue trekking forward to the costumes of today.

In 1979 the original cast of Star Trek returned in Star Trek: The Motion Picture. Mr. Spock, clad in an orange space suit, tries to meld with the menace called V’ger.

Kirk arrives in a white suit to rescue Spock after he is knocked unconscious.

Forget about the Astronaut Farmer, I really liked the 1979 TV series Salvage 1 with Andy Griffith, an early glimpse at an astronaut a la Virgin’s Richard Branson, where private folks build a rocket from scratch and send it up, up, and away.

I don’t recall Roger Moore wearing the classic aluminum looking suit in the James Bond movie Moonraker, but he wore one in PR photos.

The yellow suits worn throughout most of Moonraker’s space scenes.

Here is an astronaut scene you might not recall–In 1980’s Superman II, Zod and friends use American astronauts on the moon as playthings before bringing their wrath to Earth.

In 1982 we get another look at the Kirk and Spock suits from Star Trek: The Motion Picture, now worn by Walter Koenig and Paul Winfield alongside Ricardo Montalban in Star Trek II: The Wrath of Khan.

More of a protective suit, a few of these radiological suits were equipped with glass helmets, making us think they might work outside the USS Enterprise. Here Scotty and his engineering crew wore these in both Star Trek: The Motion Picture and Star Trek II: The Wrath of Khan. Either way I think these make for some awesome designed space suits, and Scotty never looked cooler.

In 1979 we met the first of Ridley Scott’s Alien universe, and witnessed HR Giger’s visionary suits for the crew of the Nostromo.

Sigourney Weaver’s character Ripley had her own version of a space suit.

In the 1981 film Outland, Sean Connery takes an excursion to Jupiter’s moon Io. And again we have multi-colored space suits!

Sometimes creating space suits means replicating reality, and it was hardly ever done better than in 1983’s Mercury program biopic, The Right Stuff.

The Right Stuff also featured Sam Shepard as Chuck Yeager, and here he augured a test plane into the ground. Crash and burn.

In 1984 Roy Scheider discovered this time he needed a bigger ship in the 2001: A Space Odyssey sequel, 2010.

One of my all-time favorite sci-fi movies is The Last Starfighter. Grig and Alex wore some of the best looking space suits in this film (OK, yes, I’ve included a few pilot outfits in this list).

In 1986 we got to see kids in space in Spacecamp, starring Lea Thompson.

Marketed as “from the makers of Star Wars,” the 1990 film Solar Crisis didn’t even come close.

In the original (but unreleased) cut of Star Trek Generations, the film was to open with a suborbital drop by Captain James T. Kirk. The heat shield tiles were a good idea.

Ron Howard created one of the best films ever of any genre with the superb account of Apollo 13, starring Tom Hanks and Kevin Bacon.

In 1996 with Star Trek: First Contact, Captain Picard and Worf wore this type of suit to defeat a threat from The Borg. These suits were later re-used by the crew in Star Trek Voyager.

In 1997’s Event Horizon, Sam Neill wore a darker and grittier look.

Matt LeBlanc piloted the Jupiter 2 in the remake of Lost in Space (1998) complete with helmeted suit.

More recycled Hollywood. In 1998 B’Elanna Torres wore Captain Kirk’s space suit from the deleted opening scene from Star Trek Generations, in the Star Trek Voyager episode “Extreme Risk.”

In the blockbuster 1998 movie Armageddon, Bruce Willis and Ben Affleck wore these realistic space suits to save the world from a giant rock.

…but first the crew had to wear these suits to drill through the jagged asteroid’s surface.

In 2000 Val Kilmer starred in Red Planet, blending horror and sci-fi, wearing this nicely designed space garb.

Red Planet also featured The Matrix’s Carrie Ann Moss, sporting her own cool but differently styled suit.

In 2000 the all-star cast of Space Cowboys mirrored reality, looking like John Glenn in his second voyage to the stars.

Also in 2000, Mission to Mars featured this type of astro-wear.

In 2002 George Clooney donned a space suit in Solaris, where a psychiatrist investigates a space crew.

But it is really hard to beat these copper colored space suits as worn in 2002 by Scott Bakula’s Captain Archer on the TV series Enterprise–for me the color reflects the old heavy underwater gear of centuries past.

The key impetus that created the Fantastic Four in the 2005 film was a volley of cosmic rays, turning Michael Chiklis’s Ben Grimm into The Thing.

In 2006 in the episode “Waters of Mars” David Tennant’s Doctor Who lead an incredible mission to save Earthlings in space, a mission with a terrible destiny. 

In 2008 the rhino-alien Judoon took Doctor Who by storm, looking tough in these big suits…

 

And in the same year, the short aliens with big blue suits, the Sontarans, also from Doctor Who.

 

Maybe the strangest space suit so far, this bulky outfit was worn by Cillian Murphy in Danny Boyle’s film Sunshine.

Maybe the future is really in gear like Iron Man’s suit. After all he’s taken it into space.

Whether you’re a traditional Trekkie or not, you had to like the great look of JJ Abrams’ 2009 remake of Star Trek. And still we have mutli-colored outfits to tell everyone apart!

In 2009’s Moon, Sam Rockwell has some issues to deal with. One of those over-hyped films that I couldn’t get through. Still, it had a good overall look.

In 2009 the TV series Stargate Universe featured these very futuristic, detailed space suits.

Very simple space suits from the 2009 TV series Defying Gravity.

In 2011’s Doctor Who episode “The Impossible Astronaut” Matt Smith was killed by whoever was in this astronaut suit.

Also in the 2011 Doctor Who season, the episode “Rebel Flesh” featured this future-human protective gear, which might as well be a space suit. Over the decades Doctor Who has featured aliens in space suits, too, and too many to list!

Which brings us to June 2012, and next week’s premiere of Ridley Scott’s Prometheus, with these slick blue suits appearing on posters everywhere.

Now we know this was not a comprehensive list, but feel free to drop us a note and let us know if we missed any “key” space suits.

With the eve of the opening of The Avengers finally upon us, the movie studios are gearing up for even more summer blockbusters, releasing updated and expanded versions of trailers that have already been playing for months, previewed earlier this year at borg.com in earlier versions.  And each new blockbuster will open on in its own weekend in June, only a month away.

Brave

The best must be the new trailer for Brave.  The downside is that it tends to show so many apparently good scenes that one worries if there will be anything left to be surprised by with the actual movie.  The positive is that Brave looks to be among the best animated films so far, up there with Beauty and the Beast and Up.  The visuals of the characters and setting are simply stunning.  You might watch this trailer if you haven’t yet convinced yourself to see this film when it is released on June 22, 2012.

Prometheus

Next up is the new trailer for Prometheus, a film whose marketing (with the recent David 8 preview) seems to be just getting better and better.  The ships, the future technology, the strange new worlds, all look intriguing.  And if there were any doubt this film will pull a lot from the kind of plot seen in past Alien films, including space horror shockers and blood spatters, it’s all pretty much settled in this preview.  The downside is that the opening scene conversations play a tad like bad SyFy Channel made-for-TV movies.  Will special effects and scenery make up for iffy dialogue?  We’ll find out June 8, 2012.

G.I. Joe: Retaliation

The new trailer for G.I. Joe: Retaliation has several bits from past trailers but reveals more about the plot of the organization called COBRA to take over the world.  The filming and story looks a bit like the X-Men series, which may be a good thing.  Then there is the ninja battle on the side of the mountain–no doubt this new G.I. Joe film will be as much fan as the last.  We like Dwayne Johnson movies.  We hope Bruce Willis is here for more than just a cameo.  This movie will be released June 29, 2012.

The Dark Knight Rises

Finally, there is a new trailer (that makes trailer #3) for The Dark Knight Rises.  Emphasis on the word “dark.”  We have a bad guy, Bane, whose face we mostly cannot see, and so his dialogue seems muffled in the trailer.  We have Anne Hathaway, who we want to love as Catwoman, yet she seems a bit weepy and not very seductive or cat-like.  Her role must be bigger (fingers crossed) than what we’re seeing so far.  And Christian Bale’s Bruce Wayne looks…just like we’ve seen him in the past films, depressed and bedraggled like he looked before he went off to find himself in Batman Begins.  Compared to The Avengers (and there will be plenty of comparisons and contrasts this summer with dueling Marvel and DC movies)–which looks all-out exciting–The Dark Knight Rises looks plain dreary.  Goodbye Gotham.  Goodbye Batman.  Dreary.  This summer blockbuster hits theaters June 15, 2012.

C.J. Bunce

Editor

borg.com

A new movie trailer may explain why Ridley Scott has not been saying anything about what to expect in his new movie Prometheus, the new science fiction film from the universe of the Alien franchise.  Because, like a good magician, he is not going to reveal the big surprises until just the right time.  This is something cool and by itself gets a cybernetic thumb up from borg.com–in its realism, it is oddly prescient, and in its calmness and innocence, something outright creepy.  Check it out:

This new trailer is more an “ad from the world of Prometheus” than a typical trailer with snippets from the movie to entice us to see it.  Like Total Recall with all its advertisements for transplanted memories from the company called Rekall, this advertises something different, something at the core of a lot of science fiction–the ethics of science–just because we can do it, doesn’t mean we should do it.

The ad seems like it may be good for people who like the chilling parts of Philip K. Dick’s science fiction, people who liked the brilliant science fiction film Gattaca, but who also hope that world never arrives.  The character is familiar–we’ve seen androids and similar cybernetic organisms before and have discussed several here at borg.com.  This guy looks like Lieutenant Commander Data from Star Trek: The Next Generation, but the eerie quiet and childlike movements also conjure something dark like something you’d get from Stephen King–or maybe like Data just before he malfunctions and takes out the crew of the USS Enterprise.

When and how is this seemingly sentient thing going to break?

Science fiction is often at its best when it shows us tomorrow… failing.  Like the Millenium Falcon with a broken hyperdrive.

This trailer feels like 2001: A Space Odyssey, maybe just because of the choice of the name “Dave”.  Now I am pretty much not a fan of most of Stanley Kubrick’s work.  Despite some neat outer space scenes in 2001, the single scene with HAL and Dave, and some neat set decoration, I’ve never been able to get through the entire film in one sitting.  I just find it stunningly boring every few years when I try it again to see if I will like it this time.  But if Prometheus is like this ad, with this kind of quiet future scary science… this trailer might have elevated Prometheus for me from a future rental to an actual theater ticket.  And that’s saying something because its traditional trailers haven’t convinced me this is something I’ll care about.  But then again, their print ads state this David 8 robot is powered by… wait for it… Verizon.  Umm… right.  And all the restaurants of the future will be Taco Bell.

We probably shouldn’t be surprised that Sir Ridley Scott, creator of the films Blade Runner, Alien, and the recent Prophets of Science Fiction series, has some visionary tricks up his sleeves.  But the release of this very, very different movie promotion struck me as surprising, in a good way.  And if they do the movie right, “Happy Birthday, David” may be the next sci-fi catch phrase.

C.J. Bunce

Editor

borg.com

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