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Tag Archive: SDCC 2012


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After a crazy day of an insane volume of fans storming Bartle Hall in Kansas City Saturday for the biggest Planet Comicon event in more than a dozen years of events, it seemed like everyone came back Sunday for Day Two with aisles jam-packed again.  And for fans of all things borg like us, it was a banner day, meeting up with the original Bionic Woman herself, Lindsay Wagner, and the current writer on Dynamite’s Bionic Man series, Aaron Gillespie.

First up–Bionic Man cosplay.  The idea was inspired by my own large-sized action figure as a kid.  Originally planned by DW and me for SDCC 2012, it seemed a great fit for a borg.com tie-in, too.  Always looking for something original for other fans to enjoy, we’d never seen anyone re-create Steve Austin, the Bionic Man, at any convention ever, or posted online anywhere.  As the idea developed we decided it needed something more–and we moved from the character to the 1970s action figure itself.  With bionic eye, inserted arm circuitry, a pair of classic red and white striped Adidas Dragons, the classic red track suit, and the key identifier–the patch that was used as the official fan club badge and stuck on the chest of every Bionic Man action figure, which makes sense for the toy but would never make sense on the show–we had all but one thing left.   Decades ago you could find plastic hair at costume or theatrical shops but go searching and you’ll come up empty.  So we searched for full face masks that could be altered and came up with a JFK mask that could be cut and repainted, which seemed to do the trick.  Add some spirit gum (which may never ever come off my face) and temporarily lose the goatee, we found contact lenses from a UK retailer, made the patch from transfer paper using Web images and interfacing, and temporary tattoo material, and we have the Six Million Dollar Man large-sized action figure.  We got some good reaction to it at the Elite Comics Halloween event last year, and when we saw Lindsay Wagner as a guest of this year’s Planet Comicon it was obvious I was going to wear it to the show.

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Adam Baldwin as Jayne Cobb with Firefly hat

First off, moms are awesome.  Especially mine.

Second, if you haven’t seen Firefly, rent it . Buy it.  Amazon.com currently has a set of the complete series for under $13.  You can get it here.  I became a fan of Firefly last year after attending the 10th anniversary panel at San Diego Comic-Con.  Check out my prior discussions of Firefly and its awesome fans here.

One of the main characters in Firefly is Jayne Cobb.  Jayne is tough.  He has a rifle named Vera.  He’s more good guy than bad guy and over the short series Jayne’s character grew to learn from his mistakes, including the betrayal of his shipmates on the Firefly class vessel called Serenity.  The role of Jayne was played by Adam Baldwin, who played Colonel John Casey on the NBC TV series Chuck.  Since his first role as a big guy helping a little guy in My Bodyguard, Baldwin has appeared in an incredible variety of productions, usually as the tough guy in charge, from Ordinary People to Full Metal Jacket to Predator 2 to Wyatt Earp to Independence Day to the Serenity movie itself.  On television he’s been in The Cape, From the Earth to the Moon, The Outer Limits, The X-Files, Stargate SG-1, NCIS, Angel, Bones, Castle, and Leverage and voiced characters like Green Lantern Hal Jordan and Superman in animated DC Comics series.

Baldwin as Jayne Cobb View full article »

Pacific Rim very big teeth

It’s December, and that means holiday movie releases, which means we’re getting bombarded with movie trailers.  That includes a film focusing on the heir-apparent to the classic Japanese mega-monster, Godzilla.  At Comic-Con this year, Warner Brothers and Legendary Pictures started some buzz for a new monster movie by Guillermo del Toro, simply titled Pacific Rim, with giveaways of an eye-catching exclusive teaser poster (the newly released poster is to the right):

Pacific Rim rare Comic-Con poster   Pacific Rim new poster

A fun mini-teaser was released last week, and it may peak your interest further:

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Is it me, or does Tony Stark have more supersuits than any other superhero?  Robert Downey, Jr. returns next spring with the fourth movie featuring Iron Man, Iron Man 3, with the new Iron Man armor we previewed here this past summer from Comic-Con in San Diego. 

You wouldn’t think you could go wrong with Downey playing Stark in another movie, but all you have to do is think back and remember Iron Man 2, possibly the weakest of the Avengers films so far.  Yet the first Iron Man and The Avengers were brilliant.  Why can’t they just stop everything and work on The Avengers 2?  Check out the first trailer released hours ago for Iron Man 3:

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Review by C.J. Bunce

The CW Network’s Arrow series premiered this Wednesday, and for those who missed my review of the pilot episode originally published here July 17, 2012, I am reprinting it here updated with my additional comments after seeing a second showing all these months later.  Spoilers!

The CW previewed the entire pilot for the series on Comic-Con Wednesday and Friday this year to thousands of attendees.  The auditorium erupted in cheers to several scenes in the series opener, starting some worthy buzz for this newest DC Comics Justice League superhero to hit the small screen.  Was it good?  Absolutely.  And even for a big fan of the traditional character’s story, updates made for TV were well thought out and did little to detract from the core of what makes Green Arrow the unique character that has survived as a key comic book character for 70 years.  The pilot deftly managed to alter far less of the source material than, for example, the Green Lantern movie released in 2011, and in doing so created a believable, refreshing story with appropriate nods to the past, and one that promises to survive, should it find its fan base.  On second viewing this past Wednesday, my thoughts haven’t changed one bit.  If you are a fan of superheroes or read comic books at all, Arrow is the one series you should be watching.

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A bit of buzz from Comic-Con this year was the release of the Man of Steel trailer at the Warner Brothers panel.  The following week it was announced the trailer would appear before The Dark Knight Rises at screenings across the country.

Set to hit theaters next year, Man of Steel has a relatively obscure lead actor as Superman, Henry Cavill (The Tudors doesn’t count), but the rest of the cast will be familiar to everyone: Amy Adams as Lois Lane, Russell Crowe as Jor-El, Kevin Costner as Jonathan Kent, Diane Lane as Martha Kent, and Laurence Fishburne as Perry White.

So here is the trailer that premiered with The Dark Knight Rises:

I found it pretty underwhelming and I couldn’t figure out why people were so excited from the Comic-Con panel.  All you really see of Superman is this flight at the end:

And we see this guy working Alaska fishing boats.  I doubt this is to be Krypto:

So what’s the real story?

Turns out they actually showed a longer trailer at Comic-Con.  It included peeks at Crowe, Costner, Adams, a scene with Superman being taken prisoner–what appears to be a remake of Superman 2 with Christopher Reeve, including a new General Zod.

Following up on what was an intentional sequel to Superman 2 with Superman Returns–a really good film with Superman played awesomely by Brandon Routh–now we have a random remake of Superman 2?  Umm… why?  And why pick a British actor to play one of the biggest truly American roles–the kid from Smallville, Kansas?  Not a big deal, but maybe it’s time they let an American actor play James Bond?

So if you want to pretend you were at the San Diego premiere of the other trailer, check this out.  Not great quality, but at least you can get a hint of why the folks at SDCC 2012 were more excited than the crowd watching the trailer that appeared before The Dark Knight Rises this past weekend.

BTW I don’t know who shot this footage… just ran across it on YouTube.  I actually had a better link but it got pulled and I wouldn’t be surprised if this gets pulled, too.  It doesn’t look all that stellar, but you can’t really judge it because of the quality.  BUT I can see where there may be some cool things happening here.

Man of Steel has a June 14, 2013 release date.

And since we’re talking SDCC 2012 and superhero movies, Marvel Comics announced release dates and logos for these new Marvel flicks:

Release dates:

· May 3, 2013 — Iron Man 3
· November 8, 2013 — Thor: The Dark World
· April 4, 2014 — Captain America: The Winter Soldier
· August 1, 2014 — Guardians of the Galaxy

No date yet for Ant-Man, but don’t you wish they’d score Simon Pegg for the role of Hank Pym?

C.J. Bunce
Editor
borg.com

It’s tomorrow in New Zealand (I love seeing comments at thehobbitblog.com dated a day that hasn’t arrived here yet!) and yesterday the best friend of fantasy film fans, director Peter Jackson released behind the scenes footage that he showed fans at the Hall H panel at Comic-Con this year.

Like Jackson’s prior blog video updates, this one shows a lot of the cast and crew, but it has even more than before, including interviews with many of the dwarves, as well as nice footage of the key sets from The Hobbit: An Unexpected Journey, to be released this December.

It’s very cool that Jackson would release this footage to everyone so quickly after Comic-Con.

One more item–there is also word out that Jackson is in talks to change the two movie deal to three Hobbit movies.  Apparently he has enough footage for three full length films.  We’ll share more as we learn about any updates.

Tomorrow, come back for updates on next summer’s reboot of Superman, Man of Steel.

C.J. Bunce
Editor
borg.com

For the past decade I have tried to ask at least one artist at every comic book or pop culture convention that I attend to draw me a Green Arrow or Black Canary (or both) sketch.  I’ve asked this from artists whether or not they have drawn these characters before and most artists are happy to do it.  Some well-known artists charge a fee for sketches and many others will sketch for free.  Sometimes the key is letting the artist know your sketch is not just going to appear on eBay the next day.  Adam Hughes was in the news about this a few years ago when he worked all day on a sketch for someone that promptly flipped it on Ebay for several hundred dollars.  He vowed off Con sketches after that.  Some people, usually guys who have been going to cons for much longer than me, started with a sketchbook—a blank art book—and hand it off to artists at conventions.  These books convey to artists that this fan is going to keep whatever they draw and sometimes artists will take more time when they draw in someone’s sketchbook.  I’ve never gone the book route but like getting sketches on blank paper, usually supplied by the artist soI don’t have to leave a book behind.  I have featured some of this original art at borg.com previously.

So Comic-Con this year was no different and I added two new Green Arrows to my collection.  First up was by Cat Skaggs, who recently created the cover for Smallville Season 11 Issue 1.  Not only did I get a signed print of that cover, but she drew a quick free-form sketch of Green Arrow for me.  She is not a regular Green Arrow artist, and it was fun to watch her think about how the hat and goatee look:

   

It makes a nice addition to my collection.

I have had some comic book artists draw sketches for me over the years many would consider industry legends, including Mike Grell, Michael Golden, Rich Buckler, Joe Staton, and Howard Chaykin.  This year at Comic-Con I got to chat with Neal Adams, the guy who created the look of the Green Arrow character I am such a big fan of.  He created this classic, cocky Green Arrow image for me:

Pretty awesome.

I had met David Petersen at several prior conventions and he had a slot in his sketch schedule so I asked him to draw me a fox as seen in his current run of Mouse Guard:

A nice watercolor image in his unique style!

So not a bad haul for not being at the Con for a full weekend.  I also picked up a few SDCC exclusives.  Frank Cho was selling his new Liberty Meadows calendar:

I also picked up the new Alex Ross sketchbook:

At the Alex Ross booth I actually spent a lot of time talking with Sal, Justin and Chris, who are always great guys to talk to and deal with.  They had some great sketches and painted original Alex Ross art available.  As a fan of Six Million Dollar Man as early borg, Ross’s original cover sketches for Issues 1, 2, 4 and 5 of the current Bionic Man series struck me as particularly cool, especially seeing the change in logo evolve over the course of creating the covers.  Look at the sketches compared to the final image on the book covers:

   

   

   

   

Featured in last year’s SDCC 2011 exclusive Alex Ross sketchbook, this sketch jumped out at me this year on display:

I love Zatanna in her magician’s box, waiting to make an appearance.  This sketch was created for an Infinite Crisis card game.

Prior to Comic-Con I had connected with the artist for the current Star Trek/Doctor Who crossover series Assimilation², JK Woodward. He was at the Con with writers Scott and David Tipton.  I never caught up with them but luckily my friend William got an extra autographed copy of the book.  Check out these great original, painted pages from Issue #2 of the series.  First, the TARDIS in the Enterprise-D holodeck:

Next, if you like Trek and Doctor Who like I do, you just can’t beat the Eleventh Doctor on the bridge with Captain Picard.

And check out that great rendering of the Enterprise-D soaring above!

Again this year Michael Turner art was available at the Aspen booth and it is always amazing to flip through the late artist’s work.

If you like seeing the creative process behind the scenes, it’s hard to beat seeing original comic art in person.  And if you have the time hundreds of artists in Artist Alley are there sketching away throughout the Comic-Con weekend, and love to talk about their work and process.

C.J. Bunce
Editor
borg.com

By Jason McClain (@JTorreyMcClain)

Let me start near the end.  I stood amid a sea of at least 200 people at 9 pm on Friday the 13th outside of a Petco Park gate.  Around me were a man dressed as the Eleventh Doctor, a man disguised as a zombie, a man wearing the uniform of someone in special ops, a trio of lovely ladies and many more people in smart running shoes.  The metal gates leading inside opened and we moved into a small area that normally serves as the queue area for a concession stand, and now had a chain-link fence serving as a cage holding back about 20 zombies.  A man struggled and wrestled with two more zombies on a leash.  A bullhorn squawked and a voice advised us to remain calm, as this was a safe zone. One of the zombies on its leash grabbed its handler and started to feed. His zombie sister joined him in his feast.  The chain-link cage opened and zombies poured into our safe zone.  The man on the bullhorn exhorted us all to run and run now.

I became pretty familiar with the words and actions in this first room.  (“We’re with FEMA, we know what we’re doing” was my favorite backhanded political swipe.)  On Friday afternoon, I stood just beyond that first section of “The Walking Dead Escape” in a room with body bags, a couple of closed-circuit TVs showing a continuous loop of zombie disaster scenes and a small, narrow pathway leading to the next part of the course.  A cloud of fog, assuming the breezes flowing through the park did not blow too swiftly in those couple of minutes, met the survivors as they frantically pushed their way inside.  I shambled along in the fog, they found my business casual zombie presence and avoided my reach as I swung around my one good arm and tried to catch people in my grasp.  They screamed and dodged and I became the center of an island of dread with streams of survivors running around both sides of me.  The zombies from the cage would wander in and join me for a little before returning to their posts.

(Full disclosure, as our training instructed us, I figured out that I had my right collarbone snapped when I became infected and could only move my left arm and my head stayed anchored to my shoulder.  I’m a method zombie.  Also, I didn’t try too hard to catch anyone, because if you were trying to avoid the zombie hoard, it would suck to get touched by the first “wild” one you saw.  However, in one of the first batches of people to come through the course, one guy got scared and actually jumped back into my chest, then jumped back the way he came and ran scared as I stifled a laugh while continuing my forward shuffle.  I think that was the only real contact I made.)

Eventually, the zombie horde got bored with just this sample of the carnage and followed the survivors further and further into the course.  We found other places to set ourselves up and give the people running another chance to avoid the undead.  We did anything to prolong the excitement of the chase and to avoid the wait between waves.  When the survivors escaped, we took pictures of each other and I even took the time to sit by a working electrical outlet (you wouldn’t expect that during the apocalypse) and charged my phone.

This reflection on the survivors getting to have all the fun got me to thinking, why shouldn’t I be a survivor?  Why shouldn’t I go back and try my hand at surviving the zombie apocalypse?  So, once I finished my shift, I emerged into the daylight, my makeup fading and my humanity returning.  I found the box office, used my right arm that now worked perfectly to pull out my wallet and I tried to figure out the spookiest time possible.  The last shift in the dark of night on Friday the 13th fit the bill.

Surviving became a blur.  Once I jogged through the first gauntlet, we all piled up behind the first set of obstacles – rope nets and a big slide – and were thinned out so the horde of survivors didn’t overwhelm the horde of zombies and to make the experience more fun. We ran around burned out cars.  We crawled under obstacles and through chain link tunnels. Zombies waited around corners.  Zombies wandered around mazes of construction barriers throughout every level of Petco.

I did perform one heroic deed and I have to thank the zombie for it.  A maze of barriers stood in front of me and about four other survivors.  I darted inside and the lone zombie guard turned toward me, allowing himself to be distracted by middle-aged-man flesh, leaving the path to freedom open for the others.  They ran through without any worry and I managed to escape his grasp.  Three of the survivors, the same trio of lovely young ladies from the beginning of the course, thanked me for my heroism as we continued our escape.  I felt my breast swell from more than just being out of shape and trying to catch my breath.

“The Walking Dead Escape” let me feel like a hero in that small moment.  That’s what made it fit in with Comic-Con so well.  If I may paraphrase the chorus of a David Bowie song, we could all be heroes, just for four days.

AMC Theaters’ newest marathon event is tonight, the Dark Knight Trilogy Marathon, and with more than 60,000 advance ticket sales it has already become the biggest selling marathon movie event to date.  Starting at 6 p.m. and culminating with the premiere of The Dark Knight Rises at midnight, tonight is sure to be a big night for Batman fans.

Until then, for your viewing pleasure and to get you psyched for Batman night, here is a gallery of all of the Batman cars–the Batmobiles–that have appeared on-screen, from the TV series in the 1960s to today’s bulky offroad vehicle, featured on the lawn between the Hilton Bayfront Hotel and the San Diego Convention Center last weekend as part of the Comic-Con festivities.  The photos I took this weekend don’t do justice to these big, sleek, bad Bat-cars.

First off, above is the original 1955 modified Lincoln that became the Batmobile driven by Adam West in the original Batman TV series.

My favorite of them all and the best looking in person–Michael Keaton’s Batmobile from the 1989 Batman and Batman Returns movies.

Val Kilmer’s Batmobile from Batman Forever.

George Cooney’s Batmobile from Batman and Robin.

Christian Bale’s Batmobile “The Tumbler” from Batman Begins and The Dark Knight.

Christian Bale’s Batmobile from the new film The Dark Knight Rises.

Christian Bale’s Batcycle from the new film The Dark Knight Rises, on display in the Comic-Con exhibit hall at the Warner Brothers booth.  The cycle is a separating feature of the Tumbler.

Details for tonight’s movie event across the country:

C.J. Bunce
Editor
borg.com

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