About these ads

Tag Archive: Star Wars


Star Wars issue 1

With the official change over really coming to fruition in January of the return of the Star Wars comic book license to Marvel Comics after its successful run at Dark Horse Comics–and several months before the full magnitude of what it will mean to have Star Wars under the Disney empire–already word is out about re-releases of the original trilogy.

Forget about Greedo shooting first, the ghost of a young Anakin Skywalker at the end of Return of the Jedi, a skinny Jabba at Mos Eisley, and strange circular bursts emitting from destroyed Death Stars.  Forget about a cringe-worthy singsong “Celebrate the Love” over “Lapti Nek.”  It took Disney to give fans what they have wanted all along: the one and only original Star Wars, The Empire Strikes Back, and Return of the Jedi, with no special edition edits, on Blu-ray.  That’s right, all three films are undergoing conversions to Blu-ray for a to-be-announced release date in 2015.

Original Death Star 2 destruction

The original destruction of the second Death Star.

So you’ll again get to upgrade your home version of the trilogy, the one that already replaced you VHS, Beta, Laser Disc, DVD, and countless digital upgrade and boxed set releases–one more time.  That is, until they release the 3D version.  No word yet on that upgrade.

updated Death Star 2 destruction from special edition

Destruction of second Death Star, after the special edition update.

Along with the films, the original Star Wars: A New Hope comic book adaptation created by legendary writer Roy Thomas and illustrated by our favorite comic book artist, Howard Chaykin, will get a facelift of sorts.  Colorist Chris Sotomayor is going to update the four-color standard 1970s style used by Marvel to a more modern color set.  Like the special edition update for the movies, this will give us a new take on the classic book.  Well-known artists Marie Severin, Steve Leialoha and Glynis Wein provided the original color work now being replaced.

Here’s a comparison of the new vs. the old:

Marvel 1977 Star Wars color update

Check back for release dates here at borg.com throughout 2015.

C.J. Bunce
Editor
borg.com

About these ads

SWIsh 1 E Midtown Comics by Mark Brooks    SWIsh 1 P Comixposure by John Tyler Christopher

It hasn’t been released yet, and it is already the #1 best selling comic of 2015.  Forecasted with advance sale numbers at more than one million copies already, Marvel Comics is re-entering the world of Star Wars comics like it’s 1977 all over again.  Written by our friend Jason Aaron with artwork by John Cassaday and colorist Laura Martin, the story continues the adventures of Luke Skywalker after the end of the original Star Wars, Episode IV: A New Hope. 

Marvel Comics is pulling out all the stops with the variety of cover variants readers can choose from.  Most comic book stores will get one of a half dozen basic covers, but those who dig around on the Web will find plenty more available.  More than 30 basic full-color covers will be released in January 2015, plus black and white versions and sketch variants of many of those covers.  And that’s not all, several collectible comic book websites will be releasing signature editions signed by everyone up to Stan Lee, and sketch covers by several artists including Dynamite Comics’ Chris Caniano.  And you can get a logo-only cover to take to your next Con and commission an artist of your choice to sketch you a character.

star-wars-1

Alex Ross, John Cassaday, Mike Mayhew, Frank Cho, David Petersen, Jenny Frison, Stephanie Han, Amanda Connor, Alex Maleev… everyone but Dave Dorman seems to have been pulled into this project.  Click on each image to see the artist and whether the book is only available at a special store.  A few variant images have not yet been released.

SWIsh 1 Y Heroes Haven by Mike Perkins      SWIsh1 R Heroes and Fantasies Daniel Acuna

So check out even more great covers to Marvel’s Star Wars, Issue #1, after the break:

Continue reading

Star Wars Costumes The Original Trilogy cover

Review by C.J. Bunce

Sci-fi movie trivia question:  Which Star Wars actor played Yoda in The Empire Strikes Back and was a main character in Star Trek 2009 and Star Trek Into Darkness?  More on that later.

We have taken a close look at some of the best behind the scenes books on costumes and props from major movie franchises here at borg.com.  The best have included the latest in Weta’s tour inside the making of Middle-earth in The Hobbit: The Desolation of Smaug Chronicles: Cloaks & Daggers, reviewed here, and the dense examination of the Star Wars prequel costumes documented in the landmark work Dressing a Galaxy: The Costumes of Star Wars, reviewed here.  After nearly 40 years we finally have a behind the scenes look at the making of the costumes from the original three Star Wars films with Star Wars Costumes: The Original Trilogy, just released from Chronicle Books.  This is also the first time many of these costumes have been displayed and photographed since the Smithsonian Institution’s National Air and Space Museum featured dozens of costumes in its Star Wars: The Magic of Myth exhibit in 1997.

Boba Fett helmets

Author Brandon Alinger, my friend and fellow costume and prop aficionado, is chief operating officer of The Prop Store (formerly The Prop Store of London) and an expert who has handled original Star Wars pieces over the years.  Alinger interviewed costume designers and production staff from the original series to pull together this first ever analysis of the stories and people who earned Star Wars an Academy Award for Best Costuming, the only science fiction film to receive such an honor.  Original costumes from the Skywalker Ranch Archives were displayed on mannequins and photographed for the book by Joseph MacDonald of The Fine Arts Museums of San Francisco–many for the first time since production.

The most striking revelation in the book is the rarity of each costume and the fact that some of these film artifacts may not survive many more years.  “Some of the costumes or costume components in the Archives are quite fragile and for this reason they could not be dressed onto mannequins to shoot,” Alinger recently said in an online discussion.  “The costumes are treated as artifacts and conservation concerns are top priority for the Archives team.”  Admiral Ackbar’s mask from Return of the Jedi is just one of these items.

Contributing to the book with Alinger are Star Wars and The Empire Strikes Back costume designer John Mollo and Return of the Jedi costume designers Aggie Rodgers and Nilo Rodis-Jamero.  The book also includes invaluable detail from past interviews with Ralph McQuarrie, Joe Johnston, and Stuart Freeborn, along with contributions from dozens of other costume and art department staff from the films.

Chewbacca costume

Movie production staff and movie costume collectors are well aware that the typical movie shoot requires multiple copies of each cast member’s costume.  For example, it was common for the Star Trek and Lord of the Rings productions to create seven or more of each main cast member’s uniform, allowing for problems on set and dry cleaning.  The point is you never want to stop a multi-million dollar shoot so someone can re-stitch the only costume you have created for your film.  Star Wars Costumes: The Original Trilogy reveals that was not the case for many of the Star Wars costumes.  This means the Skywalker Ranch Archives possesses the one and only costume made for the trilogy for many items.  This also explains why the private collecting community has only seen a handful of authentic original trilogy costumes hit the market over the years, like the odd distressed Stormtrooper helmet, Ewok fur, C-3PO hand and foot, and damaged cantina alien mask.

Continue reading

Star Wars VII X-wing pilot

Why go see it in theaters in front of one of the lackluster holiday offerings this season when you can watch it for free at home?  It’s the teaser trailer for Star Wars Episode VII: The Force Awakens.  And it’s a short 88 seconds, with much of the teaser spent on slow pans and the logo roll.

It’s what we’ve been waiting for.   A look at Star Wars in the hands of Disney and J.J. Abrams.

Star Wars VII new lightsaber

Wait no further.  Here’s the official first trailer for Episode VII, after the break:

Continue reading

Jurassic World

This time the rides actually work.

Released today, watch the first trailer for Jurassic World.

If you’re looking for the new Star Wars preview, it’s not out yet–expect it this weekend on the Web–but this fan version is nicely done:

Continue reading

SW teaser

So what evil lies behind that door?

Can you remember the first comic book that ever landed in your hands?  More than a decade ago I first met one of my comic book creator heroes, Howard Chaykin.  Chaykin created the very first Star Wars movie poster, a stylized, action-filled cover in his unique style:

Star Wars original Chaykin poster

Chaykin was visiting town at a local Con and luckily for me most of the visitors at the show were in line for the newest young comic artist, and didn’t realize all Mr. Chaykin had done in his long career in comics and television, so I got plenty of time to chat with him, and have him autograph my first comic book: Star Wars, Issue #8, featuring a story called “Eight for Aduba-3,” influenced by The Magnificent Seven/Seven Samurai story.  I’ve bragged up Chaykin before here at borg.com.  He’s one of the most interesting guys in the comics business.

Star Wars issue 8 Marvel Comics

“Eight for Aduba-3″ came out when Marvel Comics first had the license to create the Star Wars movie adaptation, drawn by Chaykin and written by Chaykin and the great Roy Thomas, after a quick look at materials from the film and conversation with George Lucas.  They were tapped to take the characters from the new phenomenon in a new direction following the events in Episode IV: A New Hope.  “Eight for Aduba-3″ included more than one tough recruited mercenary, much like its source material, but the big standout was Jaxxon, a giant, angry green rabbit-man.

Continue reading

Star Wars Tarkin novel cover Nov 2014 release

Review by C.J. Bunce

Governor Tarkin possessed the power to direct Darth Vader to stop choking a man, to command the first Death Star and to use it to destroy Princess Leia’s home world. Yet for all that, he gets very little screen time.  Who was this character?  A new novel asks that question and provides an interesting insight into the life of a man revered by his peers, his planet, and ultimately the Empire for his intellect, cunning and decisiveness.  It’s a Machiavellian account of a man born far away from the city centers of Coruscant whose pursuit of power would be nearly unstoppable, and whose political skill would thrust him into a triumvirate of power shared with Darth Vader and the Emperor himself.

In its first releases of canon-designated novel tie-ins for the Star Wars franchise after the recently announced move away from the past 20 years of expanded universe stories (now referred to as the sidelined “Legends” stories), LucasBooks has honed in on two sides of the rise of rebellion against the Empire.  Taking place in the years following the events of the Star Wars prequels but before the original Star Wars films, John Jackson Miller’s Star Wars: A New Dawn, reviewed previously here at borg.com, recalls the plans of a band of rebels to sabotage Imperial efforts to acquire resources needed for its great space fleet.  Next week, LucasBooks presents a view from the other side of the battle when it releases James Luceno’s Tarkin, a deep dive into the inner sanctum of the Emperor following the fall of the Jedi, and the political rise of the Death Star commander who we would meet as Peter Cushing’s Governor Tarkin in A New Hope.

Tarkin scene from Star Wars

The character of Moff Wilhuff Tarkin is not incredibly complex–he stayed true to a course early in life established by his ancestors on the planet Eriadu, which gave him the benefits of military academy-style training yet provided by a band of men not unlike Scottish highlanders.  He is a man who was not born of privilege.  Yet good mentoring forged a soldier who would attain predictable societal ranks and achieve much more.

Continue reading

Star Wars Posters Abrams cover art

Review by C.J. Bunce

Whether a piece of art is appealing is in the eye of the beholder.  Everyone who gives a considered view to a piece of artwork is entitled to their own interpretation and commentary on it.  This month sees the release of a book that will allow the reader to take his or her own personal journey through the artwork that became the marketing posters for the Star Wars franchise.  Star Wars Art: Posters is the fifth and final hardcover installment in Abrams Books’ successful series pulling the best imagery from Lucasfilm.  It follows Star Wars Art: Visions, Star Wars Art: Concept, Star Wars Art: Illustration, and, to be reviewed soon here at borg.comStar Wars Art: Comics.  With Star Wars Art: Posters, the best was saved for last.

Star Wars Art: Posters is a purely visual experience.  It includes only the slightest amount of text or interpretational information.  A one-page commentary is included, written by each of noted Star Wars poster artists Drew Struzan and Roger Kastel.  They each recount their own experience with creating Star Wars poster art, but do not give an overview of the rest of the galaxy of poster art.  Instead each piece of art is laid out roughly chronologically, stripped of the words and printed matter that would be needed for the completion of the final poster for distribution, but with a notation showing the artists’ name, date, significance, and medium.

Empire Strikes Back Kastel

Die hard fans of Star Wars will recognize many, if not most, of the included posters.  And you’ll find yourself embarking on your own nostalgic trip back nearly four decades.  Back to the first poster for the film from 1976: Howard Chaykin’s screaming imagery of Luke, Han, Leia and Ben, with lightsaber pointing downward, Tom Jung’s famous one-sheet–what most remember as the classic Star Wars poster, Tom Chantrell’s photo-real poster featuring Mark Hamill as Luke along with the rest of the main cast, and that famous circus-design poster by Charles White III and Drew Struzan.  My own trip back in time recalls the Del Nichols posters that were Coca-Cola giveaways, three of which are included in the book (and which covered the walls of my bedroom many years ago).

Continue reading

Big Hero 6 poster

This week we get our introduction to animated Star Wars Disney-style with the premiere of the new series Star Wars Rebels.  Set your DVRs for this Friday, October 3, for the one-hour premiere, Star Wars: Spark of Rebellion on the Disney Channel. The first series episode begins October 13 on DisneyXD.  The series features characters we previewed here at borg.com in our review of the first new universe Star Wars novel, A New Dawn.

Taking place between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope, a group of rebels takes on the Empire.  The series features the voices of Freddie Prinze Jr., Taylor Gray, Tiya Sircar, and Steve Blum.

Those with access can get an early look at Star Wars: Spark of Rebellion on September 26 at WATCHDisneyXD.com and on the WATCH DisneyXD app.

Spark of Rebellion
Coming in November is Disney’s full-length animated feature film, Big Hero 6.  Big Hero 6 follows the story of two Japanese brothers and a robot one creates that looks a bit like the Stay-Puft Marshmallow Man.
Continue reading

George Takei Sulu in The Naked Time

If holographic television were available today, would you go right out and buy it?

We’re more than four years into the widespread availability of affordable consumer 3D television and the viewing public hasn’t embraced it yet.  My best guess is simply because they haven’t seen it yet, or they are basing their lack of interest on a poor viewing experience with 3D in a public theater.  At borg.com, we’ve got no skin in the game–we don’t work for or with the studios–we’re just after the best viewing experience possible.  And we’re completely sold on both 3D Blu-ray and the lesser discussed 2D/3D “upconversion” technology.

Distributors have been relatively slow at releasing 3D Blu-rays, the current standard for 3D home viewing.  Many films actually produced in 3D, like Peter Jackson’s The Hobbit series, are very quickly released now in a 3D Blu-ray.  Other films are converted to 3D in post-production, like Star Trek Into Darkness, and they are also released on 3D Blu-ray.  Both films look far superior to standard films–you can’t even compare the quality.  The distinctions between a true 3D film and a conversion are probably not all that noticeable to the average moviegoer with normal vision.  But what we’re focusing on today is something different.

Dathon and Picard in Darmok

A different category of conversion, called 2D/3D conversion, is available on certain affordable 3D televisions today.  This is a technology available to anyone with a 3D television that includes the upconvert technology and compatible 3D glasses.  For films, TV series, or even real-time live or pre-recorded television, this technology manipulates the images to create a real 3D experience for the viewer.  Sounds like a gimmick?  It’s not.  To test it, we tried 2D/3D upconverting on an episode of each of Star Trek, the original series, and Star Trek: The Next Generation.  The result?  We were blown away.  We think if you try it, you too will ask:  Why don’t we watch everything now in 3D, and why isn’t everyone talking about it?

If you’re waiting around for holographic TV, that’s pretty much what you’re getting here, too.  You can even get up and walk around without the 3D image going away.  The only thing you can’t do is walk completely around a floating object, which is what a true holographic TV experience should be.  But this is the next best thing.  We watched two acclaimed, classic Star Trek episodes, the original series episode “The Naked Time” and the NextGen series episode “Darmok” using a 3D television, a Blu-ray/DVD player and, for “The Naked Time” a remastered DVD version, and for “Darmok,” a remastered Blu-ray version.  We then applied the 3D television’s upconvert and easily adjusted the various 3D settings, such as “Standard” or “Cinema” or “Extreme,” tint, and brightness/backlighting, to create the best picture possible for the room lighting.

Continue reading

Follow

Get every new post delivered to your Inbox.

Join 540 other followers

%d bloggers like this: