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Tag Archive: Tron


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No matter what you study in college sometimes you can’t get work in the summer because no one wants to hire for jobs with decent pay on a temporary basis.  That’s how I ended up at Movies-to-Go, a pretty typical VHS chain rental store in the 1990s that went the way of the dodo bird when DVDs came along.  You learn a lot about people generally while working a video store, disturbing things like the fact that I Spit on Your Grave and Faces of Death outpaced new release sales time and time again.  At every store there were aisles of direct to video releases–some action, some sci-fi, some horror.  All of them had one thing in common–someone spent a lot of time creating covers that would get renters to actually rent the movie, despite the fact that most of these movies weren’t worth renting.  Some of these edge the others out, and as an employee I remember being able to rent free any film overnight that didn’t get checked out, which meant I learned to like a lot of films from John Carpenter, Jean Claude Van Damme and Bruce Lee movies. 

Manborg Edmiston Art Poster

Some of these B-movies weren’t really good enough to be called B-movies, and were nothing but grindhouse pictures that would be shown at the then dwindling drive-in theater’s weekend third late show.  Others, like Denise Crosby’s Eliminators, Dolph Lundgren’s I Come in Peace, Guyver 2: Dark Hero, Caroline Munro, Christopher Plummer and David Hasselhoff’s Starcrash, and Captain America (1990), prompted one ambitious young Canadian filmmaker named Steve Kostanski to spend three years in the 21st century creating one of these 1970s-1980s-type B-movies, with a name like a made-for TV Syfy Channel movie: Manborg.  The amazing thing is Manborg actually received acclaim as an official selection of not one but six international film festivals: Austin’s Fantastic Film Festival, Montreal’s Fantasia Film Festival, Sweden’s Lund Film Festival, Switzerland’s Neuchatel Film Festival, Toronto’s After Dark Film Festival and the London Sci-Fi Festival.  And Manborg is being released on DVD on April 30, 2013.

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Review by C.J. Bunce

The magical, multimedia, computer-generated art of Archeologists of Shadows is at once both like something you’ve never seen before yet strangely familiar with bits and pieces of so many different influences.  The characters seem to have evolved from the green planet in Avatar and the villains from the Iowa State Patrol borg police of Star Trek 2009.  The compositions have influences in the creepy worlds of both artist Dave McKean and at the same time the otherworldly spaces of filmmaker Guillermo del Toro’s Pan’s Labyrinth.  The fantasy evokes painted high fantasy pulp cover art and the mystery and old religions and myths of The Dark Crystal.  The colors and lights throughout the book are reminiscent of the work of artist Lee Bermejo.  The industrial architecture conjures the oppressive cityscapes of Fritz Lang, and the surreal buildings of  Antoni Gaudi.

As to the story, we’re introduced to a far off place, maybe Earth’s own future, the world of Terminator if the Connors have failed to save humanity, where humans have degraded to the point where they have only few organic parts.  The protagonists, Alix and Baltimo, are indeed borgs, with elaborate, realistically visualized cybernetics with a definite steampunk vibe.  They are on the brink of a crossroads like the dull citizens of George Lucas’s THX 1138–readying for the final steps of full mechanization.  Like the cast of Waiting for Godot, they wait for something to happen, maybe godlike intervention, until a stranger offers assistance.  Like Neo in The Matrix, do you act or not act, and which action bears the most risk, the doing or not doing?

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No doubt Oscar Pistorius’s unprecedented entry and run in the Olympics this weekend will go down as a highlight of these games.  The first person to bridge the Summer Olympics and the Paralympics, clad in neither bionic nor cyborg prosthetics but walking “blades” certified to give no advantage to him against other runners, South African runner Pistorius gave a competitive go of it in his 440 meter semi-final track event.  Truly he’s an inspiration to everyone, disabled or not.

So in honor of the closest person we’ve found to a real-life borg Olympian, we are presenting this list of the ten most interesting sci-fi or fantasy sports we’d like to see in a future Olympics.  In whittling down this list we have eliminated motor sports or the like, so no pod racing or light cycle races (but we’ll make an exception for broomsticks).  We also found far too many gladiator events in classic sci-fi, going back to the original Star Trek’s “Gamesters of Triskelion” and “Bread and Circuses” battles to Star Trek Voyager’s Seven of Nine vs. The Rock arena combat called Tsunkatse, to the combat in Mad Max: Beyond Thunderdome, which continues on this year in genre shows like Bo’s battle to the death in Lost Girl.  So we’ll skip those for this round.  Most of our games reflect a possible evolution of today’s games and come from sci-fi TV or movies, but we just had to throw some fantasy events into the mix for good measure.  So here goes:

Updating who knows what Olympic sportsParrises squares (Star Trek: The Next Generation).  A future J.J. Abrams’ Star Trek reboot movie sequel really could do some good by showing us an actual Parrises squares match.  The often celebrated Star Trek universe game has been played by everyone from Tasha Yar to the EMH’s daughter on Voyager (who sadly, dies from a Parisses squares injury).  But all we have seen are the uniforms.  This barely makes our cut because we simply haven’t seen the game in action yet, yet the possibilities from what we’ve heard from Star Trek characters is enough to make it to the list.

Updating taekwondo and judoBat’leth and Mok’bara (Star Trek: The Next Generation).  In the episode “Parallels,” Worf returns to the Enterprise from a bat’leth tournament. Part of the plot revolves around whether he scored first or ninth place in the games.  He even has a nice trophy to show for it:

Mok’bara was Worf’s version of taekwondo, an elegant art of movement for the Klingon set.  Both of these are future martial arts we’d like to see added to the Olympic slate.

Updating fencingLightsaber dueling (Star Wars).  Ben Kenobi showed Luke he could practice his saber work without anyone getting hurt.  You can even perfect your skills with a floating spherical sparring partner.  Fencing uses foils, sabers or epees. Maybe lightsabers can be set to “stun”?  I can’t think of a more elegant sport for a civilized age.

Updating fencing, judo and taekwondoAnbo-jyutsu (Star Trek: The Next Generation and Star Trek Voyager).  We’ve only seen this played by Will Riker and his dad and B’Elanna Torres and Kes, but that was all we needed.  Cool uniforms and football-type padded gear, these guys really play hard.

Updating basketballPyramid/Triad (Battlestar Galactica), and Serenity basketball (Firefly).  Less elegant than martial art competitions, street sports like Pyramid/Triad and “Serenity basketball” (played in the episode “Bushwhacked”) allow everyone to get into the act with little upfront cost to play.  Even when the end of the world just happened, you can assemble a pick-up game of Pyramid, even on board a starship like the Galactica.

Serenity basketball seems to have less clear rules, but we’re sure it can factor in to a future Olympic event.

Updating hockeyRollerball (Rollerball).  The game itself really sold the movie.  Maybe we were cheering for James Caan because we still saw him as Brian Piccolo playing alongside Gail Sayers in Brian’s Song.  Nah… he’s just cool in everything.  What an intense action sport Rollerball would be in real life, and so much fun to watch in-person.  (And yes, we allowed this sport on our list even though they use motorcycles).

Updating triathlon, skiing and shootingJames Bond skiing (The Spy Who Loved Me, For Your Eyes Only, The World is Not Enough, with nods to Arnie in True Lies).  Good luck making it down the black diamond while someone is trying to throw you off balance.  We’d substitute blanks for bullets so our athletes can come back for more.  We saw a bit of this in an old Chevy Chase Saturday Night Live skit with the Olympics and Claudine Longet.  Not a lot of Olympic sports add the element of surprise like this “sport” could.

Updating discusIdentity discs (Tron, Tron: Legacy, and Tron: Uprising). Think discus but a bit more precarious, and we don’t even need a disc battle-to-the-death like in all the Tron live action and animated shows.  Just something that puts the thrower off balance as he’s trying to make a great throw, with the addition of a boomerang feature in the discus and two athletes throwing the blindingly lighted discuses at each other–so there’s some dodging required.

Updating rugby and soccerJump Ball (Starship Troopers).  You can’t beat a sport where men and women play along side each other on equal footing.  And Johnny Rico and his pals looked like they were having so much fun, too.  Part indoor football, and full contact, with cool gear–all that makes this one a game everyone would want to play and watch.

Updating rugby, polo, and basketballQuidditch (Harry Potter and the Goblet of Fire, etc).  Beyond the flying, Quidditch offers multiple goals and ways to win, and that puts this toward the top of our list of exciting otherworldly sporting events.  On the one hand it’s another form of “air hockey” (or “basketball on broomsticks with six hoops” as Harry calls it) where you have to get the ball in the goal, but with the addition of the trickier seeker’s job, viewers can choose which part of the game to watch—assuming someone can film all the details and project it on a nice jumbotron.  And like Jump Ball, boys and girls play together on the same team.  With neat equipment like the quaffle and bludgers and the zippy little golden snitch, who wouldn’t get excited about this kind of match?

So that’s it.  Cheers to Oscar Pistorius.  We hope he comes back for the next Olympics.

C.J. Bunce
Editor
borg.com

By C.J. Bunce

You can spend your weekend at Comic-Con wandering the exhibit floor looking for mass market collectibles, talking with dealers of original art, talking with writers and artists of current and classic comic books, attend panels and see comic and other creators, TV and movie stars and get the low-down on coming projects, go offsite for parties and studio and publisher events–the biggest problem is doing all you want when there is nowhere close to enough time to do it in.  If you’re in for only a few days, you really have to pick up your pace and narrow down what you want to see.  Since I spent a whole day in panels and did not stay for the entire weekend, any encounters I had with creators and studio celebrities were pretty much based on happenstance this year.  Many creators are now friends, others I gawk at like everyone else from afar.  So who did I see?

First of all, in panels I saw the cast of Community, Firefly, and the new series Arrow, including guys I’d love to talk in person someday–Alan Tudyk and Adam Baldwin, David Boreanaz and Emily Deschanel from Bones, and the guy you may know as Bud from Married with Children, David Faustino, who is doing voice work now for Nickelodeon, and he voiced the character Mako as part of the Legends of Korra panel.  As I mentioned earlier in the week, waiting in line allowed me to meet and get a photo with Joss Whedon.

The Soup host Joel McHale, Firefly star Nathan Fillion, former Angel star David Boreanaz and Korra’s David Faustino really stood out as funny guys in these panels–surprisingly quick-witted people who got the crowd cheering with everything they said.

I saw the main cast of the Syfy Channel series Haven during their signing session.  They really looked like they were having a good time–like they really get along with each other.  Also signing in the Sails Pavilion were Richard Anderson, who was the classic character Oscar Goldman from one of borg.com’s favorite borg shows: The Six Million Dollar Man, and Cindy Morgan from the original Tron and Caddyshack.  I hoped to run into Bruce Boxleitner, JK Woodward and Scott and David Tipton but my panel schedule caused me to miss meeting them.

On the exhibit floor I watched Lou Ferrigno (The Incredible Hulk) and Kevin Sorbo (Hercules) talk with fans and sign autographs.

Arnold Schwartzenegger was coming into the hall and I staked out a photo op location but his handlers moved him out of the hall so I missed seeing him.

As a Star Trek fan, I was very happy to finally meet and have a nice conversation with Brent Spiner.  He was a great guy who was as nice in person as you’d hope him to be from years of watching his lovable character Data.  I also had a brief chat at day’s end with Levar Burton, also a friendly guy, signing photos of Geordi LaForge for fans.  I’d met Marina Sirtis before so I didn’t chat with her this round, but she was also signing Counselor Deanna Troi photos in the hall.

Earlier this year I reviewed Table Top, a new, fun Web series hosted by Wil Wheaton with the Geek and Sundry creators.  I met him near a Starbucks and shared my feedback with him on his show.  We talked about some of the games and he graciously introduced me to his wife and friends.

Wheaton is truly “one of us” and a really personable guy.  Of everyone at the Con, he is probably my first pick of someone you’d like to wander the Con halls and chat with.  Another show host, Blair Butler was attending the Con from the popular genre cable channel G4.

Of the comic book realm, I met Cat Skaggs, a well-known comic book artist who was signing cover prints to Smallville Season 11 #1 and she sketched a great Green Arrow bust for me.

I also met Neal Adams–a comic book legend who created the look of the Silver Age Green Arrow and I finally was able to add one of his sketches to my folio.  Neal was sketching non-stop for fans just like the newer, younger artists in Artist Alley–a real “working artist” even after all these years.

I ran into my friend Freddie Williams II also, and he also was busy sketching for fans throughout the Con and selling original art from his various DC Comics series.

David Petersen, known best for his Mouse Guard work, was working on commissions for attendees and selling shirts and art at his booth in Artist Alley.  I also lucked into getting a sketch from him and enjoyed talking with his wife, who manned the booth when he was doing signings elsewhere.

I ran into Frank Cho again this year and he said he is still expecting to get Guns & Dinos out soon.  He was selling a great pin-up calendar featuring Brandy and the Liberty Meadows gang.  More on that in future posts.  A nominee for the Eisner in two categories this year, Rachel Rising creator Terry Moore was busy talking with fans.

As with last year, Jim Lee could be found at several panels and signing throughout Comic-Con.

As with Freddie Williams, I met up with several folks from back in the Midwest.  I ran into artist Ande Parks and met his wife, while hanging with Sean and William from Elite Comics and Chris Jackson who runs Planet Comicon.  Parks was chatting with his frequent cover artist Francesco Francavilla, this year’s Eisner cover artist of the year winner, and someone we have talked about here at borg.com all year long for his great cover art.  I ran into Star Trek author Kevin Dilmore twice on the exhibit floor–my third year seeing Kevin at the Con.  It’s crazy how you can be in your hometown and never run into anyone, and then fly to San Diego and see so many people from back home.

By Jason McClain (@JTorreyMcClain)

The Midsummer Classic, baseball’s All-Star game, takes place on Tuesday and to help out you non-baseball fans, here are some cool things to keep in mind as you watch.  I’ve tried to frame the game in ways that I hope will make it easier for non-fans to understand.

Centerfielders Abound Just Like The Simpsons Episodes!

In the third season of The Simpsons (a season that I love for my favorite Halloween episode “Treehouse of Horror: II” because the frogurt is cursed) they had a baseball crossover episode called “Homer at the Bat” that starred the biggest baseball stars of the age, including Ozzie Smith, Mike Scioscia, Don Mattingly, Wade Boggs, Jose Canseco and Darryl Strawberry.  At the end of the episode, you hear a revised version of “Talkin’ Baseball” by Terry Cashman called “Talkin’ Softball.”  The new version replaced the signature “Willie, Mickey and the Duke,” with “Homer, Ozzie and the Straw.”  The original song commemorates the city of New York and the three great centerfielders that played there at the time, Willie Mays, Mickey Mantle and Duke Snider.  Today, a couple of new centerfielders, Mike Trout and Bryce Harper, have drawn comparisons to these celebrated players of the past.  Add to them the great defensive centerfielder for the Braves, Michael Bourn, and you have a new part to the song, “Michael, Harper and the Trout.”  As the linked articles say, we’ll be seeing these guys for a while, and you’ll be lucky to catch glimpses of them both in their first All-Star Game.

The Fellowship of the Championship Ring

In baseball when you win the World Series, each member of the team now gets a championship ring.  To win the World Series, a team must win four games.  To get to play four games at home, the league must win the All-Star Game.*  So, think of it this way – the players for each team in the All-Star Game are like the league’s Fellowship of the Ring.  Nine members of the fellowship, nine players start for a baseball team. They are there to protect the interest of their league in procuring rings in October.  Here’s your guide to what person in each league equals each member of the Fellowship.

Frodo Baggins – Mike Napoli, AL;  Buster Posey, NL

Frodo was the guy that was modest but really in charge, and that just screams the position of catcher to me.  I put catcher Mike Napoli here because he looks like he would have hairy feet and Buster Posey because he has a baby face like Elijah Wood.

Samwise Gamgee – Derek Jeter, AL;  Yadier Molina, NL

Samwise had to be the most loyal person in the history of literature.  So, for his position, here are two players that have been with the same team for their entire career.  Derek Jeter with the Yankees and Yadier Molina with the Cardinals.  The fact that Molina also looks like he has hairy feet is just a bonus.  Since Molina won’t be at the game due to being on the bereavement list, I think Carlos Ruiz makes a great substitute as he has always been a Phillie and also looks to have hairy feet.

Merry Brandybuck and Pippin Took – Elvis Andrus and Asdrubal Cabrera AL;  Rafael Furcal and Jose Altuve, NL

If hobbits were ever to play baseball, they’d have to be middle infielders, generally the smallest players on the diamond.  Jose Altuve, the 5’5” second baseman for the Astros, makes this list as the slightest of all the players.  Elvis Andrus joins him because not only is he a middle infielder, he has hobbit power with only 1 home run.  Add to them shortstops Asdrubal Cabrera and Rafael Furcal and you got some serious small and quick guys (small being relative as Elvis and Asdrubal both stand 6’0”.)

Gandalf the Grey – Joe Nathan AL;  Chipper Jones, NL

When I think grey, I think older, as in, “I keep getting older and keep getting more grey hairs.”  So, for Gandalf, look no further than the two oldest players on each team that I didn’t select for another character.  Joe Nathan is just a little bit younger than Derek Jeter and Chipper Jones is the oldest player on both teams at the ripe old age of 40.

Aragorn – Robinson Cano, AL;  Matt Kemp, NL

I think of Aragorn and I think of a strong leader.  So, for Aragorn I choose the Home Run Derby Captains, Robinson Cano and Matt Kemp.  If we were just judging it on dreamy guys, because I think all fan girls swoon at the sight of Viggo Mortensen, then I think Matt would still easily make this cut. (He dated Rihanna.  Don’t worry, you probably don’t know her because you didn’t see Battleship.  Trust me – she’s very pretty.)  We’ll give Robinson Cano the benefit of the dreamy doubt as well.

Legolas – Curtis Granderson AL;  Andrew McCutchen, NL

I think Legolas, I think lithe.  Yes, both Andrew McCutchen and Curtis Granderson can hit a lot of home runs, but watching them cover ground in centerfield harkens back to Legolas running through the woods without getting winded.

Gimli – Prince Fielder, AL;  R.A. Dickey, NL

Prince Fielder is an easy choice as he is easily the most bearded guy on the field, and if there is one thing that dwarves can do, it’s grow a beard.  R.A. Dickey might not be as bearded as Prince, and since he climbed Mt. Kilimanjaro, he may be closer to Frodo or Sam climbing Mt. Doom, but I wanted to be sure to include him on a list because he is cool.  He climbed Mt. Kilimanjaro.  If you want an NL player with the same physique as Prince and Gimli, the Kung Fu Panda (yes, that is his nickname) Pablo Sandoval is pretty close.  If I had to name a fourth dwarf, David Ortiz of the AL would easily make the list.

Boromir – Josh Hamilton, AL;  Joey Votto, NL

I think Boromir, I think of a big, strapping, huge guy ready to take on all comers.  As far as hitters go, you can’t get much bigger and stronger than Josh Hamilton and Joey Votto.  (If you think of Boromir as a traitor, put a little more Sean Bean as Ned Stark in your viewpoint.)  Right now, Joey and Josh are 1st and 3rd in wOBA, a stat created by Tom Tango to measure the whole picture of a player’s offensive contribution.  What does that mean?  They are the first and third best hitters in the game right now.

Now, you can watch the game, look at all these players and see if you agree with me.  If nothing else, it will keep your mind occupied in between the action on the field.  To make it simpler, just look at the big screen on each player and ask yourself: hobbit, dwarf, elf or man?

*Is it a good rule to have the home team of the World Series determined in this way?  Probably not, but I have much bigger complaints in the world and all the griping I hear now should have been as loud for alternating years back in the 80s.  Weee!  It’s an even numbered year and that means NL home field advantage!  Weee!  Do I sound bitter for being a fan of the Cardinals who made the World Series in the odd numbered years of 1985 and 1987 when I actually paid attention?  Yeeessss!

Pitchers pitching as fast as a Tron Identity Disc

Yes, Tron and Flynn can throw their identity discs with the speed of a starship, but wait until you see what these pitchers can do with a baseball.  Because the radar gun in Kansas City is “hot,” the readings will regularly look to be near triple digits, but even if you know that ahead of time and adjust down two miles an hour, you’ll still have plenty of chances to see guys that can throw a baseball at speeds approaching 100 miles an hour.  Here’s a list of pitchers and their average fastball velocity, but to simplify it to those on the All-Star roster, here are the All-Stars with their average fastball speed:

Stephen Strasburg – NL – 95.9 mph
David Price – AL – 95.5 mph
Justin Verlander – AL – 94.0 mph
Gio Gonzalez – NL – 93.3 mph
Clayton Kershaw – NL – 93.2 mph
Yu Darvish – AL – 93.0 mph

That’s just the starting pitchers.  These relievers can also throw very, very fast:

Craig Kimbrel – NL – 96.8 mph
Joel Hanrahan – NL – 95.9 mph
Fernando Rodney – AL – 95.6 mph
Jim Johnson – AL – 94.3 mph

If you look beyond the speed and just want to see pitches that move in crazy directions, check out R.A. Dickey and his “angry” knuckleball.  Yeah, that’s off the point, but I wanted a chance to mention R.A. Dickey again.

Hope that helps non-baseball fans to enjoy the game.  Happy viewing!

Review by C.J. Bunce

Tron is one of those franchises that has barely been tapped for its universe of potential stories about the Grid.  The original movie Tron followed Jeff Bridges’ character Flynn as he became sucked into the computer sphere, into the video game, Tron.  The graphic novel Tron: Betrayal smartly covered the events after the original film, to provide a segue into the new Grid universe in Tron: Legacy, a strange, cool, new world of the Grid on the big screen.  Tron: Legacy met Flynn again, this time an aged hermit-slash-guru, trapped for years as an outcast rebel leader, and his son, who enters the computer world to find him.  We got a brief glimpse of Tron’s real-world equivalent (Bruce Boxleitner, Chuck, Scarecrow & Mrs. King), but didn’t see much of Tron himself.  The excellent updated role play video game Tron: Evolution features even more of the new world, but not until now do we get what we’ve wanted all along, more Tron, and specifically more Boxleitner as Tron.  Unfortunately Tron isn’t the lead of the new animated weekly half-hour TV series on Disney XD, Tron: Uprising, but he gets an important key role as Jedi-like mentor to Elijah Wood’s young Padawan-esque character, Beck, years after the events of Tron: Legacy.  The story is one of persecution and revolution, and the whispered message across the Grid is “Tron lives.”

You’ll find plenty of parallels to Star Wars and other good science fantasy and science fiction, even cool references back to the original Tron movie itself, like the little floating diamond that repeated the word “yes” with nice comic timing.  And you’ll be hard pressed not to try to compare it to the Clone Wars animated series.  I think the art, sound, story, music, color, depth, movement and vibe leaves not only Clone Wars behind, but any other animated series that comes to mind, after watching the first three episodes broadcast yesterday and last Tuesday.  If there is any drawback it may be characters and producers still getting comfortable with the dialogue and techno-babble, but this may just get ironed out over the course of the series.  The other drawback is getting used to the string-bean thin and tall hero characters of this universe.  But those items are easily dismissed for all that is very cool in this series.

The best part may very well be the band Daft Punk’s soulful, hopeful, sometime dark, sometimes bright techno music that is borrowed from their unique and stunning score for the film Tron: Legacy and carefully and expertly edited into this series.  The thumping base line and synthesized strings at the right movements take you into this new world to the point you find the art direction and sound together creating a complete universe–and you will question whether this is a movie or a video game or an animated series.  Imagery of a classic Encom light cycle has glass-like mirror reflections of animated characters that looks like it could exist in the real world.  Water flows like real water, yet nicely done with a computerized edge to it as in the original Tron film.

And then you have Bruce Boxleitner as not an elder Tron so much as a mature Tron, leader and icon of this new uprising.  His character looks a bit like Boxleitner without the need for motion capture technology.  Elijah Wood’s Beck is young and impulsive.  Emmanuelle Chriqui’s Paige and Kate Mara’s Perl are cool, tough villains.  Tricia Helfer (Battlestar Galactica, Burn Notice) provides the perfect voice for the voiceover introductions as well as the voice of the Grid.  Lance Henriksen’s (Alien) Tesler is a slicker villain than Jeff Bridges’ motion capture computer-generated character Clu from Tron: Legacy.  And Paul Reubens’ voice is perfect for Tesler’s henchman.

You can’t forget the animation itself, and Disney has outdone itself here.  it looks like it must have taken years to developed this type of imagery.  Some scenes look they come from the best of Pixar’s achievements, including some that just establish setting, with little or no action, although the light cycle chase scenes are seemless and exciting as you’d hope for.

A great start for a great franchise!

By C.J. Bunce

We highlight them all the time here at borg.com.  But some of them don’t naturally come to mind when you think of cybernetically enhanced organisms–cyborgs, or borgs for short.  What makes a borg?  An organism, human, alien, or animal, who has been modified by technology or uses technology as part of or in place of another biological function.  We use this broadly, encompassing not only a long-accepted group of borgs that are more metal than man, but also robots or androids modified with biology or biomatter, although taken to the extreme this would seem to include the bioneural starship USS Voyager from Star Trek Voyager.

Regardless of how you define it, meet our borg.com Hall of Fame, always ready for new honorees…

With Marvel’s big premiere of Joss Whedon’s The Avengers, we’ll begin with Tony Stark’s Iron Man.  Tony Stark is not advertised as a borg, but if your power source involves techno-gadgetry via an arc reactor and you have his fully integrated armor, we think that makes you a borg.  Whedon is very familiar with borgs, having created the character Adam, the nasty, almost unstoppable foe of the Scooby Gang in Whedon’s Buffy the Vampire Slayer.

If Iron Man is a borg, should one of the oldest creatures of science fiction be considered a borg as well–Frankenstein’s monster?  How integral are those bolts and attachments to his survival anyway?  Does an external power source make a borg?  Did he ever have to regenerate?

And if Frankenstein’s monster makes the cut, maybe this spin-off fellow should, too:

Yes, Frankenberry, the only cereal mascot borg?  Are those pressure gauges on his head?  What functions do they serve?  Before we move forward very far in time, we also think we need to at least consider Maria’s doppelganger from Fritz Lang’s sci-fi film classic Metropolis as a possible borg.com honoree–a robot admittedly, but somehow transformed into a humanoid creation with flesh, used to replace the real Maria and wreak havoc across Metropolis:

From one of the biggest science fantasy franchises, Star Wars, Darth Vader began as Anakin Skywalker, but through his own rise to evil and subsequent downfall he became more machine than man:

He even caused his son to require borg technology by slicing off his arm and hand with his lightsaber, making Luke Skywalker a borg as well:

With Star Wars Episode III: Revenge of the Sith, we met an interesting new villain, General Grievous, a four-lightsaber wielding almost lobster-like biological creature made up of techno-armor and, in close-up are those reptilian eyes?  His apparent disfigurement and breathing problems hint at a back story that must be not unlike Vader’s.

In The Empire Strikes Back we also briefly met Lando Calrissian’s majordomo who possessed some type of brain adapter technology–we learn from action figures, trading cards and comics his name is Lobot:

And probably the very first cyborg to be referred to specifically as a “borg” (by Luke Skywalker, even), Valance was a cyborg bounty hunter in the early pages of Star Wars, the Marvel Comics series:

Some borgs are more cybernetic than organism, at least at first appearance.  This would include Doctor Who’s Cybermen:

and we’d learn even the Daleks were cybernetic organisms:

and the Terminators from the Terminator movie and Sarah Connor Chronicles TV series, very much more machine with a bit of organics (and even Arnold’s character called himself a “cybernetic organism”):

In Star Trek: First Contact the Borg Queen alters the android Lieutenant Commander Data in such a way so as to make Pinocchio a real boy:

giving real organic material to Data, (like Maria’s double above from Metropolis?) bringing him briefly into the realm of borg status, like Isaac Asimov’s Bicentennial Man:

and this even suggests the Tin Man from L. Frank Baum’s The Wizard of Oz may be a rudimentary variant borg being along the lines of Frankenstein’s monster:

All humanoids or aliens modified to become The Borg of the Star Trek franchise clearly are good examples of cyborg beings, the most famous of which are probably Patrick Stewart’s Locutus:

the seemingly innocent Hugh:

and Seven of Nine from Star Trek Voyager:

On Earth we encounter humans all the time with bodies improved by borg technology.  Because of the OSI Steve Austin and Jaime Sommers were rescued from near death with enhanced biology and appendages to become the Bionic Man and Bionic Woman:

The British agent James Bond had to take on Doctor No, an evil scientist who took on his own technological enhancements because of medical maladies, bringing James Bond into the fold of genre franchises investigating a borg character:

Featured in a 1980s movie series and soon to be the subject of a new movie, Robocop:

showed us a variant on Austin and Sommers, and a bit like Iron Man, we have the government creating technology to make super-humans, and here, a superhuman police officer.  This is taken even further, making three animals into borgs for military use in the Eisner-nominated comic book mini-series WE3:

 …a far darker take on the classic cartoon character Dynomutt from Scooby Doo:

Inspector Gadget:

and Doctor Octopus (Doc Ock) in Spider-man 2:

 

both were borgs that made it into big-screen films.

In the DC Comics universe we have a newer Justice League featured member Cyborg, a football player/student who is in the wrong place at the wrong time, when his father’s lab goes up in flames and his father uses his own research to save his son from death:

Before that, Frank Miller envisioned a disfigured future world Green Arrow who would need his own prosthetic cybernetic arm in The Dark Knight Returns:

Mr. Freeze was an early borg villain in the Batman series:

In Marvel Comics Rich Buckler created Deathlok the Demolisher, another cyborg creation, and one of the earliest borgs in comics:

Add to that Marvel characters like Ultron, the “living” automaton:

Ultron’s own creation, named Vision, the “synthezoid”–

and the borg called Cable:

In the 1990s Jim Lee created the Russian borg in the pages of X-Men called Omega Red:

Long before these Marvel characters the cyborgs Robotman and Robotdog graced the pages of DC Comics in the 1940s, and yes, they were not just robots:

The modern Cylons from the reboot Battlestar Galactica TV series are borgs in the Terminator sense, robots made to look and pass for human.  And there were a bunch, not just background, but named characters, the most famous of which was the seductive Number Six:

  

Years before, Philip K. Dick would create more than one borg character in his novels and short stories, revealed to us the best as the Replicants in Ridley Scott’s Blade Runner:

Several replicants appeared in the film:

 

…all indistinguishable from humans to the naked eye.

In the horror realm we have Ash, from Evil Dead and Army of Darkness, his arm a functioning chainsaw, and at least in the comic book, like the Star Trek borgs he has an interchangeable arm like a mega Swiss Army knife:

If we include Ash do we also need to include Cherry Darling from Planet Terror, since she has a rifle as a leg like Ash’s arm attachment?

Heck, even horrific camp troller Jason became a borg eventually in Jason X:

Todd MacFarlane’s Spawn comics had both the borg assassin Overtkill:

and the cybernetic gorilla Cy-Gor:

Speaking of borg beasties, even Japanese monster movies embraced borgs, having their hero Godzilla encounter Mechagodzilla:

and Gigan:

In the world of manga and anime we have Ghost in the Machine’s own borg girl Motoko Kusanagi:

leader of a group of borgs, and the villain Cell from Dragon Ball: 

Cowboy Bebop had the borg character Jet Black, which seems influenced by the design of Seven of Nine:

Akira had Tetsuo Shima:

And we have a new one to add to the list because of the film Prometheus, the creepy borg, David 8:

But he’s certainly not the first in Ridley Scott’s Alien universe.  Don’t forget Ian Holm’s Ash in Alien:

Lance Henrikson’s Bishop from Aliens:

and Winona Ryder’s Annalee Call from Alien: Resurrection:

But these are just the biggest examples of borgs in popular genre works.  Countless books, comics and short stories have introduced other borg beings, not to mention every other new video game.   What will be the next borg to enter the mainstream, with a new TV show or movie?

Should we add an Honorable Mention list to the borg.com Borg Hall of Fame, for beings resulting from the merging of humans with cyberspace?  Think of characters like Tron and Flynn from Tron and Tron: Legacy?  Or Neo and Trinity & Co. from the Matrix movies?  You can argue some of the above in or out of the list, but we’ll be visiting most of them here now and then.

We’ll update this list from time to time and feature it as its own page on the borg.com home page.

        

It’s like the Canadian band Barenaked Ladies said in their hit song:  It’s all been done before.

But of course it hasn’t.

We sometimes tell ourselves that when we run out of ideas.  But just as much as there are always going to be millions more stories for writers to tell, there are stories out there already created that are waiting to reach a new audience.  Stories we love, but stories that we’d really love to see transformed into another medium– onto the TV or silver screen.  These are the film adaptations.  And they are a key part of movies of any genre.  The Academy of Motion Picture Arts and Sciences even has their own Oscar for adapted screenplay that often coincides with the Best Picture winner.

What are your favorite stories?  Have they all been made into movies?  Do you wish that any of them would be turned into a movie?  Do you wish most of them hadn’t been made into movies?  What stories would you like to see that have not yet been adapted to film?

You can adapt anything into a movie if you’re creative enough.  The biggest source for adaptations are books.  The result?  Some are good (Jaws, Godfather, To Kill a Mockingbird, Jurassic Park) and some bad (like every live action film based on Dr. Seuss/Theodor Geisel, who must be turning in his grave at what happened to his franchise after his death), or even hopelessly bad (like The da Vinci Code, which should probably not have merited a novel in the first place).   A painting by Dutch artist Johannes Vermeer inspired a novel and then a film adaptation—The Girl with a Pearl Earring.  The movie Ever After takes a fairy tale and merges it with a painting of Leonardo da Vinci’s Head of  Woman to create both a retelling and an alternate history of sorts, placing Leonardo himself in the middle of the fairy tale.

The Phantom of the Opera was turned from a theatrical musical into a movie (and even the reverse happens, as Sunset Boulevard went from film to musical).  The video games Tron, Doom, Resident Evil, and Tomb Raider all have been adapted into movies (how about Pitfall?).  Even the Parker Brothers games Clue and the Milton Bradley game Battleship have been adapted into film (wouldn’t it be great to try again with the characters in Clue?).

Wait long enough and even classic TV gets made into movies, like The Dukes of Hazzard, The Addams Family, The Brady Bunch, and the new Johnny Depp adaptation of Dark Shadows.  Last week the BBC reported that Bob Dylan’s album Blood on the Tracks is currently being made into a movie (and the album itself was even inspired by the short stories of Anton Chekhov), and the story of the song Amazing Grace (with Ioan Gruffudd and Benedict Cumberbatch) hit theaters only a few years ago.  Then there are adaptations of a writer’s angle on some famous or infamous figure in real life, like Schindler’s List—the biopic or historical adaptation is everywhere–but usually starts with the novel.  And even newspaper articles can end up as the original source for an award winning film, like All the President’s Men.  Certainly last but not least, comic books and graphic novels are the current rage, with movies adapted from Road to Perdition to Cowboys & Aliens to the soon to be released Avengers.

Source material for film adaptations is virtually unlimited.

We’ve asked our four borg.com writers not what the best adaptations are, but instead what are their picks for what should be the next adaptation from Hollywood.  What are the top 5-10 books, comic books, video games, or characters, etc. you’d like to see adapted into a movie—that haven’t been adapted yet?  We’ll start with Art Schmidt’s take on would-be adaptations tomorrow.

Review by C.J. Bunce

If you ever had an inkling to go to film school, if you are going to film school or if you teach film courses, Richard Rickitt’s Special Effects: The History and Technique should be required reading.  Not only is it a comprehensive work about the history and craft of special effects, it is a detailed account of the history and progress of film, and could serve as a college textbook to a master class in film technique.  And it is also a history of science and technology in its own right.

Rickitt’s Special Effects is a well-reviewed work, which is why it was purchased for me as a gift.  It is used as a college text in film schools and for good reason.  It has seen several printings since its first printing in Great Britain in 2006, including a reprint as recently as 2011, and it is as current as a nearly 400-page volume can be, including new effects technologies employed as recently as the Lord of the Rings films and X-Men 3.

Because of its price, Special Effects may not be for the casual movie enthusiast–but only because of price–as it can cost $40 for older editions and up to $230 for the most current edition.  Yet if you are really interested in behind-the-scenes cinema, it is probably worth saving for, and if you’re a college student, just slip it into your current semester’s $800 book purchase (at least that’s what I spent on each of my last few semesters for books and I can’t imagine prices have dropped–plus this book is actually a fun read you’ll hold on to).  It’s breadth is enormous, with both general and detailed coverage of landmark people and technologies from George Melies to Willis O’Brien and Ray Harryhausen to Industrial Light & Magic to Pixar and Weta.  Although it purports to cover merely Special Effects, in truth it covers the beginning of film and every technology that was created since, building upon each discovery and new invention to bring us to the complex CGI technologies of today.

This is far from a quick read, and will likely serve as a reference work or one you pull off the shelf from time to time when you need something exciting to read of the non-fiction variety.  I mentioned college text–Rickitt is a good teacher, clearly explaining in terms anyone can understand not just the “what” but the “why” and “how” of benchmarks in film with visuals and diagrams, including explanations of the role and use of technologies like the zoetrope, the parts and functions of the modern movie camera, the history and types of film recording materials, matte film, blue-screens, film printing, optical and digital compositing, the A to Z of film projection, post-production techniques like image interpolation, the use of mirrors, forced perspective and miniaturization, pyrotechnics, cloud tanks, models, motion-control photography, digital and procedural modelling, texture mapping, special effects animation, rotoscoping, 3D technologies, motion blur, digital skin, performance capture, particle systems, high dynamic range images, match moving, rendering, the A to Z of matte painting, props, make-up, prosthetics, animatronics, sculpting, inner mechanisms, performance systems, digital make-up, atmospheric effects, breakaway effects, sound recording, sound effects mixing, foleying, dialogue replacement, and the future of film technologies.

A diagram from Rickitt's Special Effects: The History and Technique

The author uses hundreds of photographs and provides real-use examples from movies to explain techniques.  Detailed analysis is used for movie benchmarks Rickitt has identified, including The Abyss (1989), The Birds (1963), Aliens (1986), An American Werewolf in London (1981), Blade Runner (1982), Citizen Kane (1941), Close Encounters of the Third Kind (1977), Darby O’Gill and the Little People (1959), Destination Moon (1950), Earthquake (1974), The Exorcist (1973), Fantastic Voyage (1966), Forbidden Planet (1956), Forrest Gump (1994), Jason and the Argonauts (1963), Jurassic Park (1993), King Kong (1933), King Kong (2005), The Last Starfighter (1984), The Lord of the Rings trilogy (2001-2003), The Lost World (1925), The Matrix trilogy (1999-2003), Metropolis (1926), Mighty Joe Young (1949), 1941 (1979), Raiders of the Lost Ark (1981), all six Star Wars films (1977-2005), Terminator 2: Judgment Day (1991), The Thief of Baghdad (1940), Things to Come (1936), Titanic (1997), Toy Story (1995), Tron (1982), 20,000 Leagues Under the Sea (1954), 2001: A Space Odyssey (1968), The War of the Worlds (1953), Who Framed Roger Rabbit (1988), Willow (1988), and Young Sherlock Holmes (1985).

You’ll learn about ambient occlusion, beam splitters, cannon cars, color separation, depth of field, diffuse reflection, dissolves, dubbing, edge detection, emulsion, extrusion, fluid dynamics, go-motion, introvision, the Lydecker technique, morphing, NURBs, plates, ray tracing, squibs, time-lapse and time slice photography, wipes, zooms and zoptics.

An early edition of Rickitt's book--note that earlier versions will not have the most up-to-date coverage of current technologies. The version shown at the top of this review is the most recent edition.

And along with the “what”  and “why” Rickitt profiles a “who’s who” of landmark film creators, including Georges Melies, Mack Sennett, D.W. Griffith, James Whale, Alfred Hitchcock, George Pal, Roger Corman, Irwin Allen, George Lucas, Steven Spielberg, James Cameron, Robert Zemeckis, Peter Jackson, Dennis Muren, John P. Fulton, Linwood Dunn, Richard Edlund, Dennis and Robert Skotak, Arnold Gillespie, Theodore and Howard Lydecker, Gordon Jennings, John Dykstra, Steve Gawley, Lorne Peterson, Willis O’Brien, Ray Harryhausen, Phil Tippett, John Lasseter, Norman O. Dawn, Albert Whitlock, Peter Ellenshaw, Lon Chaney, Jack Pierce, Stan Winston, Rick Baker, Ken Ralston, Cliff Richardson, Michael Lantieri, Jack Foley, Ben Burtt, Gary Rydstrom, and the Carboulds.

But you don’t need to look at Special Effects: The History and Technique as a dense book of facts.  Pick it up now and then and enjoy reading the book in 4-5 page stints and you’ll become an expert in film in no time, or just be amazed at how the magic of film works.

Special Effects: The History and Technique has a forward by Ray Harryhausen and an appendix, including a glossary of film terms and awards.

Hardly an artist on Facebook or anywhere else today isn’t talking about the influence of Moebius on comics, and sci-fi and fantasy art.  French artist Jean Giraud, who went by the moniker Moebius and created innovative designs for movies and comic books alike for more than 50 years, passed away this weekend at the age of 73.

Moebius became famous in France early in his career for his Western anti-hero Blueberry.  He went on to being awarded the Eisner Award for his work on Silver Surfer with Stan Lee.

His futuristic designs for the films Alien, Tron, The Fifth Element, Willow, Dune and The Abyss allowed his work to reach an even wider audience.  Ridley Scott credited his contribution to The Long Tomorrow to inspire the look of Blade Runner and master anime artist Hayao Miyazaki said his work influenced his work Nausicaa of the Valley of the Wind.

His influence on Miyazaki is unmistakable.  Check out this piece by Moebius, which looks like it could be found in any number of Miyazaki’s anime films:

His cocenpt art for the original Tron was innovative as seen in his solar sail:

… as well as his image of Tron himself:

His concept art for The Fifth Element helped define the look of the future, merging elements of past and present, for director Luc Besson, and his aerial Chinese junk boat made it near verbatim to the screen:

His imagery for Alien merged science fiction and horror:

His fantasy influence can be seen in his art for George Lucas’s film Willow:

Ultimately his comic book fans will remember his work for Marvel Comics, and his legacy from that work will continue to inspire legions of comic book artists young and old and designers of the look of the future:

C.J. Bunce

Editor

borg.com

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