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Tag Archive: Warehouse 13


The Librarians band of misfits

The TNT Network announced it has ordered 10 episodes of The Librarians, a new television series spinning off from The Librarian movies.  Christian Kane (Leverage, Angel) and Rebecca Romijn (X-Men, King & Maxwell) are returning to TNT and will lead the cast of the new series along with Lindy Booth (Kick-ass 2, Nero Wolfe, Warehouse 13, Dawn of the Dead, Supernatural) and John Kim (Neighbors, The Pacific).  Stars of the previous stories in The Librarian universe, Noah Wyle (Falling Skies, ER), and comedy icons Bob Newhart (The Bob Newhart Show, Newhart, Bob), and Jane Curtin (Saturday Night Live, Kate & Allie, 3rd Rock from the Sun) will reprise their roles in the new series.  Wyle will also continue in his role on TNT’s Falling Skies.

Fans of the Syfy Channel’s now defunct Warehouse 13 may find some familiarity in the world of The Librarians, as the show centers on an ancient organization hidden beneath the Metropolitan Public Library dedicated to protecting an unknowing world from a hidden world of magic.  The team solves mysteries, fights supernatural threats, and recovers powerful artifacts from around the world.  Among the artifacts housed in the Library are the Ark of the Covenant, the Spear of Destiny, the Judas Chalice and Excalibur.  As with Myka and Pete from Warehouse 13, only a person with special skills can protect these artifacts, and prevent them from falling into the wrong hands.

The new Librarians TNT

Along with comedy icons Newhart and Curtin, fan favorite comedic actors John Larroquette (Star Trek III, Stripes, Night Court, Deception) and Matt Frewer (Max Headroom, Orphan Black, Star Trek: TNG) will be regulars on the show.  Larroquette will play Jenkins, overseer of the Librarians, with Frewer an immortal, ancient cult leader named Dulaque.

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Warehouse 13 Pete and Myka

It’s finally time to say goodbye to Pete, Myka, Artie, Claudia, and Steve.  The Syfy Channel airs the last Warehouse 13 episode tonight.  What could have had a run for several more years was canned by the Syfy Channel last year, but not before fitting in six final episodes for a short fifth season.

As with the final seasons of other series that knew they were coming to a close, like Burn Notice, Monk, and In Plain Sight, the writing has really kicked in in the last season with Warehouse 13.  The craziest was the fourth episode of the season, “Savage Seduction,” which threw our crew into a cancelled Latin soap opera.  The main cast recited most of their lines in Spanish (subtitled) and the characters sometimes knew–and sometimes didn’t know–they were part of a show, thanks to a pair of Harvey Korman’s cufflinks.  Korman of course had issues staying in character on his many successful (and hilarious) years on The Carol Burnett Show.  Oh, how we will miss those kinds of artifacts!

Warehouse 13 finale

Last week we saw Claudia’s sister Claire being controlled by a borg lens.  So what will be the very last artifact to be thrown into the silver, purple goo-filled Neutralizer bag?

Here is the first three minutes of tonight’s finale, titled “Endless”–

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Warehouse 13 crew

The caretakers of the most dangerous (and strangest) artifacts from history, Pete Lattimer, Myka Bering, Artie Nielsen, and Claudia Donovan, return tonight for the fifth season of Warehouse 13, after a seemingly endless eight-month hiatus.  But the return is bittersweet, as the Syfy Channel’s homegrown, weekly, sci-fi extravaganza was signed for only six more episodes, and not renewed for a seventh season.  Petitions and outcry from the show’s many fans didn’t convince the network to keep the artifact hunting going.

So put on your purple gloves, get your Tesla and your Farnsworth, and get ready for the closing of the famous warehouse that revealed the secrets behind Anne Bonny’s cutlass, Catherine O’Leary’s cowbell, D.B. Cooper’s parachute, Frank Lloyd Wright’s pickup sticks, Houdini’s wallet, Pavlov’s bell, Pasteur’s milk bottle, Mata Hari’s stockings, Nero’s lyre, Paul Tibbets’ binoculars, Nixon’s shoes, Robert the Bruce’s tartan, Scott Joplin’s cigarette case, Sitting Bull’s riding blanket, and U.S. Grant’s flask.

Warehouse 13

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It’s 2014!!! Now what?

Sherlock season 3 promo

Happy New Year!!!

So what do we do now?  How about a look at the start dates for our favorite TV shows?  Many are already in progress, like Almost Human, Arrow, Dracula, Grimm, Major Crimes, The Michael J. Fox Show, New Girl, and Sleepy Hollow.  Some don’t have new season premiere dates yet, like Bates Motel, Continuum, Doctor Who, Heroes of Cosplay, Mr. Selfridge, and Warehouse 13.

The most anticipated series is very likely the three-episode third season of Sherlock starring Benedict Cumberbatch and Martin Freeman, finally coming back to PBS this month.

The biggest question is whether Haven will get renewed for a fifth season on Syfy.  The end of Season 4 was really getting better and Syfy just can’t leave us with that cliffhanger finale.

Haven - Season 4

Update yours DVRs!  Here’s what we’re going to be watching in 2014 at borg.com:

Almost Human –  Season 1 continues January 6 on Fox

Arrow – Season 2 continues January 15 on CW

Bates Motel – Season 2 begins in March to A&E

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Robin balloon at Comic-Con

By Jason McClain (@JTorreyMcClain) in San Diego

In contrast to an upcoming post about Concrete Volume 1: “Depths”, I saw the magic of work on display Saturday at Comic-Con.  I attended three panels and they all gave me a glimpse of those special relationships that develop between co-workers.  From Matt Smith calling Steven Moffat “Moff” and Steven “Fat” telling Matt that he’ll be dying soon (on Doctor Who), you could tell a bond had developed.  The Being Human panel featured a question from an audience member named Audrey and that led Sam Huntington to comment that was his daughter’s name.  Then came a whole riff on whether or not this was his daughter time-traveling from the future, and then when Sam Witwer was on the other end of Audrey’s question, eventually Meaghan Rath dropped the mic and left the stage as it was one of many questions directed Sam W.’s way.  The smiles back and forth between those three and the continual riffing revealed how close they were.  However, neither came close to meeting the emotion of the Warehouse 13 panel.

(I so wish I had photos to share with you of Warehouse 13, but my phone died.  I would have looked to the ceiling, clenched my fists and yelled, “PHONE!” but I didn’t want to interrupt the panel.)

The first emotion – excitement.  The panel started out like any other with introductions of the participants.  When the moderator came to Eddie McClintock, I didn’t see him up on stage because he ran up one of the aisles of the Indigo Ballroom as a human version of a t-shirt cannon.

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Artie with dagger

When we last left Warehouse 13 at the end of Season 3, Saul Rubinek’s Artie had turned evil, resulting from a psychotic episode caused by an astrolabe.  He killed Leena (Genelle Williams) and was attempting to use a dagger to open a jar holding the deadly Chinese Orchid–the deadliest artifact in Warehouse 8–a poisonous flower that would unleash an epidemic that could wipe out half the population of Earth.  Claudia stabbed Artie, attempting to remove the spell that changed him.

James Marsters on Warehouse 13

At the beginning of Season 4 the “sweating sickness” is moving across Europe.  Pete’s mom Jane Lattimer (Kate Mulgrew) sets Claudia (Allison Scagliotti) and undead Steve Jinks (Aaron Ashmore) on a journey into Artie’s labyrinthine Warehouse-world brain, using an artifact owned by Sigmund Freud.  Lindsay Wagner’s Dr. Vanessa Calder appears to them and warns them to leave.  Elsewhere James Masters plays a professor named Sutton, an expert on the Count of St. Germaine–who is supposed to help Pete (Eddie McClintock) and Myka (Joanne Kelly) save the world after they first visit the elegant home of antique collector Charlotte (Polly Walker).

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After a crazy day of an insane volume of fans storming Bartle Hall in Kansas City Saturday for the biggest Planet Comicon event in more than a dozen years of events, it seemed like everyone came back Sunday for Day Two with aisles jam-packed again.  And for fans of all things borg like us, it was a banner day, meeting up with the original Bionic Woman herself, Lindsay Wagner, and the current writer on Dynamite’s Bionic Man series, Aaron Gillespie.

First up–Bionic Man cosplay.  The idea was inspired by my own large-sized action figure as a kid.  Originally planned by DW and me for SDCC 2012, it seemed a great fit for a borg.com tie-in, too.  Always looking for something original for other fans to enjoy, we’d never seen anyone re-create Steve Austin, the Bionic Man, at any convention ever, or posted online anywhere.  As the idea developed we decided it needed something more–and we moved from the character to the 1970s action figure itself.  With bionic eye, inserted arm circuitry, a pair of classic red and white striped Adidas Dragons, the classic red track suit, and the key identifier–the patch that was used as the official fan club badge and stuck on the chest of every Bionic Man action figure, which makes sense for the toy but would never make sense on the show–we had all but one thing left.   Decades ago you could find plastic hair at costume or theatrical shops but go searching and you’ll come up empty.  So we searched for full face masks that could be altered and came up with a JFK mask that could be cut and repainted, which seemed to do the trick.  Add some spirit gum (which may never ever come off my face) and temporarily lose the goatee, we found contact lenses from a UK retailer, made the patch from transfer paper using Web images and interfacing, and temporary tattoo material, and we have the Six Million Dollar Man large-sized action figure.  We got some good reaction to it at the Elite Comics Halloween event last year, and when we saw Lindsay Wagner as a guest of this year’s Planet Comicon it was obvious I was going to wear it to the show.

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Following cast

Last Monday, January 21, 2013, The Following premiered on the Fox network. It’s a dark, bloody crime drama from Kevin Williamson, creator of the Scream franchise, Dawson’s Creek and The Vampire Diaries.  It’s the Scream franchise that might come to mind if you check out the premiere on Free Per View before tonight’s episode “Chapter Two” airs.  Expect some horror movie jumps and startling revelations as well as a little more than you might see as far as crime scenes from other series (although not a lot more than what you might have found on something like TV’s Medium when it still was on the air).

The big draw for The Following is the series star, Kevin Bacon.  You might also have checked out the pilot if you were a fan of Maggie Grace, star of the Taken film series, The Fog remake, and Lost, the TV series.  If you’ve missed the original Law and Order, you might be happy to see the return of Annie Parisse in an ongoing role beginning with tonight’s episode.  And if that weren’t enough, you might think you’re watching Warehouse 13, Veronica Mars, Smallville, Lost Girl and In Plain Sight’s Aaron Ashmore as Agent Michael Weston–but you’d be wrong.  Turns out Aaron has a clone, twin brother Shawn Ashmore.  (And hey, don’t TV writers watch TV?  That’s at least the third Michael Weston on TV right now).

Spoilers ahead.

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Syfy New logo

Last night the Syfy Channel premiered a new show documenting its 20 years of bringing science fiction and related programming to cable TV.  The Syfy Channel 20th Anniversary Special chronicles the key landmarks of the channel going back to its inception in 1992 as a network of mostly reruns of classic sci-fi series like The Twilight Zone, The Outer Limits and the original Star Trek, as well as collecting and expanding upon series that didn’t make it on other networks, like Sliders and Andromeda.  The 2-hour show is a great way to reminisce about all the good–and bad–TV that has sucked you in, featuring commentary by series creators and cast, and narrated by Lois and Clark star Dean Cain.

Actors Amanda Tapping, Christopher Judge and Michael Shanks discuss the first big hit for the network originally called the Sci Fi Channel: the Stargate franchise, including Stargate SG-1, and spinoffs Stargate Atlantis and Stargate Universe, as well as the made-for-TV movies.

Then there were early series that didn’t last long, like USA Network series that moved to Sci Fi, like Good vs. Evil, The Invisible Man, Welcome to Paradox, and Mission Genesis.

Ben Browder and Claudia Black chat about the four seasons of the Australian production, Farscape, the next big series for the Sci Fi Channel.  The renaissance of science fiction fans fighting for a series to return occurred with Farscape, resulting in Brian Henson bring a 4-hour mini-series event to round out and tie up the loose ends of the series.

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Review by C.J. Bunce

TV tie-ins need to achieve a few basic concepts to be successful.  First, they need to capture the feel and voice of each main character and do it quickly.  Second, they need to skip over the setting and world building, or at most, give the reader the minimum necessary information to understand the world of the TV series being adapted, as adaptations tend to appeal to fans of the show who just want more.  Third, the adaptation should take you to new places or throw the characters into new circumstances that are limited by the TV medium, primarily because of a the short time period of each episode and budget constraints.

For an adaptation of the SyFy Channel’s Warehouse 13, here Greg Cox’s Warehouse 13: A Touch of Fever, to hit the first mark of success, this means first and foremost that it reflects the brother-sister relationship (aka antics) between agents Pete Lattimer and Myka Bering.  That we see the actor Eddie McClintock speak with every Pete line and the actress Joanne Kelley speak with every Myka line.  It means that Pete gets to enjoy everything about being a Warehouse 13 agent that is cool.  That we can see Myka’s eyebrow raised every time Pete opens his mouth.  It means that Artie needs to be gruff and smart, that Claudia needs to be hip.  That Artie brings in trivial details of tangent cases involving artifacts, especially when it is the most inappropriate and time is of the essence.  That Claudia drops pop culture references with each breath and enjoys her own generational battle with Artie.

Step 1?  Check.

For the second step, getting us right into the action and story, writer Greg Cox does quite well, giving readers new to the Warehouse only what is really needed to get to the heart of these characters.  We get a few visual descriptions and he lets the catchy dialogue do all the rest.  His best work here is for the thoughts of Pete Lattimer.  With each line uttered you see the line being voiced by Eddie McClintock.  Lines like “How come Artie never sends us to All-You-Can-Eat Cookies instead?” and lying to Artie via the Farnsworth video pre-cell phone.  And he lets Myka save the day more than once, entering the frame to save the day with her Tesla electric gun.

Step 2?  Check.

And for the last necessary element of a good tie-in, Cox hits the ball out of the park.  Claudia and Leena are wading through the endless Warehouse and dozens of new artifacts are revealed.  We get to see one artifact create an earthquake in New York City’s Central Park.  And we learn that the Warehouse owns a certain brilliant red Fokker DR-1 triplane owned by the Red Baron, and Artie and Claudia get to fly it and use it to save nearby Badlands town Univille from an escaped thunderbird–that itself was released from a totem pole.  Stuff that would be expensive to create in special effects, and scope outside any kind of television production budget.

Step 3?  Check.

Warehouse 13: A Touch of Fever is the first adaptation of Warehouse 13 in print.  In the afterward Cox says he wanted to write an adaptation of Warehouse 13 when he first saw it on TV.  Who wouldn’t?  The TV series only scratches the surface of dealing with all the strange and cool artifacts throughout history that could have their own episode.  Here, this means tracking down and putting together for the first time since the Civil War the white gloves of Red Cross founder Clara Barton.  It means finding the cutlass of Anne Bonney the pirate–all before too much blood is spilt.  Cox includes dropped references to such great items that could have their own show, like Reagan’s jelly beans, Van Gogh’s ear, the seventy-six trombones, Harriet Tubman’s thimble, John Brown’s body, and the original grapes of wrath, and once found, getting to decide what does and what doesn’t end up in the Dark Vault of the Warehouse.  We also get to see some Rube Goldberg-esque mayhem in the Warehouse when a certain metal pot used as a hat that was once owned by Johnny Appleseed spills some apple cider off the top of a shelf.

Greg Cox is one of the go-to guys for TV series and movie novelization tie-ins and he makes writing the Warehouse look easy.  He has previously written novelizations of Buffy the Vampire Slayer, CSI, Star Trek, Farscape, The Green Hornet, Roswell, Underworld and Xena: Warrior Princess. 

While Warehouse 13 the TV series is on hiatus, the novelization is a good mid-season alternative to keep interest in the characters of the show.  Fans of the series will be able to keep up with all the references in Cox’s book and afterward feel like they watched the equivalent of a TV movie special.

Greg Cox’s Warehouse 13: A Touch of Fever was released in June 2011 and is available in mass market paperback and lists for $7.99.

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