Escape from Tomorrow movie poster

“Don’t mess with the Mouse,” is a maxim in American intellectual property law.  Ask any law professor.  Those who challenge Disney in court usually lose.  But the view that Disney can’t be beaten is part of the myth Disney has created itself, and the success of the critically acclaimed independent film Escape from Tomorrow is throwing movie watchers’ pre-conceived notions of Disney as sacrosanct out the window.  Escape from Tomorrow was filmed nearly entirely on location at Disney theme parks without the permission of Disney.  It turns out there’s nothing Disney can do about it.  The result is better than just a stunt project, but it has its misfires as much as it has its triumphs.

The talented Roy Abramsohn, mainly a character actor who has shown up in TV series from Charmed to Medium to Monk and Without a Trace as well as a recurring role on Weeds, takes on the lead role of Jim, a father and husband of the Clark Griswold variety on his last day of vacation at Epcot and Disney World, the celebrated “Happiest Place on Earth.”  Jim just learned he’s lost his job and is having one of those days where everything goes wrong.  But this is no National Lampoon’s comedy.  Jim is living out his own House of Horrors.

Abramsohn in Escape from Tomorrow

Structurally, the film is brilliantly executed for a first effort.  Were you to go back and look at THX-1138 and Duel and predict the future of its directors, no one could have predicted Star Wars or American Graffiti or Raiders of the Lost Ark or Jaws.  Escape from Tomorrow is better than THX-1138, but not as compelling as Duel.  Does that mean we have a future genius on our hands?  Not likely, but it will make viewers take notice of the next projects of writer/director Randy Moore and cinematographer Lucas Lee Graham.

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