By Art Schmidt

Dungeons and Dragons has long been the most famous and widely-enjoyed of all fantasy role-playing games (RPGs), and for good reason; the various folks who have been behind the brand for the last forty-some-odd years have been putting out quality adventures that capture the imagination and set the standard for RPG campaigns.  From Gary Gygax and Dave Arneson to Tom Moldvay and Dave “Zeb” Cook,  Frank Mentzer, Lawrence Schick, Tracy Hickman, Bruce Cordell and countless others, they all knew one thing: that while the rules are necessary to provide a common framework for play, it’s the adventures that capture the imagination and draw the player into the story.  A good adventure is like a delightful story shared among friends; it entertains while you are lost inside it, and it sticks with you afterward.

Every six months for the past three years, Wizards of the Coast (WotC) has published a thick hardcover campaign book containing an over-arching storyline full of locations, quests, monsters and exotic treasures have which provided players and their dungeon master with countless hours of excitement and enjoyment.  The first was the two-book Tyranny of Dragons campaign, or “storyline” as the publisher calls it, taking player characters from lowly first-level nobodies and allowing them build up through a series of interlocked adventurers into the world’s most formidable heroes.  Then the story pitted those heroes against a five-headed dragon god named Tiamat in a bid to save their world from enslavement and darkness.  Exciting stuff!

Subsequent storylines have followed the same basic formulae, although in vastly different and colorful ways; one storyline pitted the players against elemental cultists bent on (you guessed it) taking over the world, another trapped the heroes deep beneath the earth in subterranean labyrinths in a quest to not only escape the Underdark, but also save the world in the process (of course).  Yet another whisked the heroes away to another dimension ruled by a dark lord, a vampire rivaling Count Dracula in his evil power, and the heroes had to defeat their undead overlord in order to escape.

The last storyline involved rampaging giants wreaking havoc and destruction across the countryside in a bid to rule their kind, and all of the little folk in the process.  Again, players created neophyte adventurers and ran them through a sandbox world full of colorful peoples, quests both simple and majestic, nasty monstrosities and wondrous treasures, bastions of light and dungeons full of darkness, all in an effort to save the world from giant rule.

But not really.  Sure, saving the world is the main goal of the characters in the story, and that’s all well and good.  I don’t know many fantasy novels where the heroes spend three hundred-plus pages saving a kitten from a tree, or ordering takeout, or trying to find the best deal on car insurance.  Saving the world is a noble goal, and will likely be the objective of story-driven fiction for the foreseeable future.  But the objective of an RPG adventure is, first and foremost, to have fun!  This is the main goal of the players, and anything the characters happen to accomplish along the way is just plain gravy.

In addition, the previous storylines all so far have lacked one thing which long-time players have been craving; a big, fat, old-timey dungeon crawl.  Sure, there have been dungeons in some parts of the previous five storyline campaigns, but none really more than a small section of the overall adventure.  After all, dungeon-crawling doesn’t easily lend itself to a big, wide-world-saving tale.  It’s fun and all, but saving the world often requires traversing it to different locales and interacting with the folks of said world which you are striving to save, most of which are above ground.  But still, the call persists.  “Dungeon Crawl, guys!”

NOTE: Yes, the forth storyline “Out of the Abyss” was essentially one huge dungeon crawl, in that the entirety of the adventure took place underground in the “Underdark.”  But really, that wasn’t one big dungeon, it was a world unto itself, beneath the earth, and had very few traditional “dungeons” in it.

So it comes as no surprise that the folks at WotC might be looking to put together a campaign hardcover that maybe, just possibly, doesn’t have an over-arching storyline quest to save the world.  Who would have thunk it?  But that’s just what they’ve gone and done.

Tales from the Yawning Portal is the sixth of the storylines in the 5th Edition of Dungeons and Dragons campaign books, and it is the first to leave out the “storyline” part in favor of providing DMs and their players with seven updated classic dungeon crawls for their enjoyment.  And these are some of the most famous adventures ever written for the game.

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