Review by C.J. Bunce

First published in March 1956, Diamonds Are Forever is Ian Fleming’s fourth James Bond novel.  This time Bond is tasked by M to follow the route of diamond smugglers transporting stones into England from Africa and on to the United States.  He replaces a small-time transporter and is partnered with the novel’s requisite “Bond girl,” Tiffany Case, and they embark on a trip to the Northeast United States.  Bond becomes an employee of The Mob, and is reunited with his former American ally Felix Leiter (minus an arm and leg after the shark incident in Live and Let Die).  The story moves on to Las Vegas, with some good gambling scenes, then on to a rebuilt Old West town called Spectreville, where Bond meets a strange and wealthy villain who collects real antique trains as if they were toys.  And the action culminates aboard the cruiseship Queen Elizabeth.  The novel is nicely bookended, beginning and ending at a thorn bush occupied by a scorpion in the middle of a desert.

Typically Ian Fleming and James Bond are at their worst when visiting America.  It’s difficult to enjoy the normally down-to-Earth Bond pick up his author’s clear disdain for Americans, whether his inner-monologue through Bond is truly a reflection of the times or not.  Fleming exhibits his peculiar theme of Americans rambling all their dialogue in long outbursts with “low English” dialect regardless of their social strata.  And Fleming seems to wallow in his racism in scenes set in America more so than with Bond in other locales.  But the biggest plus?  The lack of that James Bond misogyny compared to other Fleming efforts.  The seventh novel adapted into a film, and the last canon work for Sean Connery as Bond (he’d have one more go at it 12 years later in Never Say Never Again), Fleming’s fourth Bond novel and the film carrying its name ultimately share little resemblance, ultimately a good thing for moviegoers.  Yet with the current Bond and the reboot of the franchise with Casino Royale, a solid adaptation redo from a good screenwriter could be possible as the story is serviceable with a good edit.

   

The first act takes off too slowly.  The second act is very dry, reading like a travelogue, and at times it is nearly unbearable–to illustrate this point I began reading Diamonds Are Forever in 2014 and kept grinding to a halt (as noted in my review of Dr. No).  Somehow I began again and made it this weekend, thanks to a classic Bond casino scene in Chapter 17 and a stunning car chase action sequence in Chapter 18 that got me over the hump.  From then on, those final 100 pages, the story comes together and Bond, Tiffany Case, the corps of villains, and that classic Bond action finally kicks into high gear.

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