Review by C.J. Bunce

If you’d happened to watched last year’s crime noir film Motherless Brooklyn and not known the screenwriter or director, I wouldn’t fault you if you expected to see Francis Ford Coppola’s name in the credits, or you figured Martin Scorsese finally made the perfect New York picture.  But that’s not what you’ll find, because it not only stars Edward Norton, but he wrote and directed the film–his first director effort.  And it’s an exciting, stunning, gritty film.  The fact that Motherless Brooklyn is even worthy of comparison might be praise enough for the film and its creator, but it goes a step further and surpasses a film it’s frequently been compared to–Roman Polanski’s Chinatown.  The fact that Once Upon a Time… in Hollywood and The Irishman were nominated for best film at the Oscars this year, but this wasn’t?  That’s a real head-scratcher–or that Norton’s performance as a Tourette’s syndrome-affected private detective trying to find the guys that killed his boss wasn’t even nominated for best actor?  Movie lovers and fans of crime noir who missed it should catch its home release.  It’s as good as it gets.

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