Archive for December, 2020


It’s been another long year of great entertainment.  It’s time for the eighth annual round of new honorees for the borg Hall of Fame.  We have several honorees from 2020 films and television, plus you’ll find many from the past, and a peek at some from the future – 44 new borgs or updated variants in all, bringing the borg Hall of Fame total to 265.

You can always check out the updated borg Hall of Fame on our home page under “Know your borg.”

Some reminders about criteria.  Borgs have technology integrated with biology Wearing a technology-powered suit alone doesn’t qualify.  Tony Stark aka Iron Man was named an honoree because the Arc Reactor kept him alive, not because of his incredible tech armor.  The Spider-Man suit worn by Tom Holland is similar to Tony’s, but it’s not integrated with Peter Parker’s biology.

Also, if the creators tell us the characters are merely robots, automatons, or androids (as in Westworld, and as in the Synths of Star Trek: Picard, and the new Dark Troopers of The Mandalorian), we take their word for it.  Again, integration is key, but in the Hall, once a member, always a member.  

So let’s get on with it.  Who’s in for 2020?

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It’s one of our favorite tropes, and now it means the pairing of the most unlikely characters.  James Bond teaming up with Ernst Stavro Blofeld against a common foe?  Where do we sign up?

At your local comic shop, coming in March 2021.

James Bond: Agent of SPECTRE is Dynamite Comics’ next James Bond serialized monthly comic book story, sure to resurrect the double-agent element of some of the best Bond stories.  TV screenwriter Christos Gage (Daredevil, Hawaii Five-O) will partner with the artist known for defining the retro style of the 21st century Bond comics, Luca Casalanguida, who we’ve seen on so many 007 titles, including Hammerhead, Kill Chain, and The Body, with colors by Heather Moore.

We’ve seen several appearances of Blofeld on the big screen, and from some major dramatic actors.  So which Blofeld style do you think Casalanguida will go for?

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This year the Blade Runner movie franchise took fans into their past and future with the comic book series Blade Runner 2019 (review here at borg).  Both the sequel to Ridley Scott’s Blade Runner and prequel to Blade Runner 2049, the series introduced a new Blade Runner, a female engineered cyborg named Ashina, or “Ash.”  Earlier this month we previewed here at borg a new series featuring Ash ten years later in the pages of Blade Runner 2029 Coming next month, readers are in for a visual treat, as Titan Comics is releasing an Artist’s Edition of Blade Runner 2019: Los Angeles–the first volume collecting the first four issues of the series.  Reproducing the pencil artwork of Andres Guinaldo without the overlaid inking and colors, this book provides a different reading experience, creating noir feel from a different angle.  The result is gorgeous.

Check out our sneak preview of artwork from Volume #1 of the Artist’s Edition of Blade Runner 2019, courtesy of Titan Comics:

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Our borg Best of 2020 list continues today with the Best in Comics and Games.  If you missed them, check out our review of the Best Books of 2020 here, the Best Movies of 2020 here, the Kick-Ass Heroines of 2020 here, and the Best in Television 2020 here.

We reviewed comics from every major publisher this year, and were pleasantly surprised with all the new characters and content available.  You’ll find both some new creators on the list this year and some fan favorites who keep making better comic books each new year.  We also include some great games and more from 2020.

Let’s get started with The Best in Comics…

Best Comic Book Series – Bounty Hunters (Marvel Comics).  Writer Ethan Sacks and artist Paolo Villanelli played with the entire Star Wars universe in a single series, bringing back the cyborg Valance and a host of our favorite bounty hunters.  The result is a great series full of action and throwbacks.

Best Sci-Fi Comic Series, Best Limited Comic Book Series, Best Interior Artwork – Strayed (Dark Horse Comics) by writer Carlos Giffoni and artist Juan Doe.   In the future a military-industrial complex reigns over all humanity and actively destroys distant alien worlds.  The galaxy’s only hope can be found through an unlikely pair: an astral-projecting cat named Lou and his human Kiara.  Honorable mention: Rogue Planet by writer Cullen Bunn and artists Andy MacDonald and Nick Filardi (Oni Press).

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Our borg Best of 2020 list continues today with the Best Books of 2020.  If you missed them, check out our reviews of the Best Movies of 2020 here, the Kick-Ass Heroines of 2020 here, and the Best in TV 2020 here.  Our list continues tomorrow with the Best Comics and Games of 2020.  And we wrap-up the year with our additions to the borg Hall of Fame later this month.

We reviewed more than 100 books that we recommended to our readers this year, and some even made it onto our favorites shelf.  We don’t publish reviews of books that we read and don’t recommend, so this shortlist reflects only this year’s cream of the crop.

So let’s get going!

Best Sci-Fi, Best Thriller Novel Hearts of Oak by Eddie Robson (Tor Books).  It’s a far-out science fiction novel with all the right notes of a good supernatural fantasy.  And it has an easy pace and an impending, looming darkness waiting ahead that will keep you planted firmly in your seat until you get to the last page.

Best Tie-In NovelBloodshot novelization by Gavin Smith (Titan Books).  A great update to the genre that began with Martin Caidin’s Cyborg, Smith creates an exciting, vivid novelization of the comic book character adapted to the big screen.  Honorable mention: Firefly: The Ghost Machine by James Lovegrove (Titan Books).

There are many more best book selections to go…

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Today we move from the big screen to the small screen with the Best TV Series of 2020.  If you missed it, check out our review of the Best Movies of 2020 here and the best Kick-Ass Heroines of 2020 here.  We watch a lot of television, and probably love a good series even more than a great movie.  We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching.  The theory?  If we like it, we think you may like it.  The best shows have a compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired.  Even better if we see richly detailed sets and costumes.

Without further ado, this year’s Best in Television:

Best Borg SeriesAltered Carbon (Netflix).  Showing life in a world well past the merger of the organic and inorganic via stacks placed in human individuals’ vertebrae in the back of the neck, the second season of the series further revealed the dark side of being able to live forever.  What parts of life have the most value in a cybernetic world?  What crimes emerge when body and mind can be separated and re-shuffled?  Honorable mention: Star Trek: Picard (CBD All Access)–revisiting Star Trek’s old nemeses The Borg and introducing the cyborg-like nonbiological humanoids called Synths, the same term used in the BBC’s Humans.

Best TV Borg, Best TV VillainDarth Maul (played by Sam Witwer and Ray Park), Star Wars: The Clone Wars (Disney+).  The athletic performer Ray Park provided the best-ever lightsaber duel scenes in his co-starring performance in The Phantom Menace.  Watching the animated series this year it was clear Darth Maul wasn’t just another animated character.  Add another great duel to the books–Park’s motion capture abilities live on and continue to set the bar for Star Wars action sequences, and Witwer voices a character we never want to see go away again.  Honorable mention for Best TV Villain: Grand Moff Gideon, Giancarlo Esposito, The Mandalorian (Disney+).

Best Sci-fi TV Series, Best TV Fantasy, Best Western TV SeriesThe Mandalorian (Disney+).  Not a lot needs explaining with this series, which continues to be compared to the original Star Wars and The Empire Strikes Back more than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) now called Grogu, on the genre-loving world and beyond.  Credit Dave Filoni and Jon Favreau’s visible enthusiasm and love for the original movies for a series that only gets better with each episode, despite their short lengths.  Honorable mention for Best Sci-Fi TV Series: Star Trek: Picard (CBS All Access).

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When we created last year’s preview of 2020 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best, mainly because what were to be the big box office hits were delayed to 2021 because of the covid pandemic.  All year we wondered what we’d get to see and what we wouldn’t–and thanks to Netflix, Amazon Prime, Vudu, and similar streaming services, an impressive array of movies kept us entertained, especially by way of genre content.  Ultimately we think the Best Movies of 2020 will stand up against any other year.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back tomorrow for our best on television and later this week for our print media picks and our annual borg Hall of Fame inductees.  And if you missed it, check out our Best Kick-Ass Genre Heroines of 2020 here.  Wait no further, here are the Best Movies of 2020:

Best Film, Best Sci-Fi Film, Best Drama, Best Director, Best Cinematographer, Best Writing, Best Suspense/Thriller, Best Retro Fix The Vast of Night (Amazon Prime).  The man of many hats, writer-director-producer-editor Andrew Patterson dazzled us this year with the sleeper sci-fi film The Vast of Night, from Amazon Prime.  Amazon hadn’t before stunned us with a feature film, but this one sure blew us away.  We knew this was the #1 science fiction offering of the year at first viewing, but when we went back and watched films again, it also stood out as the clear winner for top prize.  Part American Graffiti, part The Twilight Zone and The X-Files, and filmed as faithfully to the era as a Francis Ford Coppola masterpiece (with Orson Welles flair), this story sneaks up on the audience thanks in part to its two talented young lead actors.  The script is impeccable and rich, dotted with great jargon that dances artfully like music from the characters’ lips.  Expert Chilean cinematographer Miguel Menz adds just the right lighting and camera angles for a film we hope can get recognized by the Oscars, if only so we can see more of these filmmakers and actors in the future.   Honorable mention for Best Sci-Fi Film: Altered Carbon: Resleeved (Netflix).

Best Borg Movie, Best Superhero Movie, Best BorgBloodshot (Sony Pictures).  The story of slain soldier Ray Garrison provided the year’s best look at life as a borg.  What do you do with cybernetic enhancements, how do you use them, and what toll does take from your humanity?  Jeff Wadlow’s story really kicked in once the audience slides into the plot twist.  The Six Million Dollar Man didn’t get to decide to get his bionics, and neither does Ray.  Once you give up control of yourself to someone else, more and more of you vanishes.  Especially if the person in control is using you as a tool of evil.  The best superhero films tend to be about the B-level superheroes, and Bloodshot proved that true again this year.  Honorable mention for Best Superhero Movie: The New Mutants (20th Century Studios).

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Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  Despite delays in releases due to the covid pandemic, nothing kept Hollywood from including great female characters on the screen, even if that meant moving movies to the small screen for a while. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  (Want to see previous years’ kickass genre heroines to see how 2020 compares?  Here are 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass, and often badass, character is about.

This year we add masked superheroines, a CDC epidemiologist, aliens, assassins, martial artists, warriors, cyborgs, a telephone operator, an engineer, a bounty hunter, and a frog and a pig–with a roster evenly split between television and movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2020:

Bo-Katan Kryze (The Mandalorian, Star Wars: The Clone Wars).  In the animated series she would let nothing stand in her way. In a galaxy with villains like Grand Admiral Thrawn and Grand Moff Gideon, we’re lucky to have Bo-Katan on our side. Leading a team to find the Darksaber and restore Mandalore, she’s also willing to enlist a lone straggler, and help him for his efforts. With Katee Sackhoff, the actress behind Starbuck, in the armor, the coolness factor goes up by a factor of 100. Great heroines are great leaders, and, like Bo-Katan, they wield an incredible arsenal of skills. (Disney/Lucasfilm)

Nicole Haught in Wynonna Earp

Sheriff Nicole Haught (Wynonna Earp).  Katherine Barrell’s tough, savvy, and friendly sheriff is one of the best reasons to watch Wynonna Earp, now four seasons running. She’s the girlfriend of Wynonna’s sister Waverly, she is plugged into the local supernatural happenings, and she’s always available to lend a hand, when she’s not carrying out her sheriff duties. She’s an investigator who is loyal, driven, and smart. She’s also fun and friendly, making her the heart of the series. In a show about supernatural people, she holds her own as law enforcer simply by her own human wits. (Syfy)

Seven of Nine (Star Trek Picard).  More than forty years of Star Trek have revealed some exceptional women leaders. This year we were lucky to see the re-appearance of one of the best, a character who was captured as a child and trapped in what amounts to a technological cult. With the help of a strong captain, Seven was able to break free, and re-learn what it means to be human. This year that meant helping a legendary former admiral, avenge the death of her closest friend, and fight for good long after her call to duty. (CBS All Access)

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Review by C.J. Bunce

Over the Moon is Netflix’s latest achievement in animation, a Chinese-American production with Pearl Studio about a young girl named Fei Fei (meaning “to fly”) who decides to build a rocket to the moon.  The animation style is a mix of 1990s Disney, elaborate and surreal Fantasia-inspired sequences of color and texture, with doses of Japanese anime and kawaii characters while immersed in Chinese culture–and it’s a musical.   In a word the film is ambitious… in a good way.  At its best, visually the 3D CGI visual effects may recall the groundbreaking imagery of Spider-Man: Into the Spider-Verse.  The sweet and innocent girl’s story is built on the idea that a kid can actually build a ship to go into outer space (just as in the 1980s film Explorers).  But as with many animated movies, like Bambi and Dumbo, its focus is on the serious issue of overcoming grief, and in this case it’s moving on after the death of a parent, so the audience for the film may be a bit narrow.  To take Netflix viewers on a deeper journey, film critic and historian Leonard Maltin has written a behind the scenes look at the making of the film and its stunning artwork.  Below we have a preview of his Over the Moon: Illuminating the Journey for borg readers.

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The last time genre fans had a news release as big as this week’s Marvel and Star Wars news was from Disney about the ten Phase IV Marvel projects announced at San Diego Comic-Con 2019.  In addition to yesterday’s Marvel news, Disney previewed eleven major Star Wars projects in the pipeline.  Not a surprise so much as a wish fulfilled for millions of Star Wars fans is a spin-off live-action TV series called Ahsoka, featuring the return of Rosario Dawson as the Force- and lightsaber-wielding Ahsoka Tano.  An actor returns on the franchise, a preview for a series that started filming last month, Disney reveals the title of the next Star Wars movie, plus news on new movies for Willow and Indiana Jones And Lucasfilm CEO Kathleen Kennedy had more surprises.

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