He’s certainly the most overdue of 80 years of Marvel characters to make it into the live-action world of the Marvel Cinematic Universe. Prince Namor, the Sub-Mariner, created by writer-artist Bill Everett in 1939, was Marvel’s first mutant and the leader of the undersea world of Atlantis, frequently forgotten in recent years because of his DC Comics counterpart, Aquaman. That’s Namor and Everett above as depicted in a fantastic tribute by artist Alex Ross. Along with Captain America and Human Torch, the original Big 3 included Prince Namor. He’s also the first superhero anti-hero, so it probably makes sense Marvel is sneaking him into the MCU as they did Silver Surfer in the second Fantastic Four movie. Audiences internationally who have not followed the comics of eight decades past or only know of the character in spotty revisits over the years will now meet him this year in Black Panther: Wakanda Forever, as what appears to be the villain.
In the early 1980s a segment of genre films was eclipsed by blockbusters like Star Wars and Raiders of the Lost Ark, but they were important and unique and genre fans loved them every bit as much as the box office winners. Films like Tron, The Dark Crystal, and Flash Gordon. Now after 40 years fans of Flash Gordon at last have a behind-the-scenes chronicle of the making of the film. John Walsh, author of Harryhausen: The Lost Movies (reviewed here at borg) unearthed concept artwork, original costumes, props, and sketches, and new interviews with the director, production staff, and cast members for the 40th anniversary tribute, Flash Gordon: The Official Story of the Film, the only comprehensive look at the art, promotional material, and music available for this classic sci-fi/fantasy favorite.
We’re continuing our ten-year celebration of borg today with our favorite comic books. If you missed them, check out our Top 40 movieshere and our Top 40 TV series here.
We reviewed thousands of books and comics that we recommended to our readers since June 2011, and some even made it onto our favorites shelf. We don’t publish reviews of comic books that we read and don’t recommend, so this shortlist reflects 21 comics and creators we view as the Best of the Best.
If you’ve read his book James Cameron’s Story of Science Fiction (reviewed here) or watched his accompanying series, you can tell that James Cameron is first and foremost an artist. With an artist’s eye he has created some of the biggest science fiction movies ever made, from The Terminator to Aliens to The Abyss and Avatar. For the first time Cameron is revealing the contents of his sketchbooks and personal art archives and discussing his creative process and inspiration. Insight Editions’ giant chronicleTech Noir: The Art of James Cameron, arrives in bookstores next week and available for pre-order here. Fans will find a collection of rare and never-before-published art that reveals how this award-winning director has translated his ideas to film, often employing advanced film-making technologies to realize his unique vision. But as readers will find, it all begins with pen, pencil, and paint.
The first major variant comic book cover event of 2020 launches tomorrow as the landmark 750th issue of Wonder Woman arrives at comic stores everywhere. As with last year’s Detective Comics Issue #1000, DC Comics will feature a set of decade-inspired cover art variants plus a sketch cover version, joining an incredibly rendered Joëlle Jones standard cover with Wonder Woman holding the Earth on her shoulders (which might be the best of all), all available in most comic book stores. Nearly 40 other variants will also be available if you’re willing to track them down, from retailer incentives to artist and store-exclusive issues.
Look for homage covers by Joshua Middleton (1940s), Jenny Frison (1950s), J. Scott Campbell (1960s), Olivier Coipel (1970s), George Perez (1980s), Brian Bolland (1990s), Adam Hughes (2000s), and Jim Lee and Scott Williams (2010s).
The first story features writer Steve Orlando and artist Jesus Merino wrapping the Year of the Villain arc. DC announced previously that a story by writer Scott Snyder and artist Bryan Hitch will basically reboot the DC universe timeline, establishing Wonder Woman as the first DC superhero. Other stories were created by Greg Rucka and Nicola Scott, Gail Simone and Colleen Doran, Marguerite Bennett and Laura Braga, Mariko Tamaki and Elena Casagrande, Kami Garcia, Phil Hester, and Ande Parks, Shannon Hale, Dean Hale, and Riley Rossmo, and Vita Ayala and Amancay Nahuelpan. Readers will also find pin-up art by Emanuela Lupacchino, Ramona Fradon, Bilquis Evely, Travis Moore, Liam Sharp, and Jose Luis Garcia-Lopez.
So which is your favorite cover? Check out the final covers and original cover artwork below:
The #1 top selling issue of Vampirella is arriving in comic book stores this month. It’s part of the celebration of the 50th anniversary of the popular horror character, and already pre-orders for #1 of a new series have surpassed 130,000 copies. This makes the forthcoming first issue of the series, the fifth solo-titled Vampirella comic series, the biggest selling Vampirellaissue ever, even beating sales numbers for the original classic magazine from decades ago. Publisher Dynamite has pulled out all the stops, scheduled to release several variant covers from familiar artists for the first issue. Pre-sales numbers also make this Dynamite’s all-time best selling issue.
Several creators had a hand in developing Vampirella back in 1969, from monster guru Forrest J. Ackerman to artists Trina Robbins, Tom Sutton, and Frank Frazetta, and editor Archie Goodwin. The new series will be written by Christopher Priest, with interior artwork by Ergün Gündüz. Frank Cho is providing the main cover, with variants available from Alex Ross, Joe Jusko, Adam Hughes, Ed Sanjulian, Guillem March, Jose Gonzalez, and J. Scott Campbell and Frank Frazetta “icon” covers, a wraparound Frank Cho cover, plus cosplay editions for each issue and a blank sketch cover, and limited no-logo and black and white cover editions. Stanley “Artgerm” Lau will provide the main cover for Issue #2, J. Scott Campbell for Issue #3, and it seems there’s a hint from the publisher of a possible new Frank Frazetta cover coming, too. If you’re lucky enough, you already picked up the 50th anniversary Free Comic Book Day issue we previewed here at borg back in May.
Gündüz′s use of color is probably the best contribution of the first issue, especially in his splash pages. Fans of the character and monster-zines will find the story is filled with the body count, blood, and horror they’d expect in a Vampirellabook.
Take a look at these variant covers for the first two issues, and keep a look out for the life-sized Vampirelladisplay by Jose Gonzalez:
A new edition of a book about the popularity of Fawcett Comics‘ original Captain Marvel, the world’s mightiest mortal–the superhero renamed Shazam and featured in a new movie this month starring Zachary Levi–will be the perfect trip through time for fans who have enjoyed the character in his many stories going back to his debut in 1939. My personal favorite Captain Marvel stories can be found in the original Whiz Comics (all in the public domain and available to read online now here) and as drawn by Alex Ross in his landmark graphic novel with Mark Waid, Kingdom Come. For the first time in a softcover edition, Chip Kidd’s Shazam: The Golden Age of the World’s Mightiest Mortal has been reprinted by Abrams ComicArts just in time for the release of the film, Shazam!
For those not in-the-know, this is the Captain Marvel who now goes by Shazam (the word that causes him to bring forth his powers)–the one owned by DC Comics today, and not the one owned by Marvel Comics and also in theaters now in the movie Captain Marvel (reviewed here at borg). Shazam: The Golden Age of the World’s Mightiest Mortal is a historical work, and it doesn’t hesitate to use the name he’s always been known as by his fans. As told by writer Chip Kidd, the Captain Marvel fan club had 400,000 people in it in its best year in the 1940s, and Fawcett projected 40 million followers of the character in books and film. Captain Marvel books sold 1.3 million copies per month, not a common feat even today. Does anything approach that kind of fan club status today? At the height of the character it was more popular than Superman and Batman, and so of course the character had hundreds of tie-in products.
Readers will marvel over a reprint of the entire story from Captain Marvel Adventures, Issue #1–created by two then unknowns: Jack Kirby and Joe Simon, and reprints of several colorful covers from Whiz Comics, Captain Marvel, Captain Marvel, Jr., Mary Marvel Comics, WOW Comics, Master Comics, America’s Greatest Comics, Spy Smasher, and even Hoppy, the Marvel Bunny, plus pages of scans of original comic pages from ex-Fawcett staff.
The book uses photographs from a collection of some of the scarcest superhero collectibles known, including images of books, toys, and paper ephemera for Captain Marvel and the entire Marvel Family–superhero kids like Billy Batson–the boy who turns into Captain Marvel–and his friends who use the Shazam powers but remain as kids.
Detective Comics, the title DC Comics took its name from, first hit the shelves of newsstands just before March 1937, 26 months before Batman would first appear in the famous Issue #27 in May 1939. This Wednesday the monthly comic book’s landmark Issue #1000 is arriving, and it’s going to be packed with content from several writers and artists. It’s 96 pages in all, including the first appearance outside video games of Arkham Knight. And as you’d expect, DC Comics is releasing the issue with several covers (our count below is a whopping 84 or about a cover for each year Detective Comics has been in print!), including a standard cover, a set of decade-inspired covers, both a blank sketch cover and new black edition, retailer incentives featuring logos or no logos, and several limited, exclusive shop, convention, and creator store variants. More than a few are simply stunning, and this is the rare mass cover event where the final regular cover set (10) includes several works as interesting or better than the exclusives (the Frank Miller with the classic title art really takes us back to the 1980s). Check them all out below–all 100 images including art without logos–with links to where to buy them (exclusives that haven’t sold out in pre-sales).
Writers for stories in Detective Comics Issue #1000 include Brian Michael Bendis, Paul Dini, Warren Ellis, Geoff Johns, Tom King, Christopher Priest, Dennis O’Neil, Kevin Smith, Scott Snyder, Peter J. Tomasi, and James T Tynion IV. Interior artists include Neal Adams, Greg Capullo, Tony S. Daniel, Steve Epting, Joëlle Jones, Kelley Jones, Jim Lee, Doug Mahnke, Alex Maleev, Alvaro Martinez, and Dustin Nguyen.
DC Comics did a nice job of pulling out creators defining each decade, with Steve Rude (1930s), Bruce Timm (1940s Detective Comics #69 homage), Michael Cho (1950s), Jim Steranko (1960s), Bernie Wrightson (1970s), Frank Miller (1980s), Tim Sale (1990s), Jock (2000s), and Greg Capullo (2010s)–all appear to only be available with the trade “Detective Comics” logo (but we’ve included images of the original art below). DC Comics publisher Jim Lee is back again with the standard cover, a wraparound design. The rest reflect a crazy big stack of variants by everyone and anyone, most available with the Detective Comics logo (with “trade” logo) or without logo (“virgin”), some in black and white, some with sketch art, some with foil cardstock. The following are all the non-standard variant artists and where to get them (we heard an Andy Kubert cover may be out there, but could not confirm this): Neal Adams (three designs, NealAdams.com), Jay Anacleto (trade, virgin, and B&W) (Unknown Comic Books), Kaare Andrews (trade only, no virgin-only edition confirmed) (Third Eye), Artgerm (trade, virgin, retro) (Forbidden Planet), Lee Bermejo (virgin, trade) (Midtown), Brian Bolland (trade, virgin, B&W) (Forbidden Planet), Greg Capullo (gold foil version of his 2010s cover) (WonderCon variant), Clayton Crain (virgin, trade) (Scorpion Comics), Tony S. Daniel (trade, no virgin-only) (artist website, Comic Stop), Gabriele Dell’Otto (trade, silver virgin, and gold convention) (Bulletproof), Jason Fabok (trade, virgin, B&W) (Yesteryear Comics), Riccardo Federici (trade, virgin) (ComicXposure), Pat Gleason & Alejandro Sanchez (trade, virgin, B&W) (Newbury Comics), Adam Hughes (trade, virgin) (Frankie’s Comics), Jee-Hyung Lee (trade, virgin, B&W) (Frankie’s Comics), Dan Jurgens & Kevin Nowlan (sketch, line art, and color versions) (Dynamic Forces), Mike Lilly (trade-only, no virgin cover) (Comics Vault), Warren Louw (virgin, trade) (KRS Comics), and Doug Mahnke (trade, virgin) (Planet Comicon).
Plus there’s Francesco Mattina (trade, virgin) (Midtown), Mike Mayhew (trade, virgin) (The Comic Mint), Stewart McKenny (trade, we couldn’t locate anyone selling the virgin cover) (Comics Etc.), Dawn McTeigue (virgin, trade) (Comics Elite), Rodolfo Migliari (trade, retro trade, virgin) (BuyMeToys.com), Lucio Parrillo (trade, virgin) (Scorpion Comics), Alex Ross (two covers) (via his website), Natali Sanders (virgin, trade) (KRS Comics), Nicola Scott costume match design to her Superman image for Action Comics #1000 (trade, virgin) (Kings Comics), Bill Sienkiewicz (two designs, signed or not, one in trade, one virgin, via his website), Mico Suayan (trade, virgin) (Unknown Comic Books), Jim Lee & Scott Williams (midnight release vertical and convention silver foil, B&W, and four villain designs) (Torpedo Comics, Bedrock City Comics, Graham Crackers).
Originally previewed here at borg in 2018 and marketed by Dynamite Comics as Miss Fury, Volume 3, the third recent Miss Fury reboot was delayed again to September 2019, finally to be sidelined to an Indiegogo campaign beginning yesterday. Fortunately Dynamite learned fast that Miss Fury fans will keep coming back for each new effort to resurrect writer/artist/creator Tarpé Mills’ first superheroine, as the campaign was funded in less than two hours. So Dynamite will be publishing its third solo Miss Fury project in early 2021, this time taking what was to be a three-issue limited series straight to the graphic novel trade edition with one hardcover option.
Our borgBest of 2018 list continues today with the Best in Print. If you missed them, check out our review of the Best Movies of 2018 here, the Kick-Ass Heroines of 2018here, and the Best in Television 2018here.
So let’s get going. Here are our selections for this year’s Best in Print:
Best Read, Best Sci-fi Read – The Synapse Sequenceby Daniel Godfrey (Titan Books). The Synapse Sequence is one of those standout reads that reflects why we all flock to the latest new book in the first place. The detective mystery, the future mind travel tech, the twists, and the successful use of multiple perspectives made this one of the most engaging sci-fi reads since Michael Crichton’s Jurassic Park. Honorable mention: Solo: A Star Wars Story novelization by Mur Lafferty (Del Rey).
Best Retro Read – Killing Townby Mickey Spillane and Max Allan Collins (Hard Case Crime). The lost, first Mike Hammer novel released for the 100th anniversary of Mickey Spillane’s birth was gold for noir crime fans. This first Hammer story introduced an origin for a character that had never been released, in fact never finished, but Spillane’s late career partner on his work made a seamless read. This was the event of the year for the genre, and a fun ride for his famous character. Honorable mention: Help, I Am Being Held Prisoner, by Donald E. Westlake.
Best Tie-In Book – Solo: A Star Wars Story–Expanded Editionnovelization by Mur Lafferty (Del Rey). Not since Donald Glut’s novelization of The Empire Strikes Back had we encountered a Star Wars story as engaging as this one. Lafferty took the final film version and Lawrence and Jon Kasdan’s script to weave together something fuller than the film on-screen. Surprises and details moviegoers may have overlooked were revealed, and characters were introduced that didn’t make the final film cut. Better yet, the writing itself was exciting. We read more franchise tie-ins than ever before this year, and many were great reads, but this book had it all. Honorable Mention: Big Damn Heroby James Lovegrove (Titan).
Best Genre Non-fiction – Hitchcock’s Heroinesby Caroline Young (Insight Editions). A compelling look at the director and his relationship with the leading women in his films, this new work on Hitchcock was filled with information diehard fans of Hitchcock will not have seen before. Young incorporated behind-the-scenes images, costume sketches, and a detailed history of the circumstances behind key films of the master of suspense and his work with some of Hollywood’s finest performers.
There’s much more of our selections for 2018’s Best in Print to go…
