Category: Fantasy Realms


Baby Yoda 1

Plenty of genre television is out there right now for viewers at home to consume.  But discovering that one that is so exceptional is truly an exciting thing.  So you might stumble through Tales from the Loop or Locke & Key or Briarpatch and give up before you even get to the halfway point, but then you land on The Mandalorian and know what great genre television has the potential to be.

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Review by C.J. Bunce

With the second season opener “The Marshall,” I thought the new season would be more of the same (see my review here).  A bit light on plot, and so similar to a few episodes from the first season, I figured Jon Favreau, Dave Filoni, & Co. were going to deliver some more good entertainment, but not take too many risks.  Not one week later I had to take that back, as the episode “The Passenger” delivered a spectacular single-story episode reminiscent of Alien and The Thing.  The fourth episode of the season, “The Siege,” was a return of characters from season one and more of the single most important, far-reaching draw for any age group or other demographic, Baby Yoda, given the name Grogu in last week’s episode.  But if you take a look at this season, especially episodes 11, 13, and 14, what you may find is the third greatest Star Wars movie.  Or at least your third favorite.  I’ll avoid spoilers for yesterday’s new episode “The Tragedy” below except to mention the director and that the episode blew me away, but let’s dig into this season so far.

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Review by C.J. Bunce

In the hour-long second “season” of Disney Gallery: The Mandalorian–Making of Season 2, executive producer/director Jon Favreau says he hoped to bring all the kinds of Star Wars fans together for a special moment, and he seems to have done that in this year’s superb second season of The Mandalorian, although it’s difficult to compare Disney Gallery‘s eight-episode first season of behind the scenes glimpses to the single, albeit packed, episode fans got from Disney+ this year, released on Christmas Day.  As far as making all the groups of fans happy, expect that fans of the last episode’s special climactic scene won’t get to see a “making of” feature on that component yet.

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Review by C.J. Bunce

Happy New Year!  My wish for everyone is they get their own bacta tank jacuzzi to help recover from last year… and the year before that, and…

It’s been 38.5 years since I first saw Boba Fett die, at the sneak preview of Return of the Jedi.  It was the low point of the movie–I’d rather they’d kill off Han Solo.  Let the mysterious bounty hunter drift off into the sunsets.  Practically speaking it meant decades of no Boba Fett, and nothing but minor appearances of Boba Fett in the Marvel comic books.  So we’ve all had a long time to picture how Boba Fett survives bumbling into the Great Pit of Carkoon, nesting place of the all-powerful Sarlacc, to be slowly digested over 1,000 years, which was as baffling as making the Kessel Run in less than 12 parsecs.  Now thanks to Jon Favreau, we get to see the vision in his head, in the first episode of The Book of Boba Fett, now streaming on Disney Plus.  (Moderate episode highlights and a revisit to 1983 and 1997 follow).

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Review by C.J. Bunce

Prime viewing for October and the Halloween season, and a movie you probably skipped in the theater, is the rebooted Hellboy, now on home video.  Far better than critics would have led you to believe, director Neil Marshall′s Hellboy is every bit loyal to the Dark Horse Comics character, stories, and mythos.  Both Mike Mignola and Mike Richardson produced this third film in the series, and if you don’t agree it matches the quality of the first Hellboy you’ll likely agree it’s better and more memorable than its sequel, Hellboy II: The Golden Army.

In fact this Hellboy–this time with Stranger Things’ David Harbour in the red, sawed-off horns and hammer arm–is that kind of dark, violent, monster movie that would have appealed to fans of Freddy Krueger or Hellraiser in the 1980s.  It has that same kind of hard R rating that would have prompted 12 to 16-year-old boys to sneak into the theater to see what they were missing.  So if you don’t care for the kind of monster movie with innocent victims getting ripped apart by giant demons, re-stitching a witch together, watching another creepy witch and her cauldron of kid stew, and making it through several blood-bursts and beheadings, backed with a never-ending volley of F bombs, by all means run away now.

This isn’t Ron Perlman’s kinder, gentler demon.  But this presentation more closely matches Mignola’s stories, including steeping this tale in a variety of classic lore.  Here that means the vile Baba Yaga as villain, complete with her chicken-legged mobile house, and a film full of twisted King Arthur legend.
Missing is Doug Jones’ wonderful Abe Sapien, or Selma Blair’s fire-wielding friend Liz.  Trying to make up for that is the booming presence of Ian McShane (Magnum, p.i., Dallas, The Golden Compass, Pirates of the Caribbean: On Stranger Tides, Deadwood) as Hellboy’s father, and Milla Jovovich (Resident Evil series, The Fifth Element, Ultraviolet) as a banished witch trying to return to the present to smite out humanity with a plague.  Both McShane and Jovovich are good in anything, as they are here, even when the special effects aren’t up to that Peter Jackson quality we all hope for.

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Review by C.J. Bunce

In her most prolific year–at age 13–actress Jodie Foster made five movies, including two big hits, the Disney comedy Freaky Friday, and Martin Scorcese’s Taxi Driver.  Along with two forgotten films, Alan Parker’s kid musical Bugsy Malone and the Richard Harris drama Echoes of a Summer, the fifth Foster film from 1976 debuted.  Sometimes in horror, a little creepy goes a long way.  And it’s a good thing.  That’s the case with Hungarian director Nicholas Gessner′s The Little Girl Who Lives Down the Lane.  I was about Foster’s age when I first saw this movie and the movie holds its own 43 years later–that same sense of confusion, not knowing where the story was going–that dread–coupled with a moody seaside New England setting on Halloween nets that feeling that autumn has at last arrived and it’s time to prepare again for the movies of the season.

As with the similarly paced and similarly brilliant The Watcher in the Woods (released four years later), Gessner’s film deftly juxtaposes sinister secrets against a pastoral town we all think we’d like to visit.  Foster is Rynn Jacobs, a 13-year-old girl who is living alone in Wells Harbor, Maine, when we meet her.  She dodges a 30-something pervert played by Martin Sheen, who keeps coming by her house, well aware she’s usually home alone.  His mother, played by Alexis Smith (The Age of Innocence, Dallas, The Woman in White), is a hateful woman who claims to be leasing the home to Rynn’s father, and enters the house without warning, moving furniture and Rynn’s belongings and riling young Rynn.  The woman is a snoop, and she seems to make more than an ordinary effort to try to meet the man of the house.  Rynn’s story of being alone changes a bit depending on who stops by, sometimes her father is upstairs asleep, sometimes he’s locked himself in his den working, other times he’s meeting with his publisher in New York.  Rynn befriends a local police officer along the way, who is also suspicious of the local pervert prowling around.  She’s kept up some kind of secret for at least three months now, but it’s becoming clear her world is about to spiral in on her.

Where are her parents?  She only divulges the truth when she meets a boy who rides by on a bicycle.  Played by Scott Jacoby (Return to Horror High, To Die For) Mario is a slightly older boy, ostracized for his limp, and a different kind of loner than Rynn.  The dread looms heavy.  What does Rynn have in store for another person wandering into her life?

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It was only back in 2015 that the fourth film in the Jurassic Park franchise, Jurassic World, premiered its first trailer, and a rather bad one at that.  Now as 2018 approaches we have a trailer for the fifth film in the series, Jurassic World: Fallen Kingdom.  And the latest trailer reveals yet another rehash of the original, brilliant, Steven Spielberg adaptation of Michael Crichton’ fantastic novel.  As with Jurassic World, the effort is not entirely futile, Jurassic World was simple entertainment on a big scale–a feast for the eyes.  But for some of us, for all its incredible special effects and fantastic futuristic technology, Jurassic World proved the maxim George Lucas laid out in reference to the success behind the original Star Wars–“Special effects are a tool, a means of telling a story… A special effect without a story is a pretty boring thing.”  And that summed up Jurassic World–the umpmillionth variation on the Frankenstein how-not-to-build-a-monster story, and the latest twist on Crichton’s original look at a theme park gone haywire in his movie Westworld.

Yet if every other blockbuster that takes the leap into Sequel World is able to continue forward with more and more and more and pulls audiences into theaters, why not Jurassic Park?  For those that want to reclaim even a spark of the original in the theater again, maybe it’s enough.  So what does the trailer tell us that Jurassic World: Fallen Kingdom has going for it?

First off, Chris Pratt is back.  Audiences like Pratt movies in part because they simply like Pratt’s charm.  He has the same brand of star power as John Wayne, who always appeared to be playing John Wayne in all his movies.  Like Schwarzenegger, Willis, Van Damme, etc.  It must be an action star thing.  So if you’ve watched Pratt (like we have) in everything from Everwood to Guardians of the Galaxy 2, we’re wagering you’re going to like Pratt returning as dinosaur wrangler Owen Grady.  Bryce Dallas Howard is an equally good if not better actor, with less of a fan following, and here she and Pratt are back again being snarky with each other (snore) in a Jurassic World preview.  If they didn’t have chemistry in the first film, why would we expect it to surface in a sequel?  Maybe what we need is the return of Jeff Goldblum in his best-loved role as Dr. Ian Malcolm?  His performance in 1993 was so well-received that Crichton, who killed off Malcolm in the original novel, resurrected the character for the sequel.  Did Goldblum’s return help The Lost World: Jurassic Park?  Not really.  But it’s been twenty years since we last saw Dr. Nature… Finds… a Way, so maybe enough time has passed so we can love him all over again.

And there are dinosaurs.  We’ll never get tired of more dinosaurs.  I want to see a triceratops racing a stegosaurus on the big screen.  How about you?

Check out this new trailer for Jurassic World: Fallen Kingdom:

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It’s that time of year again, time to take a look forward at what movies should be on your radar for 2022.  We’re changing up this year’s preview by adding several trailers.  Unlike in previous years, we have trailers for most of these movies.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year.  In all we pulled 60 movies from the hundreds of films that have been finalized or are in varying stages of final production and slated for next year’s movie calendar.  Many of these will be more than familiar to you, as we’ve previewed some going back to 2019.

The biggest surprise is there aren’t a lot of surprises on the horizon, at least for big movies, like Doctor Strange and the Multiverse of Madness, Thor: Love and Thunder, Fantastic Beasts: The Secrets of Dumbledore, Black Adam, Lightyear, Spider-Man: Across the Spider-verse, Halloween Ends, Top Gun: Maverick, Jurassic World: Dominion, a new Predator movie called Prey, and The Batman.  Compare the below list to our 2021 list, 2020 list, 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and you’ll see the studios continue moving genre content from the big screen to the small screen via streaming services.  Hollywood hasn’t made its way back to full production mode yet since the pandemic risks aren’t over yet, and it’s beginning to look like TV will be the location most people watch their movies for the foreseeable future, if not permanently.  What do the big movies have in common?  They’re all sequels–and more remakes of movies, books, and TV shows are on the way.

First up, the top 15 movies expected in 2022 that don’t have an announced release date yet, followed by our annual month-by-month rundown of trailers.  Grab your calendar and start making your plans–here are the movies you’ll want to see in 2022 (and some you might not!):

  • Havoc –Tom Hardy stars as a detective in a crime drama directed by Gareth Evans (Netflix)
  • Enola Holmes 2 – sequel, starring Millie Bobby Brown and Henry Cavill (Netflix)
  • Prey – the fifth movie in the Predator franchise will be a prequel, starring Amber Midthunder as a Comanche who must protect her tribe from the alien threat (Hulu)
  • Pinocchio – live-action version of the fairy tale stars Tom Hanks as Geppetto and Joseph Gordon-Levitt as Jiminy Cricket (Disney+)
  • The Amazing Maurice – animated young adult fantasy about a sentient cat, based on the 2001 book The Amazing Maurice and His Educated Rodents by Terry Pratchett, starring Emilia Clarke, Hugh Laurie, David Thewlis (theatrical release)
  • Blonde a biopic about Marilyn Monroe starring Ana de Armas, with Adrien Brody and Bobby Cannavale (Netflix)
  • Wendell and Wild – comedy duo Key and Peele create a stop-motion dark horror comedy (Netflix)
  • The Gray Man –the Russo brothers direct a film about a an ex-CIA agent, starring Ryan Gosling, Chris Evans, and Ana de Armas (Netflix)
  • The Adam Project – sci-fi movie stars Ryan Reynolds as a man who goes back in time to get his younger self for help (Netflix)
  • Spaceman – sci-fi movie stars Adam Sandler and Carey Mulligan (Netflix)
  • The School for Good and Evil – long-delayed young adult fantasy with Charlize Theron (Netflix)
  • Slumberland – kids fantasy adventure starring Jason Momoa and Kyle Chandler (Netflix)
  • All Quiet on the Western Front remake of novel adaptation, this time starring Daniel Bruhl (Netflix)
  • Blade of the 47 Ronin sequel to 47 Ronin, starring Mark Dacascos (Netflix)
  • Deep Water – another Ben Affleck bad marriage “erotic psychological thriller,” with Ana de Armas (Hulu).

January

The 355  Spy/thriller, starring Jessica Chastain, Lupita Nyong’o, Bingbing Fan, Diane Kruger, Penelope Cruz, Sebastian Stan – January 7.

The Tender Bar – Coming of age story starring Ben Affleck and Christopher Lloyd (Amazon) – January 7.

Hotel Transylvania: Transformania – Latest entry in the animated franchise (Amazon) – January 14.

Scream – Horror, the big reboot/sequel stars Neve Campbell, Courteney Cox, and David Arquette – January 17.

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Never been to a comic book or pop culture convention?  Always wanted to go to San Diego Comic-Con but you don’t have the vacation time available or the funds?  Planet Comicon is next weekend in Kansas City and it’s the sixth year of the show at downtown Kansas City’s giant convention center at Bartle Hall.  Planet Comicon is a great way to get a complete three-day convention experience centrally located in the Midwest, ideal for a last-minute road trip for the family or a car full of friends.  Kansas City is less than 8 hours by car from Dallas, less than 7 hours from Minneapolis, a little more than 7 hours from Indianapolis, and a little more than 8 hours from Denver.  And you don’t need to buy advance tickets–you can purchase them at the door.

So why make the trip?  How about meeting Rogue One: A Star Wars Story and Firefly star Alan Tudyk?   Also from Firefly, as well as Doctor Who, Supernatural, Chuck, Leverage, Star Trek Voyager (and one of borg.com‘s actors we can’t get enough of), Mark Sheppard?  Want to get a photo with Michael Rooker (“I’m Mary Poppins, y’all!” Yondu) and Pom Klementieff (Mantis), stars of last year’s biggest superhero hit Guardians of the Galaxy, Vol. 2?  Are modern classics your thing?  How about seeing the star of fan-favorite movies like Say Anything, High Fidelity, and Eight Men Out?  Yep, John Cusack is returning to the Midwest for this year’s show (you can even bring your prized Rooker and Cusack Eight Men Out baseball cards for autographs).

Do you want to compare notes on The Walking Dead with stars Khary Payton, Rooker, and  Sonequa Martin-Green (also star of Star Trek Discovery)?  Maybe you’re a Game of Thrones fan.  You can meet both Jerome Flynn and Jason Momoa (also Aquaman in the DC Universe movies).  And speaking of fantasy, Planet Comicon is featuring a rare appearance by Harry Potter star Matthew Lewis, who played the beloved hero Neville Longbottom.  Want to meet the actor who has played the toughest badass characters you’ve ever seen?  Sling TV barista and Machete himself, Danny Trejo will be in the house.

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When we ran down our list of some of the biggest anniversaries happening in 2017 this New Year’s Day here at borg.com, we mentioned that Valerian, the lead character in director Luc Besson’s new sci-fi extravaganza Valerian and the City of a Thousand Planets, turns 50 this year.  Also celebrating this year is Besson’s most famous work, 1997’s visual spectacle The Fifth Element.  To celebrate the film’s 20th anniversary, Fathom Events is partnering with Sony Pictures next month to bring the film back to theaters for two days only.

The Fifth Element represents the best science fiction has to offer.  The look at Bruce Willis’s hero Korben Dallas living the life of an “every man” in a future New York City was groundbreaking.  At the end of one career Dallas finds himself driving a cab, getting hounded by his mother on the phone, talking to his cat, and ordering Chinese food–normal things from this century, yet with Dallas we see a future efficiency apartment jammed with every day necessities and every day wonders.  The Fifth Element also blends in fantastical elements–a fantastic journey with humor, action, and stunning visuals connecting ancient history and the future of not only humans, but a federation of aliens from other worlds, too.

The set decoration, cinematography, make-ups, costumes, and props were groundbreaking.  When we grew up thinking about the ideal year 2000, the bustling space travel and flying cars in The Fifth Element are exactly what we were hoping for.  Compare The Fifth Element with any other film with a vision of our future and the competitors will be difficult to measure up.  Only Doctor Who and Star Trek really compare, also mixing elements of sci-fi and fantasy with aliens and other worlds, and the most creative, visionary, artistic components–yet which single two-hour segment has all the elements boiled down into two epic hours?

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