Category: Movies


Review by C.J. Bunce

Let’s face it.  The “turn of the century” was eighteen years ago.  Are you happy with the styles that define this decade?  Why not re-define what the new ‘twenties are going to represent, and why not start with how you want to look?  Timeless, a new book by fashion makeup artist Louise Young and film industry hairstylist Loulia Sheppard, provides readers with a step-by-step guide in photos and instructions to recreate the most memorable styles from the silent screen era forward.  So not only is it an obvious tool for cosplay and theater, it’s a way to bring the golden age of women’s fashion to everyday lifestyles.

Young and Sheppard also recreate actual style icons, and provide the steps for anyone to follow suit.  Readers will find not only how they can recreate styles, but what materials were available for contemporary women to make the look they are after.  Models reflect many memorable looks in Timeless, including Louise Brooks, Clara Bow, Ginger Rogers, Myrna Loy, Betty Grable, Rita Hayworth, Ava Gardner, Lauren Bacall, Gene Tierney, Grace Kelly, Lucille Ball, Elizabeth Taylor, Marilyn Monroe, Audrey Hepburn, Farrah Fawcett, Julia Roberts, and many more.

Timeless is not your typical makeup and hair book.  The creators have decades of experience in film creating any and every look imaginable.  Louise Young has created makeup designs for celebrities in movies including Guardians of the Galaxy, Doctor Strange, Spectre, Fantastic Beasts and Where to Find Them, Wonder Woman, Murder on the Orient Express, Pride & Prejudice, The Man from U.N.C.L.E., Clash of the Titans, Jack the Giant Slayer, and The Avengers.  Loulia Sheppard has created hairstyles for several award-winning productions, including Gosford Park, The Phantom of the Opera, Harry Potter and the Chamber of Secrets, The League of Extraordinary Gentlemen, The Last Samurai, Jane Eyre, Hansel & Gretel: Witch Hunters, RED 2, Guardians of the Galaxy, Fantastic Beasts and Where to Find Them, Victor Frankenstein, and Murder on the Orient Express–and most recently the looks of Keira Knightley and Scarlett Johansson.

Take a look at some of the designs featured:

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It’s that time of year again, time to take a look forward at what movies should be on your radar for 2022.  We’re changing up this year’s preview by adding several trailers.  Unlike in previous years, we have trailers for most of these movies.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year.  In all we pulled 60 movies from the hundreds of films that have been finalized or are in varying stages of final production and slated for next year’s movie calendar.  Many of these will be more than familiar to you, as we’ve previewed some going back to 2019.

The biggest surprise is there aren’t a lot of surprises on the horizon, at least for big movies, like Doctor Strange and the Multiverse of Madness, Thor: Love and Thunder, Fantastic Beasts: The Secrets of Dumbledore, Black Adam, Lightyear, Spider-Man: Across the Spider-verse, Halloween Ends, Top Gun: Maverick, Jurassic World: Dominion, a new Predator movie called Prey, and The Batman.  Compare the below list to our 2021 list, 2020 list, 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and you’ll see the studios continue moving genre content from the big screen to the small screen via streaming services.  Hollywood hasn’t made its way back to full production mode yet since the pandemic risks aren’t over yet, and it’s beginning to look like TV will be the location most people watch their movies for the foreseeable future, if not permanently.  What do the big movies have in common?  They’re all sequels–and more remakes of movies, books, and TV shows are on the way.

First up, the top 15 movies expected in 2022 that don’t have an announced release date yet, followed by our annual month-by-month rundown of trailers.  Grab your calendar and start making your plans–here are the movies you’ll want to see in 2022 (and some you might not!):

  • Havoc –Tom Hardy stars as a detective in a crime drama directed by Gareth Evans (Netflix)
  • Enola Holmes 2 – sequel, starring Millie Bobby Brown and Henry Cavill (Netflix)
  • Prey – the fifth movie in the Predator franchise will be a prequel, starring Amber Midthunder as a Comanche who must protect her tribe from the alien threat (Hulu)
  • Pinocchio – live-action version of the fairy tale stars Tom Hanks as Geppetto and Joseph Gordon-Levitt as Jiminy Cricket (Disney+)
  • The Amazing Maurice – animated young adult fantasy about a sentient cat, based on the 2001 book The Amazing Maurice and His Educated Rodents by Terry Pratchett, starring Emilia Clarke, Hugh Laurie, David Thewlis (theatrical release)
  • Blonde a biopic about Marilyn Monroe starring Ana de Armas, with Adrien Brody and Bobby Cannavale (Netflix)
  • Wendell and Wild – comedy duo Key and Peele create a stop-motion dark horror comedy (Netflix)
  • The Gray Man –the Russo brothers direct a film about a an ex-CIA agent, starring Ryan Gosling, Chris Evans, and Ana de Armas (Netflix)
  • The Adam Project – sci-fi movie stars Ryan Reynolds as a man who goes back in time to get his younger self for help (Netflix)
  • Spaceman – sci-fi movie stars Adam Sandler and Carey Mulligan (Netflix)
  • The School for Good and Evil – long-delayed young adult fantasy with Charlize Theron (Netflix)
  • Slumberland – kids fantasy adventure starring Jason Momoa and Kyle Chandler (Netflix)
  • All Quiet on the Western Front remake of novel adaptation, this time starring Daniel Bruhl (Netflix)
  • Blade of the 47 Ronin sequel to 47 Ronin, starring Mark Dacascos (Netflix)
  • Deep Water – another Ben Affleck bad marriage “erotic psychological thriller,” with Ana de Armas (Hulu).

January

The 355  Spy/thriller, starring Jessica Chastain, Lupita Nyong’o, Bingbing Fan, Diane Kruger, Penelope Cruz, Sebastian Stan – January 7.

The Tender Bar – Coming of age story starring Ben Affleck and Christopher Lloyd (Amazon) – January 7.

Hotel Transylvania: Transformania – Latest entry in the animated franchise (Amazon) – January 14.

Scream – Horror, the big reboot/sequel stars Neve Campbell, Courteney Cox, and David Arquette – January 17.

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1959.  A gallon of gas cost a quarter.  Movie tickets were a dollar and color was replacing black and white film.  You could buy a new car for $2,000.  In technology the Soviets beat the United States to the Moon, with a hitch, crashing their Luna 2 spacecraft into the lunar surface.  The U.S. selected seven astronauts for their Mercury space program.  Xerox began selling copiers to companies, IBM made headway with its mainframe computer, and Jack Kilby invented the microchip.  Kids first began playing with Play-doh, Etch-a-Sketch, and Barbie dolls.  On one end of the country The Sound of Music opened on Broadway and everywhere music fans faced the day the music died.  The world first witnessed The Twilight Zone.  The gray flannel suit defined the businessman.  And in 1959 the great filmmaker Billy Wilder produced and directed his own screenplay and the film would become the best reviewed comedy of all time, pegging the number one spot on the American Film Institute’s registry of best American comedies.  The film was Some Like It Hot.  And it’s back in theaters this weekend for a limited release.

Some Like It Hot has it all.  Marilyn Monroe in arguably her best performance.  Tony Curtis and Jack Lemmon only at the beginning of their long and distinguished careers.  The movie doesn’t take place in 1959–it is set 30 years earlier in the heyday of speakeasies and Depression era mobs.  Tony Curtis is Joe, a ladies’ man and gambler–the sax player.  Jack Lemmon is Jerry, a straight arrow–the double-bass player.  They play in a band in a speakeasy (disguised as a funeral home) run by mob boss “Spats” Colombo (George Raft).  When Joe and Jerry accidentally witness a Valentine’s Day massacre-inspired mob hit, they must go on the run.  They find an all-female band heading to Miami via train and disguise themselves as the original bosom buddies, Josephine and Daphne, befriending the band’s gorgeous and upbeat lead singer and ukulele player, Sugar Kane, played by Marilyn Monroe.  That’s where the laughs begin, and a back-up cast of classic Hollywood staples, including Pat O’Brien and Joe E. Brown, fill in the gaps.

    

Despite the popularity of color film, Wilder shot Some Like It Hot in a steamy black and white.  Wilder had already directed Monroe in The Seven Year Itch, so the pairing was an obvious fit.  Wilder and Lemmon would start a partnership that lasted until 1981.  Wilder was the true King of Comedy.  He worked on nothing but hit movies over the course of his career–serious stuff like Double Indemnity, Sunset Boulevard, Stalag 17, The Spirit of St. Louis, and Witness for the Prosecution, in addition to comedies including Sabrina, The Seven Year Itch, The Apartment, Ocean’s 11, Irma la Douce, The Fortune Cookie, and Casino Royale.

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Back in September here at borg.com we predicted the November Bonhams auction of Robby the Robot and his “space chariot” from the 1956 science fiction classic Forbidden Planet would hit the $1 million mark and we even entertained the possibility of a $10 million sale.  Yesterday the hammer fell at $4.5 million at Bonham’s “Out of this World” auction of entertainment memorabilia and with the addition of a buyer’s premium resulting in a final sale price of $5,375,000, Robby and his car became the highest movie prop lot ever to sell at public auction.  Technically a costume that doubled as a prop, Robby the Robot also became the second highest sale price for any piece of entertainment memorabilia to sell at public auction, eclipsed only by the 2011 sale by auction house Profiles in History of the iconic Marilyn Monroe subway vent dress from The Seven Year Itch, which sold for $5.52 million including buyer’s premium (yesterday Bonhams and the mainstream press, including The New York Times and CBS, mistakenly claimed Robby’s sale surpassed the Monroe dress price, but their reports neglected to factor in the buyer’s premium for the dress–a fee the auction house charges bidders based on a percentage of the hammer price, and the Monroe dress had a hammer price of $4.6 million).  The Robby the Robot costume/prop was used in dozens if not hundreds of appearances over the decades, including in key episodes of Lost in Space and The Twilight Zone.

Still, top prop honors is nothing to sneeze at.  The sale of Robby and his car nudged from the top spot the sale of the 1966 Batmobile from the 1960s television series, which sold for $4.62 million in 2013, including buyer’s premium.  The rest of the pantheon of prime public auction screen-used prop and costume sales includes one of two original James Bond Aston Martins from Goldfinger ($4.6085 million/2010), one of the falcon props from The Maltese Falcon ($4.085 million/2013), Audrey Hepburn My Fair Lady and Breakfast at Tiffany’s dresses ($3.7 million/2011 and $807,000/2006, respectively), Sam’s piano from Casablanca ($3.4 million/2014), the Cowardly Lion suit from The Wizard of Oz ($3.1 million/2014), Von Trapp kids’ costumes from The Sound of Music ($1.5 million/2013), Steve McQueen’s racing suit from LeMans ($984,000/2011), and one of four pairs of ruby slippers from The Wizard of Oz ($666,000/2000).

In the science fiction genre, the artifact to beat was another robot–an R2-D2 that was pieced together from several screen-used components, which sold this past June for $2.76 million, and a Back to the Future III DeLorean time machine sold for $541,000 in 2011.  Robby easily nudged these props aside yesterday.  Would the sale price have been the same without the space car?  You’ll need to track down the anonymous telephone buyer to get the answer to that question (the four final bidders all dueled it out via phone bids), although you might keep an eye out at Paul Allen’s Museum of Pop Culture in Seattle, as this is the kind of high-end prop he has purchased in the past.

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Alien Nation

In honor of the one hundredth anniversary of the studio, Twentieth Century Fox Home Entertainment will celebrate by releasing 100 classics digitally.  Five classic films from the studio will be made available digitally for the first time ever – Sunrise (1927), Drums Along the Mohawk (1939), Man Hunt (1941), How to Marry a Millionaire (1953) and the original Jimmy Stewart classic The Flight of the Phoenix (1965).  Throughout the rest of this year a total of 100 digital releases will follow from Fox’s film catalog, including 10 films which have never been released in any format – the Raoul Walsh classics The Red Dance (1928), The Cock-Eyed World (1929), The Bowery (1933), Hello Sister (1933) and Sailor’s Luck (1933); John Ford’s Men Without Women (1935), Will Rogers in State Fair (1933), Shirley Temple in Mr. Belvedere Goes to College (1949), the Marilyn Monroe documentary Marilyn (1963), and Metropolitan (1935), the first film ever from Twentieth Century Fox.

Other films being released include Oscar-winning and nominated favorites from legendary filmmakers F.W Murnau, Frank Borzage and Akira Kurosawa, and movie stars including Henry Fonda, Kathleen Turner, Marlon Brando, Tyrone Power, Jimmy Stewart, Michael Douglas, Betty Grable, Orson Welles, Clark Gable, Frank Sinatra, Joan Fontaine, and Sophia Loren.

Romancing the Stone Douglas Turner

Check out this big list of films to look forward to, including many fairly recent favorites, all available soon, with some of our recommendations highlighted:

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Jimmy Stewart Lindbergh Spirit of St Louis

It’s the second time TCM and auction house Bonhams have teamed up to offer screen-used and production-made costumes, props, and other relics from the Golden Age of Hollywood.  A November auction, TCM Presents: There’s No Place Like Hollywood, will feature a large private collection of rare items from Casablanca, including the piano featured prominently in the film where Sam plays “As Time Goes By.”  A lesser seen piano from another scene in the film sold in 2012 for more than $600,000.

One lot features a mannequin display with costume components worn by Bert Lahr as the Cowardly Lion in The Wizard of Oz, said to have been used in several scenes in the film.  Many of the costumes and props appear to be the same lots that have been featured in other auctions in the last few years, including various dresses from the Debbie Reynolds collection of items offered by auction house Profiles in History.

Casablanca piano

Costumes from several classic films are on the auction block, including a Clark Gable jacket from Gone With the Wind, Marilyn Monroe’s saloon gown from River of No Return, Jimmy Stewart’s Charles Lindbergh flight suit from The Spirit of St. Louis, Faye Dunaway’s dress from The Towering Inferno, a Jane Russell costume from The Outlaw, and a John Wayne Union Army coat from Rio Lobo and The Undefeated.  Sci-fi and fantasy fans aren’t forgotten in the TCM auction, as there will be costumes worn by Charlton Heston and Roddy McDowall in Planet of the Apes, a background crewmember astronaut jumpsuit from Close Encounters of the Third Kind, a test dress for Judy Garland as Dorothy in The Wizard of Oz, and a Saruman staff and Aragorn sword from The Lord of the Rings films, both from Sir Christopher Lee’s personal collection.

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Room 237 biking

More so than Stanley Kubrick’s A Clockwork Orange, 2001: A Space Odyssey, or The Shining, writer/director Rodney Ascher’s documentary Room 237 seeks and finds the heart of obsession and insanity.

But that’s not necessarily a good thing.

Documentaries often feature thought-provoking, intelligent, smart people with some appropriate credentials espousing new theories.  You will likely walk away from Room 237 thinking your own descriptive words about the participants in the film.  These may include:  Eccentrics.  Crackpots.   Batshit crazy.  Although the film gives these participants ample opportunity to prove their theories, and despite some obvious effort on their part, no rational person would likely use these words to describe them by film’s end:  Geniuses.  Visionaries.  Lucid.

The title Room 237 comes from the numbered hotel room in the Kubrick film adaptation of Stephen King’s The Shining, where a lot of the terrifying horror plot is centered.  (King reportedly hated Kubrick’s adaptation of his book).  The documentary is predominantly the voices of five fanatics who have watched The Shining far too many times for their own good, who we never actually see in the film.  The voices are carried over clips of a variety of Kubrick movies that serve to attempt to prove the theories being discussed.  Room 237 was acclaimed by a number of critics and was named an official selection at the 2012 Sundance Film Festival and nominated for several other awards.

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Most reality TV and competition shows aren’t worth watching when compared to all the great TV writing available these days.  Two weeks ago in our Spring TV Wrap-up, we discussed the best of this past season, and you’ll notice there are no reality shows listed there.  Why?  The reality TV formula got old fast as the past decade moved along, as did competition shows generally.  Sure, American Idol and Top Chef still get big viewership numbers, and we drift back for an episode of Iron Chef once in a while, but at some point even their fans will dwindle.  Let’s face it, there’s something for everyone and we won’t knock it (it’s why having several hundred channels to choose from seems to be a very “American” thing) and fans of reality shows probably aren’t also watching our sci-fi, fantasy, and other genre programming.

That said, one of the more fun reality-esque shows because if its unique subject matter is starting its second season this week: the Syfy Channel’s Hollywood Treasure, which airs on Tuesday nights.  I was impressed that they changed up the show a bit for the season two premiere, and offered a lot of content anyone can enjoy.  Three key things make the series work.  First, although Hollywood Treasure has the obligatory formula for reality shows, including the repeated scenes that straddle each commercial break and make you race for the fast forward on the remote, the plain coolness of the subject matter of the show outweighs any reality show annoyance factor.  Second, the show focuses on the guys who run Profiles in History, consistently the entertainment memorabilia auction house that pulls in the highest sales of any auction house in the world, and items they sold at auction in the past year.  These guys run into all sorts of neat props and costumes from Hollywood and occasionally an actor or show creator.  Third, the guys who run the auctions and are featured in the show, Joe Maddalena, Jon Mankuta, Brian Chanes, and Fong Sam, are actually fans of genre films and comic books as much as they are businessmen.  I’d dealt with these guys in the past and they are always great to work with.  Some of the scenes are formulaic and more than a bit contrived, but their passion and excitement for memorabilia always shines through.

The highlight of episode one of this new season, and what will certainly keep watchers coming back for more if they can keep bringing in similar guests, is a segment where actor Sean Astin discussed movie props he owns (and used to own) from Rudy, Goonies and The Lord of the Rings.  Astin always has such an aura of authenticity that you can ignore all the theatrics and just enjoy seeing this guy simply talk about making movies.  The personal items he retained from playing Samwise Gamgee are certainly treasures any LOTR fan would love to get his hands on.

Astin kept his screenused backpack and pans, his Elvin pin, his bread pouch, and leather wineskin from The Lord of the Rings films.

Other sequences in this episode were an attempt to auction one of the four original sets of ruby slippers from The Wizard of Oz for $2 million, which Profiles was only able to sell after the fact by direct sale, still attaining the $2 million the owner wanted as a minimum reserve price.  In this sequence Profiles also revealed that they actively solicit buyers after sales for items that don’t meet the minimum reserve price–buyers that kick themselves later for not bidding, thinking the sell price will be out of their range.  In reviewing the slippers they got to visit what seemed like a private collector’s own Fort Knox lockdown facility.  Another segment featured Joe Maddalena buying a Jim Carrey hat and cane from Batman Forever, then trying to flip them at auction for profit.  And Maddalena also visited the Dreier collection of costumes and props, which is being auctioned off over a few years.

Profiles in History is the same auction house we discussed here last year that made all sorts of records selling off the Debbie Reynolds movie costume and prop collection, including the famed Marilyn Monroe Seven Year Itch subway vent scene dress and an Audrey Hepburn My Fair Lady dress, among millions of dollars in other sales, and the Captain America auction last month.  And these are the guys we caught up with last year at Comic-Con showing the Back to the Future III DeLorean.  Their auction website is www.profilesinhistory.com.  We hope they can keep up the momentum started in their first episode of season two all season long.

C.J. Bunce

Editor

borg.com

It should come as no surprise that screen legends including Marilyn Monroe, Judy Garland, Audrey Hepburn, Grace Kelly, Julie Andrews, and Elizabeth Taylor are just as popular as ever with one iconic Marilyn Monroe dress selling at auction Saturday for more than $5 million and other unique costumes fetching six and seven figures each. 

Phenomenal hammer prices were all the buzz Saturday in Beverly Hills, CA, at the Debbie Reynolds auction of more than 500 one-of-a-kind classic Hollywood costumes and props.  You could tell just from the second lot this was going to be a memorable auction, with Rudolph Valentino’s matador outfit from Blood and Sand fetching $210,000 ($258,300 including buyer’s premium)

To follow up on our earlier post, here are the prices realized for the key items I listed, with the first number as the hammer price and for some of the big selling items I have included a second amount showing the actual price considering the buyer’s 23% premium (the mark-up above the hammer price billed by the auction house):

Judy Garland’s early production ruby slippers from The Wizard of Oz.  Estimated at $120-150,000.  Sold for $510,000 ($627,300 with premium).

Judy Garland’s early production dress from The Wizard of Oz.  Estimated at $60-80,000.  Sold for $910,000 ($1,119,300 with premium).

Edmund Gwenn’s Kris Kringle Santa suit from Miracle on 34th Street.  Estimated at $20-30,000.  Sold for $22,500 ($27,675 with premium).

Ape, gorilla and orangutan costumes from Planet of the Apes, as well as flight suit and Heston costume.  All combined POTA costumes sold for $68,500.

Sean Connery costume from the Highlander films.  Estimated at $12-15,000.   Sold for $18,000.

And the really big stuff:

Marilyn Monroe white subway-blowin’ dress (yep, that one) from Seven Year Itch.  Estimated at $1-2 million.  Sold for a whopping $4.6 million ($5,658,000 with premium).

Marilyn Monroe’s red sequined dress from Gentlemen Prefer Blondes.  Estimated at $200-300,000.  Sold for whopping $1.2 million ($1,476,000 with premium).

Audrey Hepburn’s classic white dress from My Fair Lady.  Estimated at $200-300,000.  Sold for a whopping $3.7 million ($4,551,000 with premium).

Julie Andrews’s key mountain singing dress from The Sound of Music.  Estimated at $40-60,000.  Sold for $550,000 ($676,500 with premium).

Charlton Heston’s costume from Ben Hur.  Estimated at $20-30,000.  Sold for $320,000 ($393,600 with premium).

Gary Cooper’s uniform from Sergeant York.  Estimated at $20-30,000.  Sold for $55,000.

Jimmy Stewart’s leather costume from How the West was Won.  Estimated at $8-12,000.  Sold for $17,000.

A huge collection of Elizabeth Taylor costumes, including National Velvet (Estimated at $10-15,000) (sold for $60,000), and her Cleopatra headpiece, estimated at $30-50,000 (sold for $100,000).

Charlie Chaplin’s hat from The Tramp.  Estimated at $20-30,000.  Sold for $110,000 ($135,300 with premium).

Laurel and Hardy’s signature costumes.  Estimated at $15-20,000.  Sold for $16,000.

Harpo Marx’s wig and hat.  Estimated at $20-30,000.  Sold for $45,000.

Gene Kelly’s outfit from Singin’ in the Rain.  Estimated at $12-15,000.  Sold for $14,000.

Rex Harrison’s outfit and doctor bag from Doctor Doolittle.  Estimated at $12-15,000.  Sold for $19,000.

Grace Kelly’s costume (seen below) from Alfred Hitchcock’s To Catch a Thief.  Estimated at $30-50,000.  Another surprise, selling for $450,000 ($553,500 with premium).

Claude Rains’s uniform as Capt. Renault from Casablanca.  $12-15,000.  Sold for $55,000.

Robert Redford and Katherine Ross costumes from Butch Cassidy and the Sundance KidSold for $24,500 combined.

And some other noteworthy sales:

Marilyn Monroe saloon girl outfit from River of No ReturnSold for $510,000 ($627,300 with premium).

Marilyn Monroe costume from No Business Like Show Business.  Sold for $500,000 ($615,000 with premium).

1952 red MG TD car used in Monkey Business with Marilyn Monroe.  Sold for $210,000 ($258,300 with premium).

Grace Kelly outfit from The Swan Sold for $110,000 ($135,300 with premium).

Barbara Streisand gown from Hello Dolly.  Sold for $100,000 ($123,000 with premium).

Basil Rathbone jacket as Sherlock Holmes from Hound of the Baskervilles.  Sold for $50,000.

Richard Burton costume from Cleopatra Sold for $85,000.

Marlon Brando uniform from 1962’s Mutiny on the Bounty.  Sold for $90,000.

Charles Laughton uniform as Captain Bligh from the original Mutiny on the BountySold for $42,500.

Claudette Colbert gown from the 1934 CleopatraSold for $40,000.

Great Garbo dress from Anna KareninaSold for $40,000.

Ingrid Bergman suit of armor from Joan of ArcSold for $50,000.

So the big question is whether the creditors in the bankruptcy that required the sale of these items were able to be paid off, or whether Reynolds must continue to sell off her estate.  With about $20 million from Saturday hopefully that will at least make a big dent in amounts owed.  It would be nice if Reynolds had a way to continue with her proposed museum.

C.J. Bunce

Editor

borg.com

Debbie Reynolds, film star and mother to Princess Leia’s Carrie Fisher, spent the past 50 years acquiring what Hollywood was throwing out.  On June 18, 2008, she sold off the crown jewels of her collection, and the dress worn by Marilyn Monroe in Seven Year Itch broke an entertainment memorabilia auction record, selling for a whopping $5,658,000.  Movie memorabilia auction house Profiles in History will be auctioning off more costumes, props, filmmaker tools and other items from Reynolds collection on December 3, 2011, at the Paley Center for Media in Beverly Hills.

Reynolds had been collecting costumes and props since 1970 when Warner Brothers started selling off key pieces of Hollywood history.  Reynolds financed her purchases over the years with the plan of building a museum for the public.  But last year her business filed for bankruptcy protection and her holdings, including probably the best Hollywood costume collection of all time, had to be sold off to pay off creditors.

Next week’s auction has a broad array of items.  Again, mostly costumes from A-list and B-list actors and actresses, but this time mainly from less recognizable films of Hollywood’s golden age.  No doubt for sci-fi fans the key lot being sold is George Lucas’s Panavision PSR 35 mm motion picture camera used to film Star Wars.  It has an auction estimate of $100,000 to $200,000.

Also for sale is a Panavision Mitchell 65mm AC Rack-Over camera used to film Stanley Kubrick’s 2001: A Space Odyssey estimated to sell for $30,000 to $50,000, an RKO camera crane used by Orson Welles to film Citizen Kane expected to fetch between $30,000 to $50,000, and a Bell & Howell Model 2709 hand-cranked 35mm camera , once owned by Charlie Chaplin and used to film The Kid and Gold Rush, expected to sell for $200,000 to $300,000.

No doubt the highlights of the auction in the costume department will be more Marilyn Monroe screen-used costumes, including outfits worn in Bust Stop, Let’s Make Love, Niagara, and Gentlemen Prefer Blondes.  Other actress costumes featured were worn by Judy Garland, Barbra Streisand, Betty Grable, Deborah Kerr, Mitzi Gaynor, Susan Hayward, Teresa Wright, Ginger Rogers, Virginia Mayo, Kim Novak, Katherine Hepburn, Jennifer Jones, Claudette Colbert, and Ava Gardner.  There is also a variety of classic Mary Pickford and Leslie Howard costumes, all available for previewing between now and December 3, 2011 at the Paley Center.

Key classic Hollywood films represented in the auction include She Wore a Yellow Ribbon, Show Boat, an Al Jolson costume from Swanee River, a costume from The Little Princess worn by Arthur Treacher, Yankee Doodle Dandee, Without Reservations, The Three Musketeers, Snows of Kilimanjaro, The Greatest Show on Earth, and Stars and Stripes Forever.

A full suit of armor worn by Jean Seberg as Joan of Arc in Otto Preminger’s film Saint Joan is estimated to sell between $15,000 to $20,000.

For more articles on the first Debbie Reynolds auction click here.  For more articles on Profiles in History click here.

More information is available at www.profilesinhistory.com. Happy bidding, movie fans!

C.J. Bunce

Editor

borg.com

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