Category: Retro Fix


National convention organizer Wizard World will be hosting key cast members from across the 56+ years run of the BBC’s Doctor Who today as part of its Wizard World Virtual Experiences tour taking place through the summer.  From the 7th Doctor and his Companion, to a memorable sort-of Doctor, to the head of Torchwood, to members of the Paternoster Gang, and notables William Shakespeare and Winston Churchill and more–fans can see them all free on a live-streamed panel and/or check out individual opportunities for photographs and autographs for a fee.  It all happens today, June 17, 2020, online at noon Central Time.

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Review by C.J. Bunce

It’s always a big surprise when the holiday episode of Doctor Who is a critical not-to-be-missed episode.  When we last saw the Doctor, she was trapped millions of light years away in an alien prison.  The New Year’s Day 2021 special Revolution of the Daleks is not a filler, out-of-continuity holiday showpiece, instead continuing after ten months have lapsed for the Doctor’s companions back on Earth, and after the Doctor has been imprisoned for years in that same relative time span.  If you missed this episode you missed: the return of John Barrowman’s universal fan-favorite character Captain Jack Harkness, another Law & Order/Law & Order UK crossover/reunion, the last we’ll see of some major characters, a new Prime Minister, a preview of a new companion, and one of the best Dalek episodes in the 57 years of the series.  As the studio releases word that Jodie Whittaker will be soon leaving the series, Revolution of the Daleks reflects that both her performance as the 13th Doctor and Chris Chibnall’s running of the series has finally arrived.  It’s a timeless story full of important, lovely emotional beats, fantastic new sci-fi special and visual effects, and a return to the classic framework and themes of the show’s past.

Let’s take a look at why this episode was superb and offer up some candidates for the 14th Doctor…

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Review by C.J. Bunce

Plumes are cool.  I wear a plume now.

This week the Doctor and friends turn up at the very event that was the real-life origin point of Doctor Who, the series, and in fact all of science fiction: Lord Byron, Percy Bysshe Shelley and Mary Wollstonecraft Shelley’s summer at the retreat at Villa Diodati near Lake Geneva in Switzerland in 1816.  It was the historic “year without a summer,” believed the result of volcanic ash in the atmosphere.  More importantly for the future of science and technology and science fiction, it was the convergence of celebrity that resulted in Mary Shelley’s spark to write her novel Frankenstein, the first science fiction novel and–notable for fans of all things borg–the first borg novel.

Only this is Doctor Who, and so something is different, as one of the famed guests of the villa is missing.  In its 56 years some of Doctor Who’s greatest episodes have featured a re-look at historical places and events, and the fantastic new episode, “The Haunting of Villa Diodati” may top them all.  The events of 1816 are well documented and writer Maxine Alderton (The Worst Witch, Emmerdale) used them to create the perfect blending of Doctor Who and history.  Directed by Emma Sullivan, Alderton’s story is expertly designed to weave together even the obscure historical facts and figures with the fantastical, while foreshadowing the focus of the season’s remaining episodes (find a peek at that below).  Just as the story of the creation of the first science fiction story takes center stage (also one of the early Gothic horror tales), so does the world inside Shelley’s novel peer into the world of the Doctor.

Save the poet, save the universe.

In a word, “The Haunting of Villa Diodati” is perfection, as the seed of all science fiction meets its latest incarnation both from within the universe of Doctor Who and viewing Doctor Who from the outside as a work of science fiction itself–delivering a perfect threat to a single point in time that, if altered, changes everything thereafter and could obliterate the world as the Doctor–and the viewer–knows it.  Plus… a haunted house, ghosts, and a decision that could throw the future into chaos?

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It’s that time of year again, time to take a look forward at what movies should be on your radar for 2022.  We’re changing up this year’s preview by adding several trailers.  Unlike in previous years, we have trailers for most of these movies.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year.  In all we pulled 60 movies from the hundreds of films that have been finalized or are in varying stages of final production and slated for next year’s movie calendar.  Many of these will be more than familiar to you, as we’ve previewed some going back to 2019.

The biggest surprise is there aren’t a lot of surprises on the horizon, at least for big movies, like Doctor Strange and the Multiverse of Madness, Thor: Love and Thunder, Fantastic Beasts: The Secrets of Dumbledore, Black Adam, Lightyear, Spider-Man: Across the Spider-verse, Halloween Ends, Top Gun: Maverick, Jurassic World: Dominion, a new Predator movie called Prey, and The Batman.  Compare the below list to our 2021 list, 2020 list, 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and you’ll see the studios continue moving genre content from the big screen to the small screen via streaming services.  Hollywood hasn’t made its way back to full production mode yet since the pandemic risks aren’t over yet, and it’s beginning to look like TV will be the location most people watch their movies for the foreseeable future, if not permanently.  What do the big movies have in common?  They’re all sequels–and more remakes of movies, books, and TV shows are on the way.

First up, the top 15 movies expected in 2022 that don’t have an announced release date yet, followed by our annual month-by-month rundown of trailers.  Grab your calendar and start making your plans–here are the movies you’ll want to see in 2022 (and some you might not!):

  • Havoc –Tom Hardy stars as a detective in a crime drama directed by Gareth Evans (Netflix)
  • Enola Holmes 2 – sequel, starring Millie Bobby Brown and Henry Cavill (Netflix)
  • Prey – the fifth movie in the Predator franchise will be a prequel, starring Amber Midthunder as a Comanche who must protect her tribe from the alien threat (Hulu)
  • Pinocchio – live-action version of the fairy tale stars Tom Hanks as Geppetto and Joseph Gordon-Levitt as Jiminy Cricket (Disney+)
  • The Amazing Maurice – animated young adult fantasy about a sentient cat, based on the 2001 book The Amazing Maurice and His Educated Rodents by Terry Pratchett, starring Emilia Clarke, Hugh Laurie, David Thewlis (theatrical release)
  • Blonde a biopic about Marilyn Monroe starring Ana de Armas, with Adrien Brody and Bobby Cannavale (Netflix)
  • Wendell and Wild – comedy duo Key and Peele create a stop-motion dark horror comedy (Netflix)
  • The Gray Man –the Russo brothers direct a film about a an ex-CIA agent, starring Ryan Gosling, Chris Evans, and Ana de Armas (Netflix)
  • The Adam Project – sci-fi movie stars Ryan Reynolds as a man who goes back in time to get his younger self for help (Netflix)
  • Spaceman – sci-fi movie stars Adam Sandler and Carey Mulligan (Netflix)
  • The School for Good and Evil – long-delayed young adult fantasy with Charlize Theron (Netflix)
  • Slumberland – kids fantasy adventure starring Jason Momoa and Kyle Chandler (Netflix)
  • All Quiet on the Western Front remake of novel adaptation, this time starring Daniel Bruhl (Netflix)
  • Blade of the 47 Ronin sequel to 47 Ronin, starring Mark Dacascos (Netflix)
  • Deep Water – another Ben Affleck bad marriage “erotic psychological thriller,” with Ana de Armas (Hulu).

January

The 355  Spy/thriller, starring Jessica Chastain, Lupita Nyong’o, Bingbing Fan, Diane Kruger, Penelope Cruz, Sebastian Stan – January 7.

The Tender Bar – Coming of age story starring Ben Affleck and Christopher Lloyd (Amazon) – January 7.

Hotel Transylvania: Transformania – Latest entry in the animated franchise (Amazon) – January 14.

Scream – Horror, the big reboot/sequel stars Neve Campbell, Courteney Cox, and David Arquette – January 17.

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Still aren’t in the Christmas spirit yet?  With no Christmas day episode of Doctor Who this year, Netflix is filling in the gap with an episode of Chilling Adventures of Sabrina called “A Midwinter’s Tale,” another solid episode of the series taking the story forward where the first season left off, and delving into some classic tropes of American and Victorian Christmas lore.  It’s all with the twist of the darker, horror-infused world of the show, but as Miranda Otto’s character Aunt Zelda says, “Christmas is the best time for ghost stories.”  See A Christmas Carol, as an example.

Plenty of Christmas episodes of past genre television series are available right now, most via services you may already subscribe to, others for a few dollars (and some you may find free to watch on YouTube).  How about starting with the unofficial sequel to Die Hard and Die Hard 2 starring Reginald VelJohnson (Ghostbusters, Tron: Uprising) in his third appearance as Sgt. Al Powell?  He’s one of several actors guest starring in a trilogy of Christmas episodes of Chuck, available on Amazon Prime.  First is “Chuck vs. the Crown Vic,” then VelJohnson and Michael Rooker (Guardians of the Galaxy, The Walking Dead) in “Chuck vs. Santa Claus,” rounded out with Brandon Routh (Superman Returns, Arrow) and Stan Lee in an early cameo as himself in “Chuck vs. the Santa Suit.”  But be careful, you may end up getting sucked into the rest of the series, starring Zachary Levi (Shazam!, Psych the Movie, Thor: Ragnarok), Yvonne Strahovski (The Predator, The Handmaid’s Tale), and Adam Baldwin (Firefly, Leverage, Castle).

In the same vein as Sabrina, check out Grimm with Christmas episodes “Twelve Days of Krampus” and “The Grimm Who Stole Christmas,” both available on Amazon Prime.  “Twelve Days of Krampus” provides one of the best illustrations of Krampus, the folkloric character who has been a subject of this time of year for more than 2,000 years.  Ever get coal in your stocking?  Learn more here.  And you’ll find some familiarity with the critters in “The Grimm Who Stole Christmas” as the new Sabrina episode.  Each of these Grimm episodes is among the best of Christmas episodes, and overall great episodes of the series.  And if paranormal shows are your thing, don’t forget the Supernatural episode, “A Very Supernatural Christmas.”  Catch it on Netflix.  The Winchester Brothers pursue some pagan gods at Christmastime, revisit their own Christmas past, and try to share a Christmas together as only they could.

That brings us to six classic Christmas episodes.  How about six more?

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Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2019.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 78 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  The last of the nine films in the Star Wars saga.  Captain Marvel, Avengers: Endgame, and Spider-Man: Far From Home.  Shazam! is DC’s contribution.  Quentin Tarantino returns to movies to direct Once Upon a Time in Hollywood, and Martin Scorsese is back with an all-star cast in The Irishman (on Netflix).  M. Night Shyamalan finishes his dark superhero trilogy with GlassArnold Schwarzenegger and Linda Hamilton return in TerminatorJordan Peele is back with another horror film with Us.

Do you like sequels?  This is your year.  Another Men in Black, X-Men, Shaft, Happy Death Day, Lego Movie, Hellboy, John Wick, Kingsman, Jumanji, The Secret Life of Pets, How to Train Your Dragon, Fast and the Furious, Zombieland, Addams Family, Charlie’s Angels, Godzilla, Shaun the Sheep, Annabelle,and Stephen King’s It and Pet SemataryDisney is trying to get you to move into your local theater with another Toy Story, Aladdin, Dumbo, Frozen, and Lion King–all in one year.  Yep, lots and lots of sequels are coming.

Some films don’t have locked-in release dates yet.  Amazon Prime and Netflix haven’t revealed dates for these 2019 releases:

  • Martin Scorcese’s The Irishman, a film about Jimmy Hoffa starring Robert DeNiro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, and Bobby Cannavale (Netflix)
  • The Kid, a Western biopic with Chris Pratt, Ethan Hawke, Dane DeHaan, and Vincent D’Onofrio (Netflix)
  • The Man Who Killed Hitler Then Bigfoot, starring Sam Elliott (Netflix)
  • 6 Underground, a Michael Bay film starring Ryan Reynolds, Ben Hardy, Dave Franco, and Mélanie Laurent (Netflix)
  • The Last Thing He Wanted, Dee Rees directs Anne Hathaway, Ben Affleck, Willem Dafoe, and Toby Jones; journalist quits newspaper job to become an arms dealer for a covert government agency (Netflix)
  • The Laundromat, Steven Soderbergh directs Meryl Streep, Gary Oldman, Antonio Banderas, James Cromwell, about the Pentagon Papers (Netflix)
  • Radioactive, Rosamund Pike plays Marie Curie, with Anya Taylor-Joy (Amazon)

Some of these films will have revised release dates, or get pushed to 2020.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2019 (and many you might not):

January

Glass – Superhero, M. Night Shyamalan trilogy part 3, stars Bruce Willis, Samuel L. Jackson, James McAvoy; continues where Unbreakable and Split left off – January 18.

Serenity – Mystery/Thriller, stars Anne Hathaway, Jason Clarke, Djimon Hounsou, Jeremy Strong, Diane Lane; sorry, no relation to Firefly – January 25.

King of Thieves – Heist Comedy, stars Jim Broadbent, Tom Courtenay, Charlie Cox, Michael Gambon, and Ray Winstone – January 25.

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Badass women Pride and Prejudice

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

Thus begins Jane Austen’s 1813 novel Pride and Prejudice.  But wait.

It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.

That’s the beginning of Seth Grahame-Smith’s 2009 horror adaptation “parody” Pride and Prejudice and Zombies.

P P and Z

One is an awesome classic about early 19th century class and society.  The other… sounds like fun, and if the movie adapted from Grahame-Smith’s other well-known novel, 2010’s Abraham Lincoln, Vampire Hunter, is any indication, this next flick is going to be a heckuva lot of fun.  And forget about the horror and zombies, the first trailer out of the gates makes this flick look like Jane Austen meets Hit Girl from Kick-Ass.

Just check out the trailer for yourself:

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Rogue One clip

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2016 as have been disclosed.  Usually we select the 24 that look like the biggest hits, but we’re going all out for 2016.  The result is a whopping 48 movies, many you’ll probably want to see in the theater or catch on video.  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2016 calendar!

Most coming out in the second half of 2016 don’t even have posters released yet, but many do.  We’ve included descriptions and key cast so you can start planning accordingly.

Star Trek Beyond clip

What do we think will be the biggest hits of the year?  How about Star Wars: Rogue One?  Or Star Trek Beyond?  You’ve heard endlessly about Batman v Superman: Dawn of Justice, but 2016 will also see Doctor Strange, Captain America: Civil War, and X-Men: Apocalypse.  There’s even a handful of Westerns, with The Hateful 8, Jane Got a Gun, and another remake of The Magnificent Seven heading our way.

01 Hateful Eight poster

The Hateful Eight – January 1

Tarentino’s Western!  Ennio Morricone score!  Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, and Channing Tatum!

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The 5th Wave – January 8

Chloe Grace Moretz and Liev Schreiber in an alien invasion.

03 400 days poster

400 Days – January 12

The CW’s Brandon Routh, Caity Lotz, and Tom Cavanaugh in a movie about astronauts that seems to be a play on Ender’s Game.

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Arnold Terminator Genisys

Few sci-fi films are as revered as James Cameron’s Terminator and Terminator II: Judgment Day. Judgment Day is regarded by many as one of the greatest sequels to any movie ever made.  Both films made American Film Institute lists and are the kind of movies we can watch hundreds of times and still keep enjoying them.  Two sequels followed, no longer under the direction of Cameron, Terminator III: Rise of the Machines, a worthy but lesser sequel reviewed at borg.com here, and the far, far lesser Terminator: Salvation.  So coming into the fourth sequel this past summer with the opening of director Alan Taylor’s Terminator Genisys, expectations by many were low.  But fans of sci-fi and borgs knew a winner when they saw it.

Somehow Terminator Genisys manages to be not only good, but great, and not only that, it manages to equal the punch and excitement of both Terminator and Terminator II.  A pretty big feat that holds its own even off the big screen on the newly released 3D Blu-ray, DVD, and Ultraviolet releases available this month.

Terminator Genisys cast

That’s right, if you love the universe of Arnold Schwarzenegger’s sometimes villain, sometimes hero Terminator T-800, you’re going to love this film, which is not only loyal to James Cameron’s originals, it flat-out amps up the sci-fi and takes every element that made the earlier films great and expands them into new, exciting places.  This includes time travel, big action, story twists, casting, acting, and all the cybernetic tech you could hope for.  Adhering to a carefully laid out plan covering two parallel timelines (that we know of), we revisit the first Terminator trip to 1984 and learn about two other time jumps that illustrate Kyle Reese’s important line from the first movie: “The future is not set.  There is no fate but what we make for ourselves.”   In fact in Reese’s first conversation with Sarah he made the same point, calling her future “one possible future.”  These seeds planted in the original allow this new story to take off.

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Arnold Terminator Genisys

Review by C.J. Bunce

Few sci-fi films are as revered as James Cameron’s Terminator and Terminator II: Judgment Day.  Judgment Day is regarded by many as one of the greatest sequels to any movie ever made.  Both films made American Film Institute lists and are the kind of movies we can watch hundreds of times and still keep enjoying them.  Two sequels followed, no longer under the direction of Cameron, Terminator III: Rise of the Machines, a worthy but lesser sequel reviewed at borg.com here, and the far, far lesser Terminator: Salvation.  So coming into the fourth sequel this weekend with the opening of director Alan Taylor’s Terminator Genisys, expectations by many were low.  So against that backdrop, and countless bashings by both national film critics and time travel aficionados, how really is this sequel?

Somehow Terminator Genisys manages to be not only good, but great, and not only that, it manages to equal the punch and excitement of both Terminator and Terminator II.

Terminator Genisys cast

That’s right, if you love the universe of Arnold Schwarzenegger’s sometimes villain, sometimes hero Terminator T-800, you’re going to love this film, which is not only loyal to James Cameron’s originals, it flat-out amps up the sci-fi and takes every element that made the earlier films great and expands them into new, exciting places.  This includes time travel, big action, story twists, casting, acting, and all the cybernetic tech you could hope for.  Adhering to a carefully laid out plan covering two parallel timelines (that we know of), we revisit the first Terminator trip to 1984 and learn about two other time jumps that illustrate Kyle Reese’s important line from the first movie:  “The future is not set. There is no fate but what we make for ourselves.”  In fact in Reese’s first conversation with Sarah he made the same point, calling her future “one possible future.”  These seeds planted in the original allow this new story to take off.

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