Category: Backstage Pass


Our borg Best of 2019 list continues today with the Best in Comics.  If you missed them, check out our review of the Best Movies of 2019 here, the Kick-Ass Heroines of 2019 here, and the Best in Television 2019 here.

We reviewed comics from every major publisher this year, and were pleasantly surprised with all the new characters and content available.  You’ll find both some new creators on the list this year and some fan favorites who keep making better comic books each new year.

Here are the best comic books for 2019:

 

Best Limited Comic Series (tie) – Sara by Garth Ennis and Steve Epting (TKO Studios) and Goodnight Paradise by Joshua Dysart and Alberto Ponticelli (TKO Studios).  The new publisher TKO Studios began with a bang with these two incredible stories.  Sara is what every fan of war comics hopes for, and Goodnight Paradise brings the realities of life in the 21st century to the comics page in a story that will stay with readers a long time.

Best Ongoing Comic Book SeriesGhost Tree by Bobby Curnow and Simon Gane (IDW Publishing). Haunting, mythic, and sweeping, this story of a man reflecting on his past and coming to terms with the present combines with Asian legend tropes to form an emotional and curiously funny tale. Sure to leave readers begging for more.

 

Best Sci-Fi Comic Series, Best Comic Book WritingAscender by writer Jeff Lemire and artist Dustin Nguyen (Image Comics).  Lemire owned this category with two fabulous science fiction tales, both with strong female lead characters. Runner-up: Sentient by Jeff Lemire and Gabriel Walta (TKO Studios).

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Our borg Best of 2018 list continues today with the Best in Print.  If you missed them, check out our review of the Best Movies of 2018 here, the Kick-Ass Heroines of 2018 here, and the Best in Television 2018 here.

So let’s get going.  Here are our selections for this year’s Best in Print:

Best Read, Best Sci-fi Read – The Synapse Sequence by Daniel Godfrey (Titan Books).  The Synapse Sequence is one of those standout reads that reflects why we all flock to the latest new book in the first place.  The detective mystery, the future mind travel tech, the twists, and the successful use of multiple perspectives made this one of the most engaging sci-fi reads since Michael Crichton’s Jurassic Park.  Honorable mention: Solo: A Star Wars Story novelization by Mur Lafferty (Del Rey).

Best Retro Read – Killing Town by Mickey Spillane and Max Allan Collins (Hard Case Crime).  The lost, first Mike Hammer novel released for the 100th anniversary of Mickey Spillane’s birth was gold for noir crime fans.  This first Hammer story introduced an origin for a character that had never been released, in fact never finished, but Spillane’s late career partner on his work made a seamless read.  This was the event of the year for the genre, and a fun ride for his famous character.  Honorable mention: Help, I Am Being Held Prisoner, by Donald E. Westlake.

Best Tie-In Book – Solo: A Star Wars Story–Expanded Edition novelization by Mur Lafferty (Del Rey).  Not since Donald Glut’s novelization of The Empire Strikes Back had we encountered a Star Wars story as engaging as this one.  Lafferty took the final film version and Lawrence and Jon Kasdan’s script to weave together something fuller than the film on-screen.  Surprises and details moviegoers may have overlooked were revealed, and characters were introduced that didn’t make the final film cut.  Better yet, the writing itself was exciting.  We read more franchise tie-ins than ever before this year, and many were great reads, but this book had it all.  Honorable Mention: Big Damn Hero by James Lovegrove (Titan).

Best Genre Non-fiction – Hitchcock’s Heroines by Caroline Young (Insight Editions).  A compelling look at the director and his relationship with the leading women in his films, this new work on Hitchcock was filled with information diehard fans of Hitchcock will not have seen before.  Young incorporated behind-the-scenes images, costume sketches, and a detailed history of the circumstances behind key films of the master of suspense and his work with some of Hollywood’s finest performers.

There’s much more of our selections for 2018’s Best in Print to go…

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Named for legendary comics creator Will Eisner, the Eisner Awards saw their 29th presentation this weekend.  2018 Will Eisner Hall of Fame inductees included Carol Kalish (pioneering direct sales manager for Marvel Comics), and Jackie Ormes (first black female newspaper cartoonist, for the strip Dixie in Harlem featuring the character Torchy Brown).  Sixteen others were considered for the honor this year, and Charles Addams, Karen Berger, Dave Gibbons, and Rumiko Takahashi were inducted.  Joye Murchison Kelly and Dorothy Roubicek Woolfolk were awarded the Bill Finger Award for Excellence in Comic Book Writing.

Tom King (Batman, Batman Annual #2, Batman/Elmer Fudd Special #1, Mister Miracle) and Marjorie Liu (Monstress) tied for Best Writer, with Liu the first woman awarded in the category.  “Monsters” was the dominant theme of this year’s awards with Monstress (Image) and My Favorite Thing is Monsters (Fantagraphics) taking the most wins.

We congratulate all the winners and nominees.

Here are the winners awarded at the ceremony, in bold, along with the nominees by category:

Best Short Story

  • ”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine (Summer 2017)
  • “Ethel Byrne,” by Cecil Castelluci and Scott Chantler, in Mine: A Celebration of Liberty and Freedom for All Benefiting Planned Parenthood (ComicMix)
  • “Forgotten Princess,” by Phillip Kennedy Johnson and Antonio Sandoval, in Adventure Time Comics #13 (kaboom!)
  • “Small Mistakes Make Big Problems,” by Sophia Foster-Dimino, in Comics for Choice (Hazel Newlevant)
  • “Trans Plant,” by Megan Rose Gedris, in Enough Space for Everyone Else (Bedside Press)

Best Single Issue/One Shot

  • Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)
  • Barbara, by Nicole Miles (ShortBox)
  • Pope Hats #5, by Ethan Rilly (AdHouse Books)
  • The Spotted Stone, by Rick Veitch (Sun Comics)
  • What Is Left, by Rosemary Valero-O’Connell (ShortBox)

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