Category: Fantasy Realms


Review by C.J. Bunce

With the much anticipated ninth episode Star Wars: The Rise of Skywalker here at last, writer/director J.J. Abrams has succeeded again at managing a major film franchise challenge and making the best of it.  With Star Trek in 2009, he took a waning property and shot new life into it, but came up short four years later when he tried again and delivered Star Trek Into Darkness, heavily milking the nostalgia of the fan base with its retread of Star Trek: The Wrath of Khan.  In 2015 Abrams was handed the keys to the other big space franchise, where he revitalized a left-for-dead movie saga and delivered Star Wars: The Force Awakens, notable for the introduction of Daisy Ridley’s curious and mysterious desert scavenger Rey, arguably one of the most fleshed out characters in the entire franchise with this final installment.  Fortunately Abrams’s return to Star Wars will likely net better results for its fanbase with a movie that rises to become the best in the final trilogy, or at least as good as his The Force Awakens.  Is this still George Lucas’s Star Wars?  No, but that just shows the power and unique status of the original trilogy–even Lucas couldn’t capture the magic again with his prequels.  The Rise of Skywalker is the kind of movie that could be judged on its merits as a J.J. Abrams movie and separately as a Star Wars sequel.  Whether you as a viewer like this installment or not will depend on your own expectations.

Abrams may be at his best, with his unique style, lens flares and all, when he gives fans what they want.  Abram’s success this holiday season is a bit of a salvage effort, bringing Rey back as the focal hero/heroine of the story, incorporating some of the saga’s best “Jedi being Jedi” sequences, and tapping into the nostalgia for the 1977 original in bite-sized bits instead of leaning on it like he did so unapologetically with Star Trek Into Darkness.  If only Abrams had made all three Star Wars films, this third chapter could have been much tighter, and the whole trilogy would likely be better received by most of the fanbase.  As a viewer if you don’t (or can’t) just sit back and enjoy the cameo performances, throwbacks, and Easter eggs, you’ll get the feeling that using two directors instead of one over the three films is the crux of any problems in The Rise of Skywalker.  Upon its release, the previous installment The Last Jedi felt like it belonged to an entirely different story than The Force Awakens.  Plot threads created by Abrams were summarily abandoned.  Key characters were eliminated without explanation.  New plot threads came from out of nowhere.  In short, the director-flipping was the big mistake from a storytelling perspective.  Abrams has the extensive portfolio behind him to demonstrate he would have been the right choice to direct all three films.  So this time Abrams had a greater task than ever before, because he was stuck making major course corrections, all to get this tale back on track, re-focused again on Rey.  The necessary patchwork aside, The Rise of Skywalker will go down as one of Abrams’ best works.

Will Star Wars, or more specifically, the Skywalker saga with this three-part conclusion, endure the test of time?  If audiences continue to believe in its value as entertainment, there is no reason why studios can’t keep going back to this material repeatedly–think Shakespeare’s plays, Doyle’s Sherlock Holmes, Shelley’s Frankenstein, Dickens’s Ebenezer ScroogeRecall how even more recent stories like the Terminator, Predator, and Halloween (and Star Trek) film series have continued to make sequels and wholesale reboots, disregarding a film that doesn’t do as well and continuing like it was never made.  There’s no reason that can’t happen someday with Star Wars.  So those fans who still want to see the Expanded Universe on the big screen–the complexities and triumphs of both Timothy Zahn’s sequel trilogy and Dark Horse Comics’ many stories like Dark Empire that did so much more with heroes Luke and Leia–just wait.  Someday the right new visionary will step in and make it happen, but fans will need to accept new actors as their heroes, just like we saw with the latest Star Trek trilogy.

Want to dig in further?  Spoilers follow.

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Journey from Krypton

Remember when summer movies were just plain fun?  No need for dark and dreary, just adventure and excitement?  No need for deep and poignant emotion, but an excuse to escape the heaviness of real-world problems for two hours?  Only one of the new preview releases seems to have that escapist romp vibe, and that film is The Lone Ranger.  Nothing serious there–just a goofy Western throwback with just a bit pulled from the classic original.  And Johnny Depp doing the kind of crazy characterization that earned him an Oscar nomination in the Pirates of the Caribbean series.  Who cares if they don’t have futuristic special effects and instead rely on a good old-fashioned train chase scene for their action and adventure?  To us it just looks like fun.  Check out this fun and action-packed new trailer for The Lone Ranger:

But you can’t have just one trailer and call it a trailer park so we have three more you may or may not want to check out.  Next up is the new longer preview for Man of Steel.  Man of Steel is starting to crystallize as a film that has a strange casting problem.  First, the lead, Henry Cavill, doesn’t seem to carry the mantle of Superman from any previews yet released–the zip, pizzazz, charisma, kindness and power of Christopher Reeve will forever be the comparison for anyone daring to fill the shoes of Clark Kent and his caped alter ego.  A chin dimple doesn’t make Superman.  Continue reading