Tag Archive: Best of 2016


midnight-special-cast

Review by C.J. Bunce

Close Encounters of the Third Kind.  E.T., The Extra-Terrestrial.  The Green Mile. Escape to Witch Mountain.  Watcher in the Woods.  Maggie.  Super 8.  The Omen.  D.A.R.Y.L.  A Perfect World.  Starman.  Michael.  Tomorrowland.  The Day the Earth Stood Still.  The Blues Brothers.  The Twilight Zone Movie.  What could these all possibly have in common?  Somehow they are all conjured up together into this year’s release, Midnight Special.

Let’s get the only problem with Midnight Special out of the way first.  It had an inexplicable limited release this past March.  And its theatrical and television trailer was creepy cool, but too cryptic to draw in the masses.  If you don’t tell people what your movie is about, they won’t always take the time to learn more and decide to see it.  And what a loss!  Midnight Special is not only one of the year’s best films, it’s one of the best films of the decade.

You will think about The Twilight Zone episode “It’s a Good Life,” but it’s nothing like it.  You will think about Haven and Grimm, but it’s not like that either.  And you may even accuse Stranger Things of being a knockoff of this film.  But it’s very, very different.

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A father and his old friend kidnap his son from a religious cult, with the government in hot pursuit for very different reasons, drawn in by the son’s mysterious abilities.  Is some messianic end looming ahead?  Why is the government justified in tracking the father down for treason?  Replace the enchantment and wonder you’d find in Spielberg’s Close Encounters and E.T. with a combination of mystery, curiosity, and heart-pounding dread.  Gripping, personal, riveting–Midnight Special will keep you guessing until the end.  What happened to this kid?  Why does he have these powers?  What ends will his father and his friend go to protect him from what seems like the entire world crashing down on them? 

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The best artwork in a graphic novel you will find this year is at your comic book store this week.  Seven-time Eisner Award winner Jill Thompson has created the definitive Wonder Woman origin story with Wonder Woman: The True Amazon, written and painted in the spectacularly vibrant manner only America’s most acclaimed writer-artist could create.

You may be familiar with Diana, Amazon Princess, and her ancient origin story, but this new version is a keeper–a storybook you’d read to your kids with lush colors and mythology steeped in classic folklore.  The action and storytelling are similar in execution to the best work of Alan Moore and his bold layouts, as well as the action and story development in Frank Miller’s 300–an easy comparison because of the setting and theme–yet Thompson’s story and art is far richer.  Thompson’s watercolor-painted comic pages and layout work is up there with the 1980s-1990s work of Mike Grell, and Wonder Woman: The True Amazon may very well be not only looked back on as the benchmark for all Wonder Woman: Year One attempts to come, it’s very possibly the best looking graphic novel from DC Comics since Grell’s Green Arrow: The Longbow Hunters.

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Best of all, Thompson’s story is surprising.  For much of the tale Diana is anything but heroic.  An early subtitle was The Very Selfish Princess–should that give you a hint.  Thompson looked deep into the mythos of Wonder Woman–celebrating her 75th year this year–and asked “what did Diana go through to become this iconic figure?”

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