Tag Archive: Crimson Peak


Arnold Terminator Genisys

Well it’s been one long year, with plenty to do and see, plenty of good and not-so-good to read and watch, and as with last year we’re certain we reviewed more content this year than ever before.  This year was a big year for borgs in TV and film, so we had some difficult decisions to make.  All year long we sifted through all that Hollywood had to offer and honed in on the genre TV, films, comics, and other books we thought were worth examining.  We went back and looked at it all and pulled together our picks for our annual Best of the Best list.

Today we reveal the entire list–the best genre content of 2015–with our top categories Best Sci-Fi Fix, Best Fantasy Fix, Best Superhero FixBest Animated Fix,  and Best Borg selected regardless of medium.  A dozen properties garnered multiple mentions.

We hope you agree with many of these great creations of the entertainment industries, and wish everyone a great 2016!

Killjoys

Best Sci-Fi Fix – Killjoys (Syfy).  Surprised?  Killjoys pulled together great worldbuilding, characters and actors in a year of a dozen new sci-fi shows to provide us the closest thing to the next Firefly we’ve seen in a long time.

Galavant

Best Fantasy Fix – Galavant (ABC); Runner-up The Librarians (TNT).  It aired early in 2015 but nothing surpassed Galavant’s medieval high adventure and all-out Princess Bride-style fun.

the-cw-arrow-flash-crossover

Best Superhero Fix – The Flash (CW).  Of all the Marvel movies and TV series from Agents of S.H.I.E.L.D. to Agent Carter and from Arrow to Supergirl, nothing had us coming back for more each week like the superhero world in The Flash.

Rebels season 2

Best Animated Fix – Star Wars Rebels (DisneyXD).  Compare it to Star Wars: The Force Awakens and see if you think this animated Star Wars galaxy had an even better story and characterization, along with the return of its own group of original trilogy actors, compelling visuals and rousing music.

Terminator Genisys image

Best Borg – Pops (Arnold Schwarzenegger) from Terminator Genisys (Paramount).  Schwarzenegger created yet another borg that could stand up against his prior successful characters from the series.  A cool, moving character in a big year for borgs on screen!

Ava from Ex Machina - borg

Best Borg Movie –  Ex Machina (DNA Films).  Incredible storytelling and a small cast of talented actors provided a classic science fiction story and Oscar-worthy film about our favorite subject.

Humans series

Best Borg TV SeriesHumans (AMC).  On television the most in-depth look at life as a borg and among borgs has never been portrayed more dramatically than on this year’s surprise sci-fi hit series from AMC.

Star-Wars-Force-Awakens-Rey-Finn-BB8-running

Best Kickass Genre Movie Heroine – Rey (Daisy Ridley), Star Wars: The Force Awakens (Disney); Honorable Mentions: Sarah Connor (Emilia Clarke), Terminator Genisys (Paramount); Imperator Furiosa (Charlize Theron), Mad Max: Fury Road (Village Roadshow)

Liv Moore

Best Kickass Genre TV Heroine – Liv Moore (Rose McIver), iZombie (CW); Honorable Mentions: Dutch (Hannah John-Kamen), Killjoys (Syfy); Helena (Tatiana Maslany), Orphan Black (BBC)

Want to know who we picked for best villain and best comic books of the year?  Take a look after the cut…

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by Elizabeth C. Bunce

Last month we offered our review of Guillermo del Toro’s new gothic film, Crimson Peak, raving over its atmosphere and performances.  Since it won’t be released in a home-viewing format for a while yet, how are we supposed to refresh our Crimson Peak fix until then?

Read the movie tie-in novel, of course!

crimson peak cover

Crimson Peak by veteran horror author Nancy Holder is a dead ringer for its onscreen counterpart, offering a scene-by-scene text recreation of the film.  But Holder often goes deeper, offering perspectives from characters not fully expressed on screen, elaborating on the story’s emotional arc, and adding to the haunting atmosphere with her own nuanced, sometimes surprising voice.

If you’ve seen the film, there’s nothing new here.  At times the book feels flat, as if the words alone can’t live up to the actors’ performances, and the author was required to give as close a blow-by-blow account as possible.  But in other moments, Holder’s own prose shines:

It watched the house’s breath scatter the dry leaves that drifted in, drifted by.  The walls were bleeding from fissures in the wallpaper.  Stab wounds, or a razor blade drawn across a vein? Moths flew out; maggots fed.  The mad head of the house was rotting, and night was dragging her wings across the moon, tracing filigree on the floor.  In the attic, more black moths were dancing because it was cold, because it was dark. Because they were hungry.

For the butterfly.

Oooh, shivery!

The biggest challenge here is the same minor plot weakness that caused the film to stumble a bit at the end.  With so much glorious setup, with the fantastic otherworldly intervention of the supernatural–which is what drew us to this story, after all!–Crimson Peak deserves a bigger payoff, a less predictable and mundane explanation for all the horror.  But Holder actually manages the material a little more deftly than it appeared on screen; the pacing is more dread-inducing as she doles it out piecemeal.  We already know what’s happening, and yet the book’s buildup is better than the film’s letdown.  Whatever Holder can’t render as stunningly via prose (del Toro’s visionary ghosts), she makes up for in suspense.

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crimson peak tom hiddleston

Review by Elizabeth C. Bunce

Think you know what to expect from veteran horror and genre director Guillermo del Toro?  Gangly, pallid, slimy creatures such as we saw in Pan’s Labyrinth and Hellboy II: The Golden Army, right?  Cryptic underworlds, bewildering dreamscapes, and collossal, ocean-stomping robot avatars?!

Think again!  In his latest effort to scare and transport his audiences, Crimson Peak, del Toro has conjured up a true Gothic world of Victorian elegance, tender romance, and Sherlockian sleuthing…  With some slimy creatures.  Which are also, strange as it may sound, beautifully executed.

No doubt about it, del Toro is a visionary.  Despite some clear aesthetic leanings, his film repertoire is surprisingly diverse, from 1997’s Mimic to 2013’s Pacific Rim.  His films are always rich in detail and visually stunning.  And this time he just happened to hit all the right notes for this particular viewer.

Allerdale Hall

Crimson Peak is the tale of young American heiress and authoress Edith Cushing (Mia Wasikowska, Alice in Wonderland), deeply skeptical of the British aristocracy… until she’s won over by the ambitious, earnest baronet Thomas Sharpe (Tom Hiddleston, Thor, Avengers, The Hollow Crown), who is trying to secure financing for a risky mining venture to extract red clay from beneath his crumbling family mansion.  Though Edith’s father nurses doubts about the man and his motives, his own untimely death frees up both the young woman—and her fortune.  Swept off her feet, she is whisked off to Cumberland, England and the less-than-enchanting family home, the gorgeously decrepit Allerdale Hall.

She must share her new life with her sister-in-law Lucille (Jessica Chastain, Zero Dark Thirty), in the archetypal role of unwelcoming Gothic housekeeper.  She knows all the family secrets, and keeps them from her young, impressionable sister-in-law.  It’s a powerhouse performance, captivating and creepy, and Chastain inhabits the role perfectly. Continue reading

Crimson-Peak-Ghost-Pianist

Ghosts are real. That much I know.

Back in February we previewed the first look at Guillermo del Toro’s next reported masterpiece, a Victorian gothic romance with ghosts called Crimson Peak.  It will finally hit theaters next week and today we have even more previews and cool featurettes from this nicely timed Halloween horror flick.

In Crimson Peak, Gothic haunts like Rebecca and Jane Eyre, meet Watcher in the Woods, The Others, Psycho, and Skeleton Key, with director del Toro amping up the gore and violence.  We don’t often see fantasy horror releases but you can be sure del Toro is a master of the genre.  And it adds another movie to that sub-genre of horror we keep talking about featuring creepy little girls.

Crimson Peak house

Not for the faint of heart, check out this trailer and featurettes for Crimson Peak, after the break:

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Mia Crimson Peak

Victorian gothic romance directed by Guillermo del Toro with ghosts?  Yes, please.

But unlike previous Gothic haunts like Rebecca, Jane Eyre, Watcher in the Woods, The Others, or Wolfman, genre favorite director del Toro is amping up the gore and violence in Crimson Peak, his latest and–reportedly–the greatest of his trademark visually spectacular fantasies so far.

And it adds another movie to that sub-genre of horror we keep talking about featuring creepy little girls.

Chastain Crimson Peak

Not for the faint of heart, check out this trailer for Crimson Peak, after the break:

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Star Wars Episode VII photo

We’ve just wound down another year of big movies–from Captain America: The Winter Soldier to X-Men: Days of Future Past to Guardians of the Galaxy to The Hobbit: The Battle of the Five Armies. So what’s on the radar at borg.com for 2015? We think you’ll want to see several of these big sci-fi, fantasy, superhero, and action flicks coming to a screen near you next year.

Vice movie poster Bruce Willis

Vice – Jan. 16 – The next in a long line of Bruce Willis action flicks.  This time it’s a sci-fi story about a future resort where humans freely pursue their vices–with artificial humans.

Wild Card movie poster

Wild Card – Jan. 30 – A story based on a novel by Academy Award winning writer William Goldman, starring Jason Statham as a gambler.

Kingsman movie poster

Kingsman: The Secret Service – Feb. 13 – This Colin Firth as spy action flick will tell us once and for all whether Firth would be a good choice to play James Bond.  With an all-star cast including Mark Hamill, Michael Caine, Mark Strong, and Samuel L. Jackson.

Chappie movie poster A

Chappie – March 6 – Neill Blomkamp’s latest science fiction entry.  A Pinocchio story where a robot learns to live among humans.

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