One of writer Stan Lee and artist Jack Kirby’s most famous creations is the subject of a new coffee table book from Abrams ComicArts. Reprinted at nearly 9 inches by 12 inches, Fantastic Four No. 1 Panel by Panel, a new hardcover edition of The Fantastic Four, Issue #1, is going to be one for big fans of the characters. Unlike 2005’s bookMaximum Fantastic Four, which included one panel per page in a 9″x12″ format with re-colored and enhanced artwork, Fantastic Four No. 1 Panel by Panel features color, blown-up scans of each page in its original context with all its Ben Day halftone dots jumping off the page. The book is out this week and available here at Amazon. And it has much more than a close-up look at this seminal issue in the history of comics that is worth checking out.
Tom Hiddleston’s Loki is likely the most popular villain in all of the Marvel Cinematic Universe. He’s also one of the best, staying true not only to the comics, but the spirit of the Norse mythology they pulled him from. So a Lokiseries, coming soon to pay streaming provider Disney+, is almost guaranteed to be the big winner of 2021, right? That seems to be confirmed in the latest trailer for the six-episode event series. Is there a superhero series or movie this year you’re more anxious to watch than Loki?
As demonstrated by Luke Wilson’s appearance as co-star of Stargirl, you get the feeling the Wilson brothers are going to be the secret weapon for another sure-fire superhero series (even if it is about a super-villain). This time it’s Owen Wilson as Mobius M. Mobius, who is going to introduce Loki–and the audience–to a new universe tangent to the Marvel world we know about. Mobius M. Mobius is a character with some true comics street cred, originating from the mind of writer/artist Walt Simonson. And Mobius has a past in the comics pages connecting him with Fantastic Four and She-Hulk–will Wilson’s character be the new glue to connect the integration of the FF from Fox to Disney, and pull Tatiana Maslany’s She-Hulk into the MCU in her own series, due to arrive next year?
And does this furry friend know Goose from Captain Marvel? Other actors in the series include Gugu Mbatha-Raw, Sophia Di Martino, Wunmi Mosaku, and Richard E. Grant, who played Marvel character Dr. Rice, the mad scientist in Logan, from the other Marvel studio–Is this another opportunity to pull in the Fox Marvel stories?
It was only a year ago here at borg we were discussing some of the projects expected to arrive in 2020. That didn’t happen, but a pandemic later and some juggling by the execs at Disney and we seem to have a realistic schedule for the projects we’ll see in 2021. So let’s gather some excitement for Marvel superheroes heading our way, at least from the first looks at these shows we’ve seen via their movie and series trailers. What does it look like we’re going to actually see in 2021 via streaming Disney+ or Vudu streaming? As Phase IV of the Marvel Cinematic Universe continues with the final episodes of WandaVision on Disney+, next up will be The Falcon and the Winter Soldier starting on Disney+ March 19. Probably the most eagerly awaited of all Marvel projects since Spider-Man: Far from Home is Black Widow, delayed and delayed some more, now expected to arrive May 7, probably for a theater run and a pay version via Disney+. Which leaves the six episode mini-series Loki, also expected to arrive in May, via Disney+. The common link? All of these feature characters and storylines still heavily anchored to Phase III of the MCU, and all are an opportunity to tweak the past via time travel or a changed past to allow for new characters and new storylines.
Venom: Let There Be Carnage is expected to arrive in theaters June 25, and Shang-Chi: The Legend of the Ten Rings has a July 9 premiere date, but Disney hasn’t issued a trailer for either yet. As a bonus we’ll throw in the trailer below for the animated series What… If? which doesn’t have anything but a 2021 projected Disney+ series launch date, and the trailer for Morbius, a Sony production tying into the MCU–at least via a cameo by Michael Keaton as Vulture, the villain from Sony’s Spider-Man: Homecoming. It’s now slated for a January 2022 theatrical premiere. Although an Eternals movie is expected around Thanskgiving and another Spider-Man movie could slip in around Christmas, all the other Phase IV projects have been pushed out beyond 2021–the next movies featuring Doctor Strange, Thor, Black Panther, Captain Marvel, Ant-Man and The Wasp, Guardians of the Galaxy, and Fantastic Four, and TV series featuring a new Hawkeye, Moon Knight, She-Hulk, Guardians of the Galaxy (a special), Secret Invasion, Ironheart, Armor Wars, and a Wakanda series.
Phase IV of the Marvel Cinematic Universe took center stage with some big reveals at a Disney investor event this week. The biggest news is a preview of Loki, which takes fan-favorite actor Tom Hiddleston’s beloved villain into more strange places, continuing the comic villainy that keeps fans coming back for more. Along with Loki, Disney rolled out previews of the new Disney+ series The Falcon and the Winter Soldier, the What if…?animated series, the casting of the lead for Ms. Marvel, and details on new series from Secret Wars to Ant-Man 3 and She-Hulk. Plus new target release dates? Check those out and the trailers below.
You still have a month before visual effects artist-turned director Dave Wilson’s Bloodshotmovie arrives as the next cyborg superhero from Valiant Comics to hit the big screen. But if you want to get a jump on your friends, there’s Bloodshot: The Official Movie Novelization, just released from Titan Books, a great read for fans of all things borg. Readers will be pulled inside the story of Ray Garrison, a slain special ops Marine, who is resurrected thanks to Dr. Emil Harting, a (mad?) scientist who is perfecting his use of nanotechnology and cybernetics to create an unstoppable squad of super-soldiers. Written by Gavin Smith and based on the Jeff Wadlow and Eric Heisserer screenplay, Bloodshot creates the next step in the evolution of cybernetic technology stories that began with Mary Shelley’s Frankenstein, mixing the rage of The Punisher with the impact on the human psyche and dehumanization of turning from man to cyborg, as we’ve seen in stories like RoboCop (who was inspired by Judge Dredd and Marvel’s Rom).
As for the comics in film, Bloodshot is poised to stack up neatly beside the lab-created Hulk, the merger of body and “something else” of Spider-Man and the Fantastic Four, the mission and science of Captain America, Wolverine, and Deadpool, the determination of Cable, and it’s a fitting follow-up to the half-man/half-monster movie, Venom. That’s a lot of Marvel characters with similar struggles, and there are certainly more, characters with the same vintage of origin story–an unlikely or involuntary super-soldier–so how do you spin this key comics trope in a fresh, new way? As Smith, Wadlow, and Heisserer have done it, you go back to the human condition, and look to what has come before. Bloodshot isn’t from Marvel, but indie publisher Valiant, but it’s sourced in a common creative mindset.
Bloodshot reads much like Martin Caidin’s original story of the first modern cyborg in his novel Cyborg, about Steve Austin, the Bionic Man–the Six Million Dollar Man–a military hero brought to death’s door and back via science. In many ways Bloodshot–the program that pulls in the story’s hero and becomes the name of his new persona–is an update to Cyborg–what you could imagine the Bionic Man reboot with Mark Wahlberg to be like. And it pulls in good mind-twisting sci-fi elements evoking Joss Whedon’s Dollhouse and Duncan Jones’ Source Code.
Writer/artist Ed Piskor broke new ground with his epic history of the Marvel universe in a tiny package, with his Grand Design and Second Genesis trilogy series (reviewed here at borg only last year). A complete throwback in style to comics of the 1930s through the 1970s, Piskor’s series included small, tightly crammed panels allowing for only minimal detail, lots of content per page, bright classic colors, and good ol’ fashioned newsprint pages (mmm… just smell that newsprint!). But Piskor covered only one segment of the Marvel universe in his books: The X-Men. This week writer/artist Tom Scioli enters the picture with his own take on Marvel’s Grand Design series, focusing on the Fantastic Four in the new series Fantastic Four: Grand Design.
In Issue #1 Scioli takes readers through an origin story of the Fantastic Four: Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm, as they become Mr. Fantastic, the Invisible Girl, the Human Torch, and the Thing, all in a similar style to Piskor’s series. As expected, readers can look for a lot of history in 45 pages, including meeting one of the Watchers, Doctor Doom, Black Panther, Prince Namor the Sub-Mariner, the Mole Man, the Hulk, the Celestials, the Inhumans, Galactus, Silver Surfer, and lots of other characters tucked into the corners. Since the success of the Marvel Cinematic Universe, I find it difficult to separate the comics from the movies, and every comic I read pulls me into the thought of how it might be adapted for the big screen. If you haven’t been keeping up, along with the X-Men, the Fantastic Four, Silver Surfer, and Namor all moved over to Disney’s MCU, and Scioli lays out one possible way the Fantastic Four could be introduced into the reel world dominated thus far by the Avengers. Could the first Fantastic Four movie, or a Fantastic Four sub-series of films (like the Avengers) segue moviegoers into the missing pieces never before seen on the big screen like Namor, and pull in the above heroes and villains? We’ll know in a few years.
Look for two covers by Scioli for the first issue of Fantastic Four: Grand Design, and one variant, a very cool homage to Frank Miller’s second issue of Batman: The Dark Knight Returns featuring the Thing in place of Batman, re-created by Ed Piskor (shown above with Miller’s original). Want to have a look inside the first issue? Here’s a preview of #1, and a sneak peek at Issue #2:
Instead of what has been done at past panels at San Diego Comic-Con–having a panel for each or just a few major projects–Marvel Studios exec Kevin Feige was on-hand to get several announcements out the door and as many key cast members in and out of his single panel as possible. For the Marvel Cinematic Universe’s Phase IV, that means tying in Disney’s (pay) streaming service with the movies. The big takeaway? New logos are pretty much all there is so far to share, plus key casting and timing announcements. And although the last Phase had some changes along the way, it looks as if these ten projects will round out the entirety of Marvel over the next few years. The biggest frustration for fans of the X-Men and Fantastic Four is why nobody at Marvel has been getting a head start on these two massively popular teams of characters–money is definitely going to be left on the table for the duration of Phase IV by pushing out these projects. Why aren’t these Priority #1 with someone at Disney in light of the long lead-time the corporation had for the Fox acquisition?
The new time table is straightforward: Black Widow movie (May 1, 2020), The Falcon and the Winter Soldier TV series (Fall 2020), Eternals movie (November 6, 2020), Shang-Chi and the Legend of the Ten Rings movie (February 12, 2021), WandaVision TV series (Spring 2021), LokiTV series (Spring 2021), Doctor Strange in the Multiverse of Madnessmovie (May 7, 2021), What If…?animated series (Summer 2021), HawkeyeTV series (Fall 2021), and Thor: Love and Thundermovie (November 5, 2021). The most eagerly awaited film after this year’s Avengers: Endgame was the hinted-at Guardians of the Galaxy/Thor or Asgardians of the Galaxy team-up movie, but Marvel still has not confirmed that project, unless it’s tied into the 2021 film. Also relegated to “in development” status: Black Panther 2, Captain Marvel 2, Fantastic Four, X-Men, and the next Tom Holland Spider-Man movie (Spider-Man is Iron Man’s replacement, right?). Silence seems to confirm the death of the Marvel Netflix universe of Luke Cage,The Punisher, Daredevil, Jessica Jones, and Iron Fist, and maybe even Disney+ projects Runaways, Ghost Rider, and Helstrom. FX’s Legion was already announced as canceled, and we lost track of how many times The New Mutants movie has been pushed back. Even bigger unknowns are the next Ant-Man and The Wasp, which had Hank Pym actor Michael Douglas already discussing it as a prequel, and if anyone is thinking about Prince Namor the Submariner, nobody is talking. It begs the question: Does Disney have too much to handle now?
As a beginning Disney’s Marvel side seems to be taking a lead from its Star Wars division, with its offerings targeting a mix of fans old, new, and in-between. For the fans of the MCU so far you have plenty, a Black Widow (presumably prequel) and Thor movie as bookends for Phase IV, and TV series to keep alive Falcon, Winter Soldier, Scarlet Witch, Vision, Loki, Doctor Strange, and Hawkeye. For new audiences (and possibly much older comic book readers) there is Shang-Chi and the Eternals to get to know, along with the announcement that Luke Cage’s Mahershala Ali will be playing Blade in a reboot movie at the beginning of Phase V, the vampire hunter who, like Spider-Man, has already seen an entire series of movies outside of the MCU.
The details are an eclectic mix of things you might want, things you didn’t know you want, and things you won’t know what to make of:
Today writer Dan Slott and artist Sara Pichelli are bringing back the title Fantastic Four to Marvel Comics with a re-launch beginning with part one of a new Issue #1 story, “Fourever,” arriving at comic book stores today. Marvel Comics sidelined the team of Reed Richards, Sue Storm, Ben Grimm, and Johnny Storm since the end of its Secret Wars series. Now fans of the team and “The World’s Greatest Comic Magazine” will find out what they’ve been doing since then. We’ve gathered the dozens of cover options available for this issue, shown below.
As Marvel states in its marketing materials for the new series:
A void no other team can fill. And it’s time for the world to move on. But can it? A life-changing decision by the Thing! A momentous declaration by the Human Torch! A clarion call-to-arms that summons Doctor Doom! And a signal in the sky that heralds the return of hope to the Marvel Universe! All this, and Alicia Masters adopts kittens! So cute! Plus, the Impossible Man!
Marvel has amped up its cover artists yet again for the variant covers for this latest of several recent renumberings of main titles. So you’ll find covers from Alex Ross, Artgerm, Art Adams, Adam Hughes, Steve Epting, Sara Pichelli, Esad Ribic, George Perez, Mark Brooks, Skottie Young, Simone Bianchi, Joe Quesada, Eric Powell, Humberto Ramos, Nick Bradshaw, Mike Wieringo, Jack Kirby, John Cassaday, Emanuela Lupacchino, Walt Simonson, Rob Liefeld, Jen Bartel, Will Sliney, Mike Mayhew, Bill Sienkiewicz, and many more–more than 55 including virgin art and blank covers, most new, some pulled from archives of artists of the past, plus some homages to comic book covers from the past.
Bonus stories will be included in the issue by Simone Bianchi and Skottie Young. New Fantastic Four pins and backerboards will also available at some comic book stores today.
We had a first look at Chadwick Boseman in the role of T’Challa, the ruler of the kingdom of Wakanda whose alter ego is the Black Panther, in last year’s great superhero mash-up Captain America: Civil War, and a teaser trailer back in June. Next year Marvel Studios is giving Boseman his own solo movie in the big screen release of Black Panther, based on the comic book superhero created by Stan Lee and Jack Kirby in the pages of Fantastic Four. The latest preview of the film arrived today.
T’Challa must defend his kingdom from being torn apart by enemies outside and within. Boseman, who portrayed both Jackie Robinson in the 2013 biopic 42 (reviewed here) and Thurgood Marshall in last week’s release of Marshall (reviewed here), brings along an impressive supporting cast. Adonis himself, Creed star Michael B. Jordan will play Erik Killmonger, Star Wars: The Force Awakens stars Lupita Nyong’o is Nakia, and Andy Serkis is Klaw, Rogue One: A Star Wars Story’s Forest Whitaker is Zuri, The Hobbit and Sherlock’s Martin Freeman is Everett K. Ross, and Green Lantern’s Doctor Waller, Angela Bassett is Ramonda.
Creed’s Ryan Coogler directs the film with Creed’s Hannah Beachler providing some impressive production design work and Ruth E. Carter (Marshall, Selma) created some incredible new costume designs for this new Marvel world.
With 20th Century Fox’s own Deadpool and X-Men: Apocalypse previews released this weekend at San Diego Comic-Con, the studio will be hard-pressed to gin up significant support for its efforts to reboot the Fantastic Four brand with next month’s release of the third film to feature the classic Marvel team. But the studio at least has put the final trailer for the movie into the fans of the masses with this release, after giving an early look to panel attendees at Comic-Con.
The new team of “kids” as the preview calls them also will be up against the buzz generated this weekend for other 2015 and 2016 films, including superhero flicks Batman v. Superman and Suicide Squad.
