Tag Archive: Hawkeye


Review by C.J. Bunce

Everything is related.  That’s what you’ll learn if you watched this year’s superhero movies, beginning with Black Widow, threading into Hawkeye.  Loki and Shang-Chi and the Legend of the Ten Rings wove their way into the coming Doctor Strange: Multiverse of Madness and even if you haven’t seen Spider-Man: No Way Home yet, you know from the trailers it, too, ties into the Multiverse with the appearance of Doctor Strange.  And we won’t say how, but if you decided to skip it (and it’s been available in different forms via theaters and digital home release for weeks now), Venom: Let There Be Carnage finally connects Sony’s Marvel world with the giant MCU you know from Disney (another big connection to tie the four corners of Marvel together this month if you’re paying attention).  Sure, we may have thought the Sony tie was going to happen in WandaVision, when Sony X-Men’s Quicksilver showed up on Wanda and Vision’s doorstep, but for whatever reason it didn’t happen.  The real deal finally began in the sequel to 2018’s Venom (reviewed here).  Yes, everything is connected.  But that’s not the only reason to make sure you watch Venom: Let There Be Carnage.

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Today we’re continuing our annual year-end round-up with the Best TV Series of 2021.  If you missed it, check out our review of the best Kick-Ass Heroines of 2021 here.  We watch a lot of television, and probably love a good series even more than a great movie.  We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching. The theory?  If we like it, we think you may like it.  The best shows have a compelling story, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired.  It’s even better if we see richly detailed sets and costumes.  And the very best series get usually get canceled at the end of their first season because network execs will never figure out what we genre fans love.

Without further ado, this year’s Best in Television:

Best Borg Series, Best TV BorgCowboy Bebop (Netflix).  Mustafa Shakir’s Jet Black expanded on the anime series to create a space pilot and bounty hunter as cool and real as anyone from the Star Wars universe.  His cyborg implants made him incredibly powerful–necessary in his dealings on behalf of Spike and his family.

Best Sci-Fi TV SeriesBest Western TV Series, Best Space Fantasy Series, Best Retro Fix, Best TV Soundtrack, Best TV Costumes – Cowboy Bebop (Netflix).  Only one science fiction series really knocked our socks off this year.  The stylish look and music, and the fun of the crew of the spaceship Bebop made us want to speed through this series.  For viewers looking for the next Firefly, this is it.  For fans looking for the best futurism, space realism, and the next Altered Carbon, this is it.  Its writing, direction, cast, and overall production values made the series this year’s series to talk aboutRunner-up for Best Sci-fi TV Series: Blade Runner: Black Lotus (Adult Swim), great sci-fi, faithful to the source material.  Honorable mention for Best Sci-fi TV Series: Resident Alien (Syfy) Alan Tudyk’s fish-out-of-water story and his alien story pulled us back to the roots of classic sci-fi with humor and drama as a bonus.

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Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  (Want to see previous years’ kickass genre heroines to see how 2021 compares?  Here are 2020, 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass, and often badass, character is about.

This year we add three superheroines, an amnesiac bounty hunter, four police detectives, a thief, a grifter, a hacker, 13 martial arts experts, three soldiers, a god, a duchess, two college students, three Russian assassins, a spy, an actress, a cyborg, a bartender, a forensics expert, a hitman, and a helicopter pilot, with eight characters we’ve seen in past years and 13 all-new characters we’ve never seen in any medium before–all in a roster split between 21 television and 13 movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2021:

Antonia Dreykov aka Taskmaster (Black Widow).  Was there a more intriguing, surprising, gut-wrenching character this year than Olga Kurylenko’s super-powered cyborg?  She was one of the best costumed villains this year and certainly the most sympathetic, leaving the question: Where does she go from here? (Disney)

Faye Valentine (Cowboy Bebop).  Daniella Pineda’s spin on this classic sci-fi character couldn’t have been better.  Always eager, always excitable, always refreshing, as she pursued the dramatic journey to discover who she really is. (Netflix)

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Review by C.J. Bunce

The first two episodes–a full third of the series–have arrived for Marvel’s fourth live-action series of the year on the Disney+ streaming platform and it’s a good start, already faring better than those prior series.  Hawkeye is about Jeremy Renner’s unassuming superhero Clint Barton aka Hawkeye from the Avengers movies–and yet it isn’t.  Although the first episode gets off to a slow start, it’s Hailee Steinfeld’s Kate Bishop, who replaces Hawkeye in the comics, who proves quickly she’s going to be an exciting fixture for the next iteration of the Avengers line-up.  She’s in good company, joining Black Widow’s Florence Pugh’s new Black Widow to take the franchise forward, along with Natalie Portman as new Thor in next year’s movie Thor: Love and Thunder, and Tatiana Maslany as She-Hulk in next year’s series She-Hulk. 

Hawkeye is billed as a holiday show and it is, but it falls short in that department, probably because Marvel/Disney didn’t use a key arrow in its quiver: the creator of your second favorite Christmas movie.

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Hawkeye Kate

After Jeremy Renner’s good guy Clint Barton was converted to bad guy in the 2012 MCU Avengers movie, it seemed like there was nowhere for the character to go but down.  Already merely a Green Arrow knockoff (who, in turn, was inspired by Robin Hood), the least interesting Avenger ultimately was relegated to lawless, one-note assassin status by the Endgame finale.  That was the Avenger on the big screen.  What the movie studio missed and is at last catching up to is what was happening in the comics pages while Avengers was in theaters.  Enter writer Matt Fraction and artist David Aja, who tapped some of the better elements from DC Comics’ Green Arrow comic book series and suddenly Hawkeye became interesting in the comics.

kate-bishop-

But what would become a multiple Eisner-winning comic wasn’t just about Clint Barton.  The next Disney+ Marvel series is coming this Christmas, and it’s bringing the even better character from Fraction and Aja’s comic book series forward, revealed in a first preview that looks like we may finally get a Disney+ Marvel series as good as the Marvel movies.  They even got the logo and Matt Hollingsworth’s color scheme right.  Check out the first trailer for Hawkeye below.

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It was only a year ago here at borg we were discussing some of the projects expected to arrive in 2020.  That didn’t happen, but a pandemic later and some juggling by the execs at Disney and we seem to have a realistic schedule for the projects we’ll see in 2021.  So let’s gather some excitement for Marvel superheroes heading our way, at least from the first looks at these shows we’ve seen via their movie and series trailers.  What does it look like we’re going to actually see in 2021 via streaming Disney+ or Vudu streaming?  As Phase IV of the Marvel Cinematic Universe continues with the final episodes of WandaVision on Disney+, next up will be The Falcon and the Winter Soldier starting on Disney+ March 19.  Probably the most eagerly awaited of all Marvel projects since Spider-Man: Far from Home is Black Widow, delayed and delayed some more, now expected to arrive May 7, probably for a theater run and a pay version via Disney+.  Which leaves the six episode mini-series Loki, also expected to arrive in May, via Disney+.  The common link?  All of these feature characters and storylines still heavily anchored to Phase III of the MCU, and all are an opportunity to tweak the past via time travel or a changed past to allow for new characters and new storylines.

Venom: Let There Be Carnage is expected to arrive in theaters June 25, and Shang-Chi: The Legend of the Ten Rings has a July 9 premiere date, but Disney hasn’t issued a trailer for either yet.  As a bonus we’ll throw in the trailer below for the animated series What… If? which doesn’t have anything but a 2021 projected Disney+ series launch date, and the trailer for Morbius, a Sony production tying into the MCU–at least via a cameo by Michael Keaton as Vulture, the villain from Sony’s Spider-Man: Homecoming.  It’s now slated for a January 2022 theatrical premiere.  Although an Eternals movie is expected around Thanskgiving and another Spider-Man movie could slip in around Christmas, all the other Phase IV projects have been pushed out beyond 2021–the next movies featuring Doctor Strange, Thor, Black Panther, Captain Marvel, Ant-Man and The Wasp, Guardians of the Galaxy, and Fantastic Four, and TV series featuring a new Hawkeye, Moon Knight, She-Hulk, Guardians of the Galaxy (a special), Secret Invasion, Ironheart, Armor Wars, and a Wakanda series.

Check out these trailers:

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Instead of what has been done at past panels at San Diego Comic-Con–having a panel for each or just a few major projects–Marvel Studios exec Kevin Feige was on-hand to get several announcements out the door and as many key cast members in and out of his single panel as possible.  For the Marvel Cinematic Universe’s Phase IV, that means tying in Disney’s (pay) streaming service with the movies.  The big takeaway?  New logos are pretty much all there is so far to share, plus key casting and timing announcements.  And although the last Phase had some changes along the way, it looks as if these ten projects will round out the entirety of Marvel over the next few years.  The biggest frustration for fans of the X-Men and Fantastic Four is why nobody at Marvel has been getting a head start on these two massively popular teams of characters–money is definitely going to be left on the table for the duration of Phase IV by pushing out these projects.  Why aren’t these Priority #1 with someone at Disney in light of the long lead-time the corporation had for the Fox acquisition?

The new time table is straightforward: Black Widow movie (May 1, 2020), The Falcon and the Winter Soldier TV series (Fall 2020), Eternals movie (November 6, 2020), Shang-Chi and the Legend of the Ten Rings movie (February 12, 2021), WandaVision TV series (Spring 2021), Loki TV series (Spring 2021), Doctor Strange in the Multiverse of Madness movie (May 7, 2021), What If…? animated series (Summer 2021), Hawkeye TV series (Fall 2021), and Thor: Love and Thunder movie (November 5, 2021).  The most eagerly awaited film after this year’s Avengers: Endgame was the hinted-at Guardians of the Galaxy/Thor or Asgardians of the Galaxy team-up movie, but Marvel still has not confirmed that project, unless it’s tied into the 2021 film.  Also relegated to “in development” status: Black Panther 2, Captain Marvel 2, Fantastic Four, X-Men, and the next Tom Holland Spider-Man movie (Spider-Man is Iron Man’s replacement, right?).  Silence seems to confirm the death of the Marvel Netflix universe of Luke Cage, The Punisher, Daredevil, Jessica Jones, and Iron Fist, and maybe even Disney+ projects Runaways, Ghost Rider, and Helstrom.  FX’s Legion was already announced as canceled, and we lost track of how many times The New Mutants movie has been pushed back.  Even bigger unknowns are the next Ant-Man and The Wasp, which had Hank Pym actor Michael Douglas already discussing it as a prequel, and if anyone is thinking about Prince Namor the Submariner, nobody is talking.  It begs the question:  Does Disney have too much to handle now?

As a beginning Disney’s Marvel side seems to be taking a lead from its Star Wars division, with its offerings targeting a mix of fans old, new, and in-between.  For the fans of the MCU so far you have plenty, a Black Widow (presumably prequel) and Thor movie as bookends for Phase IV, and TV series to keep alive Falcon, Winter Soldier, Scarlet Witch, Vision, Loki, Doctor Strange, and Hawkeye.  For new audiences (and possibly much older comic book readers) there is Shang-Chi and the Eternals to get to know, along with the announcement that Luke Cage’s Mahershala Ali will be playing Blade in a reboot movie at the beginning of Phase V, the vampire hunter who, like Spider-Man, has already seen an entire series of movies outside of the MCU.

The details are an eclectic mix of things you might want, things you didn’t know you want, and things you won’t know what to make of:

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SCARLET-WITCH-#1

Last week saw the release of the first issue of Marvel Comics’ latest monthly Scarlet Witch.  The series is written by James Robinson with artwork by Vanesa Del Rey with colors by Jordie Bellaire.  Award winning Hawkeye cover artist David Aja provides the cover to the first issue, plus variant covers are available from Kevin Wada, Bill Sienkiewicz, Erica Henderson, Tom Raney, and Chris Sotomayor.  It’s not only David Aja’s cover, but Robinson’s well-paced introduction and Del Rey and Bellaire’s visuals that remind us of Matt Fraction and Aja’s successful Hawkeye series, another series about a secondary character and a life outside the scope of saving the world with the Avengers.

The new Scarlet Witch has a ghostly quality, and a style similar to DC Comics’s initial New 52 stories of Batwoman from J.H. Williams III and W. Haden Blackman.  It’s introspective look at a superheroine with a past also echoes Nathan Edmondson and Phil Noto’s brilliant Black Widow series.

Scarlet Witch interior page

But this is a distinctly different story about a much different character.  She is not a young heroine.  She is a witch who speaks aloud with the ghost of Agatha, a dead woman she may or may not have killed in her past.  Scarlet Witch–Wanda Maximoff–is a detective of sorts in the same way as Liv Moore uses her supernatural skills to solve crimes in iZombie.

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Hawkeye issue 11   Afterlife with Archie main cover

The annual Harvey Award nominations close tomorrow.  The nominees for best works in the comic book industry are being voted on by comic book creators, with the final award ceremony to be held at Baltimore Comic-Con on September 6, 2014.  The recently combined publisher BOOM! Studios and imprint Archaia lead this year out of the gates with 30 nominations.  Independent publisher IDW Publishing received no nominations and the biggest, DC Comics, received only one.  Probably not surprisingly one of our favorite books, Marvel Comics’ Hawkeye, is a top contender, along with David Petersen’s latest Mouse Guard work.

More of our favorites are recognized again this year: Francesco Francavilla’s Afterlife With Archie is up for Best New Series and Mike Norton’s Battlepug for best online comic.  Here are the 2014 nominations for 2013 works, followed by this year’s Eisner Award winners for those that may have missed their announcement during the busy weekend of SDCC 2014.

2014 Harvey Award Nominees

Best Writer

James Asmus, Quantum and Woody, Valiant Entertainment
Matt Fraction, Hawkeye, Marvel Comics
Matt Kindt, Mind Mgmt, Dark Horse Comics
Brian K. Vaughn, Saga, Image Comics
Mark Waid, Daredevil, Marvel Comics

Best Artist

David Aja, Hawkeye, Marvel Comics
Dan Parent, Kevin Keller, Archie Comics
Nate Powell, March: Book One, Top Shelf Production
Chris Samnee, Daredevil, Marvel Comics
Fiona Staples, Saga, Image Comics
Jeff Stokely, Six Gun Gorilla, BOOM! Studios

Best Cartoonist

Matt Kindt, Mind Mgmt, Dark Horse Comics
Comfort Love and Adam Withers, Rainbow in the Dark, uniquescomic.com
Terry Moore, Rachel Rising, Abstract Studios
Dan Parent, Kevin Keller, Archie Comics
David Petersen, Mouse Guard: The Black Axe, BOOM! Studios/Archaia
Paul Pope, Battling Boy, First Second

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Miss Fury Dynamite Comics

We tried on for size almost every new book that was released from comic book publishers like Dynamite Comics, Dark Horse Comics, IDW Publishing, Archaia/BOOM!, and Image.  We tried to sample the best of all that Marvel and DC Comics had to offer, too, and although we didn’t have enough time to review everything we did try to put out there for your consideration those titles we thought our readers might like to check out, especially those with a sci-fi, fantasy, or retro bent.  Our pull list included issues from Afterlife with Archie to Django Unchained, from Liberator to Larfleezeand from Velvet to The X-Files.  This past month we have reviewed the year-long run of the best of these titles, as we narrowed our selections to 21 of the very best entries in genre entertainment outside of TV and movies, which we revealed here yesterday.  So here are the rest of our picks for the Best of 2013.

Kane Starkiller borg by Mike Mayhew

Best Borg Appearance — Kane Starkiller, The Star Wars.  Borgs showed up everywhere this year, from the lead characters on Almost Human, to Doctor Who, to countless comic book series including Justice League and RoboCop.  Our favorite appearance came from the young mind of George Lucas as he created the original script that would later be edited into the original Star Wars trilogy.  And through Dark Horse Comics’ The Star Wars monthly comic book event we learned one of his best ideas was merged into other roles and one of his best characters entirely cut.   That character was Jedi Kane Starkiller, who would reveal his cyborg chest implants that kept him alive, later to heroically give up this life-saving technology to save his friends.

MissFury001-Cov-Renaud

Best Comic Book Series — Miss Fury, Dynamite Comics.  A uniquely crafted tale, a compelling and seductive superhero, great action panel after panel, sourced in a long-shelved classic character of the Golden Age of comics.  Rob Williams and Jack Herbert’s Miss Fury is a carefully rendered update that rings true to the edgy spirit of the world’s first female superhero.  Beautiful panels set up an ever-changing time and place and pull readers along for the ride.  And stuck-out-of-time Marla Drake and her alter ego Miss Fury could not have looked better, whether carving out her place in the 1940s or as she was teleported into the future.  It’s a series no one should miss.

Clint Barton Hawkeye by Fraction

Best Comic Book Writing – Matt Fraction, Hawkeye.  Last year revealed one of the best comic book series we ever read, focusing on that “other” superhero archer, the second tier Marvel Comics superhero Hawkeye.  Matt Fraction gave us the most interesting set-up and look into the daily life of a superhero who isn’t Captain America or Iron Man.  This year he kept up the momentum in his Hawkeye monthly series, providing stories that challenged readers, each issue taking a different peek into Clint Barton, another costumed superhero called Hawkeye, and their trusty dog.

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