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Tag Archive: John Goodman


Kong Skull Island comic con 2016

It looks like the set up for Arnold Schwarzenegger’s sci-fi classic Predator.  A mission gone wrong.  A puzzled crew.  And something unexpected hunting man in the jungle.  It’s not an alien but the next King Kong reboot, Kong: Skull Island, and the first trailer for the movie was released Saturday at San Diego Comic-Con.

With an impressive cast, including Tom Hiddleston, John Goodman, and Samuel L. Jackson, Skull Island has the feel of Jack Black’s most recent big budget King Kong from 2005.  And that movie was a generally good remake.

The producers, who also made the last version of Godzilla, were savvy enough to hide a full shot of the giant ape from us this early on.

Kong Skull Island 2017

So check out this trailer for Kong: Skull Island, direct from Warner Bros. and Legendary Pictures at this year’s Comic-Con:

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10-Cloverfield-Lane-Poster

Review by C.J. Bunce

Chances are you skipped 10 Cloverfield Lane when it hit theaters this March 11.  It was one of those movies with a cryptic trailer.  In a world where trailers typically give too much away, this one left you thinking John Goodman was some kind of rescuer of two others in a dystopian underground quonset hut.  But once you’ve seen it, you realize you were better off not having an explanation.  Why?  Spoilers.  10 Cloverfield Lane is now available on Blu-ray, pay cable and streaming services.

It’s the ultimate horror story.  A woman, played by fan favorite Mary Elizabeth Winstead in a smart and resourceful role, wrecks her car and awakens tied to a post in an underground bunker with two men.  The older man, played expertly by John Goodman in a performance that would have garnered him an Oscar nod a decade ago (think Kathy Bates in Misery), claims that the outside world is gone, victim to a chemical attack.  Maybe it’s the Russians.  Maybe it’s aliens.  Maybe he’s a psycho.  Or maybe its zombies.  But we know the movie has the word Cloverfield in the title and is produced by J.J. Abrams, so what’s really going on here?  Does it have anything at all to do with J.J. Abrams’s 2008 monster movie Cloverfield or not?  Is there some sci-fi element lurking around the next corner?  Or is it just a street address, much like Abrams includes the name Kelvin in all his movies?

All will be revealed in time.

Winstead Cloverfield Lane

10 Cloverfield Lane is an expertly paced mystery, plunging you into the question “what genre is this movie?”  It’s that question that will keep you on the edge of your seat until the very last scene.  Fans of M. Night Shyamalan movies will fit right in here, and at times you get the feeling that Shyamalan is somewhere behind the scenes.  When is the revelation coming?  Who is telling the truth?

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10 Cloverfield Lane clip

J.J. Abrams has managed to monopolize entertainment news for months now because of his directing gig on Star Wars: The Force Awakens.  Now there is this very strange conversation going on about the first trailer out of the gates for J.J. Abrams’ next release, 10 Cloverfield Lane.  Is it a sequel to his 2008 surprise sci-fi horror hit Cloverfield?  Is it part of an anthology?  Does it matter?  Abrams is cagey as usual in responding.  What if the title itself is the sleight of hand and the surprise is completely different?

Abrams seems to be set on making one of every possible major genre film type.  With Cloverfield Abrams made his Godzilla-monster movie.  He’s made his Star Trek, Mission Impossible and Star Wars interpretations.  In Super 8 he made his Spielberg coming of age picture.  He’s making his cyborg movie with his Westworld series.  He’s done spies (Alias), rom com (Felicity), and survival (Lost) series.

But this first trailer for 10 Cloverfield Lane looks like a different type of creepy thriller.  Maybe a bit of The Happening, The Village, Signs, or The Lady in Water?  Those special creepy sci-fi/horror flicks that don’t fit neatly into a sub-genre that before we thought only M. Night Shyamalan had cornered the market on?

10 Cloverfield Lane poster

Check it out for yourself.  It’s a great, creepy trailer for Abrams’ 10 Cloverfield Lane:

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TRANSFORMERS: AGE OF EXTINCTION

Review by C.J. Bunce

It must be fun to be on the production set watching Mark Wahlberg make movies.  The actor conveys a passionate sense of determination no matter what he stars in.  You can track back through his films and see this–no matter whether the movie was a hit or not, you can see Wahlberg firmly planted in his role and delivering all he can muster.  In The Perfect Storm (2000) you have him responding to a once-in-a-lifetime disaster, in Planet of the Apes (2001) he’s facing an impossible world, and in Rock Star (2001) he’s a devoted fan turned star, poking fun at his former life in Rock ‘n’ Roll.  In The Italian Job (2003), a role that could have been made for a young Tom Cruise, we saw one of Wahlberg’s best roles as lead man of an all-star cast of master thieves.   If the whole world hadn’t noticed him yet, Martin Scorcese’s The Departed (2006) made that happen in his supporting tough guy role.  And whether or not you like M. Night Shyamalan’s The Happening (2008), it’s easy to get sucked in because you believe Wahlberg believes he is running from the strange, murderous, phantom wind.  Who else could pull off performances with such a wacky comedic edge like Ted (2012), Pain & Gain (2013), and 2 Guns (2013)?

So it’s no wonder that one of the two key components that make Transformers: Age of Extinction a complete blast of a roller coaster ride is star Wahlberg.  For all the Transformers movies (Age of Extinction is the fourth in the series) you either buy in to the world of machines-turned-robots or you don’t.  There’s no in-between.  And if you get that far, then the movie is a success only if the actors believe the CGI-heavy world they are performing in.  Wahlberg’s failed inventor and sharp mechanic Cade Yeager lets you know at the beginning of the movie where he stands with the goofy yet perfect line “I think we just found a Transformer!”  From there on you follow this guy because he really wants everything he is after–the truth, protecting his daughter, and defying the law to protect those he sees as innocent.

Age of Extinction IMAX 3D transformers

Transformers: Age of Extinction is now available in an impressive Blu-ray edition that brings the 3D IMAX shots right to your home television, with visuals that demonstrate the leading edge of the medium right now.  As we have mentioned here at borg.com with prior Blu-ray 3D, you can’t beat the landscapes in modern 3D films, and Age of Extinction would be a treat for the eyes for that alone.  Crisp, bright colors and sound and depth filmed with some impressive camera wizardry actually elevate this movie beyond what it might be as seen in its 2D Blu-ray, DVD, or film version.  Finely textured background detail will make you think someone took years to create each frame.  There’s enough to dazzle here that, if you don’t get tired along the way, you may walk away judging this as I did as almost as good as the first Transformers movie.

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E.t. the extra-terrrestrial

No other director has produced more hits and more variety than Steven Spielberg.  You’d have to travel pretty far to find someone who didn’t love at least one of Spielberg’s films.  Whether it’s Jaws, Raiders of the Lost Ark, E.T., the Extra-Terrestrial, Jurassic Park, Close Encounters of the Third Kind, Minority Report, or War of the Worlds, each of Spielberg’s genre blockbusters rival the best of other major directors’ films.  That doesn’t even include his more critically acclaimed dramatic works, Schindler’s List, The Color Purple, Empire of the Sun, Saving Private Ryan, Munich, and Lincoln. 

The films Spielberg directed at Universal Studios are being released tomorrow in a new boxed set in both a DVD and Blu-ray edition.  Whether you’ll go for this set isn’t a matter of whether this is a great collection of great movies.  It’s more about math.  Today only you can get the set for less than half the published retail price at Amazon.com here.  First of all you get eight films on eight discs, and unlike other directors’ releases, like the superb Clint Eastwood: 35 Films 35 Years at Warner Bros., this edition includes a bundle of great extras on several of the discs.  These films have been released singly and you may already have the best available editions of films like Jaws.   But if you don’t this may be the time to catch up your video library.

Steven Spielberg Director's Collection

You get Spielberg’s first film, actually a TV movie, the suspenseful Duel (1971), featuring Dennis Weaver (Dragnet, Gunsmoke) being pursued by a psychotic truck driver.  It’s the ultimate road rage movie well before the term was even coined.  It includes “A Conversation with Director Steven Spielberg,” “Steven Spielberg and the Small Screen,” “Richard Matheson: The Writing of Duel,” a photograph and poster gallery and the original trailer.

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George Clooney;Bill Murray;Bob Balaban

Review by C.J. Bunce

It could have been a more serious film for fans of Ocean’s Eleven.  It could have been The Dirty Dozen.  Unfortunately, writer/director George Clooney missed plenty of opportunities to place The Monuments Men alongside the shelves of great World War II movies of years past.  With a cast including Cate Blanchett, Bill Murray, John Goodman, Bob Balaban, and Matt Damon (along with Clooney) this should have been an easy victory.  So where’s the miss?  Clooney couldn’t decide which movie he wanted to make: a World War II biopic or a comedy.  The blend of both results in a merely watchable film, but comes in below the cast’s past works.

If you’ve seen any documentaries on the actual events that inspired the film, you already understand the guiding principle of the story:  It is absolutely worth fighting and dying for to preserve those artifacts that define your culture.  The Monuments Men is the story of a handful of art experts turned soldiers at the end of WWII who tried to assemble and return to their owners–repatriate–prized works of art, some religious, some by renowned art masters, some paintings, some sculptures, and other cultural artifacts, despite the Nazi efforts to squirrel away and often destroy vast cashes of these looted spoils of war.

Blanchett and Damon in The Monuments Men

The best element of the real-life story is not about any particular Monument’s man, but the actual account of Rose Valland, a French art scholar who covertly kept a log book of where the Nazis in France shipped stolen art.  She allowed The Monuments Men to fulfill their mission of returning so much art to rightful owners after war’s end.   Like the Valland-inspired Claire Simone, played by Cate Blanchett in the movie, Valland worked in the Jeu De Paume museum in Paris during the Nazi occupation, which was used as the German base of operations for hoarding Europe’s art treasures. Unknown to the Nazis, Valland spoke German, and used this to chronicle the details of the Nazi’s operation.  Unfortunately, Valland’s story becomes only a secondary plot to the men of The Monuments Men, and her account is never as exciting as the real-life Valland.  In fact, the foreign language intrigue of Valland’s story is completely ignored in the film.

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Bill Murray not in Stripes

It’s not a title that, by itself, will draw crowds to the theater.  But how often does a movie have much more than one reason to get you into the theater to see it?  Maybe its an actor you love, a genre, the fact it is based on a book or property you’re interested in.  The Monuments Men, with its first trailer released this past week, has almost too many reasons to see it to count.  “In a race against time, a crew of art historians and museum curators unite to recover renowned works of art stolen by Nazis before Hitler destroys them.”  Yep, it’s not about Mount Rushmore.  So let’s take a quick look at what this movie has to offer, to bring in viewers for different reasons.

Everyone is always trying to make a war movie that’s not a war movie, add some twist to the genre to make it slightly different to entice new crowds to give war movies a try.  Saving Private Ryan tried it, making a war movie into more of a kidnapping film with the modern trend toward challenging the components of war vs the old Frank Capra-type pro-nationalism films.  And how unique was Quentin Tarentino’s Inglourious Basterds?  In fact, if Brad Pitt hadn’t starred in that movie, you’d think he’d have been a shoo-in for The Monuments Men.  Why?  Because with George Clooney and Matt Damon in pursuit of a seemingly impossible goal, this looks like Ocean’s Eleven all over again.

John Goodman Monuments Men

And speaking of impossible goals, this also looks like The Dirty Dozen, although the trailer tells us there’s eight soldiers engaged in this mission.  Who isn’t ready for another movie of the Dirty Dozen variety?  Remember how good the beginning of Captain America: The First Avenger was with Tommy Lee Jones as a general in the World War II recruitment scenes?  Or go back to Bridge on the River Kwai and recruiting William Holden to go back to the battle.  Of course these are all plays on the original Western recruiting warriors film, Seven Samurai.  And just look who gets recruited for this new mission.

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Monsters-University-Mike

A few reasons we’re previewing the trailer for the prequel to Monsters, Inc., the June 2013 release Monsters University.

1.  Monsters, Inc., as a Disney/Pixar release was a pretty funny movie, with an actual plot, and with some laugh-out-loud comic dialogue of Billy Crystal and John Goodman.

2.  The trailer for Monsters University is a good one for a prequel, taking Crystal’s one-eyed Mike Wazowski to his first meeting with Goodman’s furry blue monster Sulley.

3.  The post-movie features and gag reel that played after Monsters, Inc. was one of the best shown after any movie since Ferris Bueller’s Day Off, and we hope Disney/Pixar includes more after Monsters University.

4.  This is the first time I’ve seen scenes from my own college experience reproduced in a motion picture.

5.  Just look at the great line-up of actors featured in this movie:  Nathan Fillion, Frank Oz, Steve Buscemi, Helen Mirren, Alfred Molina, Bonnie Hunt, Dave Foley, and Joel Murray.

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Inside Llewyn Davis

The Coen Brothers have never made a movie on my favorites list since Raising Arizona, although No Country for Old Men had a lot going for it with great acting by Josh Brolin and Kelly MacDonald.  And I’m probably the only person on earth that isn’t a fan of Fargo.  But a story about the 1960s New York folk music scene might entice me to check out the Coens’ new StudioCanal period flick Inside Llewyn Davis.

The Coens are great at selecting key character actresses and using genre favorite Carey Mulligan in another period film seems to be a great choice as the love interest of what seems to be the stereotypical brooding, misunderstood musician, the title character played by Oscar Isaac.  Isaac has appeared in Robin Hood and The Bourne Legacy, but this is clearly his big leading man break.  Who doesn’t want to be in a movie with Bob Dylan singing the background music?

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Review by C.J. Bunce

In Argo, the stakes could not be greater.  It is 1979 and the American embassy in Iran is stormed by a vast street mob seeking to hold hostage 52 people in exchange for the return of the Shah of Iran, granted asylum in the United States and dying from cancer.  For 444 days we waited and hoped for their release, and each day Walter Cronkite ended his news broadcast with the number of days they’d been held.  It was the ultimate nightmare and the sporadic glimpses of the hostages being led away with white blindfolds made us all imagine what kind of terror they must each be going through, as Christmas 1979 and  Christmas 1980 came and went, as back home we all went ahead with our lives every day.  But Argo is not about the 52 hostages.

At the time the embassy was attacked, six Americans working in the embassy managed to escape and hide out in the home of the Canadian ambassador and his wife.  Argo is the story of a completely illogical, unlikely, nearly impossible–even crazy–plan involving a mock sci-fi movie concocted to rescue them, and two friends back in the States who came together in 1980 to create a plan and convince President Carter to give the go-ahead to proceed with the mission.

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