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Tag Archive: Marvel Studios


Of the dozens of movies coming to your local theater between now and August, we spotted ten to highlight today.  Although Disney continues to recycle past hits into new variants, like Dumbo, Aladdin, Toy Story, and Lion King, Warner Brothers, Universal Pictures, and the rest of the pack are still holding their own with their latest efforts, all vying for the biggest box office win.  So along with Columbia Pictures’ Spider-Man: Far From Home (partnering with Disney’s Marvel Studios) and the latest Disney purchase, 20th Century Fox’s Dark Phoenix, there’s Legendary Pictures’ Godzilla: King of the Monsters coming next week, Universal’s The Secret Life of Pets 2, Columbia and Amblin’s Men in Black: International, New Line and Warner Brothers’ Shaft sequel, Universal’s Fast & Furious Presents: Hobbs & Shaw, Luc Besson’s Anna, and Columbia delivering Quentin Tarentino’s next feature, Once Upon a Time in Hollywood, all in the coming summer season (realizing the studios don’t follow the actual calendar seasons).

You may have seen a few of these movie trailers before, but most we’ve been stacking up for today.  We’re even throwing in the trailer for the Downton Abbey movie, which eeks into the summer calendar, arriving September 20.

So start planning to fit these in.  This week sees Stranger Things’ Millie Bobby Brown team up with Godzilla in the first big movie on our list, Godzilla: King of the Monsters The final X-Men movie of the 20-year run arrives the following week with Dark Phoenix We’re sure Men in Black: International will be a big hit.  And the third Marvel movie of the year arrives with Spider-Man: Far from Home for the Fourth of July weekend.  Some good prospects lie ahead!

In case you missed them, here are the movie trailers for the summer’s biggest releases:

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We’ve known from the first trailer released January 15–well before the premiere of Avengers: Endgame–that Spider-Man: Far from Home would find Spider-Man and all his teenaged friends get out of Avengers: Endgame in one piece.  The biggest reveal then was that “Far from Home” in the title doesn’t mean Spider-Man is left stuck on the planet Titan–where he turned to dust.  Nope.  It’s a school trip from his home in NYC to Europe–not all that far away for this Spidey.  But now that Avengers: Endgame arrived and the Russo Brothers “officially” released everyone from the spoiler-free zone via Twitter effective today, Marvel Studios and Sony followed up with the very Avengers: Endgame spoiler-filled, next trailer for the film.

But what will be the fifth appearance Tom Holland as Spider-Man (since this takes place right after his fourth appearance in Avengers: Endgame) looks like it has the potential of being as fun as his past appearances, more Marisa Tomei as Aunt May, more Jon Favreau as Happy, and all his school friends returning.  And audiences meet Jake Gyllenhaal′s Mysterio, a comic villain straight out of the pages of Amazing Spider-Man #212.

We had a good dose of Samuel L. Jackson playing Nick Fury again in Captain Marvel, but not so much in Avengers: Endgame, so it’s nice to see he will be integral to the story again in this next film.  But how will the studio deal with Spidey’s friends and the five-year age shift, presumably for some of them, like Peter Parker?  We’ll have to wait for that answer.

Take a look at the second trailer for Spider-Man: Far from Home:

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Review by C.J. Bunce

Following up on its successful look behind the entire Star Wars saga in The Moviemaking Magic of Star Wars: Creatures and Aliens (reviewed earlier here at borg), Abrams Books is bringing home the characters of Avengers: Endgame and the Marvel Studios long journey to get there in its new release The Moviemaking Magic of Marvel Studios: Heroes and Villains Incorporating its trademark interactive Cinemagic features, including booklets, interactive flaps, and accordion fold-out images of the concept art behind every major Marvel Studios superhero, Abrams has nicely timed this book for fans of the franchise who can’t get enough of the latest MCU film.  Full of color photographs and interviews with the producers, directors, art designers, costume and prop makers, and special effects magic makers behind the 21 films leading up to Avengers: Endgame, writer Eleni Roussos (The Art of Black Panther, The Art of Thor: Ragnarok) has pulled together behind the scenes insights that offer something new for even the most diehard fan.

Which characters wore practical, real-life costumes and armor, and which required motion capture and/or CGI effects?  What was the key element included in Marvel’s Avengers that Joss Whedon required to be added before he agreed to direct the film?  What do the contributors agree was the smartest strategic decision made for the Marvel films?  How did each artist convert the character from the comic book page to the finally constructed costume that appeared on the big screen?  What effects were the most challenging for each film?

Altogether The Moviemaking Magic of Marvel Studios: Heroes and Villains spotlights more than 100 individual superheroes, on-screen support crew, and the most colorful and memorable villains from the series, with significant creative and visionary contributions from Marvel Studios president Kevin Feige, directors Anthony Russo, Joss Whedon, and Peyton Reed, visual development executive Ryan Meinerding and artist Andy Park, and costume designers Rebecca Gregg, Laura Jean Shannon, Mayes Rubeo, Alexandra Byrne, Anna B. Sheppard, Judianna Makovsky, Sheldon Differ, Louise Frogley, and Ruth Carter.

Take a look at this giant preview of The Moviemaking Magic of Marvel Studios: Heroes and Villains below, courtesy of Abrams Books:

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Review by C.J. Bunce

After 21 movies and a decade of superheroics, the end arrived this weekend with Marvel StudiosAvengers: Endgame, already setting new box office records.  Nearly every seat at multiple screenings at my local theater was sold out this weekend, as was the case across the country.  Which means many have seen it, but even more haven’t. You can’t review a film without some details, so if you haven’t seen it yet, do yourself a favor: bookmark this and come back later.  The short version: If you’re a superhero fan and you’ve followed the previous entries in the Marvel Cinematic Universe, you won’t want to miss it.  But re-watch both Avengers: Infinity War and Captain Marvel first.  I’ve no idea how anyone will follow the events in the film without first seeing at least these two films.  Endgame is a good wrap-up to the first major story arc in the franchise and a fine segue into the future of the films.  But it’s not perfect (what ever is?) and I’m going to walk through some goods and bads from the film.

That means “there be spoilers ahead” so consider yourself forewarned if you continue.

Note to email subscribers: Clicking on the link will take you into the full review.

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Review by C.J. Bunce

As the last movie before the big finale next month as Avengers: Endgame premieres, this weekend’s release of Captain Marvel provides another big win for Marvel Studios that both provides a new character to take the Marvel Cinematic Universe beyond the Avengers-centric adventures into “Phase IV,” plus it fills some gaps in the story so far.  Despite all the harangues about the history of the title “Captain Marvel” across the decades as used by both Marvel in this movie and as the lead character in the coming DC Comics movie Shazam!, oddly enough the words never get used in the film except for the title logo at the end credits.  But Brie Larson‘s take on Carol Danvers elevates the character beyond a name or title, surprisingly pulling more from the classic roots in Marvel Comics stories back to Ms. Marvel of the 1970s than from the current, cockier version of the character.  This Carol Danvers is a solid new superhero on film, who, like Black Widow, The Wasp, Jean Grey, Gamora, Storm, and Domino, happen to be women, as powerful (and sometimes more so) than their male, inhuman, or alien, counterparts.  Larson’s take on the character is certainly heroic, but initially she plays the part reserved, with Carol uncertain of her powers at first, before she settles into her boots and takes the lead role as badass against all the film‘s villainous threats.  Co-director/screenplay writers Anna Bodin and Ryan Fleck make the character smart enough to suss out the mystery behind the secrets kept hidden from her.  In many ways Danvers is unstuck in time, but the time-shifting story never causes confusion along the way–and unlike several entries in the MCU, the writers deserve credit for a fully plot-driven story.  Captain Marvel is one of the series‘ easiest to watch–all-out fun from beginning to end–with a cool cat named Goose as a bonus.

In second chair is Samuel L. Jackson playing a 1990s version of his Nick Fury character, with probably the most screen-time the character has seen in the franchise.  This becomes his chronological introduction to the MCU along with Clark Gregg‘s Agent Coulson, and fans of these two since the beginning will no doubt love seeing them back in action together, although Coulson has a lesser role.  A big surprise is Ben Mendelsohn‘s performance as the Skrull called Talos.  Mendelsohn proved he was a powerhouse character actor for years, but has taken on star status more recently in Rogue One: A Star Wars Story and Ready Player One, and here he is a standout force again even behind heavy prosthetics.  Talos is among the best of all the Marvel movie villains, up there with Magneto, Red Skull, Hela, Bushmaster, Surtur, Killmonger, Vulture, Venom, and Loki.

Every single character and actor in the film is done right, from Kree team members played by Jude Law, Gemma Chan, and Djimon Hounsou returning as Korath from Guardians of the Galaxy, and Lee Pace back again also from Guardians (but hardly recognizable this time) as Ronan the Accuser.  For those who are fans of the Marvel film and comics space fantasy stories like Guardians, this is the next film in that vein.

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With winter settling in and another cold snap crossing the U.S. and the film’s nomination for a Best Animated Film Academy Award, audiences are continuing to discover Spider-Man: Into the Spider-Verse in theaters (reviewed earlier here at borg).  Spider-Man: Into the Spider-Verse–The Official Movie Special is a new hardcover book going behind the scenes of the movie, and it has a different twist.  The book interviews all three of the film’s directors: Bob Persichetti, Peter Ramsey, and Rodney Rothman, who provide different perspectives on working with Phil Lord on the script, and share insight into the pre-production, voice actor recording, and visual effects.

Senior animation supervisor Josh Beveridge recounts the steps of the animation process used for the film, including inkline methodology to make the film look like a comic book, using a large team of animators.  Several pages are devoted to each of Miles Morales and his family, Peter B. Parker, Spider-Man Noir, Gwen Stacy, Peter Porker, and Peni Parker and SP//dr–how each was designed, how each was presented to distinguish their different comic book origins using variations in light, color, and dimension, and how each voice actor approached the performance.  The villains get coverage, too, including the Prowler, Kingpin, Tombstone, and a new Green Goblin and Doc Ock.

The best look at stills from the film released so far can be found in Spider-Man: Into the Spider-Verse–The Official Movie Special.  It also nicely references all the writers and artists that created the various Spider-Verse characters used in the film.  It features concept art and production art from production designer Justin K. Thompson, art director Dean Gordon, and creators Jesús Alonzo Iglesias, Seonna Hong, Patrick O’Keefe, Shiyoon Kim, Yashar Kassai, Naveen Selvanathan, Paul Lasaine, and Craig Kellman.  Voice actors Shameik Moore, Jake Johnson, and Hailee Steinfeld also provide contributions.

Take a look inside at a few pages from Spider-Man: Into the Spider-Verse–The Official Movie Special:

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Yes, that is a poster for Captain Marvel’s cat, who will no doubt upstage the entire cast of the upcoming film, Captain Marvel The cat, named Chewie in the comic books, apparently had a name change for the film, as shown by her new collar.  Now Goose, presumably after Anthony Edwards’ character in Top Gun, leads a new round of character posters for the March theatrical release .  It’s the last of the standalone Marvel movies before April 26, 2019, when it all comes together in Avengers: Endgame.

That cat has her own story, worth checking out in recent (since 2006) back issues of Captain Marvel comics.  And she made it onto an early poster for the film so this is really her second big debut for the movie.

The movie is primarily prequel material, as seen in the posters with younger versions of Samuel L. Jackson as Nick Fury and Clark Gregg as Agent Coulson.  The showcased new superhero and spacesuit costumes come from the great genre costume designer Sanja Hays, who we discussed previously here at borg from her panel at San Diego Comic-Con last summer.

   

Other posters show Brie Larson in the starring role, Humans’ Gemma Chan as Minn-Erva, Rogue One and Ready Player One’s Ben Mendelsohn as the Kree-in-disguise Talos, Bulletproof’s Lashana Lynch as Carol Danvers’ aka Captain Marvel’s friend and pilot Maria Rambeau, Djimon Hounsou returning from Guardians of the Galaxy as Korath, Jude Law as a Kree leader, and Annette Bening as Mar-Vell.

Take a look at these ten new posters for Captain Marvel:

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It seemed obvious from the release schedule available back in 2017–well before the premiere of Avengers: Infinity War and Spider-Man’s drifting off into dust–but the first trailer for Spider-Man: Far From Home confirms what everyone figured, Spider-Man and all his teen-aged friends get out of Avengers: Endgame in one piece.  The biggest reveal?  The “Far from Home” in the title doesn’t mean Spider-Man is left stuck on the planet Titan–where he turned to dust.  Nope.  Looks like it’s just a school trip from his home in NYC to Europe–not all that far away for this Spidey.

But what will be the fifth appearance Tom Holland as Spider-Man (since this takes place right after his fourth appearance in Avengers: Endgame) looks like it has the potential of being as fun as his past appearances, more Marisa Tomei as Aunt May, more Jon Favreau as Happy, and all his school friends returning.  And audiences get their first look at Jake Gyllenhaal‘s Mysterio and a comic villain straight out of the pages of Amazing Spider-Man #212.  Marvel Studios and Sony also released a new poster from the film (below).

We haven’t seen this March’s Captain Marvel yet, but we can’t get enough of Samuel L. Jackson playing Nick Fury, too.  Marvel calls this one a teaser, but it’s just as long as the full length trailers for most movies.

Take a look at the first trailer and images from Spider-Man: Far from Home:

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Review by C.J. Bunce

Happy New Year!  Let’s start the year off with a look at a great new inside look at the holiday season’s biggest hit movie, Spider-Man: Into the Spider-VerseCompared to most “art of the movie” books reviewed here at borg, a new behind-the-scenes book offers up a very different, modern update to our understanding of creating concept art for the cinema.  The book is Spider-Man: Into the Spider-Verse — The Art of the Movie by Ramin Zahed, an account of the design development and visual production process for this latest Sony Pictures Animation/Marvel partnership.

Concept art, sketches, and storyboards take on a different flare when you’re in the digital animation tech of today.  But the images still reflect that powerful, colorful, and dynamic feel in their formation of a brand new superhero universe.  Readers will find hundreds of images of developmental artistry behind the film, plus read exclusive interviews with the creators, including a foreword prepared by Miles Morales co-creator Brian Michael Bendis.

As we found with George Lucas’s groundbreaking selection of screen captures or frames found in his multi-volume book Star Wars Frames (reviewed here at borg), studying the selected individual frames from the new Spider-Verse reveals a film on par with the composition of the future world of Ridley Scott’s original Blade Runner–a city that is realistic, yet futuristic and still obviously sourced in comic books.  It’s a gorgeous movie–and the action sweeps by so quickly that most will miss the artistry found in Miles’ graffiti, storyboard sequences, and the nooks and crannies of each set layout.  Set decoration takes on a new approach, as does prop design, art direction, and costuming, in Into the Spider-Verse.

You can also pick up a rare edition of the book, limited to 175 copies, complete with one of the prop comic books made for the film (pictured above) hand-inked by Marcelo Vignali and a signed tip-in sheet by Christopher Miller, Phil Lord, and artists from the film.  Check that out and the details at the Titan Books website here.  Take a look at this 12-page preview of Spider-Man: Into the Spider-Verse — The Art of the Movie, courtesy of Titan Books:

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When we created last year’s preview of 2018 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our picks for our annual Best Movies of 2018.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our TV and print media picks, and our annual borg Hall of Fame inductees.  Wait no further, here are our movie picks for 2018:

Best Film, Best Drama – Bohemian Rhapsody (20th Century Fox).  For the epic historical costume drama category, this biopic was something fresh and new, even among dozens of movies about bands that came before it.  Gary Busey played a great Buddy Holly and Val Kilmer a perfect Jim Morrison, and we can add Rami Malek and Gwilym Lee’s work as Freddie Mercury and Brian May to the same rare league.  But it wasn’t only the actors that made it work.  Incredible cinematography, costume and set recreations, and an inspiring story spoke to legions of moviegoers.  This wasn’t just another biopic, but an engaging drama about misfits that came out on top.  Honorable mention: Black Panther (Disney/Marvel).

Best Sci-fi Movie, Best Retro Fix, Best Easter EggsSolo: A Star Wars Story (Disney/Lucasfilm).  Put aside the noise surrounding the mid-year release of Solo before fans had recovered yet from The Last Jedi, and the resulting film was the best sequel (or prequel) in the franchise since the original trilogy (we rate it right after The Empire Strikes Back and Star Wars as #3 overall).  All the scenes with Han and Chewbacca were faithful to George Lucas’s original vision, and the new characters were as cool and exciting, and played by exceptional talent, as found in the originals, including sets that looked like they were created in the 1970s of the original trilogy.  The Easter Eggs scattered all over provided dozens of callbacks to earlier films.  This was an easy choice: no other science fiction film came close to the rip-roaring rollercoaster of this film, and special effects and space battles to match.   Honorable mention for Best Sci-Fi Movie: Orbiter 9 (Netflix).

Best Superhero Movie, Best Crossover, Best Re-Imagining on Film Avengers: Infinity War (Disney/Marvel).  For all its faults, and there were many, the culmination of ten years of careful planning and tens of thousands of creative inputs delivered something no fan of comics has ever seen before:  multiple, fleshed out superheroes played by A-list actors with intertwined stories with a plot that wasn’t all that convoluted.  Is it the best superhero move ever?  To many fans, yes.  But even if it isn’t the best, its scope was as great as any envisioned before it, and the movie was filled with more great sequences than can be found in several other superhero movies of the past few years combined.  But teaming up Thor with Rocket?  And Spider-Man with Doctor Strange and Iron Man?  That beat all the prior Avengers team-ups that came before (and anything offered up from the other studios).  It’s easy to brush off any given film with so many superhero movies arriving these days, but this one was the biggest, grandest, and greatest made yet and deserves all the recognition.  Honorable mention: Spider-Man: Into the Spider-Verse (Sony Pictures Animation), Black Panther (Disney/Marvel).

Best Fantasy Movie, Best Comedy MovieJumanji: Welcome to the Jungle (Columbia Pictures).  No movie provided more laugh-out-loud moments this year than last winter’s surprise hit, a sequel that didn’t need to be a sequel, and a video game tie-in for a fake video game.  A funny script and four super leads made this an easy pick in the humor category, but the Raiders of the Lost Ark-inspired adventure ride made for a great fantasy film, too.  Honorable mention for Best Fantasy Movie: Black Panther (Disney/Marvel), Ready Player One (Warner Bros./Amblin).

Best Movie Borg, Best Borg Film – Josh Brolin’s Cable, Deadpool 2 (20th Century Fox).  Brolin’s take on Cable ended up as one of those great borgs on par with the Terminator from the standpoint of “coolness” factor.  But the trick that he wasn’t really the villain of the movie made him that much more compelling in the film’s final moments.  Ryan Reynolds was back and equal to his last Deadpool film, and his Magnificent Seven/Samurai Seven round-up of a team was great fun.  If not for all that unwinding of what happened in the movie in the coda, this might have made the top superhero movie spot.  But Deadpool 2 was a good reminder there is something other than Disney’s MCU to make good superhero flicks.

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