Kansas City’s Planet Comicon announced today that actor and stuntman Ray Park will be one of the headliners of this year’s event April 6-7, 2013 at the Kansas City Convention Center downtown at Bartle Hall. In his short career as actor he has amassed some key, iconic roles across major franchises. And because some of his roles are behind a mask or make-up you might not recognize him at first. But when he moves and performs has trademark wushu spin you just know this Glasgow, Scotland-born second degree black belt martial artist is behind the performance. He’s been a lead contender to play Iron Fist in a future Marvel Comics project and on March 28, 2013 he will reprise his role as Snake Eyes in G.I. Joe: Retaliation. Let’s check out his major acting and stunt roles so far.
Tag Archive: Heroes
You may have first seen Jaime Ray Newman in The Drew Carey Show episode “The Warsaw Closes.” She had a small part opposite Leonardo DiCaprio in the hit Steven Spielberg film Catch Me If You Can. Soap fans may know her from her 68 episodes as Kristina Cassadine on General Hospital.
Versatile, endearing, and attractive, sometimes tough, sometimes sensitive, often devious and other times just plain fun, you just can’t help running across actress Jaime Ray Newman when getting caught up on TV series from the past several years. Since her role on General Hospital, Newman has turned up everywhere you look, and we’ve seen her in so many genre roles since 2005 that we think she is someone everyone should keep an eye out for, and an actress we can’t get enough of.
Newman played Amanda Walker in the episode “Phantom Traveler” in Supernatural in 2005. In the same year she played Lieutenant Laura Cadman in two episodes of Stargate: Atlantis.
If you haven’t voted yet. Go do it. Longer than usual voting lines are expected today. But who knows long lines better than Comic-Con fans? Today is your day. You can show the others how it’s done. And why not drag your comic book-toting friends along? Heck, bring along a stack to read. It’s going to be a long day.
If you’re like me, you get a bit annoyed in the weeks prior to Comic-Con with people trying to hand out tips for your first Comic-Con. Like we can’t figure it out. So, in return, here’s a list you can send to your non-comic book-lovin’, non-genre-lovin’, the “who the heck is Buffy the Vampire Slayer voters” you’ll be stuck with all day. Here’s a modified advice list snatched from lists of advice for first-timers at past San Diego Comic-Cons, a list which seems to apply well to your neighbors who think they know long lines but don’t: View full article »
Review by C.J. Bunce
The world needs more Frank Cho. Frank Cho got me interested in Ms. Marvel and The Mighty Avengers when I hadn’t bought a Marvel comic book in years. And now Frank Cho has caused me to want to read more about the Scarlet Witch, Spider Woman, and a more recent X-Woman named Hope (actually they call her an X-Man, but that doesn’t quite work for me).
I was immediately surprised and pleased when I saw the display for the new prologue to Avengers vs. X-Men, Issue #0, because it is reminiscent of one of Frank Cho’s all-time best covers, that of the Scarlet Witch in the trade edition of Ultimates 3; Who Killed the Scarlet Witch, which I have not managed to pick up yet to read from the back issue stack.
So what I hope is that Avengers vs. X-Men will focus heavily on the focus of this prologue–equal parts redemption of the Scarlet Witch, who betrayed her husband Vision when we last saw her and devastated the mutant community, and the rest about a girl named Hope Summers, the so-called Mutant Messiah, whose story here follows a coming of age, breakaway from the status quo that feels very similar to Batgirl’s journey in DC Comics’ New 52 line-up.
What I thought this issue would cover is a lot of over-the-top brawling between Thor and Hulk and Iron Man and Wolverine, etc. I was very happily surprised that wasn’t the case. Since it does not appear that Frank Cho will be doing all the interiors for the actual AvX series, I just hope I am not disappointed in what comes next.
AvX #0 sold out practically instantly Wednesday across the country but no doubt the reprints will follow soon enough if you missed it. It is a nice standalone issue, and can go firmly on the shelf next to the best of Cho’s Marvel pages. You hear that writers write to the strength of the artists that they partner with, and it seems unlikely that Brian Michael Bendis and Jason Aaron didn’t also follow suit here. This book is chock full of what Cho draws best–not just voluptuous women, but superhero females in action, acting smart, acting tough, being cool in every way. As I mentioned above, that means Scarlet Witch, Hope Summer, and Spider Woman, but it also means Ms. Marvel and Emma Frost make a solid appearance. It also means that Bendis sent Cho a few lay-ups, with some dinosaur-tipped rockets fired at the Scarlet Witch courtesy of M.O.D.O.K. (that’s Mobile Organism Designed Only for Killing). I think only Cho could pull that off, and he did it here. If this work is what partially delayed Cho’s Guns & Dinos series, there was a great reason for the diversion, and his fans will be pleased with this latest entry.
There is some alpha and omega, yin and yang going on here, as Hope was the first mutant born after the Scarlet Witch turned all the mutants (except 198) into mere mortals. Will these two get to deal with each other in the pages of AvX going forward? I hope so.
In this issue, we had split writing duties, with Jason Aaron taking on the frustration of Hope against the always whiny and wimpy (and often annoying) Cyclops. Brian Michael Bendis wrote the story of Scarlet Witch in her return to Marvel’s pages from a bit of a hiatus. Both writers balance the story well and Cho’s art further keeps the issue cohesive. It would be great if this trio took the reins for the entire series, but that is not the case.
What’s the coolest thing about Hope? Along with having an interesting character voice, she has one of the best powers around–she can mimic the powers of others. I remember thinking this was a great ability when I watched Peter use this power in the Heroes TV series. Hope uses these powers to both use Cyclops’s rays against himself and to take out a motley group of baddies at the end of the book. She also uses the classic head-butt maneuver to good effect in a classic scene found in this issue. Aaron’s writing includes a number of funny and quirky moments for Hope–she is endearing. And you instantly must side with Hope Summers against Scott Summers. It’s the same style of writing that makes Aaron’s Wolverine and the X-Men successful.
Scarlet Witch–Wanda–never looked better (you just know she wears a Beltsville shirt in her down time). She is back but wants to stay away from the Avengers. But Carol Danvers aka Ms. Marvel insists she accompany her and Spider-Woman back to their friends. The result is a long-and-coming encounter with her husband who turns her away, to the anger of Ms. Marvel, but the acceptance of Logan and Tony Stark. Bendis is really good–you really feel bad for Wanda here in a short number of pages, both from the story and Cho’s visual portrayal. And we are left with this prophecy that Hope will have to face the Phoenix… that she senses is coming toward her from far away. Cho shows us that it is not just a prophecy but will be addressed in issues to come.
For AvX, this is a great start, using the powerhouse writing and art trio of Bendis/Aaron/Cho upfront. Hopefully the rest of the creators at Marvel Comics will keep the momentum going as we will find out with the premiere of Issue #1 next week. And more than anything this issue has made me want to catch up on past Cho trade books: Ultimate Comics New Ultimates: Thor Reborn, Fear Itself: The Fearless, and The New Avengers.
By C.J. Bunce
One of the Midwest’s best pop culture and comic book conventions was this past weekend, Planet Comicon, which has been Kansas City’s largest fan convention for more than a dozen years. The show seemed to be bursting from its seams this year with thousands of guests, and appears to be outgrowing its venue at the Overland Park International Trade Center.
The film and TV headliners for this year’s show included Edward James Olmos, best known to sci-fi fans for his role in Blade Runner and as Adama in the Battlestar Galactica reboot series. He signed autographs and took photos with fans both days of the show. Here he is with Erin Gray, who appeared with other actors from the 1979-1981 TV series Buck Rogers and the 25th Century:
Gray also appeared on an episode of the Syfy Channel’s Hollywood Treasure last year.
The other featured major guest from film and TV was Billy Dee Williams, best known as Lando Calrissian in The Empire Strikes Back and Return of the Jedi, but also as Harvey Dent alongside Michael Keaton in the 1989 Batman film. His current work includes a stint on USA’s White Collar.
Billy Dee also appeared at the show both days. (I offered a woman in line $5 to say “Billy Dee, Billy Dee, Billy Dee!” when she finally met him but didn’t take me up on it. And it’s OK if you don’t get that reference).
Early Saturday morning legendary comic book artist Michael Golden is getting fueled up before embarking on a sketch of Green Arrow:
Michael is known for his work on such titles like Marvel Comics series The ‘Nam, GI Joe Yearbook, Star Wars, and Micronauts. He is also the co-creator of the X-Men character Rogue.
I’ve been a fan of the different styles Mike Norton uses in his art for quite a while. Here he is signing one of his comic pages for the Green Arrow/Black Canary series, where he did the pencil work and comic book legend Bill Sienkiewicz provided the ink work:
Mike is working on a creator-owned project currently and has previously worked on Runaways, Gravity, the Young Justice animated series comic book. He was actively sketching pages for fans at the show and produced probably a dozen at least over the weekend, including this great image for me:
Unfortunately Bernie Wrightson wasn’t sketching at this year’s convention, but he was signing plenty of shirts and books for his Frankenstein book. Wrightson’s horror artwork goes back several decades, with his first published comic work with House of Mystery in 1969. He co-created Swamp Thing in 1971. His work has appeared in Creepy, Eerie and Vampirella, and Batman: The Cult. Here Wrightson is at a signing table with Freddie Williams II and his wife Kiki:
Freddie is well known for his work on his Robin series, and is currently one of the DC Comics top artists. We reviewed his and JT Krul’s Captain Atom series here at borg.com a few weeks ago. Freddie was busy creating sketches for fans and speaking on panels at the show.
Currently working on projects for Dynamite Comics, Bionic Man writer Phil Hester and Lone Ranger writer Ande Parks had pages of original artwork as well as copies of their books new and old that they were signing for fans, including a lot of low-priced original art from their run on the DC Comics Green Arrow series:
It’s great that these guys have tackled both the writing and illustration sides of comic book creation.
I got to catch up again with a couple well known Kansas City authors. Here, Dayton Ward and Kevin Dilmore, two of the best known authors of Star Trek novels, talk with fans at the show.
The NBC TV series Heroes co-creator Tim Sale was signing books and art at his booth:
Sales’ past work includes art in Batman: Dark Victory, Batman: The Long Halloween, Daredevil: Yellow, Hulk: Grey, Spider-Man: Blue and Superman For All Seasons. (What’s with these color titles, anyway?). His unique stylized paintings on Heroes featured into the plot of the series.
I spent time chatting with Rob B. Davis, currently providing illustrations for a Sherlock Holmes series and past artist for Malibu’s Deep Space Nine comic book series, writer Jai Nitz, who was juggling signing copies of his Kato and Tron: Betrayal series while moderating different comic book panels at the show, borg.com writer Art Schmidt, local writer Justin Cline manning the front of the convention, and Todd Aaron Smith, who sketched this great Black Canary image for me:
Smith had provided storyboards for Family Guy and other animation art for shows like South Park and various DC Comics and Marvel Comics TV series. Current Marvel Comics lead writer Jason Aaron could be found with some good lines of fans waiting to get copies of his various Hulk, Wolverine and X-men series signed:
The facility was packed wall to wall with plenty of booths selling everything from graphic novels to collectible action figures, original comic book art, and comic book back issues. Here, Elite Comics comic book store owner William Binderup appears to be raking in some cash from sales of comics at his booth:
Show producer Chris Jackson seemed pleased with the success of this year’s convention.
And of course there were plenty of cosplayers. Here a few Batman characters huddled for a photo:
But I think the best was this “Hello Kitty meets Stormtrooper” mash-up:
No doubt it would have been a far different Star Wars had Luke showed up to rescue the princess with this outfit.
Review by C.J. Bunce
The short-lived but fan favorite TV series Heroes launched a concept that really hadn’t been tried before in this way: starting each episode not at the beginning of the story, but well into the story, and often at the best part–that point where the guy is hanging over the edge of the cliff, right where the cheerleader falls off the building, or right where the samurai gets the sword in his gut. You feel a little bit of a slingshot at the back of your head at first, then you grab the rope, the boat pulls tight and before you know it you are skiing along with the characters at full throttle into the unknown. Captain Atom #1 is a comic for readers who like wall to wall action, and it avoids any introductory phase–placing us right where the story gets good. There are no gimmicks here that you might find in other books, just a good read that makes you hate having to wait a whole month for the next issue.
If you’re not a regular DC Comics reader, you may not think you know Captain Atom but you probably just haven’t put it all together yet. He’s so familiar and you can’t quite place why you know him, even though he is not another current Justice League headliner (although he has served in the Justice League and led Justice League Europe in the past). If you’re like me, you read his comic back in the post-Crisis on Infinite Earths 1980s, or you saw him in the more recent Superman/Batman. But more likely you recognize him as Dr. Manhattan from Watchmen, either the comic or the movie, because what comic reader hasn’t seen one of those? Alan Moore originally designed his atomic man as Captain Atom, but DC decided not to let him use the newly absorbed Charlton Comics pantheon of characters in Watchmen at the last minute. As stunning and surreal as Dr. Manhattan was portrayed in the Watchmen movie, he really comes to life in the new DC 52 Captain Atom #1. And he’s not aloof like Dr. Manhattan–speaking to us through his thoughts we get to like this guy and feel for his circumstances quickly. Dr. Manhattan is in the background in this shot from the Watchmen movie:
Like our heroes in the first issue of the new Justice League, superheroes are finding themselves as targets more than heroes. Captain Atom finds himself defending himself against an attack, only to learn his powers are more expansive than he knew. He begins to melt metal and it seems congeal and drip off the page. Captain Atom surprises himself. Like Han Solo said “sometimes I even amaze myself.” Although I have liked most of what I have seen so far from the new DCU, this is the first ‘zine where the story doesn’t let up from the first panel through the last panel.
It can’t be easy drawing the visual expression of seemingly unlimited power as pure energy. Freddie Williams II is at the top of his game here. JT Krul has taken what he did with the edgy Soulfire and Fathom series coupled with his hero work on Green Arrow and has paced out a story with non-stop action, a smart hero, and intelligent writing. We are pulled through the story via Captain Atom’s own thoughts and watch him try to control what is probably uncontrollable. Williams renderings of Captain Atom as distinct from the rest of the art, and coupled with Jose Villarrubia’s creative use of color–red and blues are used to stunning effect–this book made me want to track down some 3D glasses to see if this could be viewed in actual 3D (I looked and couldn’t find the pair that came with the Chuck Season 2 DVD set).
For new readers you get enough back story to see what is going on. Krul slips in background information just when you want it and sets up the action for coming issues. Williams’s style seems inspired by the eye-popping visuals of Michael Golden, Howard Chaykin and Alex Nino–and this makes sense as a character who absorbs energy has got to ooze energy across the page.
I also like characters who are seemingly stronger and more powerful than the often one-note Superman. Like Captain Marvel, Captain Atom is a character that makes you glad to know there is someone else out there who can carry the weight of the DCU world. Like Firestorm, an old favorite hero with similar powers, this guy is not just a human in a supersuit.
Eagerly waiting for Issue #2!