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Category: Movies


If you wait long enough, any and every subject from the past will find its way to the big screen.  Coming next is a look at classic slapstick Punch and Judy puppet shows in the form of the new Australian movie, Judy & Punch The first trailer for the film is out, and it looks to have all the quirks of a fringe indie festival film, with some historical elements and high production value.  It stars Mia Wasikowska (Crimson Peak, Alice in Wonderland) as Judy and Quarry and Justified’s Damon Herriman as Mr. Punch–two puppeteers trying to bring their marionette show to a strange English town.

Around since at least the 1660s, Punch and Judy shows have evolved and survived like some kind of street Shakespeare.  Ever changing to tie in the current politics or crisis of the day, the shows always feature Mr. Punch introducing the beautiful Judy, followed by antics including animal puppets like a crocodile, a dog, and a horse, and almost always a police officer or constable, a skeleton, and a baby.  The slapstick includes wrangling an unsuspecting audience, displays of showmanship, puppets dropping the baby, a horrified audience, and one or more puppet murders.

Judy & Punch is directed by first-time director Mirrah Foulkes, with production design by Josephine Ford (The Quiet Earth, War Machine, Picnic at Hanging Rock), and costumes designed by Edie Kurzer (Picnic at Hanging Rock).  Here is the trailer for Judy & Punch:

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It looks just like a remake and update of African Queen, and a great set-up for the next big Disney franchise follow-up to Pirates of the Caribbean.  The first trailer is out for Jungle Cruise, and the theme park ride turned big-screen adventure could hardly look more fun.  Emily Blunt (Edge of Tomorrow, Mary Poppins Returns) seems to have walked right into a role written for Johnny Depp, as she teeters through a clever Rube Goldberg-inspired scene as we’re introduced to Lily Houghton, a scientist embarking on a journey with her brother in the Amazon, via riverboat, where they meet an unusual ship captain.

With Hollywood’s #1 box office draw Dwayne Johnson still entertaining us with his Jumanji jungle series and international tours in the Fast & Furious movies, there’s hardly a better person to cast with Blunt in this kind of new team-up, and possibly a new franchise.  Here he looks a lot more like Popeye than Humphrey Bogart.  Johnson has referred to Blunt’s character as “a female Indiana Jones.”  For most of the world–who haven’t ever been to a Disney theme park–it may help to know the movie Jungle Cruise is based on a theme park ride like Pirates of the Caribbean.  As much as the latter began as what seemed like a Disney attempt to make some more money off its theme park intellectual property in a new venue, the Pirates films ultimately were a big hit with audiences and a treasure trove for Disney.  Will Jungle Cruise find Disney’s next pot of gold?

The great Paul Giamatti (Lodge 49, American Splendor, Paycheck) co-stars with Black Mirror’s Jesse Plemons, with a rousing score by composer James Newton Howard (Dave, Waterworld, The Postman, The Sixth Sense, The Dark Knight, Snow White and the Huntsman).  Check out this trailer for what could be a fun amusement park ride of a movie, Jungle Cruise:

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Review by C.J. Bunce

Typically a sci-fi movie’s tech manual is a compilation of spec designs and blueprints used in a film’s production, from designs and drawings, model making and miniature effects, drafting, and set building.  Graham J. Langridge′s new book turns that around.  Alien: The Blueprints is the culmination of more than a decade of side projects by Langridge, an architectural student when he began creating ship drawings for the franchise, and now he’s the artist and designer of an expansive set of blueprints based on the ships and sets from the franchise.  It’s all timed to coincide with the 40th anniversary of Ridley Scott’s sci-fi horror classic, the original 1979 film Alien, which sees a return to theaters this month as part of the Fathom Events series (details on that below).

Similar to tech manuals you may have seen from other series and intended to be read in conjunction with the 1995 book Aliens: Colonial Marines Technical Manual, this month’s follow-up work Alien: The Blueprints discusses the creative work behind the ships of Alien, Aliens, Alien 3, Alien Resurrection, Prometheus, and Alien: Covenant.  But the bulk of its 156 over-sized (10.5-inch by 14.6-inch) pages consists of detailed, newly-created engineering drawings.  These are the key ships and creations anyone who has seen the films will be familiar with:  the Nostromo (with ten pages of detailed drawings), the Narcissus, and refinery from Alien, the Sulaco (with 11 pages of drawings), the alien ship, space jockey, armored personnel carrier, dropship (10 pages of drawings), powerloader, Hadley’s Hope (16 pages of drawings), and tractor from Aliens, the escape vehicle and penal colony facility from Alien 3, the Betty and Auriga from Alien Resurrection, and the Prometheus and Covenant (10 pages of drawings) from the latest films, and a lot more.

Along with an afterword by the author explaining his process, a section on each film discusses the film designers, with contemporary quotes and reference information from Roger Christian, Ron Cobb, Martin Bower, Syd Mead, H. R. Giger, Norman Reynolds, George Gibbs, Nigel Phelps, Sylvain Despretz, Steve Burg, and Chris Seagers.  A few close-up photographs of models of the actual ship props and original concept artwork fill out each chapter.  As a bonus, the Suloco and Covenant ships get full pull-out, double-page spreads for their design drawings.  The entirety is an end-to-end compilation of finely detailed artwork for the diehard Alien fan.  And each page is printed on thick, glossy paper, making them ideal for framing.

Check out this preview of a few of the ship and tech blueprints in Alien: the Blueprints:

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Review by C.J. Bunce

Prime viewing for October and the Halloween season, and a movie you probably skipped in the theater, is the rebooted Hellboy, now on home video.  Far better than critics would have led you to believe, director Neil Marshall′s Hellboy is every bit loyal to the Dark Horse Comics character, stories, and mythos.  Both Mike Mignola and Mike Richardson produced this third film in the series, and if you don’t agree it matches the quality of the first Hellboy you’ll likely agree it’s better and more memorable than its sequel, Hellboy II: The Golden Army.

In fact this Hellboy–this time with Stranger Things’ David Harbour in the red, sawed-off horns and hammer arm–is that kind of dark, violent, monster movie that would have appealed to fans of Freddy Krueger or Hellraiser in the 1980s.  It has that same kind of hard R rating that would have prompted 12 to 16-year-old boys to sneak into the theater to see what they were missing.  So if you don’t care for the kind of monster movie with innocent victims getting ripped apart by giant demons, re-stitching a witch together, watching another creepy witch and her cauldron of kid stew, and making it through several blood-bursts and beheadings, backed with a never-ending volley of F bombs, by all means run away now.

This isn’t Ron Perlman’s kinder, gentler demon.  But this presentation more closely matches Mignola’s stories, including steeping this tale in a variety of classic lore.  Here that means the vile Baba Yaga as villain, complete with her chicken-legged mobile house, and a film full of twisted King Arthur legend.
Missing is Doug Jones’ wonderful Abe Sapien, or Selma Blair’s fire-wielding friend Liz.  Trying to make up for that is the booming presence of Ian McShane (Magnum, p.i., Dallas, The Golden Compass, Pirates of the Caribbean: On Stranger Tides, Deadwood) as Hellboy’s father, and Milla Jovovich (Resident Evil series, The Fifth Element, Ultraviolet) as a banished witch trying to return to the present to smite out humanity with a plague.  Both McShane and Jovovich are good in anything, as they are here, even when the special effects aren’t up to that Peter Jackson quality we all hope for.

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Happy October!

Your annual list of scary, ghostly, spooky, creepy, slashery, and generally monstrous films is back.  The goal?  Not to miss your favorite Halloween movies in October, and maybe find some new favorites.  You’ll be able to find many staples of the holiday season.  Below we’ve provided hundreds of movies scheduled to air–hundreds to choose from with a mix of classics and modern.  Syfy′s “31 Days of Halloween” is back, along with Freeform′s “31 Nights of Halloween” (which continues to be a dozen or so movies played over and over all month, with some kind of world record to be set with its too-many-to-count airings of Hocus Pocus).  As always AMC doesn’t kick in with its “Fear Fest” until October 14, and as with last year you can get caught up on The Walking Dead, and The Terror all airing throughout the entire month (you’ll have to check the AMC website for the last week of the month, as they don’t release their listings this far in advance).  Best of all, TCM hosts Godzilla with 17 movies airing Fridays in October, and 41 horror classics on Thursdays–really your best bet for the season.  You’ll find this year another Stephen King movie marathon, some Wes Craven, John Carpenter, Vincent Price, Michael Myers, Jason Voorhees, and Freddy Kruger.  Disney channel will be releasing its listings for Monstober later in the month so you may want to check the Disney website for updates.

We’ve bolded some of our recommendations and asterisked other notable events in October.  If you missed last year’s new Halloween movie with Jamie Lee Curtis, find it streaming on Vudu and other services–it’s not to be missed (and you can catch all the past entries in the series on AMC).  Also, if you missed Netflix’s latest seasons of Stranger Things or Chilling Adventures of Sabrina, now’s a great time to catch up.  And with showings of both Predator and Hellboy movies, you might as well catch the new releases on Vudu, The Predator and Hellboy (2019).

All month long on streaming services and premium channels like Netflix and Starz you can watch horror movies including The Sixth Sense, The Lost Boys, The Boy, Cloverfield, Coraline, Children of the Corn, Cult of Chucky, Van Helsing, John Carpenter’s The Thing, They Live, and Ghosts of Mars, Young Frankenstein, Aliens vs Predator: Requiem, Underworld: Blood Wars, Resident Evil: The Final Chapter, Zombieland, Life, Scream, Amityville: The Awakening, Sleepy Hollow, Hollow Man, The Craft, and many more, plus series like The Twilight Zone, Ash vs. Evil Dead, Requiem, Bates Motel, and The Frankenstein Chronicles.  If all else fails, you can find your favorite ghost story or other horror classic on Vudu and Amazon Prime, where you can buy or rent recommendations like The Fog (both versions), The Birds, The Shining, Orphan, Let Me In, The Others, The Woman in Black, Hansel & Gretel: Witch Hunters, Pride and Prejudice and Zombies, Abraham Lincoln: Vampire Hunter, The Ring, Grimm, and It’s the Great Pumpkin, Charlie Brown (all these are highly recommended, and you can catch many of these airing this month, too).  Need more recommendations?  Check our past recommendation lists here.

So take notes and put your watch list into your DVR now so you don’t miss anything, especially useful for many of the marathons, which often play in reverse order (?!).  All times listed are Central Time:

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Another trailer has arrived for director and auteur Martin Scorsese′s new movie The Irishman (we ran the first trailer here), this time focusing more on Al Pacino′s take on ill-fated labor leader Jimmy Hoffa, and comedic actor “Everybody Loves” Ray Romano bringing his charm back to audiences as Teamsters lawyer Bill Bufalino, asking questions of Robert De Niro as one of the guys alleged to have murdered Hoffa.

At first blush, the issue with The Irishman is twofold.  First, we’ve already seen Al Pacino, Robert De Niro, Joe Pesci, etc., when they were younger, and now they have been extensively de-aged via CGI and makeup for this film.  So we know what they looked like at the ages of the characters in the film, but they didn’t look like the de-aged characters in the trailer.  Second, preview audiences that have seen the movie in theater screenings have already commented on the dreaded “uncanny valley”–that difficulty in adapting the eye to the CGI efforts to make humans look real via digital effects manipulation.

The positive is that most viewers will see The Irishman on the small screen.  Rogue One: A Star Wars Story’s CGI re-creation of Peter Cushing as Grand Moff Tarkin was easier for the eye to adapt to on the small screen than in the theatrical release where more detail was present.  Maybe the same will be true for The Irishman The film is a direct-to-Netflix release, and Scorsese is a tried and true filmmaker, so audiences have nothing to lose but three-and-a-half hours (yep, this is a long one, folks).

Check out this new trailer for The Irishman:

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For Harry Potter fans and especially those who want to see every view of the film behind the scenes, your next find is probably going to require clearing off an entire shelf.  Beginning this month is a new series of books about the Harry Potter films, and it’s sporting the “film vault” legend.  We’ve seen “vaults” published for Star Wars, Terminator, Batman, Spider-Man, and all things DC and Marvel, but for Harry Potter the franchise needed 12 volumes to tell its story.  It’s Titan Books and Insight Editions’ Harry Potter: Film Vault and we have an extensive preview for borg readers below.  If you decide to collect the entire series, the spines will line your shelf to reveal the Hogwarts coat-of-arms, reminiscent of the Time-Life encyclopedic book series from the 1970s and 1980s.

With a franchise spanning eight films, you’d expect them to have collected tens of thousands of images of concept artwork and photographs of every scene, set, costume, and prop, and that becomes even clearer inside the pages of this series.  Beginning with Forest, Lake, and Sky Creatures, readers can dive into several areas of the story mythos, on to Diagon Alley, the Hogwarts Express, and the Ministry, to Horcruxes and the Deathly Hallows, and Hogwarts Students.  Later volumes feature Creature Companions, Plants, and Shapeshifters, Hogwarts Castle, Quidditch and the Triwizard Tournament, the Order of the Phoenix and Dark Forces, and more.

 

Each volume has illustrations, design sketches, and behind-the-scenes photography, plus a look at the creative process that brought to the screen Harry and his friends with the help of costumes, makeup, and props.

Take a look at 26 pages from the first four volumes below, and a peak at the first eight covers:

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Review by C.J. Bunce

Your next creepy movie for fall is waiting for you now on Netflix.  It’s director Stacie Passon′s 2018 adaptation of award-winning author Shirley Jackson′s 1962 mystery thriller, We Have Always Lived in the Castle And although it is not technically a story about one of our favorite horror tropes, creepy little girls, you will meet two very creepy young adult sisters who live alone on the hill at the edge of town with a secret that may not be all that secret.  Taissa Farmiga (The Nun, American Horror Story) stars as Mary Catherine Blackwood, called Merricat, the stranger and younger of two siblings, with Alexandra Daddario (White Collar, True Detective) as the older sister, Constance.  No doubt inspired by the acquittal in the murder trial of Lizzie Borden, the movie (as with the original novel) takes places six years after the poisonings of the sisters’ parents, with Constance as the sole suspect.  Who really poisoned them?

Crispin Glover (Back to the Future, Alice in Wonderland) delivers possibly his finest performance as Uncle Julian.  Present at the deaths of his brother and sister-in-law, Uncle Julian was also poisoned, but survived with an addled mind and failing body.  Constance seems to have never recovered from the accusations, and the townspeople certainly will not let the family forget.  Constance has a smile fixed as she goes about surviving each day, a PTSD victim ready to snap at any time.  Merricat is left to venture out once a week to get groceries and get lambasted by all those that looked down upon the family for their wealth and scandal.  Yet Merricat is happy with the status quo, burying her father’s possessions to ward off evil spirits and bad fortune.  As she tells us as narrator, Constance is the most precious person to her in the world.

But the sisters’ world comes crashing down as a cousin, played by Sebastian Stan (Captain America: Winter Soldier), appears in a sports car and begins taking over the house.  Worse for Merricat, Constance seems to be falling in love with him, and the new couple begins to make plans for the future.  In a world of oddities out of Great Expectations, What Ever Happened to Baby Jane? or Hush… Hush, Sweet Charlotte, can anyone in the house find normalcy or have any hope of getting their lives back?

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Review by C.J. Bunce

In her most prolific year–at age 13–actress Jodie Foster made five movies, including two big hits, the Disney comedy Freaky Friday, and Martin Scorcese’s Taxi Driver.  Along with two forgotten films, Alan Parker’s kid musical Bugsy Malone and the Richard Harris drama Echoes of a Summer, the fifth Foster film from 1976 debuted.  Sometimes in horror, a little creepy goes a long way.  And it’s a good thing.  That’s the case with Hungarian director Nicholas Gessner′s The Little Girl Who Lives Down the Lane.  I was about Foster’s age when I first saw this movie and the movie holds its own 43 years later–that same sense of confusion, not knowing where the story was going–that dread–coupled with a moody seaside New England setting on Halloween nets that feeling that autumn has at last arrived and it’s time to prepare again for the movies of the season.

As with the similarly paced and similarly brilliant The Watcher in the Woods (released four years later), Gessner’s film deftly juxtaposes sinister secrets against a pastoral town we all think we’d like to visit.  Foster is Rynn Jacobs, a 13-year-old girl who is living alone in Wells Harbor, Maine, when we meet her.  She dodges a 30-something pervert played by Martin Sheen, who keeps coming by her house, well aware she’s usually home alone.  His mother, played by Alexis Smith (The Age of Innocence, Dallas, The Woman in White), is a hateful woman who claims to be leasing the home to Rynn’s father, and enters the house without warning, moving furniture and Rynn’s belongings and riling young Rynn.  The woman is a snoop, and she seems to make more than an ordinary effort to try to meet the man of the house.  Rynn’s story of being alone changes a bit depending on who stops by, sometimes her father is upstairs asleep, sometimes he’s locked himself in his den working, other times he’s meeting with his publisher in New York.  Rynn befriends a local police officer along the way, who is also suspicious of the local pervert prowling around.  She’s kept up some kind of secret for at least three months now, but it’s becoming clear her world is about to spiral in on her.

Where are her parents?  She only divulges the truth when she meets a boy who rides by on a bicycle.  Played by Scott Jacoby (Return to Horror High, To Die For) Mario is a slightly older boy, ostracized for his limp, and a different kind of loner than Rynn.  The dread looms heavy.  What does Rynn have in store for another person wandering into her life?

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Review by C.J. Bunce

Is there a great movie to take your spouse for your anniversary?  Ready or Not may be the one.  An atmospheric Gothic story that doubles as dark comedy and horror-lite cautionary tale, it’s a fun flick that will get you in the mood for the holiday–Halloween, that is.  It’s about a wedding, about marriage, and marrying into a new family.  And in-laws.  It’s also about the dark side of families, the skeletons in the closet.  Australian actress Samara Weaving plays Grace, and we meet her on her wedding day, marrying Alex (Mark O’Brien), a young man who has tried to extricate himself from his eccentric family.  But now he’s back.  He warns his new bride that his family has a “first night” tradition, requiring her to participate in a game.  First she must draw a card and all she must do is play the game.  To her surprise, statistics of chance kick in and she draws the single dreaded card, for “Hide and Seek.”  The house rule for this game is the new member of the family is the target, and it’s a game played to the death.  Is the family crazy, or is there some real dark force behind their madness?

As you might guess from the trailers, it’s like Quentin Tarentino bought the rights to direct a Clue remake and merged it with another Kill Bill sequel and Richard Connell’s The Most Dangerous Game.  Credit the setting with much of Ready or Not′s atmosphere, filming at mansions Casa Loma and Parkwoods Estate in Ontario.  Behind the action of characters running through the house is expert production design by Andrew M. Stearn (Chicago, The Handmaid’s Tale, Killjoys) and costumes (including a noteworthy wedding dress that devolved over the course of the film) by Avery Plewes (The Umbrella Academy, Star Trek Discovery).  Fans of the classic creep-fest Wicker Man take note: This is another film about being at the wrong place at the wrong time.  Samara Weaving shows she’s ready to take on the big roles going today to the likes of Margot Robbie and Emma Stone.  A big high point of the film is the mix of quietly haunting and jumpy, rousing music, thanks to composer Brian Tyler (Fast & the Furious: Tokyo Drift, Aliens v. Predator: Requiem, The Final Destination, The Expendables, Thor: The Dark World).

Most of the fun comes from a supporting cast of familiar faces.  Genre TV watchers should recognize Orphan Black’s Donnie (Kristian Bruun) and Wynonna Earp herself, Melanie Scrofano, playing a hysterical sister and brother-in-law.  Other familiar faces include Andie MacDowell (Groundhog Day) as the bride’s mother-in-law (MacDowell seems to conjure Daryl Hannah in Kill Bill here), her husband is Clear and Present Danger’s Henry Czerny, with Elyse Levesque (Stargate Universe, Orphan Black), Hanneke Talbot (iZombie, Star Trek Discovery), and John Ralston (Haven, Reign) rounding out the key players.  The most interesting is the bride’s new brother-in-law, played by Shazam!’s Adam Brody.

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