Category: Movies


Dark Horse Comics is bringing another unused movie screenplay out of the vaults and adapting it into a five-issue comic book mini-series.  Dark Horse’s biggest success at this approach was adapting George Lucas’s original 1974 treatment for Star Wars as The Star Wars, featuring the incredible artwork of Mike Mayhew (reviewed here at borg).  Next up will be Dan O’Bannon’s original screenplay for Ridley Scott’s 1979 sci-fi/horror classic Alien, which was heavily edited and modified before arriving in its final form for theaters.  It’s arriving with the comic book touch as Alien: The Original Screenplay, in bookstores this summer.

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Review by C.J. Bunce

Some writers are great at writing crime novels from the perspective of the detective, some are great at writing as the criminal, and then there are writers like Donald E. Westlake who had it all figured out.  The latest publication of a classic Westlake novel from Titan Books’ Hard Case Crime imprint is from the vantage of a murderer who keeps getting wrapped deeper and deeper into his web of lies.  The novel is A Travesty, a 1977 pile-on of crime references and tropes about a film critic trying to prove wrong the maxim “crime does not pay”–featured in a new 2-for-1 trade edition with the short story Ordo titled Double Feature, and originally released together under the title Enough.

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Review by Elizabeth C. Bunce

We’re fans of classic film here at borg (remember when we stumbled into the oldest movie theater in the world?) and the history of motion pictures (like George Méliès’ A Trip to the Moon, his lost film, and several vintage films).  Now one of our favorite authors celebrates the heyday of these early movies with Daring Darleen: Queen of the Screen.  Anne Nesbet’s new historical fiction adventure for young readers, Daring Darleen follows the exploits of twelve-year-old Darleen Darling, star of the cliffhanger serials, “The Dangers of Darleen.”

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Who knew audiences would be more excited about the next Netflix movie than whatever is coming to theaters?  Shelter at home is changing a lot of things, but one thing for certain is Netflix can hardly fill the ongoing demand this year for the next theatrical quality movie release.  Charlize Theron headlines what looks like Atomic Blonde meets Assassin’s Creed, with a pinch of Aeon Flux, Mad Max: Fury Road, 6 Underground, and Extraction in her next action movie, The Old GuardConsistently building on her last action hero performance to create the next, best action heroine, Theron’s new film is a mash-up of action and fantasy.

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It wasn’t enough they got to co-star on Supernatural.  We’ve seen them in a few live action movies, but now we get to see Scooby, Shaggy, Velma, Fred, and Daphne on the big screen in animated form in their first full-length animated film The movie is titled Scoob! and it looks like the animation is cranked up a few notches, more like the style of The Incredibles, The Peanuts Movie, Toy Story, and Ferdinand.  And now with theaters closed for the COVID-19 pandemic, this means Scoob!, scheduled to debut in theaters this Friday, instead is coming directly to your home Friday via streaming platforms including Amazon Prime and Vudu.  As part of Vudu’s Theater at Home, you can also get a $3 credit via email by pre-ordering Scoob! today–May 14–only.

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We watched them get the band back together the first time with Muppet Guys Talking, a fun documentary we discussed two years ago here at borg.  Now not even sheltering at home will hold back the fun-loving Muppet Guys, who are returning once again to share some more about Muppet creator Jim Henson, and the incredible creative process and their experience as Muppet performers, all while earning some money for front-line COVID-19 workers.  Part in honor of Jim Henson, who passed away 30 years ago, and part reason to get some of our favorite people back together virtually, it’s all happening this Saturday, and everyone is invited.

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Review by C.J. Bunce

It it’s not a Ford, it’s crap.  That maxim gets put to the test in the next must-see movie while you’re sheltering at home.

A four-time Oscar nominee only a few weeks ago, Ford v Ferrari (as titled in the U.S., it’s Le Mans ’66 everywhere else) revisits that legendary battle of man vs machine vs man.  And boy, oh, boy, does director James Mangold find the sweet spot for the auto racing motif and create a superb film for any audience.  Mangold, who has directed some brilliant movies, including Cop Land and Logan, found the right leading and supporting cast and a story that will keep you sitting at the edge of your seat whether or not you’re a fan of auto races.  But it’s Christian Bale that is the star of the film, ditching his affected American accent and playing the quirky, savvy, and real Ken Miles in the year of races that earned him entry into the Hall of Fame.  Ford v Ferrari is available at sell-through prices on all the major streaming platforms, and it’s great drama, so you won’t want to overlook it.

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Review by C.J. Bunce

If you’d happened to watched last year’s crime noir film Motherless Brooklyn and not known the screenwriter or director, I wouldn’t fault you if you expected to see Francis Ford Coppola’s name in the credits, or you figured Martin Scorsese finally made the perfect New York picture.  But that’s not what you’ll find, because it not only stars Edward Norton, but he wrote and directed the film–his first director effort.  And it’s an exciting, stunning, gritty film.  The fact that Motherless Brooklyn is even worthy of comparison might be praise enough for the film and its creator, but it goes a step further and surpasses a film it’s frequently been compared to–Roman Polanski’s Chinatown.  The fact that Once Upon a Time… in Hollywood and The Irishman were nominated for best film at the Oscars this year, but this wasn’t?  That’s a real head-scratcher–or that Norton’s performance as a Tourette’s syndrome-affected private detective trying to find the guys that killed his boss wasn’t even nominated for best actor?  Movie lovers and fans of crime noir who missed it should catch its home release.  It’s as good as it gets.

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Review by C.J. Bunce

The 21st century contest was whether The Current War or The New Mutants was going to be delayed longest before their inevitable release (The Current War for the Weinstein scandal and The New Mutants for the Disney-Fox merger and now the COVID-19 pandemic), and so The New Mutants wins–or loses–still with no release date.  At least The Current War–technically The Current War: Director’s Cut, was worth the wait.  Particularly if you put aside the inevitable choices in historical interpretations of the real-life historical figures and facts involved and instead marvel at the nicely realized cinematography by Chung-hoon Chung (Hotel Artemis), production design by Jan Roelfs (Gattaca, 47 Ronin, Ghost in the Shell), costumes by Michael Wilkinson (Justice League, Tron: Legacy, Watchmen), snappy writing and pacing thanks to Michael Mitnick, and a fantastic cast of familiar genre actors, adding The Current War to your streaming list is an easy choice.

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Welcome news for fans of Psych is a new trailer (below) for the second movie sequel in what is expected to be a series of movies we first discussed here at borg a whole strange month ago.  The movie has the quite apt and humorous title, Psych 2: Lassie Come Home, and it’s expected to arrive with the general release of the free Peacock streaming service app coming your way on or shortly after July 15 (Peacock will also have a pay “premium content” version).  The movie, the second of six sequels that creator/showrunner Steve Franks said he plans to make, will focus on Timothy Omundson′s character Lassiter aka Lassie.  Omundson suffered a stroke in 2017 (watch a great interview with him below) and the story will in part mirror his real-life comeback.

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