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Category: Retro Fix


Last seen in the theater 62 years ago, author Daphne du Maurier’s novel My Cousin Rachel is returning to theaters next week in a new adaptation.  Although the title may sound like a somber, pastoral story you might see from the likes of Jane Austen, get ready for a psychological thriller that could only come from the pen of the author of Rebecca and The Birds.  Film adaptations of both of those films would become thriller classics for director Alfred Hitchcock, with Rebecca as the 1941 Best Picture Academy Award winner.  The original 1952 adaptation of My Cousin Rachel starred multiple Oscar winner Olivia de Havilland, who was nominated for a Golden Globe for her performance as Rachel, a beautiful Englishwoman believed to have murdered a man under her care.  de Havilland’s sister, Oscar winner Joan Fontaine, had been nominated for an Oscar for Rebecca.

This time around Roger Michell (Hyde Park on Hudson, Notting Hill) wrote a new adaptation of du Maurier’s novel and directs the film.  He cleverly cast an Oscar-winning Rachel for the role of Rachel–Rachel Weisz (The Constant Gardener, The Mummy)–whose performance looks quite convincing in the first trailer released for the film.  Sam Claflin (Pirates of the Caribbean: Stranger Tides, The Huntsman: Winter’s War) plays Rachel’s cousin, the role originally played by Richard Burton.

The overall look and feel from the film’s trailer is similar to other Gothic novels made into movies: dark, creepy, and mysterious, particularly in the romance between the two lead actors, like that found in Rebecca, Wuthering Heights, Jane Eyre, and more recently, Crimson Peak.  Check out this trailer for My Cousin Rachel:

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Kim Newman’s Anno Dracula is a series of novels and short stories that began in 1992, showcasing an elaborate and detailed parallel history of Earth set between 1888 and 1990 (so far), where Bram Stoker’s Dracula is really a biographical account of the real Count, and the Count controls England by winning the hand of Queen Victoria.  Anno Dracula is a steampunk mix of fictional characters and real people spanning a century in a bit of a The League of Extraordinary Gentlemen and Legenderry construct.  Writers take note:  If you want to see a master storybuilder in action, read Newman–few authors have a such a command of their subjects as Newman has of vampire lore and film.  Check out our interview with Newman back in 2013 here at borg.com, as well as our reviews of his sequels to the novel Anno Dracula:  Dracula Cha Cha Cha here, and Johnny Alucard here.

Gunga Din, Fu Manchu, Sherlock and Mycroft Holmes, Lestat de Lioncourt (from Interview with the Vampire), Prince Mamuwalde (from Blacula), Doctor Moreau, Count Orlok (from Nosferatu), Allan Quatermain, and even Carl Kolchak from The Night Stalker all show up in the early stories of Newman’s fantasy world, alongside real people of the past like Billy the Kid, Catherine the Great, Joseph Merrick, William Morris, Beatrice Potter, and Orson Welles.  Newman’s entirely new story is in the form of a comic book series, Anno Dracula–1895: Seven Days in Mayhem, published by Titan Comics and illustrated by Paul McCaffrey.  Here is the summary of the series, which will see its first issue available this week:

1895.  Prince Dracula has ruled Great Britain for ten years, spreading vampirism through every level of society.  On the eve of Dracula’s Jubilee, radical forces gather to oppose the tyrant.  Kate Reed, vampire journalist and free-thinker, takes a seat on the revolutionary Council of Seven Days, though she learns that the anarchist group harbors a traitor in its midst.  The Grey Men, Dracula’s dreaded secret police, have been ordered to quash all resistance to the rule of the arch-vampire.  With intrigue on all sides, the scene is set for an explosive addition to the Anno Dracula series.
   
Look for Thomas Edison, and his powerful, recurring leading women characters Kate Reed and Penelope Churchward in this all-new story, plus many more familiar names.  A variety of great covers to the first issue are available, with artwork by Paul McCaffrey, Tom Mandrake, Brian Williamson, Jeff Zornow, and Mike Collins.  Check out this preview of Issue #1 from Titan Comics:

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If you’re enjoying CW’s new Riverdale series as much as we are, then you probably have a new appreciation for Archie’s pal Jughead Jones.  The classic Jughead has always had an insatiable appetite, practically living at the Riverdale diner.  Actually we wouldn’t be surprised to see him move into the back of the joint on the television series since he lost his home at the drive-in theater, which recently closed.  This month Archie Comics is taking Jughead to a dark place and asks: What if Jughead’s hunger came from a sinister place?

When a murderous menace is on the prowl, taking the lives of some of the most well-known and esteemed inhabitants of Riverdale, Jughead and his family’s dark legacy comes to light. 

It’s Jughead: The Hunger.  It’s a story that will be a prime target for fans of the successful and popular series Afterlife With Archie and Chilling Adventures of Sabrina.

   

Writer Frank Tieri (Wolverine) and artist Michael Walsh (Secret Avengers) team-up for an oversized Archie Horror one-shot.  Check out this preview courtesy of Archie Comics:

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Review by C.J. Bunce

When you think of the 1985 movie Fletch, you probably think of Chevy Chase’ s humorous, over-the-top take on undercover reporter I.M. Fletcher.  But Fletch the movie was only loosely based on the award-winning mystery novels by author Gregory Mcdonald.  Mcdonald wrote dozens of novels before his death in 2008.  One of those is Snatched, a kidnapping story reprinted this year for the first time in 30 years by Titan Books’ Hard Case Crime imprint.

Originally published in 1978 as Who Took Toby Rinaldi? in the U.S. and Snatched in the UK, Mcdonald crafted a thriller about the botched kidnapping of the eight-year-old son of a Persian Gulf region ambassador to the United Nations as he readies a proposal with global impact before the U.N.  The proposal itself is a bit of a Pelican Brief MacGuffin, but the real action follows a thug named Spike as he hides the abducted boy, Toby Rinaldi.  Toby was on his way to meet his mother Christina for a visit to a Disneyland-esque theme park in California called Fantazyland.  Key to the action and tension are the efforts and setbacks faced by Christina as she attempts to catch the kidnapper, despite her husband’s foreign security squad in the U.S. trying to keep the kidnapping secret.

   

Snatched is a great read.  Its slow, simmering pace reflects nailbiters of the 1960s-1970s like The Taking of Pelham 1-2-3, Charley Varrick, Magnum Force, or Bullitt.  Many of the characters are intentionally frustrating.  The characters are frustrated, and that is channeled to the reader page after page.  Toby’s father is caught between the direct demands of his king and responsibility to family.  The political factions behind the kidnapping plot–a small group of tried and tested, denizen mercenaries whose failure to communicate and coordinate because of their own personal distractions cause them to trip over each other as they attempt what might otherwise be the simplest of crimes.  Despite Mcdonald’s Fletch character translated to the big screen, make no mistake:  Snatched is not a comedy.  It’s also low on violence, other than a little boy in jeopardy as the main plot point, which is handled deftly by Mcdonald.

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After two meet-up issues, Wonder Woman and The Bionic Woman are back in their 1970s TV action mode in the DC Comics/Dynamite Entertainment crossover series Wonder Woman ’77 Meets The Bionic Woman, Issue #3, hitting comic book shops today.  And Max, the bionic German Shepherd, joins the team.

Writer Andy Mangels (Star Trek & Star Wars) and artist Judit Tondora (Grimm Fairy Tales) have at last tapped into that 1970s nostalgia fans of classic superhero TV shows have been looking for.  Today the duo takes on fembots, and the series reintroduces characters and plot points footnoted to specific episodes of the original TV shows.

   

The series features great covers and variants by artist Cat Staggs, Alex Ross, and others.  Check out some past and future covers from the series above and after the break, followed by a preview of Issue #3:

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Review by C.J. Bunce

For one hundred years the Westmore name has been synonymous with makeup.  Modern fandom knows Michael Westmore as the go-to guy for the face of the stars and alien prosthetics of decades of Star Trek TV shows, but what you may not know is Westmore had an exceptional career in cinema before his days creating the look of the final frontier.  You may also not know Westmore is a great storyteller.  Happily for cinephiles everywhere, Westmore has chronicled many of his encounters with film greats past and present and documented his stories in a new book, Makeup Man: From Rocky to Star Trek, The Amazing Creations of Hollywood’s Michael Westmore.

Full of anecdotes and brushes with Hollywood royalty, Makeup Man showcases Westmore, his famous family that preceded him, and the work he created that cemented his name in the Hollywood Walk of Fame.  For Star Trek fans looking for insight into re-creating their own Klingons and Vulcans, Westmore previously shared his knowledge in the now out-of-print books Star Trek: Aliens and Artifacts (available at Amazon here), and the Star Trek: The Next Generation Makeup FX Journal (available here).  Makeup Man touches on Westmore’s Star Trek makeup work in the last third of the book, but it is targeted more at his Hollywood memories before the 1980s.  In fact Makeup Man is best when Westmore recounts stories that blend the unique creations and techniques of his craft with the acting and film legends of the past that he worked with, like a story about a little-known, MacGyver-esque, facelift trick he used from his family’s past for Shelley Winters.

Westmore’s prose evokes an amiable master artisan sharing campfire stories of days long ago.  Most interesting is his work with Sylvester Stallone in creating the look of Rocky (1976).  Westmore discusses dodging the cameraman during takes to be able to add the necessary makeup to reflect Rocky’s next punch to the head.  Westmore recounts a little known (but popular at the time) 1984 made-for-TV movie based on a true story, called Why Me?  For the film he had to recreate actual facial reconstructive surgery during all its phases for a woman disfigured in an auto accident.  Westmore’s greatest achievement is probably his Academy Award for Mask (1984), also based on a true story, where he earned the Westmore family’s only Oscar for his work recreating a 16-year-old boy with a rare facial disorder (played in the film by Eric Stoltz).  Each of these stories documents the challenges of Westmore’s craft and his ingenuity in delivering Hollywood magic on the big (and small) screen.

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How often does a franchise include seven films?  How often are any of them up to the quality of the original that launched the franchise in the first place?  The 1976 surprise hit Rocky was nominated for ten Academy Awards and took Best Picture, Best Director (for John G. Avildson), and Best Editing.  In every way Rocky Balboa and Sylvester Stallone have been synonymous ever since.  Stallone was nominated for his original screenplay and for best actor.  Rocky is the story of an underdog, and Stallone was the mirror of Rocky in real life, proving himself to the world as a wannabe A-list movie star.  As the franchise continued, Stallone became an international megastar, with movies like Rambo.  Many argue the sequel to Rocky, simply titled Rocky II, is akin to the Godfather 2 or Superman 2, an example of Hollywood crafting a truly worthy sequel.  From there critics and audiences diverge:  Was Rocky vs. Dolph Lundgren as Drago in Rocky IV up to the adrenaline rush of the boxing rounds in the earlier films?  Where does Rocky III fit in?  The latest entry in the Rocky series, the reboot and eighth film in the series, Creed, is now streaming on Amazon Prime.  If you are looking for an inspirational, feel-good movie, it should be the next movie on your list.

What seems to be unanimous is a drop in quality and excitement beset Rocky V and the sixth film Rocky Balboa.  So when Creed was released at the end of 2015, who could have guessed it could be on par with the original?  The odds were against its success, much like the character of Adonis “Hollywood” Johnson, the son of the late Apollo Creed, played by Michael B. Jordan in the film.  Director Ryan Coogler, born ten years after the original Rocky film, grew up with Stallone’s boxer already part of the national psyche, along with other motivational sports films like Rocky director Avildson’s other unforgettable classic, The Karate Kid.  Coogler draws from that film’s sensei Mr. Miyagi in one particularly well played training sequence between Stallone and Jordan.  Stallone has played sensei before in the series, but only now, with the actor a real-life wise, elder thespian, does he provide a performance that in some parallel universe garnered him not only an Oscar nomination but a win (Stallone was only the sixth actor twice nomination for playing the same character).  The young Jordan is equally superb, holding back when others may take obvious choices with a hot-headed fighter.  Coogler’s subtlety is the stuff of great filmmaking, such as editing in musical cues from the original Rocky like a whisper throughout the film, only to release the full weight of Bill Conti’s goosebump inducing theme when it meant the most.

But how can Creed be as good as the original?

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North by Northwest–With such incredible suspense thrillers like Rear Window, Vertigo, The Birds, Rebecca, Dial M for Murder, The Man Who Knew Too Much, and Psycho, Alfred Hitchcock’s classic North by Northwest sometimes gets lost in the shuffle.  But what a great action film, and what an iconic role for Cary Grant.  He plays an advertising executive mistaken for a spy, being chased cross country to a brilliant action sequence battle on the face of Mt. Rushmore.

With the suave Cary Grant is the elegant Eva Marie Saint, plus James Mason portrays another of his own trademark villains.  It’s a must see, and even better on the big screen.

Nominated for three Academy Awards, including one for screenwriter Ernest Lehman, North by Northwest is returning to theaters next month as the next retrospective screening from the theater buff’s favorite team-up, Turner Classic Movies and the Fathom Event series.

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Tomorrow two classic franchises will take the form of comic book series as Dynamite Entertainment releases the first issues of Charmed and Nancy Drew and The Hardy Boys: The Big Lie. 

Inspired by recent noir comic book series like Ed Brubaker’s Fatale and Darwyn Cooke’s Parker series, Nancy Drew and The Hardy Boys: The Big Lie writer Anthony Del Col (Assassin’s Creed, Kill Shakespeare) and artist Werther Dell’Edera (Detective Comics, House of Mystery) are bringing the classic teen detectives into the 21st century.  Yet it has a very Archie Comics vibe.  In the new series, Frank and Joe Hardy are accused of murdering their father, a detective, and they enlist Nancy Drew to help prove their innocence–and find the real murderer.  The series promises a “twisting, hard-boiled tale, complete with double-crosses, deceit and dames,” keeping with the noir crime setting.  Look for cover variants Nancy Drew and The Hardy Boys: The Big Lie from Faye Dalton, Emma Vieceli, and Robert Hack.

Before the series Supernatural would take over the genre spot for the next decade, the three Halliwell sisters, Prue (Shannen Doherty), Piper (Holly Marie Combs) and Phoebe (Alyssa Milano) provided a similar weekly fix of the paranormal, the mythic, the magical, and the Wiccan.  Following the death of Prue in the finale of Season 3, their long-lost half sister Paige Matthews (Rose McGowan) assumed Prue’s role within the “Power of Three,” and a new comic book series will continue the story of these three sisters.  The second longest running hour-long television series featuring all female leads, Charmed aired 178 episodes over eight seasons.  The next episodes will take the form of a Charmed monthly comic featuring writer Erica Schultz (Swords of Sorrow) and artist Maria Sanapo (Grimm, DC Comics Bombshells).  Artist Joe Corroney (Star Wars, Star Trek) will provide the cover art to Issue #1, and Sanapo will draw the monthly covers and interior artwork.

Check out previews of Issue #1 of both new series, including variant covers, after the break, courtesy of Dynamite Entertainment:

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clue-idw-image

Hasbro has successfully launched several toys and games like Transformers, G.I. Joe, Battleship, and My Little Pony into new media territory including tie-in movies and comic books.  Everyone’s favorite detective board game is making its way to a five-issue comic book series this year from IDW Publishing.  IDW has licensed Clue (or Cluedo for British readers) and is planning some fun tying together elements of the game and the 1985 movie Clue that starred Tim Curry, Madeline Kahn, and Christopher Lloyd.  The new comic book series was announced this weekend at Emerald City Comicon 2017 in Seattle.

The classic cast everyone knows:  Colonel Mustard, Miss Scarlett (or Scarlet in the U.S.), Professor Plum, Miss Peacock, Mr. Green, Miss White, and victim Mr. Boddy, are all here.  Of course, over the years other characters have entered the fold–like Miss Peach, Monsieur Brunette, Madame Rose, and Sergeant Grey–via spinoff board games like Master Detective and video game versions of Clue.  Will they make an appearance in the new series?  Two new characters immediately stand-out from the initial artwork released: a young man and woman, the woman a red-headed starlet.  One obvious update to the original cast is Colonel Mustard, the classic “great white hunter” and colonial imperialist of the original game story, is now portrayed as a black officer.  Also, Miss White doesn’t have the dated servant maid attire of past versions of the game and the movie.

boddy     mustard

Writer Paul Allor (Guardians of the Galaxy, G.I. Joe) will be scripting the series, with artwork by Nelson Dániel (Dungeons & Dragons, The Cape).  They are putting a humorous twist on the game into their new story, similar to that found in the movie version.  Also like the movie, the first issue will have three alternate endings, plus three variant covers.  Depending on which variant cover edition you read, a unique conclusion unfolds.  Is it a clue, or a red herring?  Readers can collect all the variants (and clues), as well as the main cover by Eisner award-winning artist Gabriel Rodriguez (the classic game board image above).

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