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Fathom Events is bringing Jim Henson and Frank Oz’s landmark fantasy The Dark Crystal back to theaters tomorrow and Wednesday, and advance response has resulted in an additional two screening dates the following week and expansion into 700 theaters nationwide.  A member of the Class of 1982, The Dark Crystal just celebrated its 35th anniversary.  The ambitious story of The Dark Crystal takes place in the world of Thra, which has been torn by a fracture in a great magic crystal, which caused two races to be created: the tranquil Mystics, or urRu, and the evil Skeksis, who all but destroyed Thra’s native species, the Gelflings.  The Mystics have summoned Jen, one of the last surviving Gelflings, to find the lost piece of the crystal.  The quest sends Jen on a classic adventure to try to restore harmony and peace to Thra.  Don’t wait–get tickets now here at the Fathom Events website before tomorrow’s screening sells out.

We recently revisited Jim Henson’s The Dark Crystal with a groundbreaking look at the film and co-directors Jim Henson and Frank Oz in Caseen Gaines’ The Dark Crystal: The Ultimate Visual History, a new deep-dive into the film reviewed here at borg.com.  According to Henson’s daughter Cheryl Henson, The Dark Crystal was Jim Henson’s most personal work.  This is a great time to have The Dark Crystal fresh in our memory, as we expect to see a 10-episode Netflix follow-on series hopefully by the end of 2018.  The Dark Crystal: The Age of Resistance does not yet have a release date.

Yes, we’re just as excited as Fizzgig–The Dark Crystal was the reigning favorite fantasy film of all time for legions of moviegoers before Peter Jackson’s The Lord of the Rings came along.  The film features performances by Jim Henson as Jen (voiced by Stephen Garlick), Kathryn Mullen as the Gelfling Kira (voiced by Lisa Maxwell), Frank Oz as the astronomer Aughra (voiced by Billie Whitelaw), and Dave Goelz as Fizzgig (voice of Percy Edwards), with Henson, Oz, and Goelz also performing as the Skeksis. Kiran Shah also performs the body of Jen, Kira, and Aughra. With a screenplay by Dave Odell (The Muppet Show), The Dark Crystal also features a majestic score by Trevor Jones (Excalibur, Labyrinth).  Along with Yoda creator Frank Oz, the film was produced by Star Wars and The Empire Strikes Back producer Gary Kurtz.

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By now you’ve seen the full trailer for Solo: A Star Wars Story and maybe even this week’s fan recut of the trailer.  No?  The recent tradition is back yet again, that knack of a fan taking a movie trailer and “Sabotaging” it by laying a track of Beastie Boys’ song Sabotage over whatever the studio produced, or, better yet, recutting the trailer to actually make the original that much better.  Some may not be able to get past whether or not new Han Solo actor Alden Ehrenreich looks like Harrison Ford, and others may not care, but the first trailer from Lucasfilm had plenty to get fans excited for this May’s theatrical release.  Maybe it’s Donald Glover as Lando, maybe it’s seeing an early Millennium Falcon, or maybe it’s just seeing Chewbacca again.  But like we saw with its 2016 predecessor Rogue One: A Star Wars Story–where the a band of Rebels handed off the infamous stolen plans to Princess Leia aboard her Corellian Corvette–on a big television screen with the sound turned way up the Sabotaged fan trailer really amps-up the excitement.

Fair warning, if you don’t like the Beastie Boys, you may really not like the band’s song by the end of this article, because we’re going to play it a few times.

The impetus for the trend is no doubt Star Trek and Star Wars director J.J. Abrams’ own love for the band and the song, enough to include it early in the first reboot of the Star Trek movies back in 2009.  Young James T. Kirk plays the song on the car radio as he’s racing along the road in Riverside, Iowa, having stolen his step-dad’s 1963 Chevrolet Corvette, and right before he sends it over a cliff (there are not really cliffs like that in Iowa, but… nevermind).  Director Justin Lin brought the song right back as a surprisingly on-point, key plot device in the climax of the third reboot film, Star Trek Beyond, and he used it for the film’s official trailer.

So that gives us a few versions of the song adapted to two big franchises worth re-watching.   Like we said here a few years back: Sabotage makes everything better.  But how about a Sabotage trailer for a third or a fourth major fandom franchise?

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In the first teaser for the coming Netflix reboot of Irwin Allen‘s 1960s Lost in Space series, don’t look just yet for a full view of the Jupiter 2 or the latest incarnation of the B-9 robot.  But you will see the new Robinson family, and the teaser introduces audiences to the family and setting with one of those historic montages like that seen in the opening credits for the Enterprise series.  The setting for Lost in Space is only 31 years from now, 2049.  From hints in the teaser, the mission of the Robinson Family appears the same as in the original Lost in Space series: to establish a colony on a planet orbiting one of the stars of the Alpha Centauri star system after Earth is no longer habitable.

Ten episodes were filmed in Vancouver last year, and they will be available to Netflix subscribers this April.  Netflix also released several images separate from the series.  The biggest change-up is Parker Posey taking on the role of Mr. Smith, originally played frenetically by character actor Jonathan Harris.  Posey is shown up in decades of television series, and she played Lex Luthor’s right arm in Superman Returns, and appeared in Blade: Trinity, A Mighty Wind, Scream 3, Dazed and Confused, Coneheads, and was memorable as the ultimate helicopter mom to a prizewinning pooch in Best in Show.

Molly Parker (Dexter, Deadwood) plays mom Maureen Robinson, Toby Stephens (Die Another Day, Space Cowboys) is dad John, and the kids are played by Taylor Russell (Falling Skies), Minda Sundwall (Freeheld), and Max Jenkins (Sense8).  Engineer Don West will be played by Ignacio Serricchio (Bones, The Young and the Restless).

Here’s the first look from Netflix at Lost in Space:

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For the Academy Awards “Best Picture” category, popularity isn’t supposed to matter.  But doesn’t it matter, practically speaking?  Academy voters hail from are across the country, and are no doubt at least indirectly influenced by water cooler chatter.  This year the nine nominated films not surprisingly run the gamut from high box office winners to barely seen pictures.  At the top, the historical drama and war film Dunkirk has taken in $188 million.  The surprise of the year, the horror thriller Get Out, has earned $176 million.  The quickly conceived and produced historical drama about the free press, The Post, was concocted by Steven Spielberg for its relevancy, and in a short period continues to climb, taking in $77 million.  The most difficult sell for many may be the fantasy The Shape of Water, a monster movie and romance mash-up about individuality, which has brought in $53 million, also still in theaters.  Historical drama Darkest Hour has been in release much longer.  It has netted $53 million at the box office.  Lady Bird, a coming-of-age drama, has taken in $43 million.  A contemporary drama, Three Billboards Outside Ebbing, Missouri, has earned $48 million.  A character-study drama about a man with an obsessive, controlling personality, Phantom Thread, has garnered only $17 million.  Finally, the contemporary romance Call Me By Your Name, has only taken in $15 million.

Dunkirk, Get Out, Three Billboards, Call Me By Your Name, Darkest Hour, and Lady Bird are all available on streaming video services, with The Shape of Water arriving February 27.  But if you want to see all nine films in the theater, AMC Theaters are offering film fans a few opportunities to catch-up on what you may have missed, first with their Two-Day Best Picture Showcase.  Four movies will be screened this Saturday, February 24, with the remaining five the following Saturday, March 3.  Or you can binge watch all nine films in the 24-hour AMC Best Picture Movie Marathon, all on March 3.

As unique as each nominated film appears this year, each has its precursors for Best Picture.  Oscar has tapped several historical dramas fitting the Dunkirk and Darkest Hour mold, including The Hurt Locker, Schindler’s List, Platoon, and Patton.  Phantom Thread harkens back to bad relationship dramas like The Lost Weekend, The English Patient, or American Beauty.  Three Billboards Outside Ebbing, Missouri, evokes those tough mothers enduring losses in Terms of Endearment, Ordinary People, and Mrs. Miniver.  Despite several nominations, surprisingly few historical dramas about real, singular events like The Post have an Oscar, although recent winner Argo, about the American hostage crisis in Iran, is an easy comparison.  The lead character in Lady Bird could be seen as this decade’s version of Annie Hall or a coming-of-age film like West Side Story, but it may also be another study in family relationships as found in Terms of Endearment and Ordinary People.  

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We’ve been covering the Kenner-style retro action figures being sold by Super 7 since the toy company first partnered with Funko and revealed its first line of vintage style Alien “ReAction” figures at San Diego Comic-Con 2013.  At the end of 2016 Super 7 discontinued partnering with Funko and returned to manufacturing and distributing the multi-license toy line on its own.  Super 7 revealed its 2018 plans for the ReAction line this weekend at New York Toy Fair 2018, with some new surprises and expansions to current action figure licenses.  Projections for any toy company at Toy Fair don’t always match reality.  Compare borg.com‘s coverage of Super 7 at New York Toy Fair 2017 here, and you’ll find several Super 7 action figures only now inching their way into the market.  The biggest reveals at this year’s show for Super 7’s ReAction line for fans of sci-fi/horror include two beloved film classics: Alien and Planet of the Apes.  

Super 7 is returning to its first pre-Funko toy line in revisiting its Alien action figures.  For the next wave, characters include more refined sculpts than the early waves, with new characters Brett, Parker, and Lambert, Jonesy the cat with new Ripley, Ash with removable head, facehugger Kane in spacesuit, and a new Xenomorph head with jaws out.  Although the company has previously hinted at the possibility, it doesn’t look like we’ll see figures from Aliens this year.

It’s been a year since we saw the prototypes for Planet of the Apes figures on display at New York Toy Fair 2017.  Finally the first figures are now expected to be released in two months, beginning with Taylor, Nova, Zira, Cornelius, General Ursus, and Dr. Zaius in the first wave.

Super 7 must expect some good sales results with the first wave for POTA as prototypes were on display at Toy Fair for Wave 2, also, including a Cornelius in astronaut suit, ape warriors and another ape general, a giant Lawgiver statue set, and the mutants from Beneath the Planet of the Apes with removable outer heads to reveal those (gross) inner-heads as seen in the movie.

For the Super 7 Universal Monsters license, it will revisit past ReAction figures (The Phantom of the Opera, Wolf Man, Frankenstein, The Mummy, The Creature from the Black Lagoon), while adding some new ones, including the Metalluna Mutant and the Mole People.

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We first mentioned the movie Ready Player One six years ago in our review of the Ernest Cline novel here at borg.com. Warner Bros. kicked off San Diego Comic-Con with director Steven Spielberg showing the first teaser trailer for the movie. The audiobook, read by Wil Wheaton and currently available free here at Amazon with an Audible sign-up, has been a huge hit with fans, almost taking on a life of its own.  We saw the second trailer last December, and the Easter Eggs started to pile up.

Iron Giant, Freddy Krueger, the Back to the Future DeLorean.  Lots of references for gamers in particular.  Warner Bros. released the third and likely final trailer for the film this weekend.  VR is the theme this time around.

Ready Player One stars X-Men: Apocalypse’s Tye Sheridan, Black Panther’s Letitia Wright, Killjoys, Tomb Raider, Ant-Man and the Wasp, Game of Thrones, and Star Wars: The Force Awakens’ Hannah John-Kamen, Rogue One: A Star Wars Story’s Ben Mendelsohn, Star Trek and Star Wars’ Simon Pegg, and Bates Motel’s Olivia Cooke.

Here is the third trailer for Ready Player One, with a little help from Willy Wonka:

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Thirty years later that little punk you wanted to crane-kick in the head is back, but he may very well be a different person as an adult.  Take yourself back to the 1984 All Valley Karate Tournament, where Daniel LaRusso proved he had the right stuff against Johnny Lawrence after the infamous “sweep the leg” gave Daniel the mojo he needed to win the trophy, after learning some lessons in karate–and life–courtesy of Mr. Miyagi.

Ten half-hour episodes of a new comedy-drama are “in the can” for the series Cobra Kai, featuring the return of Ralph Macchio as Daniel and William Zabka as Johnny from the original The Karate Kid.  Johnny is reopening the bad-guy’s dojo-with-no-mojo Cobra Kai, and Daniel LaRusso is not happy about it.  But the positions are somewhat shifted this time around, as Johnny serves as sensei to a kid bullied by his peers, just as Daniel was bullied back in 1984.

Macchio sums it up, playing at our own surprise with this reboot in the first teaser for the series, saying, “I just don’t know why you’d ever want to bring back Cobra Kai,” to Johnny.  A decade ago I discussed a similar effort to re-launch a series with its original actors at San Diego Comic-Con.  I spoke with William Katt and Robert Culp about their efforts to bring The Greatest American Hero back.  They couldn’t make it work, but only last week a reboot was announced for that show, with New Girl co-star Hannah Simone taking on the powers of the suit.  But the leads from The Karate Kid are getting their wish.  Unfortunately the great Pat Morita, who played Mr. Miyagi, passed away in 2005.  Morita was nominated for both an Academy Award and a Golden Globe Award for his work on the original film.  And there’s no word yet on whether Martin Kove will make an appearance as Johnny’s original sensei.

Check out this teaser for Cobra Kai:

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Hasbro CEO Brian Goldner previewed the near future for Hasbro licenses and products at New York Toy Fair 2018 this weekend, including the creation of a new initiative called HasLab.  According to the company, HasLab will be an avenue to bring “dream projects” to fans.  In essence HasLab is a financing vehicle whereby fans willing to prepay for an item can do so via Hasbro’s new online crowdfunding.  As with other Kickstarter or Indiegogo platforms, if the presales don’t meet the demand target, buyers won’t be billed for the product.  But if the target is met, buyers will be charged and the production will proceed.  First up?  Apparently Star Wars fans have been clamoring for a classic Kenner 3 3/4 scale version of Jabba’s Sail Barge from Return of the Jedi.  

Although diehard fans have been building scale versions for their action figures for years, including most recently via 3D printing, Hasbro displayed its mock-up at the show this weekend.  On the design side, to create the Sail Barge (called The Khetanna in the books), Hasbro tapped Mark Boudreaux, principal designer on Star Wars for Hasbro and one of the creators of the original Kenner Millennium Falcon, and designer on other toy vehicles from the Star Wars line including the AT-AT, X-Wing fighter, and Boba Fett’s Slave 1.  Modeled using Lucasfilm digital archives and set photos, the final toy is expected to be a little more than four feet long.  It will feature classic Kenner style packaging, a 3 3/4 scale Jabba the Hutt figure, and lots of features.  The required target to proceed is 5,000 units, and the base purchase price is $499.99.  As of this morning 611 backers have contributed, with 44 days left before the program is closed.  Check out the details at the new HasLab website here.

The mock-up of the ship definitely has echoes of the original Star Wars Death Star playset. And it has the historical feel of an early clipper ship, including a brig in the lower deck.  Here is a video preview of the Sail Barge playset:

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At this year’s D23 convention, director Brad Bird and Disney/Pixar creator John Lasseter revealed a first look at the coming sequel to 2004’s The Incredibles with the return of superhero costumer Edna “no capes” Mode.  Bird suggested that Holly Hunter’s character Helen aka Elastigirl would be in the drivers’ seat for the eagerly awaited sequel, and a new trailer for the movie now confirms it.  In The Incredibles 2, Elastigirl is back in action!

In the original film Jack-Jack revealed his powers to his babysitter.  This time father Bob Farr aka Mr. Incredible (voiced by Craig T. Nelson) learns what his baby boy is already aware of.  He not only has powers, he has crazy new powers!  The same mid-century modern artistic style, shown particularly in the Parr family’s new house (the original was destroyed last time around).

Most of the original cast is back, including Nelson, Hunter, Samuel L. Jackson (Frozone), Sarah Vowell (Violet), with Huck Milner replacing Spencer Fox as the new voice of son Dash.  Michael Giacchino will also be back with an update to his exciting original musical score.

Check out this new trailer being aired during this week’s Olympics coverage on NBC for The Incredibles 2:

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Review by C.J. Bunce

Ryan Coogler, the young writer-director of the excellent Rocky sequel Creed, has put his Creed star Michael B. Jordan against Chadwick Boseman, who played Jackie Robinson in 42 and Thurgood Marshall in last year’s film Marshall.  The result?  The next great Marvel superhero movie, Black Panther, opening this weekend in theaters everywhere.  Boseman is back as King T’Challa, the suave and poised Black Panther of the comic books that audiences first met in 2016’s Captain America: Civil War.  The new film fills in the blanks of T’Challa’s origin story, populated with a dozen of the best characters from any of the Marvel Cinematic Universe entries, matched to some of today’s best actors.  On the heels of last year’s wildly successful surprise hit Thor: Ragnarok, Black Panther is just as good if not better, but completely different.  It’s a more serious tale, a one-off in the MCU similarly spliced into the ongoing Avengers narrative as was done with 2016’s supernatural Doctor Strange.  It also supplies a new, rich superhero mythology populated primarily with black characters–a film first featuring a black superhero title character in a major studio release.  Coogler’s layered, multifaceted film is even more successful at accomplishing what Zack Snyder tried to do last year with the DC Universe film Wonder Woman, which first put a woman in a title role in a major superhero movie.  Coogler makes great strides with Black Panther, not just a mere first step.

Beginning with a father teaching his son about a hidden country in Africa called Wakanda, we learn that a powerful resource called vibranium gives the people of this land incredible power, which they hide from the known world.  The story is straight out of Shakespeare or Roman and Greek histories: three princes compete for the throne of Wakanda when the King dies in a terrorist attack at the United Nations.  Boseman’s T’Challa is the heir-apparent who is challenged for the throne first by Prince M’Baku (Winston Duke), then by Jordan’s Erik Stevens, a special forces soldier from the States whose death toll in battle earned him the nickname Killmonger.  Not just a one-note villain found so often in superhero movies, Erik has his own complex backstory that converges with T’Challa’s efforts to capture the film’s villain, Ulysses Klaue (pronounced “claw”), one of Marvel’s best villains yet, played by Middle-earth native Gollum and The Planet of the Apes’s series’ star Andy Serkis.  Although his antics are unique, here Klaue is the crazed villain you’d expect from a superhero story.  Erik also assumes a villain role, but his story and particularly his life in parallel to the new King is more biblical in its roots.  Erik’s father is N’Jobu, a compelling supporting character at odds with Wakanda, played by Marshall co-star and Supernatural’s Sterling K. Brown, and his past sets up a compelling tragedy arc within the film for Erik.

For those who go to superhero movies for badass superheroics, it’s the women of the film that fill that niche.  Our own early borg.com nominee for the annual badass heroine of the year goes to the fan-favorite actor from The Walking Dead, Danai Gurira, as Wakanda General Okoye.  Her steely resolve and loyalty alone is enough to get us to race back to the theater to watch her all over again in the theater tomorrow.  A Wakanda spy and confidante of the King is Nakia, played by Star Wars: The Force Awakens and The Jungle Book star Lupita Nyong’o, a fierce and savvy ally.  But a favorite of the film for many will no doubt be T’Challa’s young sister Shuri, played by Letitia Wright (Doctor Who, Ready Player One, Humans, The Commuter).  The film doesn’t completely find its voice and reach full throttle until Shuri lets out a howl in a conversation with her brother.  By that point the entire audience is onboard.  Shuri is very much derived from Q in the James Bond movies, supplying her brother with the latest tech.  After movie audiences got a peek at what a woman would look like as James Bond with South African actress Charlize Theron as a superspy in last year’s Atomic Blonde, those looking for the first black James Bond need go no further than Boseman’s smooth and stylish take on T’Challa Coogler even inserts a spectacular casino mission scene straight out of 2012’s Skyfall, and borrows another great character from the Bond playbook with The Hobbit and Sherlock actor Martin Freeman as a very, very Felix Leiter-esque American CIA agent named Everett Ross.  A scene pitting Freeman opposite Serkis again will be a fun reunion for fans of Peter Jackson’s Tolkien movies.

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