Latest Entries »

Merry Christmas!

It’s that time of year again, time to take a look forward at what movies should be on your radar for 2020.  Are you going to see them all?  Heck no.  These are the genre films we think borg readers will want to know about to make their own checklists for the coming year–and they are only the films we know about so far.  We pulled 85 of the hundreds of films that have been finalized or are in varying stages of final production, slated for next year’s movie calendar.

What looks to top the list for most fanboys and fangirls?  Ghostbusters: Afterlife Scarlett Johannson solo in Black WidowA new James Bond movie, No Time to DieVin Diesel in Bloodshot and a new Fast & FuriousThe original Tom Clancy novel series is finally continuing with an adaptation of Without Remorse Comic book adaptations are in less supply in 2020, but look for Venom 2, Wonder Woman 1984, Eternals, The New Mutants, Morbius, Birds of Prey, The Old Guard, and did we mention Black WidowCompare the below list to our 2019 list and even the 2018 list, 2017 list, 2016 list, 2015 list, or 2014 list, and your takeaway may be seeing the studios moving genre content from the big screen to the small screen via streaming services.

Do you like sequels?  There are far less coming to theaters in 2020 than in 2019, but many more remakes of movies, books, and TV shows are on the way.  In fact, with all the blockbusters in 2019, 2020 looks pretty tame as the cinema marquee is concerned.  Some films don’t have locked in release dates yet: Amazon Studios and Netflix haven’t revealed dates for the following 2020 releases (those we know you’ll find on the calendar below):

  • 7500, a film about a highjacked airplane, starring Joseph Gordon-Levitt (Amazon Studios)
  • The Dig, a film about a woman finding archaeological treasures on her land, starring Ralph Fiennes, Lily James, and Carey Mulligan (Netflix)
  • Horse Girl, Alison Brie stars and directs this story about an awkward girl who fuses her dreams with reality (Netflix)
  • Jingle Jangle, an animated Christmas story with the voices of Forest Whitaker, Keegan-Michael Key, and Hugh Bonneville (Netflix)
  • Louis Wain, biopic of the 19th century artist starring Benedict Cumberbatch, Claire Foy, and Andrea Riseborough (Amazon Studios)
  • The Old Guard, adaptation of comic book story, starring Charlize Theron and Chiwetel Ejiofor (Netflix)
  • Radioactive, a film about Marie Curie, starring Rosamund Pike and Anya Taylor-Joy (Amazon)
  • Rebecca, adaptation and remake of the Daphne Du Maurier classic novel, starring Lily James, Keely Hawes, Kristin Scott Thomas, and Armie Hammer (Netflix)
  • Welcome to Sudden Death, sequel to Jean-Claude van Damme 1995 movie starring Michael Jai White (Netflix)
  • The Willoughbys, animated adaptation of the Lois Lowry book, with voices of Maya Rudolph, Martin Short, and Jane Krakowski (Netflix)
  • Wonderland, murder conspiracy mystery starring Mark Wahlberg, Allan Arkin, and Colleen Camp (Netflix)

Some of these films will have revised release dates, or get pushed to 2021.

So grab your calendar and start making your plans–here are the movies you’ll want to see in 2020 (and some you might not!):

January

The Informer – Thriller, starring Joel Kinnaman, Rosamund Pike, Ana de Armas, Common, and Clive Owen – January 10.

Underwater – Thriller, stars Kristin Stewart in underwater horror story – January 10.

Dolittle – Family/Comedy, stars Robert Downey, Jr. in remake of the classic, with voices of Tom Holland, Rami Malek, Octavia Spencer, Emma Thompson, Antonio Banderas, Ralph Fiennes, and Michael Sheen – January 17.

View full article »

It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 25 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits.  So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina.  At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, and even a cyborg–with a roster evenly split between television and movie characters.

Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2019:

Aughra (The Dark Crystal: Age of Resistance).  If there was a greater woman character in the history of fantasy film, we don’t know who that would be.  We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year.  Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season.  She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)

Black Widow (Avengers: Endgame).  After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos.  And yet she still didn’t get the fanfare that Tony Stark did.  We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)

Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw).  As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all.  If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock?  (Universal)
View full article »

Review by C.J. Bunce

Will Smith and Tommy Lee Jones established the franchise with their original story of sci-fi agents tracking down aliens among us in Men in Black.  But who knew the franchise could be as fun as Men in Black III, bringing in Josh Brolin to create a memorable young version of Jones’ Agent K?  That was until this year’s Men in Black: International, pulling in the look and feel of the past films all under the capable leadership of Emma Thompson′s Agent O.  This time we meet the head of the London office, High T, played by Liam Neeson.  And the lead agents are just as much fun as Agents K and J.

From the Marvel Cinematic Universe, Thor and Valkyrie actors Chris Hemsworth and Tessa Thompson are reunited on the big, and now small, screen, as Men in Black: International makes its way to home streaming services.  Thompson is Molly, who as a little girl observes her parents being nebulized by Men in Black agents after a sighting of a curious fuzzy alien.  Molly helps keep the alien out of sight of the agents, and he leaves, thanking her with an alien salutation she never forgets.  In fact she becomes obsessed with the alien and aliens, and commits her entire life toward making her way into the Men in Black where she, too, can save the world and learn about all of the life in existence “out there.”

She applies to both the CIA and FBI, but no such luck, they think she is crazy–as does everyone else.  So she uses her smarts to track down the apprehension of an alien, and makes her way into the U.S. branch, where she meets Agent O.  From there she gets provisional status, as Agent M, and is sent to partner with the London’s top agent, Hemsworth’s Agent H.  Agent H couldn’t be cockier, and he and High T go way back, having saved the world before together.  Agent M and H’s first mission:  Protect an alien–an old friend of Agent H–on holiday on Earth.  Sounds simple enough, until everything goes wrong.  At the center of it all is a previously hidden use of the Eiffel Tower in Paris.

View full article »

In her 16 years in the business, Eva Green has co-starred in several major genre films and television shows, including Casino Royale, The Golden Compass, Dark Shadows, Penny Dreadful, and a few tales from the mind of Frank Miller: Sin City: A Dame to Kill For and 300: Rise of an Empire.  Her next project finds her in a French production where she stars as an astronaut on a mission preparing for mankind’s trip to Mars.  Centering on the relationship between her character and her daughter, played by Zélie Boulant, the new movie Proxima saw its first U.S. trailer this week.

The film co-stars Matt Dillon, who has been a recognizable face on the big screen since he appeared with Tatum O’Neal and Kristy McNichol in Little Darlings forty years ago, followed by My Bodyguard with Chris Makepeace and Adam Baldwin, the S.E. Hinton adaptations Tex, The Outsiders, and Rumble Fish, with high points like Drugstore Cowboy, To Die For, and In & Out, and the lead role in TV’s Wayward Pines.

The film appears to be on light on the side of science fiction, with perhaps a European space agency as only the background for a personal drama, but a scene in the trailer shows part of an updated take on the process of mission training, something we’ve seen in earlier iterations of real-life space travel films like The Right Stuff, Apollo 13, and First Man.  Directed by Alice Winocour, it has already received numerous international film awards.

Here is the trailer for Proxima:

View full article »

Review by C.J. Bunce

A new cyborg, old heroes, a new fate, and another revised timeline.  It must be a new Terminator movie.  If you’re in the mood for science fiction nostalgia with a new twist this month, Terminator: Dark Fate is still in theaters and it’s one of those films meant for a big screen.  If you haven’t seen it yet, it’s also coming to all home video and streaming formats next month and is now available for pre-order here at Amazon.  Featuring the return of two of science fiction’s greatest movie icons, Arnold Schwarzenegger′s original cyborg Terminator and the woman who would save 3 billion lives, Linda Hamilton′s Sarah Connor, Terminator: Dark Fate is a worthy addition to one of sci-fi’s biggest and best franchises up there with Doctor Who, Planet of the Apes, Star Wars, Alien, Star Trek, and Predator.

It turns out skipping over the third (Terminator: Rise of the Machines), fourth (Terminator: Salvation), and fifth (Terminator: Genisys) movies didn’t really matter all that much.  Skynet kept sending Terminators back in time, and when a new hero sees another new hero in the future, you get the feeling the timeline has been visited and revisited many more times.  In many ways it’s ideal for a series–you’ll never really arrive at an ending.  When the timeline is revised again in a spectacular opening that de-ages Schwarzenegger and Hamilton (the best de-aging CGI on film this year), you just jump on and enjoy the ride.  We meet a new time traveler named Grace, played by Blade Runner 2049’s Mackenzie Davis, a tough, tall-statured cybernetic human who returns to the present to save a young Mexican woman named Dani (played by Natalia Reyes), who has a potentially important future.  Dani is pursued by yet another updated Terminator, an REV-9 model played by Gabriel Luna (Ghost Rider in Agents of S.H.I.E.L.D), who can split into two and reabsorb himself Robert Patrick/T2-style to and from a metalized slime state.

What makes a great entry in a Terminator movie, or for that matter, any movie?  That right combination of humor and action.  For me in these films it’s how they use Schwarzenegger′s strengths as an actor.  So the weakest film was where he was absent from acting (governing California)–during Terminator: Salvation–which was also the film with no humor, darker than the others, entirely set in the grim post-apocalypse future.  I prefer Arnold as the Terminator, since no matter who is writing for him he delivers the best lines–writers always seem to know exactly how to get the best from him.  So long as Arnold is around, we’ll have a Terminator franchise, and after that, who cares about the series anymore?  Deadpool director Tim Miller combining with producer James Cameron to bring these actors and characters back together in Terminator: Dark Fate was always going to be a great idea.

View full article »

Review by C.J. Bunce

At one level The Aeronauts is a welcome reminder of how much humans take the science and technological achievements of their forbearers for granted.  It is a harrowing adventure, heart-pounding like Jon Krakauer’s Into Thin Air (the story of a climb to the top of Mount Everest), and will leave you feeling like you, too, have spent a few hours dangling from the top of a temporarily frozen gas balloon on a record-breaking flight in 1862.  And the Mount Everest comparison is no joke, as the balloonists soon realized what happens to the body on a climb that high was happening to them, including the addled brain from hypoxia.  Of course this flight was 91 years before Edmund Hillary made his record-breaking ascent at 29,029 feet, about 6,000 feet lower than the real-life flight documented in The Aeronauts, so everything they learned on their balloon flight was new.

The real-life scientist James Glaisher is played by Eddie Redmayne (Fantastic Beasts and Where to Find Them) and the balloon pilot–a fictional composite named Amelia Rennes–is played by Felicity Jones (Rogue One: A Star Wars Story)–reuniting both Oscar-nominated stars of the historical, scientist biopic The Theory of Everything (which earned Redmayne his first Oscar).  Glaisher seeks to prove that the study of weather can result in the possible prediction of weather and seeks the expert aeronaut Rennes to partner with him so he can prove his theories to the doubting aristocrats of London.  To do that he needed to get higher into the sky than ever before.  Rennes’s role was based on actual aeronaut balloonists Henry Coxwell and Margaret Graham, with even more elements based on Sophie Blanchard, who was the first woman to work as a professional balloonist, and, like Jones’s character, became famous as aeronaut following her husband’s death.

The Aeronauts is based on the death-defying feats of aeronauts in Richard Holmes’ 2013 book Falling Upwards: How We Took to the Air.  Since the real flight itself lasted less than two hours aloft, the film is a great character study and closed room story, with an undeniable friendly, non-romantic chemistry between the two leads.  But it’s Jones’s circus-esque, Flying Wallendas-like showmanship and stunts that will make you want to come right back and watch it again.  Inspiring, soaring, and adventurous, it’s the kind of film you’ll want to show kids to get them excited about being all they can be.

View full article »

Review by C.J. Bunce

Despite living in an international economy with the ability to communicate via portable devices with literally anyone on the planet, it’s a shame that the exchange of culture between the Western world and China is still stuck in the 20th century.  We only just saw an English translation of one of the best, most widely read, epic fantasy novels from China this year with the release of A Hero Born (reviewed here at borg), only the first book in author Jin Yong’s 1950s wuxia novel series.  The books have been adapted and interpreted over the past 70 years into dozens of films, TV series, and spin-offs.  But until recently they have only been available in China, or for those outside of China who have taken efforts to seek them out.  A Hero Born is only the first of twelve novels in the saga The Legend of the Condor Heroes Even without global circulation the series has influenced countless other stories, including so many elements of George Lucas’s Star Wars saga audiences will lose track of all the common elements.  If you think Lucas based his story only on the works of Akira Kurosawa’s films from Japan, think again–there’s as much Condor Heroes in Star Wars’s galaxy as Hidden Fortress. 

The most recent adaptation of the The Legend of the Condor Heroes story can be found in a 2017 series, starring well-known actors in China.  It’s only available if you’re willing to pick up an international DVD player, or you track it down on YouTube (both available in subtitled English editions).  But if you watch it–a whopping 52 incredible hour-long format episodes, you’re in store for one of the finest, most exciting genre series you’ve ever seen.  The quality of the production, the incredible martial arts work and visual effects, and top quality acting is prompting us to add this series to our own “Best of 2019” review coming later this month.  Sure, it’s two years since it came out in China, but there is no U.S. distribution channel.  Ideally Netflix would pick it up as they did for this year’s Korean series, Kingdom.  Two pregnant women escape an early 13th century conflict as their husbands, sworn brothers in spirit, are killed.  Their sons grow up separately, unaware of each other.  Guo Jing is honest, loyal and righteous, but slow to learn socially, and more importantly in the ways of the martial arts.  The other, Yang Kang, is clever and suave, but scheming and treacherous. They eventually meet each other and their respective lovers, Huang Rong and Mu Nianci.

Directed by Jiang Jiajun (also known as Jeffrey Chiang), the series follows Guo Jing, raised as Song and living on a rural farm with his mother.  He soon saves a man, a warrior in conflict with a general who will rise to become history’s Genghis Khan, and in doing so he is trained in bow and arrow in Khan’s legion.  Soon he is also taken on by seven martial arts masters in the techniques of kung fu, but they train him for a reason he is not aware of.  They made a wager at the boy’s birth with another martial arts master, a man who agreed to train the other boy, Yang Kang.  On the boys’ 18th birthday they are to meet at a restaurant where they will compete–the winner will determine who wins:  Jing’s seven masters or Kang’s master.  Unfortunately, Jing is awkward at basic moves including skywalking, while the other boy takes to kung fu very well.  But circumstances favor Jing, and others come along to fill in the blanks so that he can make a good showing when he turns 18, form a bond with friend and lover Rong, and go on to meet the Five Greats and compete in a mountain contest at the highest level.

View full article »

Review by C.J. Bunce

Nothing taken away from the work of actor Joseph Fiennes in the romance-comedy Shakespeare in Love, but in the 2019 biopic All is True, it’s hard to imagine any actor as perfectly cast as William Shakespeare himself than Sir Kenneth Branagh.  In one conversation between Branagh’s Shakespeare and Sir Ian McKellen′s Earl of Southampton, the quiet beauty of language and craft they convey will make you think no two people were better suited to their art.  Taking a cue from the subtitle of Shakespeare’s final play, Henry VIII–the play being performed when Shakespeare’s Globe Theater caught fire (pro tip: don’t put stage cannons in your scripts)–All is True takes Shakespeare from there to his death, as he quits writing and returns to his home, his wife, and their two daughters to retire.

Ghosts of his past catch up with Shakespeare, as the rural village of his birth does not forget the scandals of his family’s past and present, silly things today that meant everything to English society in 1613.  One of those ghosts is that of his son, Hamnet, the twin of his younger daughter, who died in real life of unknown causes at eleven, and which is expanded upon for dramatic sake in this story by writer/comedian Ben Elton (Much Ado About Nothing).  Elton’s script smartly stitches together what history knows about Shakespeare and his family after his plays and what is probable or at least possible, providing a faithful, glorious look at what someone who knew his own legacy in his own time might have done next.  Branagh reflects the kind of ego that must have been behind the man.  Shakespeare neglected his family for years, and his youngest daughter, played by Kathryn Wilder (Ready Player One), lets him know it.

Shakespeare’s wife, Anne Hathaway, 18 years his senior in real life, is played as impeccably as audiences would expect from Dame Judi Dench, and although 26 years his senior in real life it all works seamlessly.  Branagh is hardly recognizable at first, until his undeniable voice takes over, thanks to a prosthetic nose that never leaves any doubt that Branagh conjured the ghost of Shakespeare for this performance.  Equal to the performance is the year’s best cinematography by Zac Nicholson (The Guernsey Literary and Potato Peel Society), who frames every scene as if it were an adaptation of an original oil painting by Johannes Vermeer or Rembrandt van Rijn.  His use of light–especially his scenes shot by candlelight to mimic chiaroscuro–is magical.

View full article »

  

The second trailer for a sequel to a 1980s action film, two animated shows, and two films about courageous dogs make today’s installment of Trailer Park.  We saw our first trailer previewed earlier here for Tom Cruise′s return to the skies in Top Gun: Maverick.  Now we have the next preview, with co-star Jennifer Connelly.  The Fast & Furious franchise is expanding to the small screen with a new kids’ show, Fast & Furious: Spy Racers, featuring the fast driving young cousin of Vin Diesel’s character in the movies.  Another animated movie brings a modern comic book tale to the screen, Superman: Red Son, an alternate history version of Superman where baby Superman landed in the Soviet Union instead of Kansas.  It features the voices of Harry Potter’s Jason Isaacs as Superman, The Drew Carey Show’s Diedrich Bader as Lex Luthor, Grimm’s Sasha Roiz as Hal Jordan, and Oscar and Grammy-winning pop star Paul Williams as Brainiac.

Two CGI movies are bringing tales of loyal canines to the screen.  Call of the Wild is a remake of the 1935 film based on Jack London’s 1903 novel.  It stars Harrison Ford, Dan Stevens, and Karen Gillan.  And based on a true story, Togo stars a dog named Diesel and stunt doubles from The Snowy Owl Sled Dog Tours, Inc., with Willem Dafoe, telling the tale of the dog that had the toughest leg of the journey to get medicine to Nome, Alaska, in 1925, before handing the package off to the more well-known dog Balto and his team.

  

Check out these trailers:

View full article »

Review by C.J. Bunce

Ryan Reynolds (Deadpool) and director Michael Bay (Transformers, Armageddon) are going to surprise a lot of people this December.  Their new film, a direct-to-Netflix, big-budget action spectacle called 6 Underground, is the kind of movie that belongs on the big screen leading the box office rankings.  It has big, over-the-top, expensive action sequences that leave last year’s seemingly impossible to beat Mission: Impossible–Fallout, in its wake.  It also stuffs about two movies into one: giving the audience a slight breather between action sequences, its edits are sharp and quick, so much so it offers one of those strobe warnings upfront, with an amazing new weapon we haven’t yet seen anywhere that it keeps for its third act.  If you loved the team of crooks in Baby Driver, the good guys seeking revenge of The Italian Job, and the speed of The Fate of the Furious, get ready for the next watchalike.  It’s Leverage on steroids.  It’s the best direct-to-Netflix movie yet–and a whole lotta fun.

Reynolds is a billionaire genius fed up with not being able to do good with his money by following the rules.  He fakes his death and recruits and tries to maintain an international band of six “ghosts” who have complementary mad skills and are willing to leave their lives (including names) behind to change the world.  This includes an incredible driver played by Dave Franco (Now You See Me), a badass ex-CIA spook played by French actress Mélanie Laurent (Inglourious Basterds), a hitman played by Mexican actor Manuel Garcia-Rulfo (The Magnificent Seven), a doctor played by Puerto Rican actress Adria Arjona (True Detective), and a parkour whiz played by Brit actor Ben Hardy (Bohemian Rhapsody, X-Men: Apocalypse).  When one of the team dies in a messy job, Reynolds’ character, known only as One, recruits an ex-marine sharpshooter played by Corey Hawkins.  And the movie gets bigger and better.

Although the opening 20-minute action scene will be talked about for years, it’s Hawkins arriving new to the team as Seven where the story takes off.  He was willing to leave the military service behind because he was held back–he tried to save his fellow soldiers in an attack but was ordered not to–but with this new team he finally has the freedom to do all he can for the greater good, all under his own terms.  Reynolds as Reynolds–the same snarky, smartass character he played in Deadpool and Life and R.I.P.D. and Green Lantern is here, and he makes it work yet again, thanks to funny banter and a team of actors and characters with chemistry.  He carries the leading action man role that would normally be taken by Jason Statham and twists it a bit, not doing all those kicks and physical feats, but getting in the middle of the action and staying there with all the other stunt-heavy moves going on around him (not that he doesn’t get to play in the punches, too).  If that weren’t enough, 6 Underground also has amazing international settings and gorgeous, James Bond universe-type cinematography thanks to photography by Bojan Bazelli (The Ring, The Sorceror’s Apprentice, Snake Eyes).

View full article »