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Tag Archive: 1970s television


  

Last year Dynamite brought Charlie’s Angels back from the 1980s for some new adventures, joining other classic TV series comic adaptations including Batman ’66, Wonder Woman ’77, The Six Million Dollar Man, and The Bionic Woman Dynamite has combined a few classic TV shows already, including a story with Wonder Woman ’77 and The Bionic Woman taking down some fembots This year the publisher is putting together two more dream team-ups with The Bionic Woman joining Charlie’s Angels on a mission in Charlie’s Angels/The Bionic Woman.  When Bosley hands Kelly Garrett, Kris Munroe, and Julie Rogers their next assignment from Charlie, they encounter one of our favorite classic borg characters, the bionic-powered Jaime Sommers.  Following the events of the television series into the 1980s, we catch up with a privatized Office of Scientific Investigation, and it’s up to these four women to make sure the OSI technology doesn’t get into the wrong hands for military applications.

It’s a great move using the latter trio from Charlie’s Angels for the new series.  Artist Cat Skaggs′ rendering of Tanya Roberts as Julie on her cover variant to Issue #1 is perfect, and she also provides a great portrait of Lindsay Wagner as Jaime for the cover of Issue #2.  Other covers were drawn by Ron Lesser and Jim Mahfood, whose Issue #2 features a gorgeous, stylized, throwback design.

   

Cameron DeOrdio (Josie and the Pussycats) steps in to write this series, and in the first issue she lays the groundwork for a compelling spy thriller.  Artist Soo Lee (Strange Attractors) brings in her unique style to give the series an authentic early 1980s vibe.  Her artwork has elements of manga and anime blended with Matt Kindt, but best of all the book looks as if it could have been drawn in 1982.  Color work is by Addison Duke, with letters by Crank!

Here are some preview images and covers for the first two issues, courtesy of Dynamite:

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Review by C.J. Bunce

TV historian and Star Trek expert Marc Cushman has returned with his next volume in the history of the creators of Star Trek, the 1960s television series, the hardcover book These Are the Voyages: Gene Roddenberry and Star Trek in the 1970s, Volume 1 (1970-75).  At a massive 763 pages, Cushman uses his trademark style of sifting through every available source to collect details about Hollywood, executives, writers, actors, and everyone in between to provide a history of television via the extensive use of contemporary, primary source materials.  The book includes dozens of black and white photographs, screen shots, marketing images, and behind the scenes photographs.

Fans of Star Trek: The Animated Series and the tie-in novels that began with author James Blish should take note: Much of the book is about Star Trek: The Animated Series, the marketing of Star Trek by Roddenberry’s company Lincoln Enterprises, and several studio tie-ins during the 1970s, including the Gold Key comics, and Blish’s famous run of novels–all which kept Trek fans engaged for a decade without a live-action presence.  The rest is devoted to Roddenberry’s personal projects before and after The Animated Series.

Many themes are brought to light as Cushman tracks Roddenberry’s career and efforts to revive Star Trek after the 1960s series cancellation.  Roddenberry’s in-your-face nature with studio executives didn’t help him any, yet his persistence kept him in the business.  William Shatner was able to rely on his past success as an actor to easily move ahead with his career and lay the groundwork to become the icon he is known as today.  Leonard Nimoy benefited the most directly from Star Trek–he became a sex symbol, and moved from a music career to becoming co-star of the original Mission: Impossible.  He also didn’t miss a beat continuing his acting with major stage productions.  The rest of the cast was type-cast, having more difficulty finding work, especially Walter Koenig, who was even denied a voice-acting role on The Animated Series.  But The Animated Series would prove several things: Every member of the cast was ready to jump at the chance of returning to Star Trek despite their other projects.  Nimoy was at first hesitant, but when seeing the rest of the cast join up he seemed to not want to be left behind.  This included the writers for the original series–everyone asked to provide a script for The Animated Series wanted to return to the unique science fiction material–and did.

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