Advertisements

Tag Archive: 3D review


cumberbatch-strange

Review by C.J. Bunce

Doctor Strange.  Need a great escape this week?  On the one hand Marvel Studios’ fourteenth big screen Marvel entry is very much a product of the Marvel Comics of Stan Lee.  Audiences just saw a similar origin story early this year in Deadpool, and we’ve seen similar stories from Daredevil, Spider-man, and Hulk, as well as in the DC Universe in Batman Begins and Green Lantern.  Yet in its first act you realize Doctor Strange is a movie a tier above The Avengers and Justice League member films.  It also competes meaningfully in the mashed-up sci-fi and fantasy realm alongside Guardians of the Galaxy.  As to sci-fi in its opening act Doctor Strange makes any visual amazement found in the twisty cityscapes of The Matrix trilogy or Inception pretty much irrelevant by comparison.  And when you take the best actors around and put them together you’ve upped the ante for not only the Marvel Cinematic Universe, but suddenly every forthcoming superhero genre effort has a new benchmark to aspire to.

Everything Benedict Cumberbatch (Sherlock, The Hobbit, The Imitation Game, Star Trek Into Darkness) touches turns to gold.  His Doctor Stephen Strange is all of Dr. House, M.D., and Sherlock Holmes.  And he transforms into an Eastern mystic with a vibe and look that assures us future roles that years ago would have gone to Max Von Sydow or Vincent Price will continue to have a ready actor to fill their shoes.

strange-ancoient-one-swinton

This may be the best recent use of 3D in the theater since the last Transformers entry.  Viewing it in 3D is a must, from Doctor Strange’s spell weapons to a world colliding with an amped up Spirograph meets Kaleidoscope-infused reality, conflicts on Salvador Dali paintings come to life and M.C. Escher and Labyrinth-inspired battlefields, and on to journeys through distant outer space and beyond time, crisp clarity and beautiful cinematography reveals modern effects at their best thanks to the production of Kevin Feige, who has coordinated everything Marvel for both Disney and Twentieth Century Fox, and director of photography Ben Davis (Guardians of the Galaxy, Avengers: Age of Ultron, Kick-Ass, Stardust, Layer Cake).

Continue reading

Advertisements

Rita Vrataski Emily Blunt

When we first heard that Hiroshi Sakurazaka‘s novel All You Need is Kill was being adapted for the big screen we knew this was going to be a winner.  Then the studio changed its name to Edge of Tomorrow and revised a fair amount of the characters and story arcs and we weren’t so sure.  By the time it hit the video stores the marketing folks realized Edge of Tomorrow as a title was responsible for some of the deficiencies at the box office, and so they elevated the status of their tagline Live. Die. Repeat. in big letters on the video boxes making it nearly impossible to remember the title.  So here’s some good advice:  Forget about the marketing screw-ups.  Ignore it if you don’t like Tom Cruise’s personal life.  And just watch this movie.

Although the outcome of Emily Blunt’s branded “Full Metal Bitch” Rita Vrataski is different from Sakurazaka’s novel, Rita is the finest example of kick-ass female that has hit the movie screen.  Everyone should be watching Rita and getting inspired to take tai chi or tae kwan do.  I’ve compared Rita to Sarah Connor and Ellen Ripley and stand by that comparison.  And it’s worth noting it takes a real person to do all these physical acts of prowess to bring these characters to the screen, which should add Emily Blunt to role models like Linda Hamilton and Sigourney Weaver.

Edge of Tomorrow scene

Military men and women and anyone who likes World War II movies will appreciate the entire future military command setting in Edge of Tomorrow.  Bill Paxton’s Master Sergeant Farell is perfection, in a camp with Richard Jaeckel’s Sgt. Bowren in The Dirty Dozen or Warren Oates’ Sgt. Hulka in Stripes.  The D-Day-inspired battle scenes even rival the great work done by Steven Spielberg in the Omaha Beach landing scene in Saving Private Ryan.

Rarely does good science fiction also manage to pull off laugh-out-loud humor.  Director Doug Liman (The Bourne Identity) took a production that began without a full shooting script and pieced together something gritty and complete, offset with some of the funniest stuff put on film this year.  Cruise’s character Cage tries repeatedly to escape and find Rita early in the film and is repeatedly killed–including an incredible scene involving him rolling under a jeep.  Cruise is a great actor and entirely believable as his character grows–really selling his performance convincingly here as he does with most of his films.

Continue reading