It’s easy to see how Uncharted was slated for a major big screen movie release. Take Mark Wahlberg, Hollywood’s biggest moneymaker and Disney/Marvel’s on the rise Tom Holland, and hundreds of millions of dollars to form an action-adventure mixing elements of Indiana Jones, The Goonies, Pirates of the Caribbean, Sahara, and the craziest stunts of the Fast & Furious movies. In fact the only thing it’s missing is the John Williams score to make this a full-fledged Indiana Jones reboot. Featuring two leads from the Sony video game, Nathan Drake and Chloe Frazer, it also firmly plants itself as the next hopeful video game franchise going big after the similar genre successes Tomb Raider and Assassin’s Creed. Now streaming on Netflix, consider Uncharted a sure bet, especially compared to Netflix’s similar action-adventure 2022 movie Red Notice.
Back in 2006 artist-writer Chris Grine published his first of a two-volume Eisner-nominated comic called Chickenhare, featuring a unique hero in a strange new anthropomorphic world, mixing adventure and dark comedy. This weekend his hero makes it to Netflix in his own animated movie, Chickenhare and the Hamster of Darkness. The creator himself has acknowledged in the past the scripts in development for the movie were different than his source material. The artwork looks nothing like Grine’s characters. Fans of Grine will find little in common with the new movie, but it’s relatively harmless for really little kids, or older kids who have already seen far better treatments in the talking animal genre, notably Zootopia and Chicken Run–actually all the Aardman Animation shows–and major studio efforts like Ferdinand.
Some movies are exactly as advertised. Count Jungle Cruise in that category. And yet–it’s bigger and bolder and braver than you might have guessed from its trailers. Comparisons to the likes of Raiders of the Lost Ark, Pirates of the Caribbean, Romancing the Stone, and African Queen are all completely warranted. Jungle Cruise is a big, sweeping adventure–and visual amusement park ride–that draws out the best of stars Dwayne Johnson and Emily Blunt. First previewed in autumn 2019, it’s another pandemic delay that has the scope and spectacle that would have made it the perfect box office hit in a normal year. But at least now audiences can see what they’ve been missing as Jungle Cruise arrived this past weekend on the Disney Plus streaming service.
Initially marketed as Monster Problems, Love and Monsters is a surprise sleeper hit apocalypse movie, also marketed as an adventure comedy, which puts it into the camp of movies like the Jumanji series and Finding ‘Ohana. It was scheduled for release last April, then delayed to late 2020 because of the pandemic, and you probably missed it. Which is now a good thing, because it’s a nicely timed story about survival–namely surviving a big event and getting to the other side of that event, being able to breathe freely again, at least at some level. Starring Dylan O’Brien, Jessica Henwick, and Michael Rooker, it’s a monster movie so well done it is nominated for a visual effects Oscar in tonight’s Academy Award ceremony. It’s now streaming on Vudu, Amazon, and DVD/Blu-Ray.
If Chris Columbus and Steven Spielberg didn’t get paid for the screenplay for the new Netflix kids’ adventure movie Finding ‘Ohana, they should. Usually an homage borrows bits and pieces from the source material. Finding ‘Ohana is different–it is a remake (albeit unofficial remake) of the 1985 classic coming of age adventure The Goonies, updated to bring it into the 21st century and change the setting from Oregon to Hawaii. ‘Ohana, which you’ll know from previous Hawaii-themed series and movies, means family, which reflects the film’s theme of Hawaiian culture and families reunited. Ultimately the effort is a mixed bag–a movie that could be great fun for younger kids, but will make everyone else crave the movies it pulls its ideas from.
After World War II, in essence a world stunned with death and destruction emerged to try to forge its way into the future after one of the planet’s most trying challenges. Inspiring tens of millions was the true-life voyage of Norway’s Thor Heyerdahl, a pioneer made of the same mettle as Shackleton and Hillary. Heyerdahl was a student in Oslo who spent a year in Polynesia, where he developed the idea that peoples like the ancient Incas could have traveled across the Pacific Ocean and settled the area easier than saling from the west. After a decade trying to prove his hypothesis, Heyerdahl assembled a team of six men, five Norwegians and a Swede, and built a balsa raft consistent with parts and construction the Polynesians would have had available centuries before, which he named Kon-Tiki after an Incan sun god. His challenge? To complete the voyage from South America to Polynesia without assistance from modern technology.
Heyerdahl’s 1948 account of the voyage, Kon-Tiki: Across the Pacific in a Raft, became one of the best-selling books of all time (selling more than 56 million copies), his 1950 documentary of the voyage,Kon-Tiki, earned an Oscar, and an impressive 2012 theatrical adaptation, also named Kon-Tiki, was nominated for an Oscar for best foreign film. Both of these films are now streaming on Amazon Prime.
In brief, it’s the best adventure, fantasy, and comedy in theaters in 2019 and a great way to begin your new year. Jumanji: The Next Level is still packing-in theaters a little more than two weeks into its run–an alternative to the other holiday releases and guaranteed to leave you smiling at the end. The four stars didn’t miss a beat in their return, swapping roles and adding new laughs, and the new characters inside and outside the game are perfectly matched to tell a new tale. Two films down and Jumanji: The Next Level is now the new major adventure fantasy franchise, up there with Tarzan, The Jungle Book, Conan the Barbarian, John Carter of Mars, Pirates of the Caribbean,The Mummy, and Indiana Jones. Put this sequel at the top of the best of those franchises.
The studio didn’t hold back on new action sequences–inside the movie again Jumanji is the same video game of curious origin. The new levels introduced this time increase the stakes in bigger and better ways. A bridge-crossing scene with swarming apes and a geometric, Mario Brothers/Donkey Kong-like element is now going to be the adventure film standard to try to beat. Sure, there are throwbacks to jungle adventures of the past, but it’s not derivative, all presented in fresh ways. As another tour inside a video game (like Tron and Ready Player One), you’ll have the added fun of spotting video game influences (like Pitfall and Q-Bert), including a new, more difficult gauntlet.
The movie does double duty as an epic quest and rollicking comedy. Comedians turned comedic actors Jack Black as Dr. Shelly Oberon and Kevin Hart as Mouse Finbar again are comedy gold. Even the small bits are a scream–Hart riding and getting off a camel is a lesson in physical comedy. They make the movie loads of fun, but straight man roles performed by Dwayne Johnson and Karen Gillan as in-game characters Dr. Smolder Bravestone and Ruby Roundhouse share the credit for the laughs, too. If you’ve seen Jumanji: Welcome to the Jungle, you’d expect big comedy from the sequel. And that’s where the writing genius comes into play, thanks to a script by writer/director Jake Kasdan and writers Jeff Pinkner, and Scott Rosenberg. How do you bring back the hour movie stars, the four young actors who played the original players (Madison Iseman, Morgan Turner, Alex Wolff, and Ser’Darius Blain), the rescued Alex played by Colin Hanks, and in-game characters played by Nick Jonas, and Rhys Darby without re-hashing the first movie? You’ll have to see it to find out. Just be prepared for some great twists and surprises.
At one level The Aeronautsis a welcome reminder of how much humans take the science and technological achievements of their forbearers for granted. It is a harrowing adventure, heart-pounding like Jon Krakauer’s Into Thin Air (the story of a climb to the top of Mount Everest), and will leave you feeling like you, too, have spent a few hours dangling from the top of a temporarily frozen gas balloon on a record-breaking flight in 1862. And the Mount Everest comparison is no joke, as the balloonists soon realized what happens to the body on a climb that high was happening to them, including the addled brain from hypoxia. Of course this flight was 91 years before Edmund Hillary made his record-breaking ascent at 29,029 feet, about 6,000 feet lower than the real-life flight documented in The Aeronauts, so everything they learned on their balloon flight was new.
The real-life scientist James Glaisher is played by Eddie Redmayne(Fantastic Beasts and Where to Find Them) and the balloon pilot–a fictional composite named Amelia Rennes–is played by Felicity Jones (Rogue One: A Star Wars Story)–reuniting both Oscar-nominated stars of the historical, scientist biopic The Theory of Everything (which earned Redmayne his first Oscar). Glaisher seeks to prove that the study of weather can result in the possible prediction of weather and seeks the expert aeronaut Rennes to partner with him so he can prove his theories to the doubting aristocrats of London. To do that he needed to get higher into the sky than ever before. Rennes’s role was based on actual aeronaut balloonists Henry Coxwell and Margaret Graham, with even more elements based on Sophie Blanchard, who was the first woman to work as a professional balloonist, and, like Jones’s character, became famous as aeronaut following her husband’s death.
The Aeronautsis based on the death-defying feats of aeronauts in Richard Holmes’ 2013 bookFalling Upwards: How We Took to the Air. Since the real flight itself lasted less than two hours aloft, the film is a great character study and closed room story, with an undeniable friendly, non-romantic chemistry between the two leads. But it’s Jones’s circus-esque, Flying Wallendas-like showmanship and stunts that will make you want to come right back and watch it again. Inspiring, soaring, and adventurous, it’s the kind of film you’ll want to show kids to get them excited about being all they can be.
