Tag Archive: Alex Høgh Andersen


Review by C.J. Bunce

Deceit, betrayal, glory, destiny.  

At one level the back half of the 89 hours of History Channel’s Vikings series had two key components that kept viewers coming back week after week: the next scene always was completely and terrifically unpredictable, and each increase in stakes for your favorite character was just plain nail-biting.  Like walking a tightrope, at any point every character–no matter how great or small–might get wiped away.  Creator and writer Michael Hirst plucked cultural bits of Norse history and intertwined them with the written histories and mythology of historical figures to make something riveting, compelling, and permanent–the spirit of a historical saga that Viking descendants can be proud of, while also meeting the needs of fantasy viewers for the next swordplay action-adventure.  Primarily a denouement for the long six season run, the final ten episodes have arrived on Amazon Prime, with History Channel to air them at a later date.

The reach of the Norse influence, the survival of the Lothbrok line, the direction of early England and Russia.  It all intersects here.  Does the end measure up to the rest of the series?

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Today we move from the big screen to the small screen with the Best TV Series of 2020.  If you missed it, check out our review of the Best Movies of 2020 here and the best Kick-Ass Heroines of 2020 here.  We watch a lot of television, and probably love a good series even more than a great movie.  We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching.  The theory?  If we like it, we think you may like it.  The best shows have a compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired.  Even better if we see richly detailed sets and costumes.

Without further ado, this year’s Best in Television:

Best Borg SeriesAltered Carbon (Netflix).  Showing life in a world well past the merger of the organic and inorganic via stacks placed in human individuals’ vertebrae in the back of the neck, the second season of the series further revealed the dark side of being able to live forever.  What parts of life have the most value in a cybernetic world?  What crimes emerge when body and mind can be separated and re-shuffled?  Honorable mention: Star Trek: Picard (CBD All Access)–revisiting Star Trek’s old nemeses The Borg and introducing the cyborg-like nonbiological humanoids called Synths, the same term used in the BBC’s Humans.

Best TV Borg, Best TV VillainDarth Maul (played by Sam Witwer and Ray Park), Star Wars: The Clone Wars (Disney+).  The athletic performer Ray Park provided the best-ever lightsaber duel scenes in his co-starring performance in The Phantom Menace.  Watching the animated series this year it was clear Darth Maul wasn’t just another animated character.  Add another great duel to the books–Park’s motion capture abilities live on and continue to set the bar for Star Wars action sequences, and Witwer voices a character we never want to see go away again.  Honorable mention for Best TV Villain: Grand Moff Gideon, Giancarlo Esposito, The Mandalorian (Disney+).

Best Sci-fi TV Series, Best TV Fantasy, Best Western TV SeriesThe Mandalorian (Disney+).  Not a lot needs explaining with this series, which continues to be compared to the original Star Wars and The Empire Strikes Back more than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) now called Grogu, on the genre-loving world and beyond.  Credit Dave Filoni and Jon Favreau’s visible enthusiasm and love for the original movies for a series that only gets better with each episode, despite their short lengths.  Honorable mention for Best Sci-Fi TV Series: Star Trek: Picard (CBS All Access).

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Who lives and who dies?

In July we discussed a great summer panel from virtual San Diego Comic-Con discussing the final ten episodes of History Channel’s Vikings series, following the first ten episodes released a year ago (check out our coverage of the panel here at borg if you missed it).  The showrunner and cast of History’s Vikings, including showrunner and writer Michael Hirst and actors Travis Fimmel, Katheryn Winnick, and Clive Standen, who we saw at their first Comic-Con back in 2013, provided a brief preview of the final 10 of the season’s 20 episodes.  Now those final episodes will hop networks to Amazon Prime, where they will all be available for binge-watching on December 30, followed later on their original network, History.  Along with the news of the change in networks and streaming date is a new trailer–check it out below.

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This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired.  Richly detailed sets and costumes.  An impossible feat to replicate.  No drama came close.  No other visual effects spectacle could touch it.  And its audience is everyone.  A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years.  If you love genre like we do, this was as good as it gets.  And like icing on the cake, along came The Mandalorian at year end.

But we’re not going to ignore the other good things that happened on the small screen this year.

Our borg Best of 2019 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.

Without further ado, this year’s Best in Television:

Best Borg SeriesDoom Patrol (DC Universe).  With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman.  Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein).  For 2019, it was the way to get your borg fix on the small screen.

Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV SoundtrackThe Dark Crystal: Age of Resistance (Netflix).  It was worth the wait.  Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded.  The kindest heroes, the darkest evil, a truly epic, legendary story for the ages.  Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much?  Even that wouldn’t be enough if not for the layered mythology and epic adventure story.  Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s  imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.

Best TV Sci-fi Series, Best TV DramaThe Man in the High Castle (Amazon).  Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel.  The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale.  Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition.  Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”

Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup The Mandalorian (Disney+).  Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond.  Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.

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