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Tag Archive: Alien franchise


With the exception of the vast expanded universe of Star Wars and Star Trek, probably no other sci-fi property has branched out in as many exciting ways as the Alien universe.  Every new tie-in novel consistently has been packed with suspense and innovative takes on Weyland-Yutani and its influence years before, during, and after the events of Ridley Scott’s original Alien movie.  Each year fans of Alien celebrate April 26 as Alien Day, reflecting not a specific day inside the Alien universe, but the designation of the moon in the film Aliens: LV426.  There’s even more reason to look back this year, as 20th Century Fox is celebrating the 40th anniversary of the release of the original Ridley Scott film.  Check out the Fox contest (expires tonight) here.  The recognizable Reebok stomper worn by Ellen Ripley in Aliens is coming back, too–part of the contest, and expected to be for sale soon here.

Next week for the first time U.S. audiences can access a documentary on legendary Alien concept artist and designer H.R. Giger streaming on OVID.tv, and we’ll be reviewing it soon here at borgDark Star: H.R. Giger’s World is a documentary on the artist’s unique vision, available May 3.

An eagerly awaited book for Alien fans is coming.  You’ll want to pre-order the new J.W. Rinzler guide to the 1979 film, The Making of Alien, here (we’ll be reviewing it in July).

No book or film has portrayed the people behind the Weyland-Yutani Corporation as more vile and despicable as author Alex White envisioned them in his novel released for Alien Day 2018, Alien: The Cold Forge, a sequel to the second film in the franchise, James Cameron’s Aliens.  The Company is proceeding to fulfill one of its initial ideas, to weaponize the Xenomorphs for military use.  Alien: The Cold Forge is Aliens as if written by Michael Crichton, a blend of Congo and Jurassic Park with aspects of the modern Planet of the Apes trilogy tie-ins and Project X.

Last year we reviewed Alien Covenant: David’s Drawings by Dane Hallett & Matt Hatton (check out our review here).  This boxed edition contains two books, providing readers an insight into the most intriguing character from the Alien prequels.  The in-universe sketchbook contains more than 200 illustrations from the set and will take you inside the mind of David.  Plus Developing the Art of an Android provides an interview with Hallett and Hatton, the artists behind the sketchwork.

And there’s Jonesy: Nine Lives on the Nostromo by Rory Lucey (reviewed here), which reminds us: In space, no one can hear you meow.  Aboard the USCSS Nostromo, Jonesy leads a simple life enjoying The Company cat food and chasing space rodents. Until one day his cryostasis catnap is rudely interrupted.  The humans have a new pet and it’s definitely not house trained.  This full-color illustrated book offers a cat’s eye view of all the action from the movie Alien.

Not enough?  You say you want a full-on fix of Alien today?  Check out any of these Alien tie-ins and films previously reviewed here at borg:

The Book of Alien: Augmented Reality Survival Manual, by Owen Williams

Alien Covenant: Origins, by Alan Dean Foster

The Art and Making of Alien Covenant, by Simon Ward

Aliens: Bug Hunt, anthology

Alien: The Coloring Book

Alien: The Weyland-Yutani Report, by S.D. Perry

Aliens: The 30th Anniversary Edition

Cinema Alchemist: Designing Star Wars and Alien, by Roger Christian

Aliens: The Set Photography, by Simon Ward

The borg interview with Alien universe author Tim Lebbon

And yep, there’s more…

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Review by C.J. Bunce

The early 2018 release Alien: Covenant is now streaming on Amazon Prime, Vudu, and other streaming services.  It is the second act of a two-part story focusing in major part on the android* named David, the continuation of non-human humanoids we first encountered in the Ridley Scott’s original 1979 film Alien with Ash, and later Bishop, and others.  Continuing David’s quest from Scott’s follow-up, 2012’s Prometheus (yes, this is that “sequel to a prequel” we discussed here at borg back in 2012), David has embarked on a search for the creation of mankind prompted by his creator, Peter Weyland, played by Guy Pearce.  David’s cold, deliberate calm is disturbing–he is a robot, he is emotionless, despite improvements on earlier models that make him appear kind, even sincere.  Yet, as we learned in Prometheus, David is little, if any, evolved more than the decision-making by HAL 9000 of 2001: A Space Odyssey.

Is David’s ruthlessness carried forward into Alien: Covenant?  You’ll need to watch the movie to find out.  There you’ll meet an upgraded version of David’s android design.  Also played brilliantly by Michael Fassbender, the android Walter replaces David as assistant to the humans in Alien: Covenant as they embark on a mission to settle a colony in deep space, led by James Franco‘s Branson, Billy Crudup‘s Oram, and Katherine Waterston‘s Daniels.  In a great dual performance by Fassbender, Walter encounters David as the story progresses.  And that’s where David’s Drawings come into play.

Disturbing and grotesque.  David, as part of his quest from Weyland, studies, researches, and documents lifeforms he encounters.  Many of these are in the form of sketches, sketches that can be found on the screen in the film, and in the new bound portfolio volume called David’s Drawings, from production artists Dan Hallett and Matt Hatton (see our preview below).  The artwork is meticulous, like something out of Gray’s Anatomy So the drawings are both in-universe props, and a real-world document of the filmmakers.   In more than 200 images, the boxed set (featuring a hardcover of drawings and a second volume including interviews with the artists) features the complete arc of his journey from David’s studies of flora and fauna, to his more sinister experiments on creatures, and the film’s most disturbing, surprise revelation.

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With the exception of the vast expanded universe of Star Wars and Star Trek, probably no other sci-fi property has branched out in as many exciting ways as the Alien universe.  Every new tie-in novel consistently has been packed with suspense and innovative takes on Weyland-Yutani and its influence years before, during, and after the events of Ridley Scott’s original Alien movie.  Each year fans of Alien celebrate April 26 as Alien Day, reflecting not a specific day in the history of the franchise, but the designation of the moon in the film Aliens: LV426.

No book or film has portrayed the people behind the Weyland-Yutani Corporation as more vile and despicable as author Alex White has envisioned them in his new novel released for Alien Day 2018, Alien: The Cold Forge, a sequel to the second film in the franchise, James Cameron’s Aliens.  The Company is proceeding to fulfill one of its initial ideas, to weaponize the Xenomorphs for military use.  Alien: The Cold Forge is Aliens as if written by Michael Crichton, a blend of Congo and Jurassic Park with aspects of the modern Planet of the Apes trilogy tie-ins and Project X.  Never before in the Alien stories will readers want to see a corporate rep get his just desserts as the brutal, psychopathic corporate exec Dorian Sudler, embarking on a resource slashing audit of the experimental science station RB-323.  A dying woman must carry out her own secret gene research project among the layers of secret projects within Weyland-Yutani–if she is to survive.  Exciting?  Yes.  Suspenseful?  Definitely.  Readers will also learn the true name of the Xenomorphs, and encounter an entirely new use of the Weyland-Yutani borgs (like Bishop and David) that we haven’t seen before.  Order your copy of Alien: The Cold Forge now, here at Amazon.

Coming later this year is Alien Covenant: David’s Drawings by Dane Hallett & Matt Hatton.  This boxed edition contains two books, providing readers an insight into the most intriguing character from the Alien prequels.  The in-universe sketchbook contains more than 200 illustrations from the set and will take you inside the mind of David.  Plus Developing the Art of an Android provides an interview with Hallett and Hatton, the artists behind the sketchwork.

In the vein of fun tie-in books like A Die Hard Christmas, get ready for Jonesy: Nine Lives on the Nostromo by Rory Lucey.  In space, no one can hear you meow.  Aboard the USCSS Nostromo, Jonesy leads a simple life enjoying The Company cat food and chasing space rodents.  Until one day his cryostasis catnap is rudely interrupted.  The humans have a new pet and it’s definitely not house trained.  This full-color illustrated book offers a cat’s eye view of all the action from the movie Alien.

While you’re at it, check out these Alien tie-ins previously reviewed here at borg.com:

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Review by C.J. Bunce

As much as you may hear general moviegoers asking if we may be near the end of the Alien franchise–and earlier this month Alien director Ridley Scott said as much, that the franchise has basically “run out”–you probably won’t hear that from fans of Alien who keep coming back for more.  But no worry: two future movies are expected from the franchise.  Along the way tie-in authors continue to expand the universe before and after the first film that premiered way back in 1979.  The best of these so far is arguably Tim Lebbon’s Alien: Out of the Shadows (reviewed here at borg.com along with an interview with the author here).  In that novel Lebbon cleverly intercut between films a new tale of Ellen Ripley encountering xenomorphs again.  Earlier this year we reviewed an anthology, Alien: Bug Hunt here, and a new interactive in-world book in the Alien universe will be reviewed here soon.  Ridley Scott returned to direct another film in the series this year with Alien: Covenant, and a new tie-in novel bridges the gap between 2012’s Prometheus and Covenant.  Titled Alien: Covenant–Origins, it features the return of one of fandom’s favorite writers, Alan Dean Foster, and readers will find the story completely unexpected.

Since the 1970s Foster has written famous science fiction expansion stories that brought classic films home to audiences before the days of home video, including the novelization of the original Star Wars and the first Star Trek tie-ins.  His success with those would lead him to write the novelizations of the first three Alien films and Alien: Covenant, Terminator: Salvation, The Chronicles of Riddick, the first two Transformers movies, Star Wars: The Force Awakens, Star Trek (2009), Star Trek Into Darkness, adding to a catalog of books that include The Thing, The Black Hole, Outland, The Last Starfighter, Starman, and AlienNation.  So Foster knows the Alien world well and with Alien: Covenant–Origins, Foster looks beyond the monstrous xenomorphs of the franchise to the political and corporate machinations behind the first effort to colonize outer space by Earthlings.  Springboarding off what we can imagine to be a Michael Crichton’s Rising Sun-inspired corporate takeover of CEO Peter Weyland’s tech company by competitor Hideo Yutani after the events of Prometheus find Weyland lost in space, we encounter the new Weyland-Yutani Corp. as it prepares to send a ship full of colonists to habitable planet Origae-6.  But on Earth the company first encounters espionage, intrigue, and sabotage, earthbound topics wrestled with similarly in Carl Sagan’s classic novel Contact. 

More action-thriller than sci-fi, Foster plants us into a mad dash to get the Covenant into space, with Yutani’s daughter kidnapped, assassination attempts, and a strange faction bombarding the company at every step to stop all efforts to go into space to avoid what one human is foreseeing as an invasion of horrible alien demons in Earth’s future if Weyland-Yutani proceeds with its flight.  It’s the same warning Sagan and NASA encountered from members of the public when the United States sent two Voyager space probes to the edge of the galaxy and beyond in the 1970s–what if aliens find us and they’re not so friendly?

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weyland-yutani-report-cover

One of the best in-universe, sci-fi, tie-in books that we have come across is part of this year’s celebration of the 30th anniversary of James Cameron’s Aliens.  Insight Editions’ Alien: The Weyland-Yutani Report is not only a great idea–a book that could have been a movie prop used by the likes of Paul Reiser’s junior executive Carter Burke–its execution is superb.  Remove the title wrap and you have a mock leather-bound, heavy duty field guide that you might see passed around by the corporate types in the next Alien movie.

Written by Aliens, Star Trek, and Resident Evil tie-in novelist S.D. Perry with lavish artwork and designs by Markus Pansegrau and John R. Mullaney, The Weyland-Yutani Report pulls out all the stops to deliver a comprehensive Board of Directors summary guide to the findings and technology uncovered with the Alien movies beginning with Ridley Scott’s prequel Prometheus in 2012 to 1979’s Alien, to Aliens (1986), Alien 3 (1986), and through to Alien: Resurrection (1997).  (The Predator crossovers are not covered in The Report). 

yutani-spread-a

The most eye-opening data ties together–in a manner more clearly than portrayed in the films–Weyland-Yutani corporation and its founder Sir Peter Weyland, from details available in the films and information that was only character background that didn’t make it into the films.  The goals of the corporation that were the fabric that connected all the films is investigated with some top secret findings (and some redacted), including the hierarchy and gross (as in chestburster) anatomy of the Xenomorphs, groundbreaking (future) scientific achievements of “The Company,” as well as weapons, ships, tools, and theories of alien beings and their connections to early Earthlings.  (Learn even more about “The Company” at the corporate website here).

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