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Tag Archive: All You Need is Kill


Review by C.J. Bunce

Colonel Carl Butler has done it all long before he is asked by his former boss and mentor–a general with plenty of influence to get things done–to take on a strange mission far away.  The son of a High Council member has gone missing and the investigation is at a standstill.  Butler is a semi-retired hero, he’s loyal to an old military boss, and that man has asked him to go on a far-away mission as a favor.  Butler takes the mission, but always has that niggling feeling all is not what it seems.  The price of the mission is great as he is put into cryo freeze for the long voyage ahead, but his wife is set up nicely with family for the duration.  It’s all a favor to someone who has always commanded his loyal and respect.

All goes downhill even before his arrival as he’s pulled out of cryo early.  On arrival Butler is immediately odd-man-out.  He is assigned some help, but he is disregarded by everyone in authority and all his efforts to sleuth-out what happened to the missing soldier are thwarted.  Even the medical branch won’t help, and a member of the press is persistent, asking why Butler was chosen for this mission and no one else.  That becomes the mystery for Butler, too, as much as discovering the story behind the missing man.  He’s on a space station and the planet below is at war with the alien inhabitants.  Butler does everything to avoid going planetside to meet with the local commander.  Can he stay away, or are all the answers down there?  And will he get those answers without taking command himself?

Arriving in bookstores tomorrow, retired Army officer Michael Mammay’s debut novel Planetside is a military conspiracy-thriller couched in sci-fi dress.  Heavier on the soldiering than the sci-fi, it has common elements you’d find in The General’s Daughter or Courage Under Fire (Mammay does it better).  Yet it is completely accessible to both fans of war novels and sci-fi readers thumbing the paperback rack for their next enjoyable read in the mystery genre, like Forbidden Planet, Blade Runner 2049, or Hiroshi Sakurazaka’s All You Need Is Kill (known to moviegoers as Edge of Tomorrow).  The author’s key strength in Planetside is the first person voice of Colonel Butler.  No doubt derived from Mammay’s years of encounters with similar types as a soldier in Desert Storm, Somalia, Iraq, and Afghanistan, Butler has that stilted dialogue and manner that seems to define long-tenured soldiers in books and movies.  Both Butler’s inner voice and his orders to those around him give the novel fuel to skip along at a brisk pace.  Butler is very much in the realm of Colonel Graff in Orson Scott Card’s Ender’s Game, and he could have fought alongside Sgt. Zim or Lt. Rasczak–although Planetside is not a story immersed in ground and aerial combat as in Robert Heinlein’s Starship Troopers, Mammay’s realism pulls readers in with some significant skirmishes along the way.

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Phil Noto Black Widow

The last day of the year is finally here, and with that the last of our reviews of the best content of 2014.

We’ve previewed comic books each month thanks to publishers like Dynamite Comics, Dark Horse Comics, IDW Publishing, BOOM! Studios, and Image.  We sample the best of all that Marvel and DC Comics has to offer, too, and although we don’t have enough time to review everything we review those titles we think our readers might like to check out, especially those with a sci-fi, fantasy, or retro angle.  And we read plenty of books–sci-fi and fantasy, pulp and spy novels, movie and TV tie-ins, even Westerns and steampunk, as well as non-fiction books about movies, TV, and other genre topics.  This past month we have looked again at these titles, as we narrowed our selections to what we think are the very best.  So here are our picks for Best in Print for 2014.

Black-Widow-5

Best Comic Book Series — Black Widow, Marvel Comics.  We were wondering early on what would take the place of Fraction and Hollingsworth’s Hawkeye series for the most satisfying superhero fix.  It didn’t take long to see this other Marvel series looking at another superhero in a similarly personal–but very different–way.  It was a standout in a great year of comics.  Phil Noto’s art and colors were incredible and Nathan Edmondson’s story didn’t let up once.  Full of action, espionage, and intrigue.  A great series to catch-up on in a trade edition.  See our reviews of the series here and here.

AfterlifeWithArchie_07-0

Best Comic Book Mini-Series — Afterlife with Archie, Archie Comics.  Who would have guessed someone could make Archie and friends so accessible to any demographic in the 2010s?  And whose brilliant idea was doing it via a horror genre story of zombies taking over Riverdale?  Smart writing by Roberto Aguirre-Sacasa and spooky atmospheric illustrations by Francesco Francavilla made for a sumptuous series like no other.  Not technically a mini-series, it feels like one because of its staggered release.  See our earlier raves about the series here.

Wilds End issue 1

Best Comic Book Writing – Dan Abnett, Wild’s End, BOOM! Studios.  Abnett’s Wild’s End really caught us by surprise.  An incredible fantasy read that is truly unique from BOOM! Studios.  Anthropomorphic characters with incredible archaic dialogue that’s witty and smart.  A crazy mash-up of War of the Worlds, Christopher Robin’s neighborhood, and the dark edge and high stakes of Revival.  We can’t wait to see what’s in store for the rest of this series.  Check out our earlier review here.

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All You Need is Kill

Wash. Rinse. Repeat.

Live. Die. Repeat.

One of these lines is in the 2004 Japanese military science fiction novel All You Need Is Kill by Hiroshi Sakurazaka. The other line gives away some of the surprise of what the novel–soon to become a major motion picture–is about.  The movie, renamed the far less interesting title Edge of Tomorrow, stars Tom Cruise as a foot soldier (Kaiji Kiriya in the novel, Lt. Col. Bill Cage in the movie)and Emily Blunt as powerhouse super soldier Rita Vrataski in a future battle with an alien incursion that takes place on Earth not too far from now.  Based on the brief previews we’ve seen, the film appears to be different enough from the novel so that reading the novel will not entirely give away the movie, and it’s full of enough classic sci-fi riffs that you may want to read it first as a separate experience.

Sakuraska’s novel will likely conjure elements from some of the best of classic science fiction.  It’s a great look at day-to-day military encounters, with real world elements from Sun Tzu’s The Art of War, Richard Marcinko’s Rogue Warrior, Orson Scott Card’s Ender’s Game, and Robert Heinlein’s Starship Troopers.  It has its own thought-provoking “warning-sign” messages found in classics like Logan’s Run and THX-1138, that adversity in the face of certain doom as in Pacific Rim, and the “what the heck is going on” feel from any number of Philip K. Dick short stories (“Paycheck” and “We Can Remember it for You Wholesale” come to mind).  It also borrows a lot from the endless onslaught of future military video games—it helps to know the author’s background is in information technology and he’s an avid gamer.

All You Need is Kill Edge of Tomorrow tie-in novel

As the movie’s tagline reveals, the now iconic Groundhog Day time-loop plays a part in the story.  Searching for what role the time-loop plays is the real quest Sakurazaka takes us through.  Each new year seems to bring a new take on that sci-fi device, and the Star Trek: The Next Generation episode “Cause and Effect” best illustrates the physics “causality loop” if you’re not familiar with it and we discussed several other examples here at borg.com back in 2011.  If you’re stuck repeating the events of a single period of time, can you ever hope to break free from it?  What do you do in the meantime?  The time-loop element is pervasive even in the future world of the novel—Keiji loosely recounts once watching Adam Sandler and Drew Barrymore’s time-loop comedy 50 First Dates, which finds Barrymore’s character with amnesia every morning so she must start each day all over again.

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